eco tourism architecture

20 examples of Sustainable EcoTourism architecture in the world

Hector Ceballos Lascurain, an environmentalist from Mexico was the first to coin the term Ecotourism to describe eco-friendly and responsible travel. Ecotourism has the potential to ensure sustainable use of the country’s resources and generate jobs for the local population. Architecture plays a vital role in ecotourism as it is an expression of natural surroundings through space. Eco lodges and sustainable resorts that are well integrated within the surrounding environment understand the local livelihood, art, and culture.

Here is a list of twenty sustainable ecotourism architecture destinations around the world.

1. Bosco Vertical

Bosco Verticale, Milan, Italy, also known as Vertical Forest wasbuilt by Stefano Boeri Architects. It is one of the most inspirational examples of the revolutionary green buildings movementowing to its seminal incorporation of over two thousand square meters of trees, shrubs, and bushes into forty-four stories across two residential towers.

2. Phipps Centre

Phipps Centre for sustainable landscapes, Pittsburgh is the world’s first building to meet four of the following green building certifications namely,the LEED Platinum, the Living Building Challenge, the Four-Stars Sustainable SITES, and the WELL Building Platinum. At the Phipps Centre, sunlight, soil, and wind are used to light, heat and cool the spaces, purify water for reuse and grow vegetation.

3. The Million Bottle Temple

The Wat Pa Maha Chedi Kaew temple or The Million Bottle Temple in Thailand’s Sisaket province is made up of millions of recycled glass bottles. Glass bottles are not only a sustainable alternative in construction, but they also allow the entry of natural light and do not require painting. Moreover, the glassbottle bricks are easy to clean and maintain.

4. The Bird’s Nest

The Beijing Olympic stadium’s roof is an incredible example of sustainability. While conventional roofing systems would have required artificial lighting, air conditioning and ventilation, the open and translucent roof design of The Bird’s Nest stadium significantly cuts the stadium’s energy consumption. The stadium allows the entry of natural air and light and employs geothermal techniques to trap hot and cold air from the stadium’s soil.

5. One Central Park

One Central Park, Sydney is Australia’s greenest urban village and an Ecotourism destination. It houses its on-site tri-generation plant which generates electricity, heat, and cooling using natural gas.

6. Shanghai Natural History Museum

The Shanghai Natural History Museum is a spiral shape shell building representing the plant and animal cells.Through its integration with nature, the building represents the harmony of humans and the ecosystem.

7. The Africa Centre

At the Africa Centre, rainwater is routed into the wetland, the greywater irrigates the vegetation and the blackwater or sewage is treated on site. Locally sourced eucalyptus poles, wood, and glass have been utilized for construction.

8. Makoko Floating School

Floating School, Makoko, Lagos, Nigeria uses over two hundred plastic drums to keep the structure floating in the water. The structure was constructed by the Makoka inhabitants using locally available timber. The school building is solar powered and has an in house rainwater harvesting system.

9. Eastgate Centre

Designed by architect Mick Pearce, the Eastgate Centre, Zimbabwe does not depend on any conventional ventilation systems for its temperature regulation, yet maintains air conditioning with dramatically large energy efficiencyrates. The building was designed using construction techniques derived from Zimbabwean masonry and the self-cooling African termites.

10. ElewanaTarangire Treetops

ElewanaTarangire Treetops, Tanzania is located in Randilen Wildlife Management Area with rich wildlife and stunning landscape. By staying at ElewanaTarangire Treetops, tourists contribute to the preservation of natural areas and promote the benefits of responsible tourism.

11. Zeitz MOCAA

Zeitz Museum of Contemporary Art, Africa is yet another example of sustainability. The museum building uses cool water from the sea to assist in temperature control.

12. Australian Islamic Centre

This Melbourne mosque features ninety-six golden lanterns facing all four directions. The north lanterns are green representing nature. The east lanterns are yellow for paradise. The west lanterns are red symbolizing blood, which gives strength. Blue represents the sky and this is to the south. During the day, sunlight channels through the coloured glass into the building.

