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All 173 Journey Songs Ranked Worst to Best

Journey 's discography will always have a clear line of demarcation: before Steve Perry and after Steve Perry. That makes sense on a couple of levels. The albums they made together remain Journey's best-selling and best-loved. But, as the following list of All 173 Journey Songs Ranked Worst to Best shows, the band did important work before he arrived and it's had some perhaps overlooked successes afterward. ( Revelation , their first with current singer Arnel Pineda , was a platinum-selling No. 5 hit, for instance.)

So, we decided to take a complete accounting. Whether you're a fan of original contributions by Gregg Rolie or Jonathan Cain , George Tickner or Steve Augeri, they're all here. The only thing we left out were live takes and cover songs including Perry's version of Sam Cooke's "Good Times" from the Time3 box and Pineda's return to earlier Journey songs on Revelation . Which one will end up on top? Keep scrolling as we count them all down on the following list of All 173 Journey Songs Ranked Worst to Best.

No. 173. "Back Talk" from 'Frontiers' (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn it this spot.

No. 172. "Gone Crazy" from 'Generations' (2005)

For a singer, co-founding member Ross Valory is a terrific bassist.

No. 171. "Can Do" from 'Infinity' (1978)

Actually, can't.

No. 170. "Butterfly (She Flies Alone)" from 'Generations' (2005)

Steve Augeri, Perry's first replacement, drew a bad hand. He had to follow a legend, to lead a difficult transition after Journey was dropped by Columbia Records, to endure gimmicky moves like sharing the mic with everyone in the band, then to step aside after faltering out on the road. But this misfire was all his.

No. 169. "Baby I'm a Leavin' You" from 'Trial By Fire' (1996)

If you were wondering what Journey would sound like as a reggae band.

No. 168. "Venus" from 'Eclipse' (2011)

As Journey co-founder Neal Schon consolidated his latter-day power, a long-dreamt-of goal of a guitar-focused Journey album – on hold since 1977's Next – finally came to fruition. This freed Pineda, a former cover-band singer Schon found on YouTube, from the trap of sounding exactly like Steve Perry. But it also opened the door for plenty of indulgent Schon-related moments. Eclipse inevitably ended with yet another three-and-a-half minutes of Schon.

No. 167. "Pride of the Family" from 'Generations' (2005)

Augeri had to have been dismayed as some of the best material on his second album went elsewhere – including "A Better Life," found later on our list of Journey Songs Ranked Worst to Best. But Jonathan Cain's thin, objectively lazy bonus track (he swipes a line from .38 Special ) isn't one of those times.

No. 166. "The Journey (Revelation)" from 'Revelation' (2008)

If you're wondering what Journey would sound like as a boring fusion-jazz band.

No. 165. "Human Feel" from 'Eclipse' (2011)

Eclipse at its worst took Eclipse at its best to a mind-numbing zenith. What's missing on this pummeling, endlessly propulsive track is, ironically enough, human feel. It's is all head, no heart.

No. 164. "After All These Years" from 'Revelation' (2008)

Another of Journey's undeniably well-crafted, but often un-involving later-period ballads.

No. 163. "Departure" from 'Departure' (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey.

No. 162. "I'm Cryin'" from 'Departure' (1980)

Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness.

No. 161. "Every Generation" from 'Generations' (2005)

This is the first time Cain had been at the mic since singing lead on "All That Really Matters," a Frontiers -era leftover found elsewhere on our list of Journey Songs Ranked Worst to Best. Admittedly, he's a better singer than Ross Valory, but not Deen Castronovo – and certainly not Augeri. A missed opportunity.

No. 160. "Positive Touch" from 'Raised on Radio' (1986)

The demos for Raised on Radio were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Part way through the sessions, it became the latter. "They felt that the drum machine itself was part of the compositions," Smith later complained in Don't Stop Believin': The Untold Story of Journey . "I started feeling that it wasn't a band, and it certainly didn't have the same band approach as when we wrote collectively."

No. 159. "La Do Da" from 'Infinity' (1978)

Steve Perry's initial collaborations with Schon were a revelation. So many of the group's foundational songs emerged from those initial writing sessions. And then there was this.

No. 158. "Liberty" from 'Time3' (1992)

If you were wondering what Journey would sound like as a country band.

No. 157. "Troubled Child" from 'Frontiers' (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 156. "Wildest Dream" from 'Revelation' (2008)

Schon wants to rock, and he's always talking about rocking, so every once in a while they let him rock. The results are sometimes better than those undeniably well-crafted, but often uninvolving later-period ballads. And sometimes, as with "Wildest Dream," they are not.

No. 155. "Into Your Arms" from 'Time3' (1992)

One of a pair of unfinished jams from the Raised on Radio sessions that were later completed for release as part of the Journey's Time3 box set, and the less interesting of the two.

No. 154. "Tantra" from 'Eclipse' (2011)

Pineda spends most of the album inhabiting a fresh, almost feral persona, which makes this downshift into required balladry even more jarring. He sings like it's required too, recalling every Perry tick he can manage without giving any of himself to the lyric.

No. 153. "Lady Luck" from 'Evolution' (1979)

Journey join a number of artists who have sung tracks called "Lady Luck," including Deep Purple , Rod Stewart and David Lee Roth . Come to think of it, none of those are really any good either.

No. 152. "Karma" from 'Next' (1977)

The last pre-Steve Perry album ends with a grinding, unfocused rocker featuring Schon at the mic. Changes were coming.

No. 151. "Resonate" from 'Eclipse' (2011)

There might have been a hook buried in this song somewhere. Schon's army of guitars marched right over it, though.

No. 150. "Happy to Give" from 'Raised on Radio' (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live.

No. 149. "Ritual" from 'Eclipse' (2011)

Imagine one of those classic-era mid-tempo Journey tracks, but in a wild-eyed 'roid rage. Settle down, boys.

No. 148. "What I Needed" from 'Revelation' (2008)

There's slightly more drama here than on the weirdly slack "After All These Years," but Journey seemed to be struggling to update their tried-and-true ballad style in Augeri's absence. Pineda co-wrote this song, but he's utterly subsumed in the trademark Journey sound. He ends up sounding like the nondescript tribute singer he once was.

No. 147. "Topaz" from 'Journey' (1975)

There's no denying the level of musicianship here. It's just not very interesting music.

No. 146. "Believe" from 'Generations' (2005)

Any good coach will tell you players have to be positioned to their strengths. So if you have Jonathan Cain available to play, you let Jonathan Cain play, right? Instead, we find Augeri at the keyboard on a repetitive song that becomes pure drudgery. "Well, I have a love and a desire to play the piano, and I love the way Jon plays and I get a chance to listen to him every night," Augeri told Melodic Rock in 2005. "So, he has influenced my writing and my arranging." Seriously, though, coach: Put Cain in.

No. 145. "Chain of Love" from 'Eclipse' (2011)

Journey spend roughly a minute and a half lulling you into thinking that they've put the sledgehammer away. Then: nah.

No. 144. "In the Morning Day" from 'Journey' (1975)

This serviceable mid-tempo song abruptly turns into mostly shapeless jam.

No. 143. "Change for the Better" from 'Revelation' (2008)

A Journey-by-the-numbers tune, kicked into another gear by Pineda's undeniable energy.

No. 142. "La Raza Del Sol," B-side of "Still They Ride" (1981)

The song's heart in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days.

No. 141. "Let It Take You Back" from 'Revelation' (2008)

This was the first bonus track on Pineda's initial studio album with Journey, and a much better conclusion that Schon's amorphous instrumental "The Journey (Revelation)."

No. 140. "All the Things" from 'Arrival' (2001)

The last thing Augeri – a largely unknown Brooklyn-born singer trying to separate himself from the obvious Steve Perry comparisons – needed to be saddled with was an anonymous rocker. But that's what he was given.

No. 139. "Knowing That You Love Me" from 'Generations' (2005)

Jonathan Cain has been trying to write the next "Faithfully" since the day after he brought it into a Journey recording session. He still hasn't found it.

No. 138. "Mother, Father" from 'Escape' (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad.

No. 137. "I Got a Reason" from 'Arrival' (2001)

This isn't as a faceless as "All the Things," but it's close.

No. 136. "The Time" from 'Red 13' (2002)

After a promising opening track that tapped the band's Journey's early fusion-loving roots, "The Time" falls back into more comfortable, and far less intriguing, blues rock.

No. 135. "Better Together" from 'Generations' (2005)

Augeri boasts a rare co-composing credit on a Glenn Hughes -ish song that tries very hard to be heavy, to be anthemic, to be defiant. Too hard, actually.

No. 134. "Majestic" from 'Evolution' (1979)

An abbreviated multi-tracked instrumental that was used as this album's opening theme, their last with producer Roy Thomas Baker. It's probably best remembered as the taped intro music for Journey concerts during this era.

No. 133. "Colors of the Spirit" from 'Trial By Fire' (1996)

This seemed like it was going to be more intriguing. They begin (and end) with a vague world-music feel, but return to expected post '80s-era Journey-isms in between.

No. 132. "All That Really Matters" from 'Time3' (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey.

No. 131. "With Your Love" from 'Arrival' (2001)

Unfortunately, "With Your Love" doesn't live up to the thoughtful reinvention surrounding "Loved by You," found later in our list of Journey Songs Ranked Worst to Best.

No. 130. "Homemade Love" from 'Departure' (1980)

Despite discovering a newfound chart prowess, Journey were still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense.

No. 129. "One More" from 'Trial by Fire' (1996)

The first in a number of Trial by Fire songs that made overt faith references. That became an underlying theme on the album, sparked when Perry arrived at the sessions carrying a Bible.

No. 128. "Never Too Late" from 'Generations' (2005)

Augeri was probably relieved to learn that Castronovo didn't get all the good songs.

No. 127. "To Be Alive Again" from 'Arrival' (2001)

There's nothing too offensive about this one, but nothing all that interesting either.

No. 126. "I Can Breathe" from 'Red 13' (2002)

This often-forgotten EP was initially self-released as a thank-you note to fans after Journey lost their longtime label support from Columbia. It's formatted as a kind of four-song travelogue through their history, with a proggish track, a blues rocker, the expected ballad and a more uptempo melodic rocker. The latter is the least interesting of the bunch. Augeri is in fine voice, but he's saddled with poor material.

No. 125. "Nothin' Comes Close" from 'Arrival' (2001)

This deep into Side Two of the ballad-heavy Arrival , basically any rocker was a relief. Even one this generally unimaginative.

No. 124. "To Whom It May Concern" from 'Eclipse' (2011)

Pineda's crying vocal gives this otherwise rather mechanical slow song a notable emotional underpinning.

No. 123. "Live and Breathe" from 'Arrival' (2001)

Yes, another ballad. At this point, even Neal Schon was, like, "Dude, really?" And he was listed as co-composer on almost all of them. "Yeah, I did write a lot of music on this album with Jon and everybody else this time – a lot of ballads and a lot of rock too," Schon told Melodic Rock in 2001. "But I had no idea that, you know, they'd pick every ballad that all of us wrote, you know what I'm saying?"

No. 122. "Dixie Highway" from 'Captured' (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 121. "Livin' to Do" from 'Arrival' (2001)

This song doesn't live up to thoughtful reinvention surrounding "Loved by You," either. It nevertheless holds an important place in the band's catalog because of a strong connection with Neal Schon's father Matt, who had earlier co-writes on "Winds of March" and "Mother, Father." "It was a couple of years before he passed away, and it was one of the last things that him and I sat down on a piano and we were playing together," Schon told Melodic Rock in 2001. He presented the rough idea to Cain and lyricist Kim Tribble, "and before the day was out, that song was sitting there. We really didn't change much at all in the studio on that one from the demo."

No. 120. "It's Just the Rain" from 'Trial By Fire' (1996)

Perry achieves a sweet sense of reverie, his most favored place, but the surroundings owe too much to rather boring solo forays into smooth jazz by Cain and Schon.

No. 119. "Lifetime of Dreams" from 'Arrival' (2001)

Journey's inventive call-and-response, first vocally and then with Schon's growling guitar, lifts an otherwise somewhat rote ballad to the next level.

No. 118. "The Place in Your Heart" from 'Generations' (2005)

Augeri sings his guts out, but this kind of undistinguished Cain/Schon-composed melodic rock is why Generations sunk to a paltry No. 170.

No. 117. "Keep On Runnin'" from 'Escape' (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album.

No. 116. "Trial by Fire" from 'Trial by Fire' (1996)

This track made direct reference to verses in 2 Corinthians, underscoring once again how Cain's long-dormant songwriting partnership with Perry was reborn through a shared interest in scripture. "It was refreshing," Cain later told the Christian Post . "We wrote about 'treasures in jars of clay, let the light shine in the darkness.' I thought, 'This was fresh.' That was my first encounter with scripture and music, and I have been a believer all my life." Cain later returned to the theme on 2016's What God Wants to Hear , which consisted exclusively of faith-based songs.

No. 115. "Next" from 'Next' (1977)

Journey remind you of their canny knack for achieving liftoff here, but this time it's only window dressing for a song that doesn't feel completed.

No. 114. "Remember Me" from 'Armageddon: The Album' (1998)

Steve Augeri's first song with Journey was actually a soundtrack contribution that arrived years before his official full-length debut on 2001's Arrival . "Remember Me," unfortunately, was more utilitarian than memorable. They'd incorporated a nifty soundalike, but still needed to figure out how to draw out something creative from what began as a blatantly commercial decision.

No. 113. "Still She Cries" from 'Trial by Fire' (1996)

See "It's Just the Rain."

No. 112. "Dead or Alive" from 'Escape' (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either.

No. 111. "City of the Angels" from 'Evolution' (1979)

"Lights," found later on our list of Journey Songs Ranked Worst to Best, was originally about Los Angeles , before Perry shifted its locale to his new home base in San Francisco. He later returned to the idea of paying tribute to L.A., with much poorer results.

No. 110. "I Can See It in Your Eyes" from 'Trial by Fire' (1996)

The obvious goal of getting the early-'80s lineup back together was to recreate the sound of that era – and they did that here. Unfortunately, it was the sound of their throwaway stuff on Side Two of Frontiers .

No. 109. "With a Tear" from 'Time3' (1992)

A leftover instrumental track from the Raised on Radio -era that Schon and Cain returned to finish in 1992. After "Be Good to Yourself," this would have been the edgiest thing on the album, had it come to fruition earlier.

No. 108. "Can't Tame the Lion" from 'Trial by Fire' (1996)

See "I Can See It in Your Eyes."

