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Jonathan Wilson  

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This is the second time I've seen Jonathan this summer, lucky to live in the same city as this amazing artist. His guitar work and vocals are really incredible. Both times I've taken friends to the show who weren't familiar with his work and they were blown away... instant fans! If you get the chance, GO!

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I am a big fan of Wilson, and had seen him play live before, but my god. Totally blown away. Amazing acoustic set with great help from Omar Velasco. Such a talented musician and producer. Enjoyed every single second of it!

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• Los Angeles (LA) (35)
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• November 19, 2013

Jonathan Wilson Embarking on Nationwide Tour

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Jonathan Wilson is set to embark on a nationwide tour to celebrate the release of his new album Fanfare , out now on Downtown Records. The album features vocal and instrumental contributions from Graham Nash, David Crosby, Jackson Browne, Josh Tillman (aka Father John Misty), Wilco’s Patrick Sansone, and Dawes’ Taylor Goldsmith, as well as Mike Campbell and Benmont Tench from Tom Petty and The Heartbreakers. The tour will include stops in New York, Boston and Chicago; please see complete dates below.

Born and raised in North Carolina and now based in the Echo Park neighborhood of Los Angeles, Jonathan Wilson arrived in Laurel Canyon in 2005 and is credited with helping to revive the neighborhood’s once-legendary music scene. As a sought-after producer, Wilson’s recent work includes albums by Father John Misty and Dawes.

JONATHAN WILSON TOUR DATES February 5 Boulder, CO Fox Theater February 7 St. Paul, MN Turf Club February 8 Chicago, IL Lincoln Hall February 10 Toronto, ON Horsehoe Tavern February 11 Boston, MA Brighton Music Hall February 12 New York, NY Bowery Ballroom February 14 Brooklyn, NY Music Hall of Williamsburg February 15 Philadelphia, PA Underground Arts February 16 Washington, DC 6th & I Historic Synagogue February 18 Carrboro, NC Cat’s Cradle February 19 Charlotte, NC Visulite Theatre February 20 Atlanta, GA Terminal West February 22 Nashville, TN Mercy Lounge

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Jonathan Wilson Announces Tour and Releases New Music Ahead of New Album DIXIE BLUR

Article contributed by all eyes media | published on tuesday, january 14, 2020.

Acclaimed artist/producer Jonathan Wilson has announced select spring tour dates in support of his upcoming new album Dixie Blur  (BMG/Bella Union). The highly anticipated new collection will be released on March 6th and features Wilson’s most personal and fully realized work to date. See full list of dates below.

Listen HERE to the recently released  single “In Heaven Making Love”. Wilson says of the song, “I wanted to write a song about a perfect evening, something worth remembering. A song about carrying letters of rock & roll freedom all over the world.” He adds, “SO happy to share this new music with  Cousin Kenny Vaughn taking that sweet guitar break and the legend Mark O’ Connor playing that fiddle solo. I remember the moment clear as a bell.”

For Dixie Blur , the North Carolina-bred, Los Angeles-based Wilson chose to go to Nashville and work with co-producer Pat Sansone of Wilco at Cowboy Jack Clement’s legendary Sound Emporium Studio. He recorded live in the studio with a personal wish list of players that included Mark O’Connor (fiddle), Kenny Vaughan (guitar) Dennis Crouch (bass), Russ Pahl (pedal steel), Jim Hoke (harmonica, woodwinds), Jon Radford (drums), and Drew Erickson (keyboards).

The results are incredible. Just listen to the tracks “ So Alive ” and “ Korean Tea ” to get a feel for Wilson’s vision, Watch the video for “ 69 Corvette ”, featuring in-studio footage and home movies from Wilson’s youth that feed the longing for home narrative that runs throughout Dixie Blur . 

While Jonathan Wilson may not be a name immediately recognized in mainstream pop culture, chances are that the multi-talented artist’s work has crossed your path. As a producer, Wilson has worked with artists that include  Father John Misty, Conor Oberst,  Laura Marling and  Dawes. As a musician, he has appeared on albums by artists ranging from Jackson Browne to Karen Elson to Roger Waters. Wilson was also musical director, guitarist and vocalist on Waters’ epic US+THEM tour. As a solo artist, Wilson has released Gentle Spirit (2011), Fanfare (2013) and Rare Birds (2018), where he played nearly every instrument. On top of all of that, he is even a gifted luthier. There seems to be no limitation to what this modern renaissance artist is capable of.