13. Oregon Zoo Education Centre

Designed by Portland-based OpsisArchitecture, the Oregon Zoo Education Centreserves as a regional hub for conservation excellence is known for its contribution towards reducing hazardous emissions and sustainable design excellence.

14. Feynan Ecolodge

The Feynan Ecolodge, Jordan supports the local tribal communities, villages, and wildlife of the Dana Biosphere Reserve. At Feynan Ecolodge, tourists enjoythe legacy, art, and life of the Bedouin. The lodge is powered by hundred percent sustainable sources and most of its resources used are purchased from within a fifty-kilometre radius.

15. Biohotel Colombia

Biohotel Colombia is powered by solar energy, engineered with water-saving systems and built with organic kitchen gardens and vertical agriculture. The hotel offers environmentally responsible luxury and comfort to its customers.

16. FuerteHoteles

The Hotel’s ecological awareness and conscience have reaped several recognitions from global environmental agencies.

17. The Dixon Water Foundation

The Dixon Water Foundation Texas was started by late Roger Dixon, a conservationist. The Dixon Water The Foundation’s strategy is to heal the balding land using livestock.

18. Hanover Olympic Building

Hanover Olympic is the first solar-powered, net-zero building in Los Angeles. Powered by Ten photovoltaic panels provide energy for over twentyeco apartments, dramatically cutting down energy expenses.

19. Oasia Downtown Hotel

In contrast to the conventional high-rise developments, the Oasis Downtown Hotel, Singapore, designed by WOHA and Patricia Urquiola, integrates architecture and environment. It merges indoor and outdoor spaces with its ground-breaking design.

20. Nanjing Green Lighthouse

Designed with soft light interiors, free flow of natural air, indoor vegetation, the Nanjing GreenLighthouse’s architecture aimed at creating a space for visitors celebrating the daylight. The Light House is one of the first of zero-carbon buildings to be designed in China.

Sowmya is an architectural journalist and writer. In this column, Sowmya takes you through stories on eco-architecture, biophilic design, and green buildings from across the globe.

10 Ways To Design More Sustainable Cities

10 Sustainable and innovative Public spaces around the world

Related posts.

Sustainable Design Practices for Mixed-Use Public Spaces

What is Greenwashing in the Built Environment

AR-Adapted Warehome for Sale

Bamboo: The Sustainable Structural Future of Architecture

Looking for Job/ Internship?

Rtf will connect you with right design studios.

Eco-Tourism Architecture and Guide To Sustainable Sanctuaries

• Post author By Ian Fulgar
• Post date March 12, 2024
• No Comments on Eco-Tourism Architecture and Guide To Sustainable Sanctuaries

The intersection of design and environmental stewardship heralds an era where eco-tourism architecture showcases the symbiosis of nature and human creativity and underscores a commitment to minimizing ecological footprints. This architectural paradigm champions sustainability, seamlessly integrating structures within their natural landscapes while promoting eco-friendly practices and energy efficiency.

The growing trend towards sustainable travel mirrors the global acknowledgment of the significance of eco-tourism. In 2022, a Statista survey revealed that 81% of travelers worldwide recognize the importance of sustainable travel , indicating a shift towards environmental consciousness within the tourism sector. This data supports the projected growth of the eco-tourism market, which experts anticipate will expand significantly as travelers collectively move towards more sustainable travel options​​.

Eco-tourism architecture embodies a holistic approach to design, considering both aesthetic and ethical dimensions. The strategy includes leveraging renewable energy sources, such as solar power, and promoting water conservation and waste reduction​​. Using locally sourced materials and integrating buildings with their natural environments are paramount, enhancing the ecological benefits while providing visitors with unique and immersive experiences.

What is Eco-Tourism Architecture?

Eco-tourism architecture is a design philosophy focusing on creating sustainable and environmentally friendly buildings in untouched natural environments. This philosophy focuses on the desire to reduce the negative environmental impact caused by tourism activities while also providing visitors with a unique and immersive experience. Architects carefully approach these venture projects to blend in with the surrounding environment , often incorporating the knowledge of indigenous practices and local customs. 