No. 107. "Kiss Me Softly" from 'Arrival' (2001)

One of four Jack Blades co-writes on Arrival , "Kiss Me Softly" started out as a much heavier vehicle for a Schon riff before the Night Ranger singer-bassist suggested they move in a different direction. It worked.

No. 106. "Escape" from 'Escape' (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs.

No. 105. "Winds of March" from 'Infinity' (1978)

Credited to a crowd including Matt and Neal Schon, Fleischman, Rolie and Perry, "Winds of March" actually sounds like a meeting of two minds: Perry, who deftly croons his way through the first two minutes, and his new bandmates – who absolutely tear through the remaining three.

No. 104. "Someone" from 'Eclipse' (2011)

The penultimate moment on Journey's heaviest album since the pre-Perry days was – wait, what? – a pop song. And a pretty good one, to boot. It's like a fever that just broke.

No. 103. "Line of Fire" from 'Departure' (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ."

No. 102. "Signs of Life" from 'Arrival' (2001)

This appropriately titled song emerged from a period of deep uncertainty, when Schon and Cain were still waiting for Perry to make up his mind about rejoining Journey. "I said, Why don't we start writing?" Schon told Melodic Rock in 2001. "I mean, you know, maybe Steve will decide that he wants to come back, maybe he won't. But at least when we decide what we're going to do, and we figure out what's going on, we won't be starting right at the beginning again." Steve Augeri eventually stepped in, and they had a ready-made song to help introduce him to fans.

No. 101. "Precious Time" from 'Departure' (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 100. "Lay It Down" from 'Escape' (1981)

Smith approximates co-founding drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album.

No. 99. "Turn Down the World Tonight" from 'Revelation' (2008)

Pineda breaks the mold here, following Augeri's example of doing more with less emoting. There's another twist: "Turn Down the World Tonight" appears headed toward an almost operatic conclusion before they switch gears again, ending on a nicely placed grace note.

No. 98. "Midnight Dreamer" from 'Look Into the Future' (1976)

The book on Journey was always that Steve Perry arrived and they suddenly shook themselves awake to commercial considerations. One listen to "Midnight Dreamer," and a good portion of the album it originated from, makes a powerful counter-argument. They still stretch out – dig that crazy keyboard solo! – but "Midnight Dreamer" wasn't that far from what album-oriented radio was playing at the time.

No. 97. "Chain Reaction" from 'Frontiers' (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way.

No. 96. "Once You Love Somebody" from 'Raised on Radio' (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this.

No. 95. "What It Takes to Win" from 'Revelation' (2008)

Pineda lets a roughness slip into his vocal, and a little bit more of himself. "What It Takes to Win" is better for it. He was 40 when he joined Journey, a fully formed singer in his own right. He deserves a lot more of these moments.

No. 94. "For You" From 'Time3' (1992)

An important, if not entirely successful, Robert Fleischman-sung track from the demo phase for 1978's Infinity . Journey were already headed toward a more compact, radio-ready direction, even before Perry arrived.

No. 93. "World Gone Wild" from 'Arrival' (2001)

The Augeri-era Journey lineup credibly recreates a "Separate Ways"-type groove, switching things up with a spacious, inspirational bridge.

No. 92. "Never Walk Away" from 'Revelation' (2008)

Arnel Pineda came bursting out of the gates with the opening track on his first Journey studio effort, singing with power to spare. Kevin Shirley, back for his third Journey album after 1996's Trial by Fire and 2001's Arrival , turns everything up around Pineda – in particular Schon.

No. 91. "In My Lonely Feeling / Conversations" from 'Journey' (1975)

The cool interplay between Schon and quickly departed co-founding rhythm guitarist George Tickner is perhaps best showcased on this composition by Rolie and Valory. Tickner was given two subsequent songwriting credits for 1976's Look Into the Future , but was already gone by the time it was released.

No. 90. "I'm That Way" from 'Arrival' (2001)

Augeri's ability to handle this kind of lithe, very Steve Perry-esque ballad is precisely why they brought him in. Unfortunately, you'll have to search way too hard to find it: For some reason, Journey originally tucked "I'm That Way" away as a bonus track on the Japanese version of Augeri's debut.

No. 89. "Natural Thing," B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here.

No. 88. "People" from 'Next' (1977)

Journey get proggy, and it would've worked – a few years earlier.

No. 87. "Easy to Fall" from 'Trial by Fire' (1996)

Presented in their classic arena-ballad style, but without much to differentiate it from other, better, more popular iterations, "Easy to Fall" is the sound of Journey trying to sound like Journey. This would go on for a while.

No. 86. "Walkin' Away from the Edge" from 'Red 13' (2002)

Before being felled by vocal issues, Augeri was able to convey a depth, a relative darkness, that no other Journey singer since Gregg Rolie could touch.

No. 85. "On a Saturday Nite" from 'Look Into the Future' (1976)

Rolie opens their second album with an approachable, yet still tough-minded song that confidently moves Journey more toward traditional classic rock, if not all the way over to the pop-leaning sound that later sent them to the top of the charts.

No. 84. "Rubicon" from 'Frontiers' (1983)

This song drove a seemingly permanent wedge in the band. Schon was playing "Rubicon," he told The New York Times in 2003, when Perry came over and turned down his amplifiers. "They want to hear the voice," Schon remembered Perry saying. "That was the start of it for me." They put out only two more albums together, and it took them 13 years to do it.

No. 83. "Look Into the Future" from 'Look Into the Future' (1976)

Everybody was into Led Zeppelin at this point, including Journey.

No. 82. "When I Think of You" from 'Trial by Fire' (1996)

"When I Think of You" appeared on Journey's Perry-curated Greatest Hits 2 not because of its chart history, but because of what it meant to him. Perry wrote this little-known deep cut after his late mother appeared, happy and healthy, in a particularly vivid dream. "She had been sick for so long that this was what I needed to know – even if it was a dream," Perry said in a 2011 fan Q&A . "I later went to Jon Cain's and told him I wanted to write a song about this experience and started singing a melody, and we finished it together."

No. 81. "She Makes Me (Feel Alright)" from 'Look Into the Future' (1976)

"She Makes Me (Feel Alright)" builds on Rolie's album-opening foray into more digestible song structures, though Schon's metallic asides nearly push it into hard rock.

No. 80. "Loved by You" from 'Arrival' (2001)

Augeri updates the patented Journey ballad model by staying modulated, singing with a steadier, quieter certitude. That showed no small amount of guts. Problem: This was not what Journey fans wanted. Arrival stalled at No. 56, the group's worst finish since Next in 1977.

No. 79. "Mystery Mountain" from 'Journey' (1975)

"The way I look at the early Journey stuff is, if we played that now, we'd be out with Phish, or the [Dave] Matthews Band ," Rolie remembered in 2011 . "We were a great jam band." Exhibit A: their trippy debut album-closing "Magic Mountain," written by Rolie and Tickner with help from Ross Valory's wife.

No. 78. "Frontiers" from 'Frontiers' (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for warmongers: "War is for fools; crisis is cool."

No. 77. "In Self-Defense" from 'Generations' (2005)

A track that had been bouncing around since Schon's 1982 Here to Stay collaboration with Jan Hammer. That version showcased Journey's early-'80s lineup (minus Cain) at the peak of their increasingly rare heavy-rocking form. Same here, with Castronovo in place of Steve Smith. They miss Perry's elevating vocals during the solo, though.

No. 76. "It Could Have Been You" from 'Raised on Radio' (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well.

No. 75. "She's a Mystery" from 'Eclipse' (2011)

A lovely, Pineda co-written acoustic aside, "She's a Mystery" is that rare moment on Eclipse where Journey take their foot off the gas without swerving into power-ballad cliche.

No. 74. "Sweet and Simple" from 'Evolution' (1979)

Perry brought this dream-like song with him, having written it years before while looking out over Lake Tahoe. Journey completed it with a quickly ascending final segment that matched now-patented multi-tracked vocals with a Schon's typical pyro.

No. 73. "All the Way" from 'Arrival' (2001)

In their first album without Perry, Journey clearly had an eye on recapturing the successes they found when Jonathan Cain joined the band in the '80s. Cain was game, co-writing this instantly familiar love song with Schon, Michael Rhodes and the recently installed Steve Augeri. "All the Way" may not have been a big hit, but it showed Journey could still be Journey even without their famous former frontman.

No. 72. "Cookie Duster" from 'Time3' (1992)

Journey's label asked that they replace this underrated Ross Valory instrumental with something more commercial for 1977's Next . The album stalled at No. 85 anyway.

No. 71. "Anything Is Possible" from 'Eclipse' (2011)

On an project that boldly reanimated the wide-open heavy fusion of Journey's original '70s-era records – a period when Schon fiercely pulled and stretched his muse – "Anything is Possible" gave Arnel Pineda an opportunity to showcase his pop-star sensibilities. There's a feeling of soaring expectancy here that balances the tough, guitar-focused tracks found elsewhere on Eclipse .

No. 70. "Where Were You" from 'Departure' (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. They were just coming off an opening gig with AC/DC at this point, and clearly the headliner's knack for outsized, riffy rockers rubbed off.

No. 69. "Spaceman" from 'Next' (1977)

Co-written by Aynsley Dunbar and Gregg Rolie, "Spaceman" offers Journey fans some of the most obvious initial flowerings of a pop sensibility. They placed it first on the album, and released it as a single – to no avail. "Spaceman" failed to chart as a single, and Journey were ordered to rework their lineup. They briefly added Robert Fleischman — who arrived shortly after the album’s release, toured with the band and even received co-writing credit on three songs for Journey’s following album — but eventually settled on Perry.

No. 68. "Castles Burning" from 'Trial by Fire' (1996)

A badly needed rocker on an album that too often played down to their ballad- and mid-tempo-loving fan base.

No. 67. "Beyond the Clouds" from 'Generations' (2005)

A slow burner co-written by Steve Augeri in his final outing with the band, "Beyond the Clouds" illustrates why he was such a good initial fit. Augeri's ability to elevate, as this track zooms into the stratosphere, and then to wind down into a whispery vulnerability recalls a Certain Other Steve. This wouldn't prove to be his principal strength, but it mattered at the time.

No. 66. "Like a Sunshower" from 'Revelation' (2008)

Schon couldn't have done a better job of smoothing the way for the just-arrived Pineda than he did on "Sunshower," which begins with a lick straight out of "Stay Awhile" from Departure . Fans reacted positively, making Revelation Journey's first platinum-selling project since Trial by Fire , their last with Perry.

No. 65. "Little Girl," B-side of "Open Arms" (1981)

"Little Girl" was the most Journey-sounding thing on 1980's Dream After Dream , which isn't really part of the band's catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey were already on a pop-chart roll after the Top 25 hits "Lovin,' Touchin,' Squeezin'" and "Anyway You Want It." Unsurprisingly, Dream After Dream disappeared without a trace once Journey issued their multi-multi-platinum smash Escape a year later. This too-often-overlooked song has since became known — if it was known at all — simply as a B-side to the "Open Arms" single.

No. 64. "Out of Harms Way" from 'Generations' (2005)

A hard-nosed war song, "Out of Harms Way" was handled with an eye-opening aggression unique to Journey, thanks to the gone-too-soon Augeri.

No. 63. "It's All Too Much" from 'Look into the Future' (1976)

Journey drill down to the marrow on this throwaway piece of psychedelia, finding a seriously nasty groove beneath the Beatles ' old atmospherics.

No. 62. "Raised on Radio" from 'Raised on Radio' (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. It's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, he also could see himself as a DJ, rather than a huge pop star. "I love radio," Perry said in that 2011 fan Q&A. "I think the idea of playing whatever music comes to your mind and talking about it is exciting to me."

No. 61. "City of Hope" from 'Eclipse' (2011)

You could say Schon is an unstoppable force on this song, except that Pineda – in one of his most impressive vocal performances – is every bit the equal of his molten riffs. At least at first. Eventually, Schon and company step forward for a floorboard-rattling, song-closing jam that edges all the way into fusion. Journey, who saw Eclipse become the second consecutive Pineda-sung Top 20 album, haven't sounded this wide open since the Jimmy Carter administration.

No. 60. "Nickel and Dime" from 'Next' (1977)

This very Mahavishnu Orchestra-influenced instrumental was originally constructed in three parts. The final section was ultimately cut off, however, leaving a pair of segments with unusual Aynsley Dunbar signatures – thus the name, "Nickel and Dime."

No. 59. "Higher Place" from 'Arrival' (2001)

Journey again move beyond Augeri's similarities with Perry on this composition by Schon and Jack Blades, which at one point has an almost a proggy feel. In that way, "Higher Place" references the group’s previous successes, but ultimately uses them as a foundation for something new.

No. 58. "Message of Love" from 'Trial by Fire' (1996)

A continuation of the untroubled sleekness of Raised on Radio -era Journey, this could have easily passed as a Steve Perry solo track.

No. 57. "Red 13 / State of Grace" from 'Red 13' (2002)

Journey return after the soft rock-dominated Arrival with a scorching, fusion-kissed EP-opening song. They spend two minutes easing into things before launching into a wrecking-ball groove – and Augeri is with them, step for breathless step.

No. 56. "I'm Gonna Leave You" from 'Look Into the Future' (1976)

Early rhythm guitarist George Tickner – he joined after a stint in the San Francisco psych-rock band Frumious Bandersnatch with Ross Valory – wasn't around long. He left behind this intriguingly offbeat 5/4 shuffle for fans to ponder what might have been.

No. 55. "A Better Life" from 'Generations' (2005)

Poor Steve Augeri. One of the best moments on his final album with Journey is this delicately conveyed track, featuring one of Schon's more restrained turns. And Deen Castronovo on vocals.

No. 54. "Where Did I Lose Your Love" from 'Revelation' (2008)

Here's Pineda's version of the familiar arena-ballad Journey sound, which is, on one level, very much in the style of their Escape / Frontiers era. Castronovo and Cain, who co-wrote this track with Schon, even close things out with a fierce entanglement that also must have brought older fans right back to "Separate Ways." But Pineda adds a few new wrinkles along the way to ultimately move past the same old Perry comparisons.

No. 53. "Ask the Lonely" from 'Two of a Kind' (1983)

"The guy can write love songs in his sleep," Jonathan Cain said of Perry in the liner notes for Journey's Time3 box set. Unfortunately, this only-okay leftover is an example of that assembly line-type approach. That said, "Ask the Lonely" is still better than most of the stuff on the back end of Frontiers .

