from east to west by voyage

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• Billboard Top Dance Hits: 1978 Album
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Voyage - From East to West Lyrics

Artist: Voyage

Album: Billboard Top Dance Hits: 1978

LETRASPágina Inicial Letras Voyage From East To WestABCDEFGHIJKLMNOPQRSTUVWXYZ#ARTISTA From East To West Voyage Pedir esta música Letra Get your bag put on your boots and fly to the sun Hitch a ride don't be afraid That's livin' for fun Find a spot unoccupied so much to be done Try to find your way and let's go dancin' along All around the world people singin' along Crazy boys and girls will teach you lyricle songs All around the world people singin' along Crazy boys and girls will teach you lyrical songs Look at them dancin' Look at them playin' Hey, hey, hey

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From East To West  by  Voyage

Brazil ▼  Select Chart Below Top 100 Charts Rock & Roll Charts R&B Charts Country Charts Brazil Charts # 58   ▼  Select Chart Position # 1 ; # 2 ; # 3 ; # 4 ; # 5 ; # 6 ; # 7 ; # 8 ; # 9 ; # 10 ; # 11 ; # 12 ; # 13 ; # 14 ; # 15 ; # 16 ; # 17 ; # 18 ; # 19 ; # 20 ; # 21 ; # 22 ; # 23 ; # 24 ; # 25 ; # 26 ; # 27 ; # 28 ; # 29 ; # 30 ; # 31 ; # 32 ; # 33 ; # 34 ; # 35 ; # 36 ; # 37 ; # 38 ; # 39 ; # 40 ; # 41 ; # 42 ; # 43 ; # 44 ; # 45 ; # 46 ; # 47 ; # 48 ; # 49 ; # 50 ; # 51 ; # 52 ; # 53 ; # 54 ; # 55 ; # 56 ; # 57 ; # 58 ; # 59 ; # 60 ; # 61 ; # 62 ; # 63 ; # 64 ; # 65 ; # 66 ; # 67 ; # 68 ; # 69 ; # 70 ; # 71 ; # 72 ; # 73 ; # 74 ; # 75 ; # 76 ; # 77 ; # 78 ; # 79 ; # 80 ; # 81 ; # 82 ; # 83 ; # 84 ; # 85 ; # 86 ; # 87 ; # 88 ; # 89 ; # 90 ; # 91 ; # 92 ; # 93 ; # 94 ; # 95 ; # 96 ; # 97 ; # 98 ; # 99 ; # 100 ; in 1978

Cálice - Milton Nascimento & Chico Buarque

#10 in 1978

Outra Vez - Roberto Carlos

Self Pity - Lucifer

#66 in 1978

You Make Me Feel (Mighty Real) - Sylvester

#95 in 1978

Stayin' Alive - Bee Gees

#14 in 1978

I Will Still Love You - Stone Bolt

#77 in 1978

Emotion - Samantha Sang

#11 in 1978

#57 in 1978

Chris rea - fool (if you think it's over), #59 in 1978, roberta kelly - i'm sagittarius, related chart trivia.

Top Pop Songs of 1978

Top Rock & Roll Songs of 1978

Top R&B Songs of 1978

Top Country Songs of 1978

Charts from same decade

1970 1971 1972 1973 1974 1975 1976 1977 1979

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The best shows to see in London right now: From Six the Musical to ABBA Voyage

Sit back and relax whilst we tell you all about our favourite shows....

Calling all theatre lovers! A night at the theatre has never felt more important. With the dark winter nights that feel like they start at 4pm, and icy temperatures that just keep getting colder, nothing sounds better than cosying up in an auditorium and being immersed in a night of live music. 

As a self-confessed slave to Sondheim, former performer, and all-round theatre fanatic, me and my fellow colleagues at  HELLO ! are here to arm you with a glittering list of shows and performances you need to see right now in London - and it's not all in the West End.

Whether it's an immersive experience like ABBA Voyage, an off-West End production at Upstairs at the Gatehouse or our favourite ex-wives causing a storm at the Vaudeville, we are here to review London's best performances so you never miss out on the latest productions. 