The foundation of eco-tourism architecture is the deliberate integration of sustainable materials, passive design strategies, and careful resource management. These methods collectively promote the establishment of sanctuaries that engage with the planet gently. In addition to providing luxury, these buildings serve as symbols of environmental education, enlightening visitors about the importance of conserving our natural heritage. 

Improving property value in eco-tourism architecture goes beyond just appearance or practicality. It includes a broader dedication to the responsible management of the environment and the promotion of long-term sustainability. Architects and developers place high importance on preserving the site’s natural beauty, ensuring that any new constructions show respect for and improve the existing landscape. Implementing strategies such as incorporating green roofs, employing water conservation systems, and utilizing locally sourced materials reduces the adverse effects on the environment, enhances biodiversity, and boosts local economies. 

Eco-tourism architecture utilizes a site’s distinctive features to guide the design process, aiming to safeguard and maintain the natural beauty of these locations. This discipline could entail conserving indigenous flora, rehabilitating ecosystems previously impacted by human actions, and integrating design features that mirror the natural topography and color scheme of the surroundings. Eco-tourism architecture exists alongside nature and enhances its growth and development through these practices.

The Importance of Sustainable Sanctuaries

Sustainable sanctuaries are crucial in preserving our planet’s natural beauty and biodiversity. By prioritizing environmental consciousness in their design and operation, these structures help reduce the negative impact of tourism on fragile ecosystems. They serve as a model for responsible tourism, inspiring visitors to become stewards of the environment.

These sanctuaries also contribute to the local economy by establishing a place’s identity, creating jobs, promoting awareness, and supporting local communities. By incorporating local materials and traditional building techniques, they promote cultural preservation and provide a sense of landmark for both visitors and locals.

Benefits of Eco-Tourism Architecture

The architecture of eco-tourism provides numerous advantages, ranging from conserving the environment to improving visitors’ experiences and supporting the local community’s well-being. These structures effectively reduce resource consumption and minimize waste generation by implementing sustainable materials and construction practices. In addition, incorporating passive design principles, such as utilizing natural ventilation and maximizing daylight utilization, reduces the need for artificial heating and cooling systems, thus reducing energy consumption.

Owners and operators can benefit from the eco-tourism trend by offering unique experiences that connect visitors with nature and local culture, thereby increasing the attractiveness of their business. By emphasizing sustainability, the venture can attract a niche market of eco-conscious travelers, potentially leading to higher occupancy rates and the ability to charge a premium for eco-friendly accommodations and experiences. Additionally, forming partnerships with local communities, conservation organizations, and other businesses can enhance the eco-tourism offering, create synergies, and contribute to the overall sustainability and attractiveness of the destination.

Integrating eco-tourism principles into the business can lead to increased competitiveness, differentiation in the market, and access to a specific segment of the tourism market that values sustainability. In addition, eco-tourism architecture plays a vital role in preserving and educating about the location’s unique cultural and natural heritage. Visitors acquire knowledge and understanding of the region’s historical and traditional aspects, cultivating a more profound admiration and reverence for the local culture and environment.

Examples of Successful Eco-Tourism Architecture Projects

In the Philippines, the Masungi Georeserve is a conservation area and a geotourism project that utilizes sustainable practices to protect its limestone landscape while offering guided tours that educate visitors about preserving natural habitats. The place is a rustic rock garden in the rainforests of Rizal, Philippines. With rugged limestone karst peaks, steep slopes, and lush montane rainforests, it is home to over 400 species of flora and fauna. The name “Masungi” comes from the word “masungki,” meaning “spiked,” reflecting the sprawling limestone landscape within. Visitors can explore the area through guided treks like the Discovery Trail and Legacy Trail, engage in tree-planting activities, and enjoy experiences like the Garden Picnic.

Across Southeast Asia and the globe, eco-tourism architecture has made significant strides, blending innovative design with nature conservation. Examples include the Soneva Fushi Resort in the Maldives, which emphasizes sustainable luxury with its use of natural materials and renewable energy sources, and the Crosswaters Ecolodge in China’s Nankun Mountain National Forest Park, renowned for its bamboo architecture that minimizes environmental impact. Similarly, the Bambu Indah in Bali combines traditional Indonesian architecture with natural, sustainable materials, offering a unique experience that respects the environment.