Dixie Blur is available for pre-order now on Digital, CD and Double 180 gram color LP in die cut gatefold jacket with silver foil, double print dust sleeves and 15-page lyric booklet. Pre-order available at JonathanWilson.lnk.to/dixieblur .

JONATHAN WILSON SPRING TOUR DATES

March 6 - Los Angeles, CA - Masonic Lodge at Hollywood Forever March 7 - Los Angeles, CA - Masonic Lodge at Hollywood Forever March 10 - Toronto, ON - The Great Hall March 12 - Brooklyn, NY - Brooklyn Bowl March 13 - Philadelphia, PA - XPN Free at Noon March 15 - Charleston, WV - Mountain Stage March 17 - Nashville, TN - Mercy Lounge March 18 - Denver, CO - Bluebird

Visit SongsOfJonathanWilson.com for news and additional dates

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Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

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JONATHAN WILSON

February 2018.

Handsome Tours  is excited to announce an intimate, one night only solo performance by Los Angeles-based singer-songwriter/multi-instrumentalist/producer  Jonathan Wilson  ( Father John Misty ,  Karen Elson ,  Conor Oberst )  on  Thursday, February 1  at  Cake Wines Cellar Door , Redfern.

The limited capacity event is a chance for fans to get up close and personal with Wilson ahead of his forthcoming third solo release  Rare Birds . The highly anticipated album will feature contributions from  Josh Tillman ( Father John Misty ),  Lucius ,  Lana Del Rey  and New Age music legend  Laraaji .

Says Tillman, “Jonathan’s talent – ‘mastery’ may be more apt – places him among a rarefied class of musical auteur.  You’d be hard pressed to find a comparison, or contemporary for that matter, that would do his recent work justice.”

The first taste of the album comes via the epic and romantic ‘ Over The Midnight ‘ of which Wilson says, “I wanted to write a song about a sacred place for lovers to exist and I named that destination, process, mood or feeling  ‘Over the Midnight’. It’s a place where nothing is savage.” In one of Wilson’s favourite lines on the album he sings, “This world it is burning, but don’t it feel incredible?/ Whisper in my ear and tell me what you see in the flames.”

Rare Birds was produced by Jonathan Wilson and engineered by Dave Cerminara at Wilson’s own Fivestarstudios in Echo Park, Los Angeles. Recorded during the same time-frame he was in the studio with Roger Waters, working on Is This The Life We Really Want?, Wilson felt inclined to expand into certain psychedelic and sound labyrinths. There are voices, sirens, children playing, and more enhancing spatial sounds, while musical compadres Lana Del Reyand Josh Tillman (Father John Misty) appear as backing vocalists on ‘Living With Myself’ and ’49 Hairflips’, respectively.

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Past Events

Here are the most recent UK tour dates we had listed for Jonathan Wilson. Were you there?

• 2020 Jan 28 Jan 30 2020 Americanafest UK 2020 Amelia White, Amy LaVere, Amy Speace, Blair Dunlop, Blue Rose Code…
• 2019 Aug 07 Aug 10 2019 Oyafestivalen Festival 2019 The Cure, Robyn, Karpe, Sigrid, Motorpsycho med venner…
• 2019 Jul 18 Jul 21 2019 Southwold, Henham Park Latitude Festival 2019 George Ezra, Anna Calvi, Baxter Dury, Khruangbin, Loyle Carner…
• Jul 18 2019 Birmingham, Hare & Hounds Jonathan Wilson
• Jul 17 2019 Cardiff, Clwb Ifor Bach Jonathan Wilson
• Jul 14 2019 Kendal, Brewery Arts Jonathan Wilson
• Jul 13 2019 Manchester, YES Jonathan Wilson
• Sep 07 2018 London, Islington Assembly Hall Jonathan Wilson
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Published: 2023/03/29

Jonathan Wilson Delivers New Single “Marzipan” and Official Music Video

Photo Credit: Andrea Nakhla

Critically-acclaimed artist and Grammy-nominated engineer/producer Jonathan Wilson has delivered a new single, “Marzipan,” released today via BMG. In addition to the new song, the multi-instrumentalist also shared the official music video for the track, which was created entirely using artificial intelligence. 