Operation Mincemeat

When I first sat down to watch Operation Mincemeat I didn't know what to expect. Having not seen the film, I was approaching the show with completely fresh eyes and I couldn't believe the lasting impression the performance left on me. 

The current landscape of musical theatre in London feels hyperfocused on jukebox musicals. While they are the money makers, on the whole, they can feel incredibly predictable and repetitive– the antithesis of Operation Mincemeat.

A story situated in the throws of WW2, Operation Mincemeat had the familiarity and warmth of a legit musical whilst also feeling fresh and pacy, which was down to its use of classic techniques such as Brecht-inspired multi-rolling and gender-swapping the characters. As well as Jacques Lecoq-esque physical theatre, all of which added an intellectual dimension to the piece.

When it came to the multi-rolling and gender-swapping of characters, it was a lot to take in at first, but it was an easy adjustment due to the actors' undisputable talent. Particularly, Christian Andrews' performance as Hester Leggatt, who left everyone in tears at the end of Dear Bill.  Emily Barber was also a standout in her role as the blood-boilingly smarmy Etonian, Ewen Montague. 

With all the chopping and changing, it would be easy for audiences not to follow the narrative but the cast and creative team have done an exceptional job of prioritising the narrative in a way that is clear and understandable. The set, slick changes of costume and props all helped aid in this.

All in all, the show more than fulfilled my expectations, and I urge anyone and everyone to go and see it. It is a rare occasion that the West End is graced with such a brilliant new musical truly worth its salt, such as this one.

Where: The Fortune Theatre

When: Until 25th January 2025

Tickets:  ATG Tickets

Reviewed by: Isabelle Casey, Reporter

Get in loser, we're going to The Savoy Theatre! Mean Girls has officially opened on the West End after much anticipation and it certainly did not disappoint.

The musical adaptation of Tina Fey 's 2004 cult rom-com tells the cautionary tale of high schooler Cady Heron and North Shore High's dreaded clique, The Plastics. The cast is led by Charlie Burns in the role originated by Lindsay Lohan , alongside Georgina Castle as queen bee Regina George, Elèna Gyasi as the sycophantic Gretchen Weiners, and Grace Mouat as the hilariously ditsy Karen Smith.

The concern with any musical adaptation is that it will feel like an unfulfilling parody of the original but this was certainly not the case. New life was breathed into this new iteration with dazzling musical numbers, a pitch-perfect cast, and the most stunning array of costumes - I couldn't get enough of Regina's pink sparkly sock boots.

Having brought the show over from Broadway, Tina Fey cleverly incorporated aspects of British humour into the show which was a huge hit with the audience who spent large portions of the night in fits of giggles. Tom Xander was particularly entertaining as Damian Hubbard with his dry wit and George Michael-induced dance breaks.

Ultimately, the show captured all the noughties nostalgia without ever feeling stale. The cast had huge shoes to fill between the original movie and the 2024 adaptation starring Reneé Rapp and Angourie Rice but London's roster exceeded my expectations. I have to admit, it was fetch!

Where: The Savoy Theatre, London

When: From 26 June 2024

Tickets: www.atgtickets.com/shows/mean-girls/savoy-theatre/

Reviewed by: Katie Daly, Junior Lifestyle Writer

Mrs Doubtfire the Musical

Help is on the way dear! And all the way into 2025 as Mrs Doubtfire the Musical  celebrates its first anniversary on the West End and opens bookings for another joyful year. I had the absolute pleasure of attending the 'Nanniversary' performance of this incredible show at The Shaftesbury Theatre and I can honestly say it was one of the best West End shows I have ever seen. 

I am a die-hard musicals fan and Mrs Doubtfire is one of my favourite films so I was both excited and apprehensive, unsure of whether the musical version could live up to the adored 1993 hit starring Robin Williams and Sally Field. I was blown away by how funny the show was, like belly laugh funny, and also so moving at points.

The show gets a 10 out of 10 for production value - incredible sets, costumes, and musical numbers which breathed life into a modernised version of the 90s classic. Gabriel Vick put on a stunning performance as the much-loved Scottish nanny, doing a host of voices, impressions, and accents throughout the show which were wholly believable and highly amusing. 