Beyond Asia, the Lapa Rios Ecolodge in Costa Rica stands out for its commitment to biodiversity conservation, utilizing eco-friendly practices such as rainwater harvesting and solar heating. In Africa, the Sandibe Okavango Safari Lodge in Botswana features a design inspired by the pangolin, using natural ventilation and solar power to reduce its ecological footprint. Europe’s Whitepod Eco-Luxury Hotel in Switzerland offers geodesic domes that blend into the landscape, promoting energy efficiency and minimal environmental disruption.

These architectural endeavors share common principles:

• The use of sustainable, locally sourced materials.
• Integration with the surrounding environment to minimize visual impact.
• Reliance on renewable energy sources.
• The creation of immersive experiences that promote conservation awareness among visitors.

Through such innovations, eco-tourism architecture worldwide provides unique visitor experiences and plays a crucial role in preserving their locations’ natural beauty and biodiversity.

Incorporating Renewable Energy in Eco-Tourism Architecture

The incorporation of renewable energy sources is vital to eco-tourism architecture. By harnessing the energy of the sun, wind, and water, these structures can minimize their carbon footprint and reduce their reliance on fossil fuels.

Solar panels frequently produce electricity for lighting, heating, and cooling systems. For maximum efficiency and aesthetic appeal, these panels may be incorporated into the structure’s design, for instance, into the facade, roof, ancillary structures, or canopies.

Wind turbines are an additional form of renewable energy that operators can incorporate into eco-tourism architecture. Installing these turbines in strategic locations can generate electricity from the wind, providing a sustainable and environmentally friendly energy source.

Additionally, hydroelectric power is feasible in regions characterized by dynamic water flow. Eco-tourism facilities can harness the power of rivers and streams to produce electricity without inflicting substantial environmental damage.

Sustainable Materials and Construction Techniques in Eco-Tourism Architecture

In eco-tourism architecture, strategically selecting materials and construction techniques is pivotal in ensuring sustainability and environmental harmony. Beyond bamboo, straw, and rammed earth, which offers low ecological impact and commendable durability, architects are increasingly exploring innovative materials and methods to push the boundaries of eco-friendly design.

Bamboo stands out for its rapid growth and sustainable harvesting. It negates deforestation while providing a robust, lightweight, and adaptable material for various eco-tourism structures. Its strength and flexibility facilitate creative architectural expressions, from intricate latticework to expansive cantilevers, underscoring its versatility.

Rammed earth construction, a practice with ancient roots, exemplifies sustainable building through the compaction of earth to form sturdy walls. This method minimizes the demand for energy-intensive materials and leverages the earth’s thermal mass to stabilize indoor climates, reducing the need for mechanical heating and cooling.

Expanding the repertoire of sustainable materials, architects also integrate living systems, such as green roofs and walls, which contribute to biodiversity, insulation, and water management. These residing systems transform buildings into ecosystems, supporting local flora and fauna while enhancing building performance.

Additionally, using recycled materials in construction signifies a shift towards circular economic architectural models. Repurposed wood, metal, and glass find new life in eco-tourism projects, reducing waste and lowering the carbon footprint associated with new material production.

Emerging technologies also contribute to advancing eco-tourism architecture. For instance, 3D printing with earth-based or recycled materials can reduce construction waste and energy use, enabling the fabrication of complex forms with minimal environmental impact.

Incorporating local craftsmanship and traditional building methods fosters cultural preservation and ensures structures are inherently suited to their environments, utilizing time-tested solutions for climate adaptability and resource efficiency.

Through these innovative approaches, eco-tourism architecture continues to evolve, reflecting a deepening commitment to sustainability and environmental stewardship and celebrating local context and culture. These strategies exemplify how architects can create buildings that harmonize with nature, offering immersive, sustainable experiences for visitors while contributing to the planet’s conservation.

Enhancing the Visitor Experience through Nature

Eco-tourism architecture elevates the visitor experience significantly. These sanctuaries offer remarkable amenities and activities that foster a connection with the natural world.