No. 52. "Faith in the Heartland" from 'Generations' (2005)

The urge to return to an everyday working-stiff theme has been almost unavoidable for a group that, in no small way, is best remembered for "Don't Stop Believin.'" And yet "Heartland" never slips into tribute – or, worse still, parody. Credit goes most of all to Augeri, who strikes a visceral pose on upbeat tracks like this one, singing every line as if his whole heart is in it. Unfortunately, Generations went nowhere, and Augeri – citing throat problems – was gone after just two albums with Journey.

No. 51. "Lovin' You Is Easy" from 'Evolution' (1979)

Starts out as another cookie-cutter '70s-era Journey song, then Perry gets to the ear-worm title lyric and everything changes.

No. 50. "Anyway" from 'Look Into the Future' (1976)

A dark then searching rocker from Journey's second album, featuring one of Rolie's most desirous vocals.

No. 49. "When You Love a Woman" from 'Trial by Fire' (1996)

Featuring a saccharine sentiment with a too-sweet string section to match, this is Journey balladry at its limpest. Still, "When You Love a Woman" became a gold-selling No. 12 smash. Because, Steve Perry.

No. 48. "We Will Meet Again" from 'Arrival' (2001)

Deen Castronovo's inventively layered rhythm gives "We Will Meet Again" a distinct character among Journey's more anthemic-leaning tunes, setting the stage for a moment of controlled fury from Augeri. It all builds toward a sweeping vista reminiscent of Journey's Roy Thomas Baker-helmed sides like "Winds of March" and "Opened the Door," a welcome development indeed. And as with those two 1978 tracks, "We Will Meet Again" serves as an emotionally resonant side-closing moment.

No. 47. "Don't Be Down on Me Baby" from 'Trial by Fire' (1996)

Nobody aches like Steve Perry.

No. 46. "Hustler" from 'Next' (1977)

An explosion of heavy-rocking sexuality, "Hustler" found Journey considerably toughening up its by-then-established fusion-based formula — something the group would eventually return to, but only decades later, with 2011's impressively muscular Eclipse .

No. 45. "Why Can't This Night Go on Forever" from 'Raised on Radio' (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 44. "Edge of the Moment" from 'Eclipse' (2011)

Castronovo and Valory create a foundation-rattling rhythm, while the big-voiced Pineda ably conveys a fiery sense of sensuality required by the song's narrative. But "Edge of the Moment" will always belong to Neal Schon, who is by turns melodic, out there, gurgling, eruptive – and nothing like we've heard from him since the days of the spaceman 'fro. Long after their hit single-making days, and a couple of albums into Arnel Pineda's tenure, Journey finally found their rock-music mojo again on this track, emerging with a sense of furious third-act abandon.

No. 43. "To Play Some Music" from 'Journey' (1975)

The most accessible song on Journey's self-titled debut, "To Play Some Music" provides a down-to-earth vocal vehicle for Rolie on an album dominated by epic, often spacey instrumentals.

No. 42. "Patiently" from 'Infinity' (1978)

Schon memorably gave Perry a ride home after sitting in with Azteca in San Francisco, but had no idea his passenger was a singer. Five years later, Perry finally got the chance to make an impression. He stopped by Schon's hotel the day after a Journey show in Denver, and they wrote this song. "It was really about the determination of me wanting to get next to those players," Perry said in the Time3 liner notes.

No. 41. "I Would Find You" from 'Next' (1977)

Schon takes a rare vocal turn with Journey, and it's his most successful.

No. 40. "Kohoutek" from 'Journey' (1975)

Named after a comet then approaching Earth's orbit, "Kohoutek" bridges the sounds that Rolie and Schon made earlier as part of Santana with those to come from their new band. Makes sense: This track dates back to Journey's earliest rehearsals.

No. 39. "You're on Your Own" from 'Look Into the Future' (1976)

Their slow-fast approach gives "You're on Your Own" a noticeably modern feel; Rolie's heartfelt singing centers it all.

No. 38. "The Eyes of a Woman" from 'Raised on Radio' (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds a palpable tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers sound.

No. 37. "Here We Are" from 'Next' (1977)

Perhaps Journey's heaviest-ever pop song. Rolie had a knack for Beatlesque touches (see their earlier cover of George Harrison 's "It's All Too Much"), even if it was buried in a cacophony of sound from Schon and Dunbar (see their earlier cover, etc. etc.).

No. 36. "Suzanne" from 'Raised on Radio' (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush. "It was a fantasy encounter with a film star, who also had a vocal artist career," Perry said in a 2011 fan Q&A. "Just a secret person that's in the song to live forever in that song. Real or not, she's real in the track."

No. 35. "Somethin' to Hide" from 'Infinity' (1978)

Journey's first attempt at a power ballad was devastatingly effective, though it arrived years before "Open Arms." Perry's final cry is just astonishing.

No. 34. "Edge of the Blade" from 'Frontiers' (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 33. "If He Should Break Your Heart" from 'Trial by Fire' (1996)

One of the best-ever meldings of Solo Steve (verses) and Journey Steve (the rest).

No. 32. "Be Good to Yourself" from 'Raised on Radio' (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert prevailed. "[Perry] phoned me at my house, and just went nuts about 'Be Good to Yourself' having been the first choice of a single," Herbert told Melodic Rock in 2008. "And I said, 'It's a great song, it's a great production, it's great sound – it's Journey.' That was the problem: It sounds too much like Journey. Well, too many of the other songs sound too much like a glorified Steve Perry solo record."

No. 31. "Of a Lifetime" from 'Journey' (1975)

Journey's recorded output begins here, with a seven-minute jazz fusion-influenced, at times Pink Floyd -ish excursion that boldly stepped away from Rolie and Schon's previous work in Santana. "Talking about Santana screws up the whole concept of everyone in this band," Rolie lamented in Don't Stop Believin' . "A lot of people would come to see us and expect conga drums. The last thing I was to see for the rest of my life is conga drums!"

No. 30. "I'll Be Alright Without You" from 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 29. "Only Solutions" from 'Tron' (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 28. "People and Places" from 'Departure' (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 27. "Opened the Door" from 'Infinity' (1978)

The last song on the first album to feature Perry, "Open the Door" begins like every gorgeous, ear-wormy love song they ever hit with a few years later — but after Perry's initial three minutes, Rolie joins in a huge vocal bridge ( "Yeah, you opened ..." ), and from there Schon and company are loosened from those binding conventions. Drummer Aynsley Dunbar, on his final recording date with Journey, sets a thunderous cadence, and Schon powers the song — and this career-turning album — to its quickly elevating conclusion.

No. 26. "Faithfully" from 'Frontiers' (1983)

Cain has said this No. 14 power-ballad smash, written in tribute to a happily married musician's life on the road, came from nowhere – literally. "He told me he got the melody out of a dream," Schon later mused in the Time3 liner notes. "I wish something like that would happen to me." Cain wrote it in his own key, and that allowed Perry to explore a different vocal timbre. They finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 25. "When You're Alone (It Ain't Easy)" from 'Evolution' (1979)

Perry chirps and coos his way through this winking tease of a song – that is, until about a third of the way through, when Schon provides a moment of release.

No. 24. "Forever in Blue" from 'Trial by Fire' (1996)

As with "Girl Can't Help It," found later on our list of Journey Songs Ranked Worst to Best, "Forever in Blue" represents that rare moment when the latter-day edition puts it all together again.

No. 23. "Wheel in the Sky" from 'Infinity' (1978)

He never got much credit, but Robert Fleischman played an important role in Journey. "Wheel in the Sky," the band's initial Billboard chart entry, was originally a poem written by Ross Valory's wife – until Fleischman rounded it into song form. Schon added a guitar melody, and they handed it to Steve Perry after Fleischman's ouster. The rest is, as they say, history.

No. 22. "Walks Like a Lady" from 'Departure' (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, reportedly one of his favorites.

No. 21. "Too Late" from 'Evolution' (1979)

A delicate, beautifully conveyed song of encouragement, "Too Late" was aimed at a friend of Perry's who had fallen into drug abuse.

No. 20. "Girl Can't Help It" from 'Raised on Radio' (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was the exception. This was classic Journey, spit-shined up for a new era.

No. 19. "After the Fall" from 'Frontiers' (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 18. "Good Morning Girl" / "Stay Awhile" from 'Departure' (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 17. "Who's Crying Now" from 'Escape' (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Jonathan Cain's new presence changed Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in the Time3 notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 16. "Do You Recall" from 'Evolution' (1979) Maybe the perfect blending of Journey's tough early sound and Perry's sun-flected sense of reminiscence. Roy Thomas Baker's familiar stacked vocals propel the bridge to untold heights.

No. 15. "Someday Soon" from 'Departure' (1980)

The final major vocal collaboration featuring Perry and the soon-to-depart Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared on Journey's next-to-last album with Rolie. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured .

No. 14. "Open Arms" from 'Escape' (1981)

If you dislike power ballads, blame Jonathan Cain. He brought this seminal example of the genre to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms," either. But Perry intervened, and they turned it into a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 13. "Lovin', Touchin', Squeezin'" from 'Evolution' (1979)

A song with a real-life storyline, "Lovin', Touchin', Squeezin'" came to life in another Journey jam session, then went on to become their very first Top 20 hit. Rolie's Nicky Hopkins-esque honky tonk piano rides atop a stuttering, 12/8 rhythm, building inexorably toward a cloud-bursting nah-nah-nah conclusion. Steve Smith has compared that blues shuffle to "Nothing Can Change This Love" by key Perry influence Sam Cooke. The heartbroken Perry, who's described the writing of this song as "love justice," again played the bass on the initial sessions. The results opened the pop-chart floodgates.

No. 12. "Still They Ride" from 'Escape' (1981)

A touchingly emotional trip back to Perry's San Joaquin Valley youth, "Still They Ride" showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 11. "The Party's Over (Hopelessly in Love)" from 'Captured' (1981)

"After I left," Rolie later mused , "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner.

No. 10. "Stone in Love" from 'Escape' (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest.

No. 9. "Daydream" from 'Evolution' (1979)

An episodic triumph, "Daydream" is defined by dreamy, Jon Anderson -esque verses, rangy guitar riffs and forward-thinking keyboard asides – very much in keeping with the prog-rock pretensions of the '70s, though that sound had already become decidedly passe.

No. 8. "Separate Ways (Worlds Apart)" from 'Frontiers' (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words.

No. 7. "Just the Same Way" from 'Evolution' (1979)

Built off a Rolie piano riff, "Just the Same Way" once again leveraged Journey's layered harmony vocals, already a trademark of producer Roy Thomas Baker from his previous work with Queen . Baker achieved this effect by having Perry and Rolie double and triple their parts, an incredibly time-consuming new approach that almost derailed "Anytime." (Rolie and Schon still considered themselves jam guys at this point.) But that's what ultimately gave this song – and Journey themselves – such a striking propulsion.

No. 6. "Send Her My Love" from 'Frontiers' (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Live" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith said in 2011 , "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 5. "Only the Young" from 'Vision Quest' (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . "Only the Young," which opened every concert on Journey's subsequent tour, will be forever associated with his brave fight.

No. 4. "Lights" from 'Infinity' (1978)

Perry had an early version of this song in his back pocket when he joined Journey, and it's a good thing. Rolie has said that the rest of the band wasn't sold on Perry until they harmonized on "Lights" while backstage at the Swing Auditorium in San Bernardino. "It dawned on me right then," Rolie later admitted in the Time3 notes, "that this could really be great."

No. 3. "Any Way You Want It" from 'Departure' (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. "I loved his ability and phrasing," Perry revealed in Open Arms: The Steve Perry Anthology . "This guy is one of the more under-recognized geniuses of that era." Perry and Rolie brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit.

No. 2. "Don't Stop Believin'" from 'Escape' (1981)

It difficult to believe, considering how rightfully ubiquitous this anthem has become, but "Don't Stop Believin'" originally only barely cracked the Top 10. What's up with that, 1981?

No. 1. "Feeling That Way" / "Anytime" from 'Infinity' (1978)

These paired songs took a convoluted path to the top of this list, as everyone worked and reworked both halves into a legacy-defining moment for Journey and their new singer. "Feeling That Way" began as a Rolie track called "Velvet Curtain" then evolved into "Let Me Stay," which was considered for Next . When Perry arrived, he added a gliding new chorus, and they were halfway there. Meanwhile, the Fleischman co-written "Anytime" – released as a separate, No. 83-charting single but forever linked on the album and rock radio – was going nowhere. At one point, Journey almost dropped it altogether. Then Schon decided to tap the music of his childhood by adding a Beatlesque lyric, " Anytime that you want me ." The then-new mixture of Perry and Rolie's voices did the rest. "As soon as the vocals were put in, the song came alive," Rolie remembered in 2014 , laughing. "I'm glad we didn't can it!" The results meld every great thing about the band's earthy first era with the pop-facing second era to come. In that way, it's the perfect Journey moment.

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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20 Interesting Journey Facts: Think You Know The Band?

Journey is one of the best-selling rock bands in history. They formed in the early 70s, and their music has stood the test of time. Keep reading because we’re going to tell you 20 interesting Journey facts… think you know the band? 

Journey Formed in 1973 And Used A Different Name 

It was in 1973 that Journey formed, although the band didn’t go by that name at the time. They were known then as Golden Gate Rhythm Section, but they weren’t very popular while using this name. It was one of their roadies, John Villaneuva, who suggested that their name be Journey, and everyone agreed so they changed their name. 

Funny enough, there was a competition that was held during this time by a local radio station to have the listeners come up with the group’s name. They even offered concert tickets for life to the winner, but with the horrible suggestions that they got, they decided to use Journey and then made up someone named Toby Pratt as the person who came up with the name.

However, there really was a Toby Pratt who lived in the area, and he then claimed he deserved the prize, and the radio station had to give him some sort of prize even though he was not truly the one who came up with Journey.

Recommended: Top Journey songs

Journey Broke Up For Eight Years In The 80s

While Journey has been together since 1973, the band did break up for around eight years beginning in 1987 . The issue with them was that there were many creative differences that were leading to disagreements between members including Ross Valory, Steve Smith, and Neal Schon, and they couldn’t easily be resolved. However, they did resolve the issues years later and got back together in 1995, which is when they started recording albums and touring once again. 

The New Lead Singer Was Found On YouTube

We’ve all heard stories about YouTube helping talented people become famous, and that’s what happened with Arnel Pineda , who is now the lead singer for Journey. He comes from the Philippines, and in 2007, he started uploading videos of his band The Zoo performing covers of Journey songs.

The guitarist for Journey and songwriter, Neal Schon, saw the video and began researching Pineda, and by 2008, he was their new lead singer. Funny enough, he at first thought the offer was a prank and didn’t believe he was being asked to front the band for several weeks. 