In a press release shared by Wilson, he offered, “With my new single ‘Marzipan,’ I wanted to break out of any and all comfort zones I may have lapsed into as a writer, narrator, producer, or player.” Through the process of pushing his boundaries, the artist opened up to a risky, experimental approach with his latest single. 

“I wrote the string and horn arrangements for ‘Marzipan’ myself, and it was a pleasure to have these wonderful players put my melodies on this recording and into the gentle listener’s ears. I wanted a Walker Brothers’ ‘The Electrician’ string moment at some point in my life, that degree of beauty, and I think this gets me close,” he added. 

The multi-instrumentalist concluded his statement, “The song chronicles some of my life autobiographically when I lived in NYC in the early 2000s in my 20s. The feeling of Greenpoint, Brooklyn, at that moment. Countering that with a deep dive into Hank Williams, Roy Acuff, and my early fascination with the Harry Smith Anthology during those years, I was obsessed. And, of course, jazz, which changed my life forever.”

The official music video for Wilson’s newly cut “Marzipan” was created by artist Andrea Nakha using A.I. latent text-to-image diffusion model, ideal for illustrating the vivid, psychedelic, dreamlike journey the artist leads the listener on via his latest offering. Stream the new single here .

Watch the official music video for “Marzipan” below.

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Jonathan Wilson Concert Setlists & Tour Dates

• Jonathan Wilson ( singer/songwriter/producer )
• Jonathan Wilson ( US bassist for Eisley )

Jonathan Wilson at The Great Hall, Toronto, ON, Canada

• In Heaven Making Love
• '69 Corvette
• There's a Light
• Living With Myself
• Desert Raven
• Can We Really Party Today
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Jonathan Wilson at Masonic Lodge at Hollywood Forever, Los Angeles, CA, USA

• The Crow on the Cradle

Jonathan Wilson at St.James (Piccadilly) London UK, London, England

Jonathan wilson at the regent theater, los angeles, ca, usa.

• Days Between

Jonathan Wilson at AmericanaFest 2019

Jonathan wilson at festival paredes de coura 2019.

• Trafalgar Square
• Over the Midnight
• Dear Friend
• Sunset Blvd
• 49 Hairflips
• Valley of the Silver Moon

Jonathan Wilson at Knust Acoustics Sommersession 2019

• Gentle Spirit

Jonathan Wilson at DR Koncerthuset, Studie 2, Copenhagen, Denmark

Jonathan wilson at øyafestivalen 2019.

Jonathan Wilson

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Most played songs

• Desert Raven ( 91 )
• Valley of the Silver Moon ( 89 )
• Dear Friend ( 65 )
• Gentle Spirit ( 58 )
• Moses Pain ( 58 )

More Jonathan Wilson statistics

Jackson Browne Dawes Conor Oberst Roddy Hart & The Lonesome Fire

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Artists covered

Jackson Browne J.J. Cale Sydney Carter Lana Del Rey Bob Dylan Fleetwood Mac Eddie Floyd Jerry Garcia Grateful Dead Arlo Guthrie Merle Haggard George Harrison Laraaji Robbie van Leeuwen John Lennon Gordon Lightfoot Ted Lucas Jimmy Reed Sopwith Camel Rufus Thomas Happy and Artie Traum Bob Welch Neil Young Warren Zevon

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446 people have seen Jonathan Wilson live.

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Related tags, interview: jonathan wilson, renaissance man.

As he releases his superlative third album, Rare Birds, Teri Saccone picks the brains of one of the most interesting characters in modern guitar music…

Photography Eleanor Jane

Jonathan Wilson is that rarest of creatures: a creative purist. A guitarist, producer and songwriter of enviable talent, Wilson’s music may be steeped in the dreamlike sounds that filtered out of Laurel Canyon in its early-1970s heyday but his recent work owes as much to Trevor Horn and has the widescreen ambition of Kate Bush or Peter Gabriel.

Don’t let his relaxed demeanour and intoxicating music lull you into a sense that he’s not making the most of every spare minute – Wilson just might be the modern heir to James Brown’s famous title of ‘the hardest working man in showbusiness’. From the impressive surroundings of his Fivestar Studios in Echo Park, he’s sat in the producer’s chair for artists as varied as Father John Misty, Conor Oberst, Roy Harper and Glen Campbell. He’s also in demand as a musician, having performed and collaborated with the likes of Erykah Badu, Wilco, Jackson Browne, Graham Nash and many more.