By incorporating outdoor living spaces, such as rooftop gardens and expansive terraces, eco-tourism architecture facilitates moments of relaxation and reflection. These areas afford breathtaking views of the natural landscape, enabling guests to engage with their serene surroundings’ beauty fully.

Moreover, eco-tourism structures often feature nature trails, observation decks, and wildlife viewing platforms. These elements encourage exploration and interaction with the environment and serve as vital tools for environmental education. By engaging directly with the local ecosystem, visitors gain insightful knowledge about the area’s flora and fauna, underscoring the critical role of conservation efforts.

Such architectural approaches underscore the philosophy that structures should coexist with and enhance their natural environment. Through thoughtful design that integrates seamlessly with the landscape, eco-tourism architecture provides a platform for immersive experiences that deepen visitors’ appreciation for nature and its preservation.

• Search for:
• Tags bamboo , community , eco-resort , eco-tourism architecture , green roof , hospitality , local materials , nature , passive design , property ventures , real estate , solar energy , sustainability , sustainable materials , sustainable sanctuaries

By Ian Fulgar

Ian Fulgar is the best architect in the Philippines for real estate ventures and the founder of Fulgar Architects, pioneering unique and metamodern design specialties for various real estate projects from hospitality, condominiums, museums, and commercial to mixed-use township developments in the Philippines. He collaborates with multiple industry specialists to develop joint venture opportunities for landowners and investors.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Please enter an answer in digits: eleven − 6 =

• Open competitions
• MICROHOME 150,000 € Prize
• UNBUILT Award 100,000 € prize
• Housing crisis competitions
• Small-scale competitions
• Competitions results
• News & blog
• University rankings
• Presentation review
• Upload panel
• Publish with Buildner
• KYC and competition integrity
• Privacy policy
• Website terms & conditions
• Government agencies
• Non-profit oganizations
• Real estate developers
• Educational institutions
• Hospitality industries
• Cultural institutions
• Construction product brands

Amazing Examples of Eco Tourism Architecture

Ecotourism and responsible travel is becoming more and more integrated in with regular forms of tourism. It centres around tourists visiting fragile, pristine, and relatively undisturbed natural areas, reducing their impact on the natural surroundings while learning and contributing to the preservation of the area.

In recent years, ecotourism has grown from simple working holidays in animal reserves, to responsible and sustainable resorts around the world that offer luxury, relaxation and education on the surrounding environment. Ecotourism architecture around the world is diverse and exciting, with many incredible projects successfully combining beauty with sustainable design.

Areias do Seixo - Santa Cruz, Portugal

Designed by Vasco Vieira, Areias do Seixo is nestled along the Atlantic shore in Portugal, overlooking sweeping ocean and country views. This remarkable installation combines a modern sensibility with a deep appreciation of nature and the environment. With a bold geometric structure, Areias do Seixo features 14 rooms, one townhouse and five villas, all designed with an inspired and eclectic selection of handpicked decor.

The Areias do Seixo resort in Santa Cruz, Portugal educates guests on local agriculture and farming techniques. Image source

This eco-friendly resort acts to raise the awareness of the local community, its guests and employees. Guests are invited to join in and learn agricultural and farming techniques as well as sustainability methods that are employed throughout the property. The property also features an online engine that allows guests to monitor the consumption of water, gas and energy of the hotel and measure the efficiencies of the different tactics taken to be more green.

Asilia Carbon Neutral Lodges - Tanzania

Designed by Caline Williams Wynn of Artichoke design studios, Asilia ecotourism constructed a series of eight eco-friendly domes with stunning views of Serengeti National Park.

Dome-shaped tents in Tanzania keep guests warm at 10,000 ft. Image source

The geodesic igloos are situated on the edge of the mountain forest around the Olmoti volcano and function as the main base for tourists who come to visit the wild Ngorongoro Conservation Area in Tanzania. The dome-shaped tents are located some 10,000 feet above sea level and, thanks to their sensible design, maintain comfortable temperatures at night and during the day.