Steve Perry Left To Focus More On His Health 

Steve Perry was a part of Journey for almost 20 years until he quit the band. At this time, he was in need of hip replacement surgery due to injuries sustained in an accident while in Hawaii hiking . He would later say that he didn’t feel the music in his heart anymore and that his health was now his focus.

Neal Schon Is The Remaining Original Band Member 

Journey released their first album in 1975 named after the band, and Neal Schon , the guitar player, is now the only original member left who was there when that first album was released. That means he has been in the group for every one of their 14 albums, which explains why their sound hasn’t changed that much through the years. 

Escape Featured Three Of Their Biggest Songs 

Journey released the album Escape in 1981, and on this album, you’ll find three of their biggest hits such as Open Arms, Who’s Crying Now, and Don’t Stop Believin’. The top hit out of those was Open Arms , which went to number two on the Billboard charts , with Who’s Crying Now landing at number four, and Don’t Stop Believin’ coming in at nine. 

Journey Was Inducted Into The Rock and Roll Hall Of Fame 

In 2017, Journey was inducted into the Rock and Roll Hall Of Fame and a notable moment from the ceremony was that Steve Perry joined the band on stage . This was the first time that he had been on the same stage with the rest of the band in more than 20 years. They were inducted the same year that other artists including Pearl Jam and 2Pac were inducted. 

All Former And Current Members Are Still Alive 

One thing that stands out with Journey compared to many other bands out there is that all of the current and former band members are still alive. For them to be around for 50 years with everyone still alive is actually pretty remarkable. 

Journey Is One Of The Best-Selling Bands In History 

Journey has remained incredibly popular throughout their 50-year history and has sold more than 48 million records in the United States. They have sold more than 80 million albums throughout the world, and it continues to rise every day. According to the RIAA, Journey is in the top 30 on the list of best-selling artists ever , which is simply amazing. We can probably thank Don’t Stop Believin’ which has become their signature song and an anthem for their everlasting popularity. 

Don’t Stop Believin’ Turned 40 In 2021 

Don’t Stop Believin’ turned 40 years old in 2021, and in the United States, this particular song is one of their biggest hits with more than 5.4 million sales. It’s the number-one track in iTunes history for songs that have been released before 2000.

Recommended: The meaning behind Don’t Stop Believin’

Journey’s Music Is Featured In Several Movie And Television Shows 

If you were a fan of The Sopranos , then you know that Don’t Stop Believin’ was featured in the last episode of the show as the family gathers at the restaurant and it infamously cuts to black. Other shows have used this song too including Glee, Family Guy, Scrubs, and Moneyball. They have multiple tracks that have gone on to be in movies and television shows including Lights, Anyway You Want It, Wheel In The Sky, and Faithfully. 

Steve Perry Was Not In The Original Lineup 

The most famous lead singer of Journey was Steve Perry, and he is loved by fans everywhere, but he wasn’t a part of the original lineup like many believe. He did not join the band until 1977, which was four years after they originally formed.

The original singer was Gregg Rolie who had previously worked with Santana before forming Journey with Neal Schon, another former member of Santana. He stayed in the band for a total of 21 years before leaving in 1998. 

None Of Journey’s Pre-Steve Perry Albums Sold Well 

Interestingly, Journey had released three albums before Steve Perry joined the band, but none of the albums were considered to be a success. Once he joined the band, everything started to change for them, and they started to gain popularity among rock fans. 

Journey Has A Star On The Hollywood Walk Of Fame 

Journey received a star on the Hollywood Walk Of Fame in 2005, and many of the prior members of the band were there for the ceremony including Steve Smith, Steve Perry, and George Tickner. However, Gregg Rolie did not attend this ceremony. Everyone was surprised that Perry showed up for the ceremony, including his bandmates who were happy to see him.

They Were Inducted Into The Music Hall Of Fame 

In 2003, Journey was put into the San Francisco Music Hall Of Fame since they were formed there and are from the Bay Area. 

Journey Has Never Won A Grammy 

What’s really weird is that even though the band has had hits like Don’t Stop Believin’ and Open Arms , they’ve never won a Grammy Award. They were only nominated for a Grammy one time , which was in 1997, but The Beatles ended up winning that year. However, several other famous musicians have never won a Grammy including 2Pac, Queen, and Bob Marley, so Journey is in good company. 

They Have 25 Albums That Went Platinum or Gold 

An impressive feat that the band has achieved is that they have had 25 of their albums certified by the RIAA as Platinum or Gold. The Escape album from 1979 was Diamond Certified , which is also incredible. 

Journey Hasn’t Had a Number One Single 

Despite the success of Open Arms and obviously Don’t Stop Believin’ the band has never had a number-one single on the Billboard charts. They have had 19 different songs in the Billboard Top 40 chart, but not one single track has ever made it to number one in America. This puts them on par with Electric Light Orchestra who had 20 songs hit the Billboard Top 40 without one of them reaching the number one position. 

Two Albums Hit Number One On Billboard 200 Chart 

Journey has had two albums that landed at number one on the Billboard 200 chart, which were Frontiers and Escape. These two albums also did well on the UK Album chart but only reached number six . 

The Current Line-Up Changed As Recently As 2021 

Journey is a band that has had several different members throughout the years, with the current iteration of their lineup featuring Todd Jensen, the bass player who joined in 2021. They now consist of the following members: 

• Arnel Pineda – Lead vocals
• Neal Schon – Backing vocal and lead guitar
• Jason Derlatka – lead and backup vocals and keyboard 
• Deen Castronovo – backup vocals, drum, lead vocals
• Todd Jensen – Bass and backup vocals
• Johnathan Cain – backup vocals, keyboard, rhythm guitar, piano, and harmonica

Previous members of Journey include:

• Gregg Rolie 
• Steve Perry 
• Ross Valory 
• Prairie Prince
• George Tickner 
• Aynsley Dunbar
• Jeff Scott Soto 
• Robert Fleischman
• Steve Augeri 
• Randy Jackson
• Narada Michael Walden
• Steve Smith

From the time she was little, Florence loved listening to music and quickly learned how music can make you happy and feel fulfilled. One of her favorite memories is being in the garage with her dad working on classic cars with the local rock station blaring in the background. Ever since Florence was 3, she loved grunge music and spent hours listening to bands such as Alice in Chains, Mad Season, Soul Asylum, and Soundgarden.

She also enjoys classic rock, modern rock, nu metal, alternative rock, and old 90’s R&B. Her love of music grew as she got older, and used music to help her get through tough times in her life. More often than not, you’ll see Florence with earbuds in while she’s writing, cooking, cleaning, and doing other tasks. She also loves to debate music with her friends such as which lead singer is the best vocalist, the most iconic guitar solos in music, and what songs are really the best of the decade.

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Steve Perry

Who Is Steve Perry?

Steve Perry played in several bands before joining Journey in 1977. The band achieved tremendous pop rock success with its 1981 album Escape , which featured the now-classic "Don't Stop Believin'." As the group's lead singer, Perry became one of the era's most famous singers. He also had some hits on his own, including "Oh Sherrie." Perry left Journey in 1987, and except for a brief reunion, he remains a solo artist.

While attending high school in Lemoore, California, Perry played drums in the marching band. He tried college for a while, performing in the choir, but eventually abandoned school for his musical dreams. Hoping to break into the business, he moved to Los Angeles for a time. There, he worked a number of jobs, including singing on commercials and serving as an engineer in a recording studio. All the while, Perry played with a number of different groups as a vocalist and drummer. He seemed to be on the edge of a breakthrough with the group Alien Project, when it suddenly disbanded — tragically, one of its members was killed in a car crash.

Journey: "Oh Sherrie" and "Don't Stop Believin'"

In 1977, Perry caught his big break, landing a gig as the vocalist for Journey, which began performing as a jazz rock group in the early 1970s, in San Francisco. With Perry on board, the band moved more toward mainstream rock, and began to see some chart success with the first album with Perry, 1978's Infinity . The band's ode to San Francisco, "Lights," became a minor hit as did "Wheel in the Sky" and "Anytime."

Journey broken into the Top 20 with "Lovin', Touchin', Squeezin'" on their next album, Evolution (1979). Buoyed by such hits as "Open Arms," "Who's Crying Now" and "Don't Stop Believin'," Escape (1981) became the band's first No. 1 album, selling more than 7 million copies. While the band was hugely popular with music fans, many critics were less than kind.

By the early 1980s, Journey had emerged as one of rock's top acts. Perry proved that while he may have been short in stature, he possessed one of the era's biggest and most versatile voices. He was equally adept at ballads, such as "Open Arms," and at rock anthems, such as "Any Way You Want It." Behind the scenes, Perry helped write these songs and many of the band's other hits. He penned their most enduring song, "Don't Stop Believin'," with guitarist Neal Schon and keyboardist Jonathan Cain.

Journey continued to be one of the era's top-selling acts, with 1983's Frontiers . The album featured such songs as "Separate Ways (Worlds Apart)" and "Faithfully." To support the recording, the band undertook an extensive world tour. Around that time, Journey also became the first band to license their music and likenesses for a video game.

With 1986's Raised on Radio , Journey enjoyed another wave of success. However, Perry was ready to part ways with his bandmates. Perry left the band in 1987 after the album tour. In a statement to People magazine, Perry explained: "I had a job burnout after 10 years in Journey. I had to let my feet hit the ground, and I had to find a passion for singing again." Perry was also struggling with some personal issues at the time; his mother had become very sick, and he spent much of his time caring for her before her death.

Perry reunited with Journey in 1996, for the reunion album Trial By Fire , which reached as high as the No. 3 on the album charts. But health problems soon sidelined the famous singer—a hip condition, which led to hip replacement surgery—and his bandmates decided to continue on without him.

Solo Projects

While still with Journey, Perry released his first solo album, Street Talk (1984). The recording sold more than 2 million copies, helped along by the hit single, "Oh Sherrie." Burnt out after splitting with Journey, Perry took some time out before working on his next project.

Nearly a decade later, Perry re-emerged on the pop-rock scene with 1994's For the Love of Strange Medicine . While the album was well-received—one ballad, "You Better Wait," was a Top 10 hit—Perry failed to reach the same level of success that he had previously enjoyed. In 1998, he provided two songs for the soundtrack of Quest for Camelot , an animated film. Perry also released Greatest Hits + Five Unreleased that same year.

Recent Years

While he has largely stayed out of the spotlight, Perry continues to be heard in movies and on television. His songs are often chosen for soundtracks, and Journey's "Don't Stop Believin'" even played during the closing moments of the hit crime-drama series The Sopranos in 2007. In 2009, a cover version of the song was done for the hit high school musical show Glee , which introduced a new generation to Perry's work.

According to several reports, Perry began working on new material around 2010. He even built a studio in his home, which is located north of San Diego, California. "I'm finishing that room up and I've written a whole bunch of ideas and directions, all over the map, in the last two, three years," Perry told Billboard in 2012.

In 2014, Perry broke from his self-imposed exile from the concert stage. He appeared with the Eels at several of their shows. According to The Hollywood Reporter , Perry explained that "I've done the 20-year hermit thing, and it's overrated." His return to performing "has to do with a lot of changes in my life, including losing my girlfriend a year ago and her wish to hear me sing again" — referring to his romance with Kellie Nash, who died in late 2012 from cancer.

Although Perry and his old bandmates had long since ventured in separate directions, the group did reunite for their induction into the Rock and Roll Hall of Fame in April 2017.

In the meantime, the singer began recording again. On August 15, 2018, he released his first new song in 20 years, the ballad "No Erasin." The track arrived ahead of his new album, Traces , his first full-length studio recording since For the Love of Strange Medicine in 1994.

Regardless of what the future holds, Perry has already earned a place in rock history. Rolling Stone magazine named him one of music's top 100 singers. According to American Idol judge and former Journey bassist, Randy Jackson, Perry's voice is one of kind. "Other than Robert Plant, there's no singer in rock that even came close to Steve Perry," Jackson said. "The power, the range, the tone—he created his own style. He mixed a little Motown, a little Everly Brothers, a little Zeppelin."

QUICK FACTS

• Name: Steve Perry
• Birth Year: 1949
• Birth date: January 22, 1949
• Birth State: California
• Birth City: Hanford
• Birth Country: United States
• Gender: Male
• Best Known For: Steve Perry was the lead singer of pop rock band Journey from 1977 to 1987. He is known for having a wide vocal range, which can be heard on such popular hits as "Don't Stop Believin'" and "Oh Sherrie."
• Astrological Sign: Aquarius

We strive for accuracy and fairness.If you see something that doesn't look right, contact us !

CITATION INFORMATION

• Article Title: Steve Perry Biography
• Author: Biography.com Editors
• Website Name: The Biography.com website
• Url: https://www.biography.com/musicians/steve-perry
• Access Date:
• Publisher: A&E; Television Networks
• Last Updated: July 23, 2020
• Original Published Date: April 2, 2014

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The 10 Best Journey Songs of All-Time

Journey is the kind of band that inspires intense emotion. Some people hate them, some people love them. Very few people manage to stay indifferent to them. Known for their soulful (some say slushy) ballads, their massive choruses, and their consummate musicianship, this is a band that defines AOR. Their line up may have experienced multiple changes over the years (in fact, the only original member to still remain with the group is lead guitarist Neal Schon) , but their classic hits remain a constant source of pleasure… at least to those who fall on the ‘love’ side of the debate. But which of those hits rank as the best Journey songs of all time? Find out as we reveal the ten finest moments from the band’s back catalog.

10. Girl Can’t Help It

As loudersound.com writes , the production of the 1986 song “Girl Can’t Help It” might be very much a product of its time, but there’s enough good stuff happening elsewhere to make it one of the band’s most enduring classics. Steve Perry’s vocals are a thing of beauty, while Neal Schon’s heavy guitar riffs cut through Jonathan Cain’s velvety keyboards perfectly.

When Perry joined the band in 1977, he meant business. He may have been recruited as a lead singer and frontman, but his talent as a writer soon became evident, as seen in the 1978 song, “Infinity.” It may have charted at a disappointing 68, but its soulful lyrics and Perry’s shining vocals have since tuned it into a concert staple.

8. In My Lonely Feeling / Conversations

Before Journey decided that soulful ballads and power anthems would get them more album sales, they were a jazz fusion band with hints of progressive rock. Some of their earlier work has been criticized as self-indulgent, but there’s still plenty of gems in among the dross. Taken from their 1975 album “In The Beginning,” “In My Lonely Feeling / Conversations” is a psychedelic number that, as recording-history.com notes , has the kind of memorable riff that will have you bobbing your head for days.