Jonathan: “The Strat is a partscaster I put together with my dad way back in 2004. It was one of the first guitars I put together. The pickups are special, they’re made by Alan Hamel”

It’s a stacked slate that goes someway to explaining why his new album, Rare Birds is his first since 2013’s Fanfare, but that’s not even the full story. For the last few years, Wilson has been the lead guitarist and musical director (although he deflects the latter with typical humility) in the band of Pink Floyd legend, Roger Waters. It’s a gig that’s taken him around the world, and also seen him contribute to Waters’ critically lauded 2017 album, Is This The Life You Really Want?.

But throughout all his other endeavours, the threads of Rare Birds have been percolating and developing, finally coming together in an album that’s already a surefire entry in many 2018 Best Of lists. Expansive and arrestingly ambitious, it clocks in at a sprawling 80 minutes, but there’s artistic progression, too.

We catch up with Wilson during his recent European tour, on a rare afternoon off in Amsterdam. As the amiable North Carolina native traverses the city’s famous canals, we wonder if the presence of synths and electronic drums on Rare Birds represents a concerted effort to break with his Laurel Canyon revivalist reputation, but he insists it was an organic change.

“The songs developed naturally and I didn’t set up specific tonal ideas,” Wilson insists. “I just knew I wanted something a bit more like myself. I was the Canyon folky dude for a while, pursuing sublime 60s/70s acid rock fuzz tones. I don’t hear many other people achieving that sonic touchstone. I loved it but I didn’t want to create a pastiche either. The synths and drum machines were precisely what I used starting out as a youngster. So I’m back to where I began with those.”

Listening to Rare Birds, the influence of his time with Roger Waters can be heard at several moments – we wonder how much working with the Floyd icon informed the album’s writing.

“Insofar as a lot of my songs were done at the same time,” he explains. “He’d be in my studio all day and then afterward I’d return to my songs, and the same amps were there, my guitars were there in tune. I have this little handmade ghetto board that sits under my mixing desk. He’d say it was, ‘Weird, home-made hippie shit’. But a lot of that, and my pedals, ended up on his record and mine, too.”

Wilson’s lifelong obsession with recording and guitar gear began when he was a teenager, when he bought himself a portastudio – a humble Tascam. Since then, however, things have ballooned substantially.

“It would fill a couple of tractor trailers at least,” he wryly admits of his gear collection. “I’m one of those psychotic people who buys it all, fixes it all, carts it all around the world and sets it up to produce people who come to me.”

Indeed, Fivestar Studios has become a Mecca of vintage gear, but he’s not always been about buying the gear – he was a notable luthier at one point, but now admits that crafting instruments was a vehicle to fund his gear addiction. “When I made guitars it enabled me to buy gear,” he adds. “I’m so enthralled with equipment. It’s my life.”

“I put my name on these because they are not vanilla-sounding,” he explains. “These are nasty, broken-sounding, they are made by people who heard my solo stuff and my guitars on the Father John Misty stuff, so they tried to approximate my studio technique to get that nasty sounding fuzz in a pedal. They cascade on top of each other and sound great.”

When it comes to guitars, Wilson’s collection is large and diverse, but he primarily leans on the classic designs, albeit with a typically unconventional slant. “I own about 75 guitars… but there’s a lot of extraneous stuff,” he notes.

“Most of the action for me is in the amps. I have a ’68 Marshall 50-watt Plexi, a vintage PA cabinet, a PA column from the 60s… Plus four 1963 Bassmans. On the Waters tour, I loaned one to Roger, which is kinda cool, plus I use a shit-tonne of amazing amps, including a Hi-Tone DG-50. For my own shows, it’s the Bassman and Marshall.”

In addition to his love of fuzz, Wilson’s guitar playing has become known for his liberal use of a Mu-Tron envelope filter similar to the one made famous by the sublime Jerry Garcia.

“I first got my Mu-Tron Micro V just to try out and I kept it,” he recalls. “I still use that for the vocal sound it gives me, I like that because it sharpens the melodic connections. Same thing when I use the talkbox. The Mu-Tron is an extension of that.”