Dome-shaped tents offer incredible views as well as comfortable interiors. Image source

Each dome features sinuous Perspex windows that offer incredible views of the surroundings and wildlife, wood-burning stoves, Masai-inspired tartan cushions, ottomans and other objects that strongly reference the local vernacular.

Lapa Rios Eco Resort - Costa Rica

The Lapa Rios Eco-Lodge in Costa Rica takes ecotourism to a new level, going beyond traditional solar panels and water recycling. Initially established by John and Karen Lewis as a nature reserve, the resort utilizes green construction, helps protect local wildlife, supports a local elementary school, and, last but not least, uses pig feces to power its kitchen.

Pig poo-powered resort in Costa Rica.  Image source

That’s right, the power for the resort’s kitchen comes entirely from harnessing biogas excreted by pigs who consume any organic waste that is not recycled or used as compost. This innovative approach to ecotourism hasn’t hampered the architectural design of the resort at all.

Ecotourism need not sacrifice stunning views or luxurious surroundings. Image source

Nestled in the privately own Lapa Rios reserve, great care was taken when the eco resort was constructed to ensure both a beautiful and tranquil environment for guests that would not impact the plant and animal life surrounding it.

Ecotourism Centre - Fontainebleau, France

This project, designed by Inca Architectes, is located in the popular forest area of Fontainebleau in France within an extremely sensitive nature reserve. The Eco tourism centre was the first of its kind to be introduced within the île de France region, and its purpose is to increase public awareness of the region's great fragility. Centred around a reception and exhibition area, the project includes a large hall designed for welcoming groups and conducting pedagogical activities.

The first of its kind, the Ecotourism Centre was constructed in France by Inca Architectes.  Image source

The Ecotourism building is considered to be a living room in the woods, with wide and smooth shapes gently wandering along the preserved trees inspired by the eroded stones seen throughout the site. Great care is taken to strike a balance between architecture and preservation; with plenty of public areas and other fragile forest areas with limited public access.

The Ecotourism Centre incorporates eco-friendly energy sources and can be reversed if necessary without major impact on the environment. Image source

The project followed the global environmental approach during construction in order to limit its impact on the surrounding nature. The orientation choices and the protection from the main winds optimise the bioclimatic solutions and the eco-friendly energy sources used. The choice of material and the superficial foundations ensured opportunities for eco-construction and potential reversibility.

Blue Clay Country Spa - Latvia (Planned)

As one of Europe’s greenest countries, Latvia is a strong promoter of ecotourism, which is especially popular due in thanks to its remarkably low population density and the sheer amount of green and untouched natural areas.

For the Blue Clay Country Spa architecture competition , participants are asked to create designs for a guest house complex that is capable of providing overnight accommodation for one family. The guest house would also need to include treatment rooms, accommodation for the staff, and other ecotourism elements such as a small farm to house local animals.

The winning designs will be considered for construction, and those with the most inventive and appropriate eco-friendly and cost-effective measures integrated into them are due to be selected.

Top 3 Reasons Why You Should Enter Architecture Competitions

Curious about the value of architecture competitions? Discover the transformative power they can have on your career - from igniting creativity and turning designs into reality, to gaining international recognition.

Enter an open architecture competition now

Sansusi Sound Sculpture

The Home of Shadows

Hospice - Home for the Terminally ill

The Buildner's Unbuilt Award

The Last Nuclear Bomb Memorial

The Architect's Chair

Museum of Emotions

Media, partners and clients.

This website uses cookies to improve user experience and gather usage statistics.

More information is available in our Privacy & Cookie policy

Please select your country

Please enter your email address to unsubscribe from buildner newsletters.

Eco-Tourism Architecture

• by Elif Ayse Fidanci
• 8 February 2023

The sustainable tourism industry is a sector that has grown by 80% in the last decade. Among the main drivers of its growth are the increasing number of architects who care deeply about the environment, and also an increase in world population.

Tourism architecture projects often look to take into account both ethical and aesthetic considerations. On the one hand, they need to take into account environmental issues such as climate change, sustainability and recycling; on the other hand, they need to provide aesthetically pleasing structures for their visitors.