7. Lovin,’ Touchin,’ Squeezin’

Big ballads may be what Journey has become best known for, but this is a band with roots in jazz fusion. When it wants to pull out a funky groove, it can, as demonstrated by the electrifying “Lovin,’ Touchin,’ Squeezin’.” As one of the highlights of the 1979 “Evolution” album, “Lovin,’ Touchin,’ Squeezin'” features soaring vocals, heavy guitars, and several moments that would convince even the most committed Journey hater of the band’s merits. As the first Journey single to reach the Top 40 in the United States, “Lovin,’ Touchin,’ Squeezin'” occupies a special place in the hearts of fans, and for good reason.

6. Faithfully

When Cain wrote “Faithfully,” he was channeling his emotions as a rocker on the road with a wife and family at home. The result is wistful, poignant, utterly human, and a timely reminder of Journey’s soulful side The melody, piano backing, and plaintive vocals combine to create what some critics have described as the greatest power ballad ever recorded. In the event, the song outlived the marriage it was written to celebrate: within just four years of it reaching number 12 on the Billboard Hot 100, Cain and his wife had divorced.

5. Any Way You Want It

The Thin Lizzy-inspired track “Any Way You Want It” may not have performed as well as some of Journey’s later singles (it peaked at number 23 on the US Billboard Hot 100 chart), but since its release in 1980, it’s become one of the band’s most popular and revered tracks. Featuring a storytelling style reminiscent of Thin Lizzy’s Phil Lynott along with gliding guitar riffs, it marked a departure from the band’s usual style, but a very welcome one nonetheless.

4. Open Arms

As ultimateclassicrock.com (ultimateclassicrock.com/journey-songs/) writes, the melody for “Open Arms” was pitched by Cain during his time with rock group, the Babys, but singer John Waite decided it was too sentimental to work. Initially, Journey felt the same, with Schon, in particular, dismissing it as too lightweight. Fortunately, Cain won the toss. The track became one of the band’s most commercially successful songs of all time, holding the number 2 spot on the Billboard 100 for 6 consecutive weeks and wining a permanent place in the hearts of Journey fans around the world.

3. Separate Ways (Worlds Apart)

The year was 1983. Journey was riding high on the success of “Escape,” their most commercially successful album to date. Expectations for their follow-up album, “Frontiers,” were riding high. It didn’t disappoint. Its opening track, “Separate Ways (Worlds Apart)” is a hugely enjoyable, powerhouse of a song that features Cain, Perry, and Schon bouncing off each other’s strengths and intertwining to masterful effect.

2. Wheel In The Sky

By 1977, Journey (and quite possibly, their record label) were getting sick of poor album sales. Determined to move the band in a more commercial direction, they hired a new frontman in the form of Robert Fleischman. Differences between Fleischman and the band’s management would ultimately lead to his departure within the year, but his time with Journey wasn’t completely wasted. The proof? “Wheel in the Sky,” a dazzling little number co-written by Fleischman. Featuring a dynamic guitar groove and a heavier beat than we were used to from Journey, it ranks as one of the highlights on “Infinity.”

1. Don’t Stop Believin’

When it came to the number one spot, there was never any real competition. “Don’t Stop Believin'” isn’t just a song. It’s not just an anthem. It’s a seminal moment from the 1980s that managed to make the decade everyone would rather forget that little bit brighter. If you ever come across someone who says they’ve never heard it, don’t trust them. They’re either lying or have never turned on a radio in their life. Either way, they’re best avoided. “Don’t Stop Believin'” is peerless. It’s one of the few songs that everyone, whether they care to admit it or not, likes. The vocals, the musicality, the simplicity…. whatever it is, it makes us happy, and for as long as it does, we’ll keep on belivin’.

No, do not confuse this Thomas Newman with the composer. But I'm still a music lover nonetheless. You'll catch me mostly writing articles about the artists and bands I love. Maybe some theory. Maybe some analysis. Whatever lands in the world of music is something I'm likely interested in. In particular I'm a huge fan of classic rock and the oldies. Zeppelin are among my favorites and Foghat's "Slowride" is one of my favorite tracks.

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5 things to know about the legendary band Journey

It’s nearly impossible to turn on a classic rock radio station for even a short period of time without hearing a song by Journey.

The iconic band, known for such unforgettable classics as “Don’t Stop Believin’,” “Any Way You Want It,” “Lights,” “Faithfully,” “Wheel in the Sky” and “Separate Ways (Worlds Apart),” has been a classic rock staple for as long as the format has existed and continues to reach new generations of music fans.

Currently on tour with fellow classic rock legends Asia, Journey will perform Sunday at the Bon Secours Wellness Arena in Greenville. In anticipation of the show, here are five things to know about Journey:

1. The band is in the Rock and Roll Hall of Fame

Journey was inducted into the Hall this year, along with ELO, Joan Baez, Pearl Jam, Tupac Shakur, Yes and Nile Rodgers.

The ceremony, held in April, marked the first time former lead singer Steve Perry took the stage with Journey in more than two decades.

2. Its current lead vocalist was discovered on YouTube

At the Rock and Roll Hall of Fame induction ceremony, Perry complimented the band’s current lead vocalist Arnel Pineda, saying he “sings his heart out every night.”

Pineda, a Filipino who was only 7 years old when Journey released its debut album in 1975, joined the group in 2007 after band members Jonathan Cain and Neal Schon began searching YouTube for a new lead singer.

Before Pineda, Steve Augeri had served as Journey’s lead vocalist for nearly a decade.

3. The band has had bigger hits than “Don’t Stop Believin’”

Although “Don’t Stop Believin’,” with its anthem-like lyrics and uplifting message, has become Journey’s signature tune, it only reached No. 9 on the Billboard Hot 100 chart upon release in 1981.

Two other songs from the band’s multi-platinum “Escape” album, which included “Don’t Stop Believin’,” were even bigger chart successes. “Open Arms” rose to No. 2 and “Who’s Crying Now” reached No. 4.

4. The band’s music is part of pop culture

Over the years, Journey songs have been heard in numerous films and television series, including “Glee” and “Family Guy.”

“Don’t Stop Believin’” was prominently featured in the dramatic final scene of the hit television series, “The Sopranos,” in 2007. It played in the background right up until the show ended with an abrupt cut to a black screen as characters Tony and Carmela Soprano sat at a diner with their children.

5. The band is extremely popular

According to the Recording Industry Association of America, Journey has sold 48 million albums in the U.S., making it the 25th best-selling band of all-time.

In 2009, “Don’t Stop Believin’” became the top-selling track in iTunes history among songs not released in the 21st century.

Want to go? Who: Journey with special guest Asia When: 7:30 p.m. Sunday Where: Bon Secours Wellness Arena, 650 N. Academy St., Greenville Tickets: $35-$125 Info: 800-745-3000 or www.bonsecoursarena.com

Journey is back with a new lineup and new music

• Updated: Sep. 14, 2021, 3:11 p.m. |
• Published: Sep. 14, 2021, 5:49 a.m.

Arnel Pineda, left, and Neal Schon of the band Journey perform on day three of the Lollapalooza music festival on Saturday, July 31, 2021, at Grant Park in Chicago. (Photo by Rob Grabowski/Invision/AP) Rob Grabowski/Invision/AP

• Gary Graff, special to cleveland.com

CLEVELAND, Ohio -- Journey’s members have a simple message for those who figured it was a band least likely to headline at Lollapalooza, a festival that’s long celebrated the current and cutting edge.

Don’t stop believin’.

The group, a Rock and Roll Hall of Fame inductee in 2017, indeed won raves and a big Hulu TV audience for its July 31 performance in Chicago’s Grant Park, which had tens of thousands singing along to “Don’t Stop Believin’” and the group’s parade of other hits. It’s part of a series of post-pandemic shows Journey, debuting a new lineup, has been playing this summer, with a Las Vegas residency slated for December.

And all that has been accompanied by new music. A single and animated video, “The Way We Used to Be,” came out in June, and Journey has recorded a new album -- its first since “Eclipse” in 2011 -- though it hasn’t yet announced a release date.

It’s safe to say that despite some harsh critics still out there, the journey goes on and on and on and on...

“Journey has become a crossover with kids, more than people realize,” says Jonathan Cain, keyboardist and guitarist since 1980 and a chief architect behind Journey’s nine-times platinum “Escape” album, celebrating its 40th anniversary this year. “There’s a lot of factors there. ‘Don’t Stop Believin’’ was in ‘The Sopranos’ (finale), and on ‘Glee.’ It’s the most-performed karaoke song, one of the top five wedding songs, and then you have ‘Open Arms’ and ‘Faithfully’...

“We have permeated the young culture, and we still have the fans who were with us back when everything happened. We’re very blessed in that way.”

This Journey resurgence, in fact, comes after one of the darker chapters in the band’s 48-year history.

It was only a few years ago, back in 2017 that guitarist and co-founder Neal Schon was sniping at his bandmates, primarily Cain, via social media, even as the group was touring together. The issues, other than a band visit to the White House (Cain’s wife, televangelist Paula White, was one of Donald Trump’s advisers) were unclear and seemed to have little effect on the band’s performances.

Now Schon -- who formed the band in 1973 after a tenure with Santana -- acknowledges that “there was a period there where some things weren’t really right, and it took time to figure out what was going on and what to do about it.” And those things became clear on March 3, 2020, when Schon and Cain announced they’d fired co-founder and bassist Ross Valory and longtime drummer Steve Smith for an alleged “attempted corporate coup d’état” to take over the Journey and all of its trademarks.

Valory and Smith were supported in a countersuit by former frontman Steve Perry and former manager Herbie Herbert, but Schon and Cain moved forward while the matter was being litigated.

“Everybody wanted to own the brand, and I felt there was a takeover going on,” says Schon, who had started another band, Journey Through Time, that included Santana bandmate Greg Rolie, another Journey co-founder. One of the group’s old managers, in fact, even suggested Schon should quit the band he started, which only strengthened his resolve to establish new order to the group, which has sold more than 80 million albums worldwide.

“The ship is not going down. No one’s stealing the brand,” declares Schon, 67, who’s limited by the legalities from talking about too many specifics. “Things took a turn, businesswise, that I didn’t like, and that Jonathan didn’t like and we decided not to go along with it. There were a lot of unrealistic statements that were being made by different people and us not really talking and just believing what others were saying.

“Once I actually sat and talked to Jonathan, we cleared everything up and got rid of the divide-and-conquer scenario and realized we had a lot more to say musically together, as brothers.”

Journey also changed management and did some other housecleaning and legal reshuffling, as well as working on settling trademark issues that hadn’t been firmly established in the past.

“It was sort of a shocking thing, that brothers had come to that,” Cain says. “We had to sort it out. You get lemons, you make lemonade -- what else are you gonna do? It’s probably not that out of the ordinary for bands to do this kind of stuff, and it’s usually based on greed or whatever. I really am glad it’s behind us, that’s all -- and I wish everybody well, really. I have no ill will towards anyone.”

Journey now comprises Schon and Cain, as well as Arnel Pineda, the Filipino singer who joined in 2007 after Schon saw his performances of Journey songs on YouTube. Randy Jackson of “American Idol” fame returns in the bass slot, which he filled from 1985-87 -- though Marco Mendoza is filling in while Jackson recovers from back surgery. New to the lineup is Narada Michael Walden on drums, while Jason Derlatka, who’s been a hidden adjunct member for live performances, is now a full-time member on keyboard.

And, in a surprise move last month, Deen Castronovo, drummer from 1998-2015, is also back in the fold.

“We’re moving forward -- that’s all I can tell you, man,” says Schon, who put out an instrumental solo album, “Universe,” last fall and last month auctioned 112 of his guitars for more than $4.2 million. “It still sounds like Journey, but there is definitely a different strut in the rhythm section with Randy and Narada. It’s bombastic. It’s rocking. It’s majestic, and it’s soulful.

“I believe we got in a bit of a rut, for me, in the latter years of just playing exactly the same thing every night. It doesn’t have to be like that. We have so much material, and I think it’s great music and can all be brought to life in a new way and an updated way. That’s what we’re pursuing now.”

Journey has more than 20 songs it’s been working on for the new album, much of it being worked on remotely between Schon and Walden on the West Coast and Cain in Nashville and Florida. “The Way We Used to Be” is a case in point, growing from a piece of music Schon and Walden constructed and then sent to Cain for lyrics and additional melody.

Jonathan Cain of the band Journey performs on day three of the Lollapalooza music festival on Saturday, July 31, 2021, at Grant Park in Chicago. (Photo by Rob Grabowski/Invision/AP) Rob Grabowski/Invision/AP

“The lyric has a sort of angst to it, and the question was ‘can we ever get back?’” explains Cain, 71, who also released a new Christian rock single, “Oh Lord Lead Us,” last month. “There’s that frustration of being separated, by the pandemic, and a little fear in it. It just had enough for me to go, ‘OK, then we’ll just put a little R&B thing on it and story tell it and get to that chorus, which fit right into what (Schon) had.”

Both Schon and Cain say the new album is in its finishing stages. It has a tentative title that they’re not revealing yet, but the package is being designed by Jim Welch, who worked with the band on several albums, including “Infinity,” “Departure” and “Escape.” “It’s typical Journey, I think,” Cain says. “We’re back to our old sound, but it’s got a little bit more on the bottom end. It’s got fire. It’s just a little bit more edge to it. Neal’s playing his butt off, and it’s very driven, very cool. The songs came very interestingly. I like it a lot.”

For Schon, meanwhile, “I’m just all about moving forward right now. I’m making so much music and there are so many positive things happening. I’ve bought a lot of new guitars and I’m having a blast playing. We’ll get all this other (stuff) taken care of and behind us, and then it’s just full speed ahead. I can’t wait.”

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32 facts about journey.

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Journey, the iconic American rock band, has been captivating audiences around the world for decades with their timeless music and electrifying performances. Formed in 1973, Journey quickly rose to fame and became one of the most successful rock bands of all time. With their powerful vocals, melodic guitar solos, and catchy hooks, the band has produced a string of classic hits that have stood the test of time.

In this article, we will take a closer look at Journey and delve into 32 fascinating facts about the band and its members. From their humble beginnings to their monumental success, we will uncover the stories behind their iconic songs, explore their journey to superstardom, and get to know the talented individuals who make up this legendary band.

Key Takeaways:

• Journey is an iconic American rock band known for their catchy songs and electrifying performances. Their music has inspired generations and continues to resonate with audiences of all ages.
• With chart-topping hits like “Don’t Stop Believin'” and “Open Arms,” Journey has solidified their place in music history. Their timeless music and dedicated fan base make them legendary.