The child stars of the show, Herbie Byers and Felicity Walton, were the definition of professional and West End veteran Cameron Blakely put on a standout performance as Frank Hillard that had the audience in stitches.

I could not recommend this show more highly and being able to enjoy it on this special night in the presence of Strictly  pros and TV stars, including Ainsley Harriott and Julia Bradbury, was the icing on top of the cake.

Where: Shaftesbury Theatre, London

When: Booking until 16 February 2025

Tickets:  mrsdoubtfiremusical.co.uk

Back to the Future: The Musical 

If you're searching for a jaw-dropping West End musical, look no further than 'Back to the Future'. This production, currently lighting up the the Adelphi Theatre, is a triumph of theatrical ingenuity and a must-see for both fans of the iconic film and newcomers. I was thinking it would be good (I'd heard some reviews) and expecting that my kids would love it. But I was completely unprepared for how blown away I would be by this performance. 

From the moment the curtains rise, it's clear that this show is something extraordinary. The production team has masterfully transformed the beloved 1985 movie into a live extravaganza that captures the magic and excitement of time travel in the most incredible ways. The stage comes alive with an electrifying blend of sound, lighting, and special effects that are literally out of this world.

The plot follows the familiar and much-loved journey of Marty McFly, a teenager who inadvertently travels back to 1955 in a time machine built by the eccentric Dr. Emmett Brown. With the help of Doc Brown, Marty must navigate the past to ensure his parents fall in love, all in break-neck speed so he can return to the future. The translation of this well-loved story to the stage is so well done, it'll beat your wildest expectations, and the who works for kids, teens and parents alike. 

One of the standout elements of this production is the sound design. The musical numbers are an auditory feast, not to mention the sounds and lights that bring the whole time travel to life. It's a fully immersive spectacle that takes the audience with the stars on their dash through time. 

And then there are the special effects. The production team has pulled out all the stops. The DeLorean is a character in its own right, literally taking off and flying right before your eyes.The creativity and technical prowess of this musical showcases the very best of what modern West End theatre has to offer. It's a show that delights in every aspect, from its stunning sound and lighting to its groundbreaking special effects and outstanding performances. Whether you're a die-hard fan of the film or simply looking for an unforgettable night out, this musical promises a journey through time that you won't want to miss. I was left awed. Great Scott, it's incredible!

Where: Adelphi Theatre, London

When: Booking until December 2024

Tickets:  Back to the Future

Reviewed by: Sophie Vokes-Dudgeon, Chief Content Officer

I went way down into Hadestown on the show's opening night - and what a night it was! Hadestown has been around for much longer than you might think, first premiering in 2018 at the National Theatre before moving to Broadway and enjoying big success ever since. As such, I was buzzing for the show's debut on the West End, having long wanted to watch it for myself. 

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The show is unique. The story is based on the Greek tragedy of lovers Orpheus and Eurydice, as well as the story of Hades and Persephone. In this updated version, Hades is the owner of an underground factory which Eurydice turns to due to her extreme poverty, leading Orpheus to go down to find her and bring her home. After a slow start, the show picks up steam around halfway through Act 1 with the welcome introduction of the deliciously evil Hades, and by the act 1 finale, I was hooked. 

You can't help but think that the characters have maybe put much of these troubles on themselves, like Orpheus wouldn't have had to go to Hadestown to find Eurydice if he'd looked up from his desk just once while composing his spring song, while Eurydice can only apologise for the things that she did when she was hungry. Either way, the staging in glorious, the performances are wonderful - Dónal Finn has a voice like Freddy Mercury and the Fates are a highlight - going from cheeky banter to dramatically grave at a moment's notice. 

Where: Lyric Theatre, London

Tickets:  Hadestown

Reviewed by: Emmy Griffiths, TV and Film Editor

Listen up, let me tell you a story! I went to the press night for the new cast of SIX and here is what I thought. 

The show has reached stratospheric levels of popularity with each queen cast in the show acquiring their own cohort of superfans. Whenever there is a cast change I can't even imagine the pressure on the newbies to diversify their role and give it a different spin to the queen before them.