Despite the Garcia associations, his love of the Mu-Tron didn’t come from Jerry, though he does describe himself as a bit of an acolyte. “Yeah for sure,” he explains. “But not at the time I got the Mu-Tron, which was a long time ago. Since then I really discovered him and the Dead, and have done stuff with GD members. But Jerry was a luminary to me.”

Jonathan’s carefully chosen pedalboard, which features various boutique boxes, plus his signature model Jext Telez Jonathan Wilson’s Canyon Climber fuzz

At Fivestar there lives an historic console: a rare Cadac board that once lived in the legendary Wessex Studios in London, and saw the likes of Queen, Sex Pistols, King Crimson and The Clash make use of it for their recording needs.

“It was up for auction and someone told me about it,” Wilson recalls. “I bought it for $50,000. The photos were really blurred online, so it was a leap of faith to buy it, as I couldn’t be sure it would show up. It’s so exciting to have and use.”

Jonathan’s live amps comprise a ’63 Fender Bassman and a ’68 Marshall Plexi

Extended Migration

With such a non-stop schedule of production and touring, he admits that the birth of Rare Birds hasn’t been the easiest, and it’s taken him a long time to get it to its current state.

“It was arduous, a long haul,” Jonathan adds. “I had started some of this in 2013, I scheduled myself in a studio in Joshua Tree to work at one point. I did about nine songs there. I pulled myself away to lay down guitar tracks. I kept getting hijacked to mix (Father John Misty’s universally acclaimed 2017 album) Pure Comedy, or go on tour with Roger. But those projects gave me time to think about the tracks.”

Given that mix, it’s perhaps not surprising that he’s been given the ‘musical director’ title, even if it is one that he’s clearly uncomfortable with. “It’s a de facto vibe, really,” he insists. “It grew out of playing on his album. We made about 60 to 70 per cent of his album at my studio. So the sounds we developed as a band became a significant part of his live show. But I certainly can’t take so much credit. I had gone to his Desert Trip show. That band sounded great and I didn’t think he’d want to change it. But he did, which was risky and the band feels more like a band rather than a random collection of musicians.”

Despite the stadium-sized audiences that he plays to on the Waters tour, Wilson assures us that there are no inherent pressures… with one notable exception. “Stress only happens if I’m on stage and play a wrong note,” he chuckles. “And then I’ll think the whole stadium hears it, which is probably untrue.”

That intent carries over into the solos, which Jonathan shares with Waters’ other touring guitarist Dave Kilminster, where old-school musicality is the prime concern ahead of technical fireworks.

Jonathan on his main acoustic: “The Gibson is a first year J-50 – 1947. I got it in Hollywood about 10 years ago. It was cheap because it was beat up, but I knew it must sound good if it’s beat up!”

“You must be able to sing the solo, or there’s an issue with the melodic component,” Wilson explains. “I know so many guitarists that are great players and can mimic great melodies, but there is a disconnect between their hands and creating melodies. It’s a gift I think, and not everyone is connected to that.”

As with any artist who spends a long time away from the limelight, Wilson accepts that his sojourn into other pursuits has meant he’s faded from view somewhat since the critically and commercially successful Fanfare – but it’s clearly not the easiest thing to rebuild your following.

“It’s a challenge to be on the road in that I’ve been off the map since Fanfare so we’re in small venues again,” he sighs. “I’m not yet at a point where I can truly enjoy the process. But it’s infinitely exciting to get back on stage with my band, expanding the new songs. To make the show a truly sensory experience is my ideal. I’m not going for something as huge as what Roger did with The Wall, but that’s the ultimate.”

Jonathan’s Gibson Jackson Browne – like all his acoustics, it uses the Trance Audio Amulet stereo pickup system

He has to make the most of these opportunities, however, as the call of his other life is never far away. “I’ll keep doing my solo tour until I meet Roger in Spain, then I’ll do another 45 shows with him then jump back into my solo tour,” he observes. It’s another packed schedule, then, and we have to wonder if he doesn’t wish he had time to stop and appreciate what he’s achieved – but Wilson is having none of it, replying contentedly, “My next day off is 16 December…”

Jonathan Wilson’s Rare Birds is available now on Bella Union.

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