Journey is an American rock band

Journey is widely known as one of the greatest rock bands in music history. Their blend of melodic rock and soaring ballads has captivated audiences around the world.

The band was formed in 1973 in San Francisco

Journey was originally formed in San Francisco by former Santana members Neal Schon and Gregg Rolie, along with Ross Valory, George Tickner, and Prairie Prince.

Their breakthrough came with the album “Infinity” in 1978

“Infinity” marked a turning point for Journey, with hits like “Wheel in the Sky” and “Lights” that propelled them into mainstream success and established their signature sound.

Journey has had multiple lead vocalists

While Steve Perry is widely recognized as the band’s most iconic lead vocalist, Journey also saw success with other singers like Gregg Rolie, Steve Augeri, and Arnel Pineda.

Their album “Escape” produced some of their biggest hits

“Escape,” released in 1981, included chart-topping hits like “Don’t Stop Believin’,” “Open Arms,” and “Who’s Crying Now,” solidifying Journey’s place in music history.

Journey’s music is often associated with the ’80s rock era

The band’s anthemic songs and power ballads are synonymous with the vibrant and energetic sound of ’80s rock music.

“Don’t Stop Believin'” is one of the most iconic rock songs of all time

With its catchy chorus and uplifting message, “Don’t Stop Believin'” has become an anthem for perseverance and hope, inspiring listeners worldwide.

Journey has sold over 75 million records worldwide

The band’s impressive sales figures place them among the best-selling rock bands of all time, solidifying their status as music legends.

They were inducted into the Rock and Roll Hall of Fame in 2017

Journey’s induction into the Rock and Roll Hall of Fame recognized their significant contributions to the music industry and their enduring influence on rock music.

Journey’s music has been featured in numerous movies and TV shows

From the iconic “Don’t Stop Believin'” in “The Sopranos” finale to other hits like “Any Way You Want It” in movies like “Caddyshack,” Journey’s music has become part of popular culture.

They have toured extensively around the world

Journey’s live performances are legendary, and they have toured relentlessly, captivating audiences with their electrifying stage presence and timeless music.

“Separate Ways (Worlds Apart)” has an iconic music video

The music video for “Separate Ways (Worlds Apart)” is memorable for its cheesy ’80s aesthetics and synchronized air instrument performances that have become a nostalgic favorite among fans.

Journey’s greatest hits album is one of the best-selling compilation albums of all time

Their compilation album, “Journey’s Greatest Hits,” has sold millions of copies worldwide and continues to introduce new generations to their timeless music.

The band has faced lineup changes throughout their career

Like many long-standing bands, Journey has seen various lineup changes, but their commitment to delivering outstanding performances remains unwavering.

They have received a star on the Hollywood Walk of Fame

Journey’s star on the Hollywood Walk of Fame is a testament to their enduring impact on the music industry and their status as cultural icons.

Journey’s music is characterized by catchy hooks and memorable guitar solos

Neal Schon’s virtuosic guitar playing and Jonathan Cain’s songwriting have resulted in timeless classics that continue to resonate with audiences of all ages.

They have had numerous chart-topping albums

Journey’s impressive discography includes multiple albums that reached the top of the charts, solidifying their status as one of the most successful rock bands in history.

Journey’s power ballads are particularly beloved by fans

Songs like “Open Arms” and “Faithfully” showcase the band’s ability to create heartfelt and emotionally resonant ballads that have stood the test of time.

They continue to tour and perform to sold-out crowds

Journey’s live shows are in high demand, and their concerts continue to draw large audiences who are eager to experience the band’s electrifying energy and timeless music.

Journey has inspired countless musicians and bands

Their unique sound and infectious melodies have influenced a generation of musicians, solidifying their place in rock music history.

They have released multiple live albums

Journey’s live albums capture the energy and excitement of their live performances, allowing fans to relive the magic of their concerts.

They have a loyal and dedicated fan base

Journey fans, known as “Journeyites,” are passionate supporters who have remained loyal to the band throughout their remarkable career.

Journey’s music transcends generations

From die-hard fans who have been with them from the beginning to younger listeners discovering their music, Journey’s songs are timeless and appeal to audiences of all ages.

Their album covers often feature iconic artwork

Albums like “Escape” and “Frontiers” are not only known for their memorable music, but also for their visually striking album covers.

Journey’s music is frequently covered by other artists

Many artists have paid tribute to Journey by covering their songs, testament to the enduring popularity and influence of their music.

They have collaborated with other notable musicians

Journey has collaborated with artists like Santana, Bryan Adams, and Jon Bon Jovi , creating unforgettable musical moments.

Journey’s music is often associated with road trips

Their anthems and feel-good vibes make Journey’s music the perfect soundtrack for hitting the open road and embarking on a memorable journey.

They have had a significant impact on the arena rock genre

Journey’s larger-than-life sound and electrifying performances have shaped the arena rock genre and paved the way for future rock acts.

Journey’s songwriting often delves into themes of love, hope, and perseverance

Their lyrics resonate with listeners on a deep emotional level, offering a sense of comfort and inspiration.

They have been recognized with numerous awards and accolades

Journey’s contributions to music have been honored with multiple awards, including induction into the Hollywood Walk of Fame and the Rock and Roll Hall of Fame.

Journey’s music continues to be played on radio stations worldwide

Their timeless hits remain a staple on classic rock stations, ensuring that their music reaches new listeners every day.

Journey’s legacy as one of the greatest rock bands of all time is secure

Their enduring popularity, timeless music, and passionate fan base have cemented Journey’s place in music history as legends.

In conclusion, Journey is a legendary rock band that has captivated audiences worldwide with their iconic music and mesmerizing performances. Their journey in the music industry spans over several decades, leaving an indelible mark on the hearts of millions of fans.With countless hits like “Don’t Stop Believin’,” “Separate Ways,” and “Open Arms,” Journey’s music continues to resonate with generations across the globe. Their unique sound, powerful vocals, and impressive musical skills have solidified their place in the rock and roll hall of fame.Whether you’re a long-time fan or just discovering their music, Journey’s legacy is undeniably impressive. Their songs inspire, uplift, and connect people through the universal language of music. They have truly proven that the journey of a band can be filled with triumphs, challenges, and timeless music that stands the test of time.Journey’s impact on the music industry and their devoted fanbase is a testament to their incredible talent and passion for creating unforgettable music. As they continue to tour and create new music, their journey is far from over, and fans can look forward to more incredible moments from this iconic band.

1. When was Journey formed?

Journey was formed in 1973.

2. Who are the members of Journey?

The current members of Journey are Arnel Pineda , Neal Schon, Ross Valory, Jonathan Cain, and Deen Castronovo.

3. What is Journey’s most popular song?

“Don’t Stop Believin’” is considered Journey’s most popular and enduring hit.

4. Has Journey received any awards?

Yes, Journey has been recognized with numerous awards, including a star on the Hollywood Walk of Fame and induction into the Rock and Roll Hall of Fame.

5. Are the original Journey members still a part of the band?

No, the band has gone through several lineup changes, but Neal Schon , the guitarist, is the only remaining member from the original formation.

6. What genre of music does Journey belong to?

Journey is primarily known as a rock band, but their music also incorporates elements of pop and progressive rock.

7. How many albums has Journey released?

Journey has released over 20 studio albums throughout their career.

8. Are there any upcoming Journey tours?

For information on upcoming Journey tours, it’s best to check their official website or follow their social media accounts for updates.

9. Can I still buy Journey’s music?

Yes, Journey’s music is still available for purchase in various formats, including digital downloads, CDs, and vinyl records.

10. How can I stay updated with the latest news about Journey?

To stay updated with the latest news and updates about Journey, you can follow their official social media accounts and subscribe to their mailing list on their website.

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Complete List Of All Journey Current And Former Band Members

Feature Photo: Bruce Alan Bennett / Shutterstock.com

I first fell in love with the band Journey when I was in high school and brought the band’s album Infinity when it was first released. Their record company Columbia Records at the time heavily promoted the album. It was Steve Perry’s first recording with the band and Columbia knew they had a hit on their hands. I was blown away by Steve Perry’s voice and completely floored by how great the songs were on the record. Journey became one of the biggest bands of the seventies. They helped define the term “Stadium Rock.” The band has gone through multiple lineup changes over the years.  This article takes a look at the revolving door of musicians who have come and gone as members of the band Journey .

The Orginal Journey Band Members

Neal Schon, born on February 27, 1954, in Tinker Air Force Base, Oklahoma, is an American musician best known as the lead guitarist for Journey. He was one of the founding members of the band in 1973. Over the years, Schon played a significant role in shaping the band’s sound and has appeared on every Journey album to date, from their self-titled debut album “Journey” (1975) to their most recent releases. He primarily plays the electric guitar but has been known to play acoustic guitar and perform backing vocals as well. Schon co-wrote some of the band’s most iconic songs like “Don’t Stop Believin’,” “Wheel in the Sky,” and “Any Way You Want It.” Besides his work with Journey, Neal Schon has had a rich solo career and has also been a part of other bands like Santana and Bad English .

Ross Valory

Ross Valory, born on February 2, 1949, in San Francisco, California, is an American musician renowned for being Journey’s original bass guitarist. He joined the band at its inception in 1973 and contributed to albums like “Journey” (1975), “Infinity” (1978), “Escape” (1981), and many more. Valory played both the bass guitar and occasionally provided backing vocals. He was a part of Journey until he was fired from the band in 2020. Apart from Journey, Valory was involved in the Steve Miller Band and also had a side project called “The Vu.”

Gregg Rolie

Gregg Rolie was born on June 17, 1947, in Seattle, Washington, and is an American keyboardist and singer. He was a founding member of Journey and joined the band in 1973. Rolie played keyboards and was the lead vocalist on the band’s first three albums: “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). He left Journey in 1980 to pursue other musical endeavors. Notably, he was a member of Santana before joining Journey and co-wrote and sang lead vocals on classics like “Black Magic Woman” and “Evil Ways.” After leaving Journey, he went on to form The Gregg Rolie Band and also joined Ringo Starr & His All-Starr Band .

George Tickner

George Tickner, born on September 8, 1946, in Syracuse, New York, is an American musician who played rhythm guitar for Journey. He was among the original members when the band was founded in 1973 but left shortly after the release of the band’s self-titled debut album in 1975. Tickner contributed to the writing of some early songs but didn’t stay with the band long enough to participate in the more commercial phases of Journey’s career. After leaving Journey, Tickner largely retired from professional music to pursue a career in medicine.

Charles “Prairie” Prince

Charles “Prairie” Prince, born on May 7, 1950, in Charlotte, North Carolina, was the original drummer for Journey when the band was formed in 1973. However, he never officially recorded with the band and left before their debut album was made. He is best known for his work with The Tubes , a San Francisco-based rock band. Though his time with Journey was short-lived, Prince has had a significant career in music, working with artists like Todd Rundgren, and Jefferson Starship, and as a session musician for various other artists.

The Next Phase and Beyond

Aynsley dunbar.

Aynsley Dunbar, born on January 10, 1946, in Liverpool, England, is a British drummer known for his work with various rock and blues bands. He joined Journey in 1974, shortly after the band’s formation, and played on the albums “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). Dunbar’s jazz-influenced drumming style added a unique element to Journey’s early sound. He left the band in 1978 before the band shifted to a more mainstream, commercial sound. Apart from Journey, Dunbar has had an extensive career, playing with artists like Frank Zappa, David Bowie, and Whitesnake.

Robert Fleischman

Robert Fleischman, born on March 11, 1953, in Los Angeles, California, is an American musician who briefly served as Journey’s lead vocalist in 1977. Though he never appeared on any studio albums with Journey, he contributed to songwriting and is credited with co-writing songs like “Wheel in the Sky.” Fleischman was replaced by Steve Perry later in the same year he joined. Outside of Journey, Fleischman had a solo career and was a member of other rock bands like Vinnie Vincent Invasion.

Steve Perry

Steve Perry , born on January 22, 1949, in Hanford, California, is an American singer known for his soaring vocals. He joined Journey in 1977 and quickly became the band’s iconic lead vocalist. Steve Perry played a significant role in Journey’s commercial success and was a key contributor to albums like “Infinity” (1978), “Evolution” (1979), “Escape” (1981), among others. He co-wrote and sang some of Journey’s most famous songs, including “Don’t Stop Believin'” and “Open Arms.” Perry left the band in 1998 due to health issues and to pursue a solo career, which itself has been highly successful, featuring hits like “Oh Sherrie.”

Steve Smith

Steve Smith, born on August 21, 1954, in Whitman, Massachusetts, is an American drummer. He joined Journey in 1978, replacing Aynsley Dunbar, and played on some of their most successful albums like “Evolution,” “Escape,” and “Frontiers.” Known for his technical skill, Smith left the band in 1985 but returned for various stints, the latest being from 2015 to 2020. Outside of Journey, Smith has had a rich career in jazz and has been part of his own jazz fusion band, Vital Information.

Randy Jackson

Randy Jackson, born on June 23, 1956, in Baton Rouge, Louisiana, is an American musician, best known as a judge on the television show “American Idol.” He joined Journey as a bass player for a short stint during the mid-1980s and played on the 1986 album “Raised on Radio.” Jackson was part of the band’s transition towards a more pop-oriented sound during that period. Besides Journey, he has been an in-demand session musician and has produced and performed with a wide array of artists across genres.

Steve Augeri

Steve Augeri, born on January 30, 1959, in Brooklyn, New York, is an American rock singer best known for his work as the lead vocalist for Journey from 1998 to 2006. He was brought in as a replacement for Steve Perry and featured on albums like “Arrival” (2001) and “Generations” (2005). Augeri co-wrote songs for the band but had to leave in 2006 due to vocal issues. Outside of Journey, he has been involved in other bands like Tyketto and has also embarked on a solo career.

Jeff Scott Soto

Jeff Scott Soto, born on November 4, 1965, in Brooklyn, New York, is an American singer who served as Journey’s lead vocalist for a brief period from 2006 to 2007. He stepped in following Steve Augeri’s departure due to vocal issues but was in the band for less than a year. Though his time with Journey was short-lived, he did perform live with the band during that period. Outside of Journey, Soto has a prolific career, having been a part of bands like Yngwie Malmsteen’s Rising Force and Talisman, as well as a successful solo career.

Deen Castronovo

Deen Castronovo, born on August 17, 1964, in Westminster, California, is an American drummer and vocalist. He joined Journey in 1998, replacing Steve Smith, and contributed to albums like “Arrival” (2001), “Generations” (2005), and “Eclipse” (2011). Besides playing drums, Castronovo also performed backing and some lead vocals during his time with the band. He left Journey in 2015 amidst personal issues. Beyond Journey, he has played with bands like Bad English and Hardline and is known for his work in various other musical projects.