Cast-wise, the creative team mixed things up a lot whilst still staying true to the identifiable traits of the characters and naturally, several things stood out for me. 

Janiq Charles as Katherine Parr was an exceptional choice. Casting a Trinidadian actress in this role was a decision that should have been made sooner. Her rich vocals had a velvety depth I haven't heard vocally in that role before (and I've seen the show three times…). Not to mention the fact that I couldn't stop watching her throughout the performance, she is a captivating performer and her stage presence is impeccable. 

Kayleigh McKnight arguably has one of the most iconic songs in the whole show, 'Heart of Stone',   and having heard the song performed countless times. I was so impressed with her vocal choices and how she switched it up - and I mean up - because she wasn't just flooring the audience with her crystal-clear belt. Kayleigh also showed off her impressive soprano range in her vocal add-libs which were a very welcome change of pace.

All in all, I had a great evening - it's hard not to with such an uplifting tracklist! What I will say though, as the show keeps going I couldn't help but feel the slightly OTT, 'panto-like' elements of the production being slightly more elevated. Whether it was the pressure of press night, I don't know but overall, it's certainly a solid cast and brilliant show. 

Where: The Vaudeville Theatre

When: Now until 23 April 2025

Tickets:   SIX the Musical

ABBA Voyage 

"SOS, they didn't play Super Trouper!" was my immediate criticism as I left the custom-built arena.  But other than depriving me of my favourite ABBA number, you can't walk away from ABBA Voyage without feeling impressed, even if it's just by how realistic the band appear. 

The experience does exactly what it says on the tin and gives you as close to an authentic concert from the famed Eurovision band as you could want. I was in the standing area rather than the stadium seating towards the back, and I'm glad we were, not only for dancing purposes but also because I think it helped us to feel fully immersed in the experience. 

The seating was very far back, and although I suppose it would help to take in the entirety of the spectacle, I do think it wouldn't have been the experience it was had I not been on the floor.

The live backing singers and band were exquisite and really got the energy going in the room, another reason why being near the front was a good choice as you could feel the energy they were giving off. 

Where: Queen Elizabeth Olympic Park, Stratford

When: Now until 25 November 2024

Tickets:   ABBA Voyage

Guys & Dolls

Nicholas Hytner's reimagining of Guys & Dolls is a joyful masterpiece chock-full of laughs, sequins and romance to boot. Visually, it's a delight. Technicolour neon lights jostle for attention from above, while the moving platforms allow for a constantly evolving set reminiscent of the buzzing streets of New York. One minute the 'Guys' are pounding the noisy pavements, the next, a leather-clad Miss Adelaide is swinging her hips in the luminescent Hot Box Club. 

The show follows crook Nathan Detroit (Owain Arthur) and his relationship with his fiancee of 14 years, showgirl Miss Adelaide (Timmika Ramsay). Their love story runs in tandem with the unlikely romance between gambler Sky Masterson and Salvation Army missionary Sarah Brown (Celinde Schoenmaker). Sky is challenged to find $1,000 to finance Nathan's crap game by taking Sarah to the cacophonous streets of Havana. But instead sparks start to fly and they slowly fall in love… 

The beauty of The Bridge Theatre is that there doesn't appear to be a bad seat in the house. Because the stalls are arranged in a square-like formation, you're pretty much guaranteed a reasonable eyeful of the unfurling action. For Immersive ticket holders, the viewing experience is as good as it gets in the West End. Standing spectators are encouraged to inch their way around the moving platforms, allowing for a more intimate, one-of-a-kind experience. But be prepared, the cast aren't afraid to occasionally enlist the help of nearby playgoers in some of their dance sequences… 

With former  Strictly Come Dancing judge Arlene Phillips at the helm of the choreography alongside James Cousins, the West End show delivers some seriously high-octane dance routines. Despite the limited floor space, the cast deftly twirl and kick their way through the sequences which feel decidedly modern. As for the musical element, the cast deliver some spine-tingling moments, with Celinde and Timmika arguably leading the pack with their outstanding vocals. Memorable songs include 'A Bushel and a Peck', 'Sit Down, You're Rockin' the Boat' and 'If I Were A Bell'. 