Narada Michael Walden

Narada Michael Walden, born on April 23, 1952, in Kalamazoo, Michigan, is an American musician, producer, and songwriter. He joined Journey as a drummer in 2020, replacing Steve Smith. Known for his diverse skill set across genres, Walden has a rich career outside of his time with Journey. He’s a multi-Grammy Award-winning producer and has worked with a myriad of artists including Whitney Houston, Mariah Carey, and Aretha Franklin.

Arnel Pineda

Arnel Pineda, born on September 5, 1967, in Sampaloc, Manila, Philippines, is a Filipino singer and songwriter. He became the lead vocalist for Journey in 2007, discovered by Neal Schon through YouTube videos of Pineda covering Journey songs. He made his studio debut with the band on the 2008 album “Revelation” and has remained with the band since. Outside of Journey, Pineda had been a part of several bands in the Philippines and has a solo career as well.

Jason Derlatka

Jason Derlatka, born on September 8, 1972, in Pittsburgh, Pennsylvania, is an American keyboardist, vocalist, and composer. He joined Journey in 2020 as a touring keyboardist and background vocalist. Though he hasn’t been featured on any studio albums with the band yet, he brings a wide range of musical experience to Journey. Derlatka has worked extensively in television, composing music for series like “House” and “Parenthood.”

Todd Jensen

Todd Jensen, born on October 19, 1965, in Portland, Oregon, is an American bassist. Though he never officially recorded with Journey, Jensen was involved as a touring member following Ross Valory’s departure in 2020. Known for his versatility, he has played with various artists and bands spanning multiple genres, including David Lee Roth, Ozzy Osbourne, and Alice Cooper.

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Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

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Dictionary Entries Near journey

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“Journey.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/journey. Accessed 7 Apr. 2024.

Kids Definition

Kids definition of journey.

Kids Definition of journey  (Entry 2 of 2)

Middle English journey "a trip, travel," from early French journee "day's work, day's journey," from jour "day," derived from Latin diurnus "of a day, daily," from dies "day" — related to diary , journal

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Medieval Life > Medieval Activities & Hobbies

The Sacred Journey: Exploring Medieval Pilgrims and their Quest for Relics

In the realm of medieval Europe, where religious devotion permeated every aspect of daily life, a profound phenomenon captured the hearts and souls of countless believers: pilgrimage .

Guided by unwavering faith and an unyielding desire for spiritual fulfilment, medieval pilgrims embarked on arduous and transformative journeys, driven by the pursuit of sacred relics .

These precious objects, believed to possess divine power and connection to saints and biblical figures, held the promise of miracles, forgiveness, and eternal salvation.

Embark on this sacred journey, where faith and relics intertwine, revealing the profound depths of devotion and the transformative power of pilgrimage in medieval Europe.

What's a Medieval Pilgrim?

A pilgrim was an individual who undertook a religious journey, known as a pilgrimage, during the Middle Ages. Pilgrimages were a significant aspect of medieval religious life. They involved travelling to holy sites, shrines, or locations of religious significance to seek spiritual solace and blessings and to fulfil religious obligations.

Medieval pilgrims came from various backgrounds , including clergy, nobles, and commoners . They embarked on these arduous journeys to express their faith, seeking personal transformation, penance, or the fulfilment of vows. The destinations of pilgrimages varied, ranging from local shrines to far-flung sites like Jerusalem, Rome, or Santiago de Compostela.

What Was a Medieval Pilgrim's Life Like?

Pilgrims often travelled in group s for safety and companionship, and their journeys were filled with physical challenges and dangers. They faced treacherous terrains, bandits, and unpredictable weather conditions along the way. However, the hardships were believed to purify the soul and strengthen their connection with God .

Medieval pilgrims engaged in acts of devotion such as prayers, fasting, and penance during their pilgrimage. They sought encounters with sacred relics, objects associated with saints or biblical figures, which were believed to possess divine power and could provide spiritual benefits or miraculous cures .

Upon returning from their pilgrimage, pilgrims often brought back souvenirs, badges, or tokens as proof of their journey and as symbols of their devotion. These items were cherished mementoes and served as a visible sign of their pilgrimage experience.

Why Undertake a Pilgrimage?

Pilgrimage was an integral part of medieval religious life, providing believers with opportunities for spiritual growth, communal worship, and a connection to the divine .

The act of pilgrimage held deep significance, shaping religious beliefs, cultural practices, and the collective identity of medieval society.

The Medieval Relic

In the medieval period, relics were objects or artifacts that were believed to have a sacred or supernatural connection to a holy figure, such as a saint, apostle, or biblical character.

These relics held significant religious and spiritual value for believers, and their veneration played a central role in medieval religious practices.

It’s important to note that the authenticity of some relics was questioned even during medieval times , and there were instances of fraudulent relics being created or displayed. Nevertheless, the belief in the power and significance of relics remained a fundamental aspect of medieval religious life and shaped the religious and cultural practices of the era.

Relics were classified into three main types:

Relics of the Body

These relics consisted of physical remains or parts of the bodies of saints , such as bones, teeth, hair, or clothing. They were considered the most valuable and revered type of relic, believed to carry the essence or presence of the saint.

For example, here are a couple of popular relics of the body. These relics of the body were revered by medieval Christians and attracted pilgrims from far and wide, symbolizing their connection to Christ or revered saints and fostering a sense of devotion and spiritual connection.

• The Seamless Robe of Jesus : The Seamless Robe, also known as the Holy Tunic or Holy Coat, was reputed to be the garment worn by Jesus during his crucifixion. It was considered a relic of immense importance. One of the notable locations claiming to possess the Seamless Robe is the Cathedral of Trier in Germany, where it is exhibited on special occasions.

The Relics of Saint Thomas Becket : After the martyrdom of Thomas Becket, the Archbishop of Canterbury, in 1170, his relics became highly venerated. They included parts of his skull, bones, and various personal belongings. The shrine of Saint Thomas Becket at Canterbury Cathedral in England became a major pilgrimage destination and a site of great religious significance.

Relics of the Passion

These relics were associated with the life and suffering of Jesus Christ . They included objects believed to have been directly connected to the crucifixion, such as pieces of the True Cross, nails, thorns from the Crown of Thorns, or fragments of the Holy Sepulchre.

These relics associated with the Passion of Christ held immense religious significance for medieval Christians. They were believed to have been directly connected to Jesus’ suffering and were venerated for their ability to bestow blessings and offer spiritual solace to the faithful. For instance:

True Cross : The True Cross, also known as the Holy Cross, refers to the actual cross on which Jesus Christ was crucified. According to tradition, fragments or pieces of the True Cross were distributed among various churches and monasteries in medieval Europe. These fragments were considered highly sacred and were venerated for their association with the crucifixion.

Crown of Thorns : The Crown of Thorns is believed to be the crown made of thorny branches placed on Jesus’ head during his crucifixion. Several relics claimed to be fragments of the Crown of Thorns were venerated in medieval times. Notable among them was the relic housed in the Sainte-Chapelle in Paris, which was acquired by King Louis IX (later Saint Louis) and became a significant object of pilgrimage.

Holy Lance : The Holy Lance, also known as the Spear of Destiny or Spear of Longinus, is believed to be the spear that pierced Jesus’ side during the crucifixion. According to medieval tradition, several lances were venerated as relics, including the one housed in the Hofburg Palace in Vienna, Austria, which was believed to be the true Holy Lance.

Relics of Association

These relics were objects that had come into contact with a holy figure during their lifetime. They could be personal belongings, such as a garment, a book, or a piece of furniture, associated with a saint or a biblical figure.

These relics symbolized the proximity or interaction between the object and the holy individual.

Here are three important medieval relics of association:

The Holy Grail : The Holy Grail was believed to be the cup used by Jesus during the Last Supper. It became a legendary relic associated with the search for spiritual enlightenment and divine revelation. Countless tales and legends were woven around the Holy Grail, and its quest became a central theme in Arthurian legends and medieval literature.

The Sudarium of Oviedo : The Sudarium of Oviedo is a cloth that was believed to have been used to cover Jesus’ face after his crucifixion. It is considered an important relic of association, believed to have been present at the moment of Jesus’ death. The Sudarium is housed in the Cathedral of San Salvador in Oviedo, Spain.

The Holy Robe (Holy Tunic) of Trier : The Holy Robe of Trier is believed to be the seamless robe worn by Jesus Christ during his crucifixion. According to tradition, it was brought to Trier, Germany, by St. Helena, the mother of Emperor Constantine. The Holy Robe is displayed as a relic of association at the Cathedral of Trier and has been venerated by pilgrims for centuries.

Why Were Medieval Relics So Important?

Medieval relics were believed to possess spiritual power and were venerated for their ability to provide blessings, miracles, or protection .

Pilgrims travelled long distances to visit reliquaries, containers that housed the relics, in churches, cathedrals, or shrines.

The veneration of relics was an essential part of medieval religious devotion and pilgrimage, and it played a crucial role in the economy of many religious institutions, attracting pilgrims and donations.

Books about Medieval Life

English Knights in the Holy Land: Stories from the Crusades

Discover the valour, sacrifice, and adventures of English knights and follow their epic journeys and heroic deeds during the Crusades.

Medieval Cuisine: What Did People Eat in the Middle Ages?

Learn more about medieval cuisine. Food, recipes, ingredients, and the life of a cook.

What Did People Gift Each Other for Christmas in the Middle Ages?

During the Middle Ages, work usually stopped and gifts were exchanged. Learn more about this tradition.

The Medieval Horse. What was Life Like for Horses in the Middle Ages?

Learn more about medieval horses. What did they eat? Where did they live? And how were horses classified and measured in the middle ages?

Medieval Occupations

Medieval Bowyer or Bow Maker

Medieval Bowyers crafted bows, crossbows, arrows, and bolts using a variety of woods and tools.

Medieval Miller

Millers were some of the most important tradesmen in the Middle Ages. Learn more about this medieval profession and how millers lived.

Medieval Farmer

Middle Ages Farmers or Peasants harvested crops using sickles and scythes.

Medieval Astrologer

Medieval astrologers were highly respected scholars who believed that the movements of the stars influenced things on earth.

Medieval Weapons

Medieval Ballista

Medieval Flail

Medieval Warwolf

Medieval Mangonel

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See all Weapons >

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• Medieval Castles

Framlingham Castle

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Serena Williams Enters the Makeup Game with Wyn Beauty and Shares Her MVPs for a 5-Minute Face (Exclusive)

The tennis champs' brand launches with 10 products across face, eyes and lips.

Courtesy of WYN Beauty

Serena Williams is set to make her mark in the beauty world. 

The tennis champ, 42, introduces her brand Wyn Beauty (pronounced “win”) with 10 products created with active lifestyles in mind. 

The collection, she says is a reflection of the needs she sees in the makeup space. 

“I've always been into beauty,” Williams tells PEOPLE exclusively. “But when you're a tennis player, there's only so much that you can do because you’re out there on the court for hours. You move and sweat a lot, and you wipe everything away.”

“Then, imagine you're on center court and you're winning, and then you have 15 minutes to get ready before your press conference — and that includes undoing all the tape jobs and showering. You want to look halfway decent after sweating for hours,” she continues. 

“So for me, it was really just about: how am I able to represent myself in the best way? What are those key products you need to look presentable?” 

“That's been a journey that I've been on for my entire career. I would say the second half of my career I was able to find some answers. Nothing that was really perfect, but something that I knew could [help with] how I wanted to represent myself in front of millions and millions of people," she says.

Williams not only had to create her beauty looks for the court and her press conferences, but for appearances around the world. 

“When I would travel to places 20 years ago before 40 shades of foundation existed, I had to be the biggest advocate for my makeup. I couldn’t rely on makeup artists to have my color, and I had to learn how to do my own makeup,” she shares. “ I never found a skin tint that I truly loved and actually worked, so I knew I needed to create something.” 

Enter: Wyn Beauty, a culmination of six years of hard work. 

“This definitely started before COVID,” Williams shares. I remember talking to a distributor and saying, “we're really excited about this, but still playing tennis and trying to focus on that too." 

She admits: “I needed to try to do one thing at a time.” After retiring from tennis in Sept. 2022, she was able to go full speed ahead with this endeavor. 

Naturally, Wyn Beauty includes some “tennis-isms,” she says. 

“I felt like we have to include some … and I thought the tennis ball green packaging, which we call our Wyn chartreuse, made sense and is authentic to my story. [The color] represents a lot of energy to me when you’re holding it in your hands. It means a lot to me because I will always love tennis.”

With 91 skus across her assortment, Williams, who’s always reached for the essentials, finds it challenging to choose her favorites.

“I’m going to try to narrow that down,” she says. “I’m going to start with our lip and cheek tint [called] MVP: Most Valuable Pigment. What I wanted to do with this collection was to have versatile products because I'm always on-the-go. I think active beauty doesn't necessarily mean running a marathon or playing in the finals of the US Open: everyone's life is active. I'm more active now than I've ever been. I wake up in the morning around 7 o’clock and I want to have a look that can last all day throughout all of my activities. And so it was really important for me to focus on things that could do that.” 

Next up, she loves its Hydrating Skin Tint with SPF 30, Featuring You. “I would have my liquid foundation and then I would have my sunscreen, and I would mix them and put that on my face. That was kind of really my aha moment of: I need to create something that really kind of speaks to everything and everyone." 

Her Soft Matte Creamy Concealer, Nothing to See, is one she “can't leave home without” and the Waterproof Liquid Eyeliner, Glideline, is an “obvious” pick. She adds: “And, I’m going to throw in the brow pencil, Taking Shape. I love my brows!”

Rounding out her debut: Word of Mouth Max Comfort Matte Lipstick, Say Everything Max Intensity Featherweight Lipstick, No Words Needed Lip Serum, Big Vision Lengthening & Defining Tubing Mascara and Glideline Longwear Eye Pencil. The products range from $18 for the lip serum to $28 for the skin tint (which comes in 36 shades) and is available on ulta.com and wynbeauty.com .

Williams says as she’s stepped away from tennis her 5-minute face has become a slightly longer process, but not by much. “It doesn’t have to be,” she says. For date night with husband Alexis Ohanian, she focuses on her eyes. “Mascara and eyeliner.”

The enterprenuer, who’s mom to daughters Olympia and Adira says having beauty moments with her elder daughter is “special.”