While the immersive element is quite unlike anything in the West End currently, the ebb and flow of standing ticket holders can be slightly off putting if you're easily distracted. But for all this, it's undoubtedly worth the hype and merits a five-star review.

Where: The Bridge Theatre

When: Until 31 August 2024 

Tickets:  Guys & Dolls

Reviewed by: Phoebe Tatham, News & Features Writer

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Penn State vs. West Virginia Football Live Stream: Time, Channel, Where To Watch Live Online For Free

Is the first ‘sunday night football’ game on tonight where to stream nfl games on sunday nights this season, how to watch the michigan vs. fresno state football game: start time, channel, streaming info, is tonight’s notre dame vs. texas a&m football game on nbc where to watch, ohio state vs. akron live stream: how to watch today’s ohio state football game live online for free.

Live from Milan Puskar Stadium in Morgantown, West Virginia, the Mountaineers host the Penn State Nittany Lions in Week 1 of the 2024 college football season !

James Franklin’s squad had a good but not great 2023 campaign. Penn State started 6-0 before losing to Ohio State in a 20-12 heartbreaker. The Nittany Lions rebounded with wins over Indiana and Maryland before losing to Michigan. Finally, they finished the season with a loss to Ole Miss in the Peach Bowl. Can starting quarterback Drew Allar lead PSU to a Big 10 title? Their first test is West Virginia, who ended their 2023 season at 9-4 and a 30-10 victory over North Carolina in the Duke’s Mayo Bowl.

Sit back, relax, and enjoy a lazy Saturday of college football action. From start time to live stream info, here’s how to watch the Penn State/West Virginia game live online.

What Time Does The Penn State vs. West Virginia Game Start Today (August 31)?

All the action begins at 12:00 p.m. ET on FOX.

How To Watch Penn State vs. West Virginia Live On TV And Online:

You can watch today’s PSU/WV game live on FOX. If you have a valid cable login, you can also stream all the fun on the FOX Sports app or FOXSports.com .

Can I Watch Penn State vs. West Virginia On Hulu + Live TV or YouTube TV?

You bet. You can watch Penn State vs. West Virginia with an active subscription to DirecTV Stream , Sling TV (depending on your location), fuboTV , Hulu + Live TV , and YouTube TV. All the aforementioned services offer a FOX live stream.

YouTube TV, Hulu + Live TV , and fuboTV offer free trials for new subscribers.

Will Today’s Penn State Game Be On The Big Ten Network?

Nope. The Big 10 Network will air Illinois State at Iowa (12:00 p.m. ET), Miami (Ohio) at Northwestern (3:30 p.m. ET), and Idaho at Oregon (7:30 p.m. ET).

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As Israel Keeps Fighting in West Bank, Residents in One Battle Zone Reel From the Damage

In the Nur Shams area near Tulkarm, Israeli bulldozers have chewed up large chunks of the roads, and many homes have been left without running water and internet. One family mourned the death of a relative they said was killed in the raid.

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By Aaron Boxerman

Residents of Tulkarm in the Israeli-occupied West Bank assessed the damage on Saturday from a raid by Israeli forces that has chewed up roads, brought sudden bouts of violence and left many Palestinians reeling. Israel’s military pressed on elsewhere in the territory amid signs that fighting with Palestinian militant groups could spread.

Hundreds of Israeli soldiers swept into cities in the northern West Bank this week with columns of armored vehicles and bulldozers, clashing with militants and leaving many people trapped in their homes without running water or internet. One family said that a relative with mental illness was shot dead during the raid, his body left untended for hours during the violence.

In the Nur Shams neighborhood — a focus of the raid — workers and residents cleared away dirt and rubble churned up by Israeli bulldozers searching for improvised explosive devices.

“Cars can’t move through the streets, everyone is making their way on foot, because the dirt is piled up in huge mounds,” said Suleiman Zuhairi, a resident of Nur Shams and a retired official in the Palestinian Authority.

Israeli troops largely pulled back from Tulkarm on Friday, and were continuing their operation in the flashpoint city of Jenin in the northern West Bank, while two episodes farther south prompted fears that the violence was worsening.

At least 22 Palestinians have been killed since the raid started on Wednesday, according to the Palestinian Authority’s Health Ministry, many of whom militant groups have claimed to be members. Israel says that at last 20 militants have been killed.

Late on Friday night, a Palestinian attacker was killed and three Israeli soldiers wounded after a car rigged with an explosive device blew up near a major junction between Jerusalem and Hebron, according to the Israeli authorities. The Israeli military said that another assailant was killed while trying to attack the settlement of Karmei Tzur.

Since the Hamas-led Oct. 7 attacks left about 1,200 dead in Israel, setting off the war in Gaza, Israel has feared a similar attack from the West Bank, where roughly three million Palestinians live under Israeli military occupation. The Israeli military has stepped up raids there in an attempt to head off the threat; more than 600 Palestinians have been killed in West Bank clashes with Israeli forces and civilians since October, according to the United Nations.

The current Israeli raids have targeted Palestinian militants in Jenin and Tulkarm, who the Israeli military says have attempted more than 150 attacks on Israelis over the past year. Earlier this month, Hamas and Islamic Jihad — two major Palestinian armed groups — took responsibility for an attempted bombing in Tel Aviv that moderately injured one passerby and killed the assailant.

The Israeli operation in Tulkarm focused on Nur Shams, which lies on the outskirts of the city. Historically a refugee camp for Palestinians following the 1948 war surrounding Israel’s establishment, it is now a built-up neighborhood and a Palestinian militant stronghold.

Israeli forces have swept through it multiple times since Oct. 7, often for hours on end, tearing up roads and damaging buildings. Israeli drones launched attacks from the air — once rare in the West Bank but now common — targeting militants in cars and houses.

On Friday, one family marched through the area’s streets bearing the body of Ayed Abu al-Heija, an older relative killed during the raid. He lived alone, did not work and suffered from mental illness that left him unable to care for himself without help, his family said.

Haitham Abu al-Heija, a 53-year-old nephew, said he heard a gunshot ring out Wednesday as he huddled in his house, fearing he might be caught in the crossfire. He later peered gingerly out of a window and saw his uncle lying dead, the door of his house ajar, he said.

“He couldn’t understand the danger,” he said in a phone interview.

The following day, Israeli troops raided his own house, forcing him and his family outside, he said. The rattle of gunfire and intermittent explosions terrified his children, he said, as they waited, exposed, for roughly an hour in the open.

Surrounded by soldiers, he turned to see his uncle’s body still lying in the doorway, he said. When the soldiers let them go back inside, they found a massive blast hole in one of the rooms.

“May no one ever have to go through what we did these last few days,” he said.

The Israeli military did not immediately respond to a request for comment on Ayed Abu al-Heija’s death or his family’s account of the raid on their house. Israeli military officials have said that when they raid people’s homes, they are searching for suspects, weapons or other military functions.

Mustafa Taqatqa, the Palestinian governor in Tulkarm, said the operations undermined efforts by the Palestinian Authority, which administers some West Bank areas under Israeli occupation. The raids also strengthened armed groups who argue Palestinians’ lives will only improve through violence, he added.

“The young generation is seeing their future closed in every direction,” said Mr. Taqatqa. “And so they no longer believe in peace.”

During the raid, Israeli forces successfully killed Muhammad Jaber, a militant commander in Palestinian Islamic Jihad, who had successfully evaded both Israel and the Palestinian Authority’s attempts to seize him for months. The Israeli military said he was responsible for “numerous terror attacks.”

Mr. Jaber had become a local hero for many in Nur Shams, where residents viewed him as striking a blow against the miserable status quo. On Friday, the commander’s relatives held a symbolic funeral for him, although his body is still held by Israel.

“He didn’t accept the humiliation,” said Nayez Zendiq, one of his cousins, referring to Israeli rule.

But Mr. Zuhairi, the former official, said that Palestinians living in the camp had inflated Mr. Jaber into an “icon of struggle,” giving him a reputation that exaggerated his actual activities.

Aaron Boxerman is a Times reporting fellow with a focus on international news. More about Aaron Boxerman