“She just watches me do my face and she just kind of copies it. It's quite funny, because sometimes it’s a little too much and I’m like ‘Oh my goodness, don’t use that color!’ But I try to let her be. She’ll always remember these moments.”

Williams adds that Olympia has an eye for what’s on-trend.

“I have mannequins and she loves doing their faces, and she’s started contouring them. I'm like, ‘How did you learn how to do that?’ And she's like, ‘That's what you do, mommy.’

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

Nowadays Williams says feels most comfortable and confident in her skin with minimal makeup on.

“I feel the most comfortable and confident when I'm just at night in bed and I have my face on still and it's not a lot, but it's just enough. And I just feel refreshed.”

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Lincoln Police: Nebraska volleyball star Harper Murray cited for DUI

LINCOLN, Neb. (KOLN) - A Nebraska volleyball player known for her big plays on the court was cited for DUI Friday morning.

According to Lincoln Police, officers observed an Audi SUV driving east on Vine Street between 16th and Antelope Valley Parkway breaking multiple traffic laws just after 12:45 a.m.

Officers conducted a traffic stop and the investigation determined 19-year-old Harper Murray was suspected of driving under the influence. A breath test registered her BAC at 0.169, more than two times the legal limit in the state. Murray was also found to be in possession of a fake ID. She also did not comply with multiple officer directives during the investigation, according to LPD.

Murray was cited and released for first offense DUI, careless driving, minor in possession, possession of a fake ID and obstructing a peace officer.

Harper Murray was among the 20 players named to the U21 National Team.

A Nebraska Athletic Department spokesperson said they are aware of the incident, are awaiting for more information, and have no additional comment at this time.

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Copyright 2024 KOLN. All rights reserved.

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🏀 Men's Tournament

UConn vs. Purdue in title game | 9:20 p.m. ET

🏆 UConn and Purdue's unique path to Monday

👀 See the bracket

Check your bracket

Official Bracket

Ncaa.com | april 6, 2024, latest bracket, schedule and scores for 2024 ncaa men's tournament.

Here is the 2024 NCAA tournament bracket for March Madness and the DI men's basketball championship. The Final Four was on Saturday, with No. 1 Purdue beating No. 11 NC State and No. 1 UConn topping No. 4 Alabama. Purdue and UConn play for the title on Monday, April 8.

Take a look at the complete, updated bracket below:

NCAA bracket 2024: Printable March Madness bracket

Click or tap here to open it as a .JPG   | Click or tap here for the interactive bracket  | PDF link

Here is the schedule for this year's tournament.

• Selection Sunday: Sunday, March 17
• First Four: March 19-20
• First round: March 21-22
• Second round: March 23-24 
• Sweet 16: March 28-29 
• Elite Eight: March 30-31 
• Final Four: Saturday, April 6
• NCAA championship game: Monday, April 8

Here is the game-by-game schedule:

2024 NCAA tournament schedule, scores, highlights

Saturday, April 6 (Final Four)

• (1) Purdue 63 , (11) NC State 50
• (1) UConn 86 , (4) Alabama 72

Monday, April 8 (National championship game)

• (1) UConn vs. (1) Purdue | 9:20 p.m. ET | TBS/TNT/truTV

Tuesday, March 19 (First Four in Dayton, Ohio)

• (16) Wagner 71 , (16) Howard 68
• (10) Colorado State 67 , (10) Virginia 42

Wednesday, March 20 (First Four in Dayton, Ohio)

• (16) Grambling 88 , (16) Montana State 81
• (10) Colorado 60 , (10) Boise State 53

Thursday, March 21 (Round of 64)

• (9) Michigan State 66 , (8) Mississippi State 51
• (11) Duquesne 71 , (6) BYU 67
• (3) Creighton 77 , (14) Akron 60
• (2) Arizona 85 , (15) Long Beach State 65
• (1) North Carolina 90 , (16) Wagner 61
• (3) Illinois 85 , (14) Morehead State 69
• (11) Oregon 87 , (6) South Carolina 73
• (7) Dayton 63 , (10) Nevada 60
• (7) Texas 56 , (10) Colorado State 44
• (14) Oakland 80 , (3) Kentucky 76
• (5) Gonzaga 86 , (12) McNeese 65
• (2) Iowa State 82 , (15) South Dakota State 65
• (2) Tennessee 83 ,   (15) Saint Peter's 49
• (7) Washington State 66 , (10) Drake 61
• ( 11) NC State 80 , (6) Texas Tech 67
• (4) Kansas 93 , (13) Samford 89

Friday, March 22 (Round of 64)

• (3) Baylor 92 ,   (14) Colgate 67
• (9) Northwestern 77 , (8) Florida Atlantic 65  (OT)
• (5) San Diego State 69 , (12) UAB 65
• (2) Marquette 87 ,   (15) Western Kentucky 69
• (1) UConn 91 , (16) Stetson 52
• (6) Clemson 77 , (11) New Mexico 56
• (10) Colorado 102 , (7) Florida 100   
• (13) Yale 78 , (4) Auburn 76 
• (9) Texas A&M 98 , (8) Nebraska 83
• (4) Duke 64 , (13) Vermont 47
• (1) Purdue 78 , (16) Grambling 50
• (4) Alabama 109 , (13) College of Charleston 96
• (1) Houston 86 , (16) Longwood 46
• (12) James Madison 72 , (5) Wisconsin 61
• (8) Utah State 88 , (9) TCU 72 
• (12) Grand Canyon 77 , (5) Saint Mary's 66

Saturday, March 23 (Round of 32)

• (2) Arizona 78,  (7) Dayton 68
• (5) Gonzaga 89 , (4) Kansas 68
• (1) North Carolina 85 , (9) Michigan State 69
• (2) Iowa State 67 , (7) Washington State 56
• (11) NC State 79 , (14) Oakland 73
• (2) Tennessee 62 , (7) Texas 58
• (3) Illinois 89 , (11) Duquesne 63 
• (3) Creighton 86 , (11) Oregon 73 (2OT)

Sunday, March 24 (Round of 32)

• (2) Marquette 81,  (10) Colorado 77
• (1) Purdue 106,  (8) Utah State 67
• (4) Duke 93 , (12) James Madison 55 
• (6) Clemson 72 , (3) Baylor 64
• (4) Alabama 72 , (12) Grand Canyon 61
• (1) UConn 75 , (9) Northwestern 58
• (1) Houston 100 , (9) Texas A&M 95 (OT)
• (5) San Diego State 85 , (13) Yale 57 

Thursday, March 28 (Sweet 16)

• (6) Clemson 77 , (2) Arizona 72
• (1) UConn 82 , (5) San Diego State 52
• (4) Alabama 89 , (1) North Carolina 87
• (3) Illinois 72 , (2) Iowa State 69

Friday, March 29 (Sweet 16)

• (11) NC State 66 , (2) Marquette 58
• (1) Purdue 80 , (5) Gonzaga 68
• (4) Duke 54 , (1) Houston 51
• (2) Tennessee 82 , (3) Creighton 75

Saturday, March 30 (Elite Eight)

• (1) UConn 77 , (3) Illinois 52
• (4) Alabama 89 , (6) Clemson 82

Sunday, March 31 (Elite Eight)

• (1) Purdue 72 , (2) Tennessee 66
• (11) NC State 76 , (4) Duke 64

Here's the complete seed list:

These are the sites for the men's tournament in 2024:

March Madness

• 🗓️ 2024 March Madness schedule, dates
• 👀 Everything to know about March Madness
• ❓ How the field of 68 is picked
• 📓 College basketball dictionary: 51 terms defined

Greatest buzzer beaters in March Madness history

Relive Laettner's historic performance against Kentucky

The deepest game-winning buzzer beaters in March Madness history

College basketball's NET rankings, explained

What March Madness looked like the year you were born

Di men's basketball news.

• Undefeated teams in DI college basketball
• Redemption or domination — the different paths Purdue and UConn took to meet up for the title
• Latest bracket, schedule and scores for 2024 NCAA men's tournament
• 2024 March Madness: Men's NCAA tournament schedule, dates
• Every HBCU player, coach and more in the Naismith Basketball Hall of Fame
• Tracking 2024 March Madness men's records by conference
• UConn's dominant run to the Final Four, by the numbers
• Honda, announcer of thousands of sporting events, enjoying his last Final Four
• 2024 NIT bracket: Schedule, TV channels for the men’s tournament
• Zach Edey vs. DJ Burns Jr. headlines a classic big-man battle in the Final Four

Follow NCAA March Madness

Photos that show how drastically JoJo Siwa's style has changed over the years

• JoJo Siwa is a 20-year-old star known for her work with Nickelodeon.
• Her signature uniform over the years has included hair bows, neon clothes, and sequined sneakers.
• But more recently, she's started wearing designer clothes, sheer catsuits, and extreme makeup.

At the start of her career, JoJo Siwa hit the 2015 Kids' Choice red carpet with her "Dance Moms" costars. She wore her signature bow even back then.

She went to the Kids' Choice Awards again in 2016, this time wearing a graphic T-shirt and pink Converse sneakers. Siwa had also dyed the ends of her hair pink.

She then experimented with classic glamour, wearing pointed heels and a blush-pink dress with a long train.

She ditched heels later that year in favor of sequin-covered sneakers.

Siwa's style took an athletic turn in 2017. She was often photographed wearing ripped jeans, statement sneakers, and sports jackets.

She also began wearing custom outfits that year. At the Kids' Choice Awards, she paired neon sneakers with a jacket designed to look like it was covered in slime.

Glitter has always been a big part of the Nickelodeon star's wardrobe. At one event, she wore a glitter-covered bow, matching shirt, sparkling red capri pants, and dazzling sneakers.

She took things a step further at the 2018 Kids' Choice Awards when she added feathers to her sequin-embellished clothes.

Siwa seemingly took inspiration from Elton John when she later attended the Kids' Choice Sports Awards in a pinstripe baseball jumpsuit with her name printed on it.

The children's star brought colored hair back in 2019 for her 16th birthday. She also stuck with her signature clothes: a sparkling bow, dress, and sneakers.

Siwa has never been afraid to wear her own merchandise. While in California that year, she was photographed wearing her tour jacket over a shirt with her face on it.

At the end of 2019, she showed the edgier side of her style with a red, white, and black look.

Today, Siwa is known to have a designer wardrobe filled with Gucci pieces. She wore a track jacket and matching shorts for a red carpet in October 2021.

She also sports a lot of athletic clothing when she's not planning to be on camera.

She wore her most daring looks to date — including a semi-sheer leotard with cutouts —on "Dancing With The Stars" in November 2021.

One of those looks was a sheer jumpsuit made from black mesh and red crystals.

That month, she also wore a dress and heels for "the first time," as she told People at the 2021 American Music Awards. The skirt of her black off-the-shoulder gown was tiered, ruffled, and sheer.

She seemingly liked the tall shoes, as she wore heels again with a sparkling blue jumpsuit in New York City that same week.

Siwa's fashion took another daring turn at the end of 2021 when she attended a Jingle Ball concert in a black top that was clasped with a bow only at the top, revealing her midriff. She also wore leather shorts and standout heels.

Siwa used fashion to express herself at the 2022 GLAAD Media Awards. She wore a sparkling mesh jumpsuit with a bedazzled, rainbow-colored bralette underneath.

She wore her most shocking outfit to date at the 2024 iHeartRadio Music Awards. It included a mesh bodysuit decorated with pearl and sequin patterns, a plunging neckline, and long sleeves lined with wing-like pieces.

• Main content

NFL News: JJ McCarthy's NFL Journey, Hype, Potential, and Complex Path to Success

A t the heart of these discussions is JJ McCarthy, a name that evokes excitement, skepticism, and a whirlwind of media attention. As we delve into the narrative surrounding this promising young quarterback, it becomes evident that his journey is not just about athleticism and statistics but a broader conversation about potential, comparison, and the unpredictable nature of football careers.

Unpacking the Hype Around JJ McCarthy

JJ McCarthy, known for his remarkable tenure as the Michigan Wolverines’ quarterback, has been a fixture in sports headlines. Leading Michigan to its first NCAA title since the 1990s with a stellar record of 36-2 as a starter, McCarthy’s college career has been nothing short of spectacular.

His achievements, including being a finalist for the Johnny Unitas Golden Arm Award in 2023 and completing over 72% of his passes for 2,991 yards and 22 touchdowns, paint the picture of a player with undeniable talent and a bright future.

The Comparison Game, JJ McCarthy vs. Josh Allen

The comparisons between JJ McCarthy and NFL stars like Josh Allen of the Buffalo Bills are inevitable but not universally accepted. Danny Kelly, a seasoned NFL analyst writing for The Ringer, expressed skepticism about these parallels.

In comments shared by FanDuel TV on Twitter, Kelly questioned the validity of placing McCarthy in the same echelon as Allen, stating, “I just don’t know if he has that elite ceiling that the other guys in his class do.” This critique underscores a central challenge in sports analysis: distinguishing between immediate-impact players and those with growth potential.

A Word of Caution, The Zach Wilson Precedent

Kelly’s cautious stance on JJ McCarthy is informed by recent history. Drawing a parallel to Zach Wilson, whose early career struggles have been a talking point, Kelly reminds us of the pitfalls of excessive pre-draft enthusiasm. Wilson, with a record of 12-21 as a starter since being picked second overall in 2021, serves as a cautionary tale about the uncertainty of transitioning from college success to NFL stardom.

However, it’s not all skepticism. Kelly also acknowledges McCarthy’s potential to develop into a solid starting quarterback in the NFL, suggesting a path of growth and adaptation for the young athlete.

Beyond the Hype, JJ McCarthy’s Next Chapter

As McCarthy prepares to enter the NFL, the speculation about his draft position adds another layer of intrigue. Projected by some mock drafts as a potential selection as early as the No. 12 pick, with the Denver Broncos among the speculated destinations, his journey is emblematic of the high-stakes world of NFL drafts, where talent, potential, and marketability intersect.

Leaving Michigan alongside his former coach, Jim Harbaugh, now at the helm of the Los Angeles Chargers, McCarthy’s transition to professional football is not just about his career trajectory but also about the narratives that surround young athletes as they navigate the leap to the NFL.

The Road Ahead for JJ McCarthy

The discourse around JJ McCarthy reflects the broader dynamics of professional sports, where analysis, potential, and performance converge in the stories of individual athletes. As McCarthy steps onto the national stage, his career will be a testament to the challenges and triumphs of making it in the NFL.

Whether he becomes a star quarterback or faces the hurdles of adjusting to the professional level, McCarthy’s journey is a narrative of aspiration, scrutiny, and the relentless pursuit of greatness in the competitive world of football.

Sources: NFL Analysis