Environmental sustainability is a worldwide trend on the rise and with eco-tourism architecture, these trends have found tourism architecture expression. There are many ways to design sustainable tourism, and eco-tourism architecture at its best provides for natural ecosystems, water conservation, waste reduction, and other ecological benefits such as air quality as well as shortening distances between tourists and the natural world.

In order to be sustainable hotels should provide energy efficiency in all areas from construction to amenities. They need to use renewable energy sources such as solar power or use more efficient fossil fuels like biogas. The hotel’s business model should include measures of reduced consumption. Guests should be encouraged to take public transport when possible or car pooling with other guests when necessary for longer distances. Re-using materials for construction is another way of reducing the demand on natural resources such as timber or steel. –

The river that is close to this wellness health resort converges water from the entire region, forming a confluence of tiny waterfalls that provides enough flow to power a hydroelectric generator that can sustain the electricity of the complex’s structures. Merging with nature has been at the heart of the design approach, not only through its functioning but also by employing materials found immediately on the site and in the surrounding vicinity, allowing the resort to become entirely carbon neutral.

Its materiality and layered coloration not only connect the inhabitant to the beauty of rammed earth, but it also retains exceptional insulation and structural characteristics. Despite the fact that construction was time-consuming, architects were able to enlist the help of a neighboring hamlet to complete what has become Indonesia’s largest rammed earth project. The remainder of the construction is composed of bamboo, much of which was gathered on-site.

The Wat Pa Maha Chedi Kaew temple, often known as the Million Bottle Temple, is constructed of millions of recycled glass bottles in Thailand’s Sisaket region. Glass bottles are not only a sustainable building material, but they also enable natural light to enter and do not require painting. Furthermore, the glassbottle bricks are simple to clean and maintain.

The Randilen Wildlife Management Area include ElewanaTarangire Treetops, Tanzania, which has a diverse wildlife population and beautiful scenery. Visitors who stay at ElewanaTarangire Treetops support the preservation of natural regions and the advantages of responsible travel.

According to Antti Nikander, the cooperative’s organizer, Santa Claus Village takes sustainability, and in particular the battle against climate change, very seriously. About 50 businesses in the tourist and experiences sectors are represented by the cooperative, which is based near the Arctic Circle. Even though the Arctic Circle has only recently made considerable strides toward sustainable development and even though there is still more to be done, the cooperative is confident that the enterprises are moving in the right path and have a genuine desire to promote sustainable tourism.

• Architectural Tourism
• Eco Tourism
• Tourism Eco
• Tourism in Architecture

Elif Ayse Fidanci

human, architect, writer.

Energy-Efficient Buildings

Emergence trends in architecture, you may also like.

• 3 minute read

5 Job Ideas for Architects and Architecture Students

• 13 September 2022

• 4 minute read

Sealing the Savings: The Ultimate Guide to Energy-Efficient Insulation

• by illustrarch Editorial Team
• 10 January 2024

How Architects Use Natural Light to Transform Spaces?

• 31 March 2023

The Art of Architectural Concept Design

• 30 August 2023

• 5 minute read

Window Woes: How to Know if It’s Time for a Replacement

• 29 February 2024

How Posters Bridge the Gap Between Art and Personal Expression in Interiors

• 22 January 2024

Privacy Overview

ECO-TOURISM HUB IN SHANKARPUR, WEST BENGAL: Revival of a dying ecosystem using Disaster-resilient Architecture

“The waves lashing on to the sand dunes, the crystal-clear sea, the sun setting in the horizon and the casuarinas whispering on the beach.” ~SPRIHA It was perhaps the scenic vision of Shankarpur, fifteen years ago, which first drew me to the place. It was a weekend getaway, a serene, isolated beach in the heart of Bay of Bengal with a small village and fishery. The soft sand dunes and white shells along the beach, the fishermen dragging boats through the dunes into the water, the coconut trees at a distance and “Thakur Da’s dokan” (Grand Pa’s shack) with its “Luchi and Aloo” (bread and potato) were among the many attractions. There were casuarina forests along the beach with nature trails and natural butterfly sanctuaries. Some of the trees had hammocks tied between them. Me and my family were walking through the forest, where we once discovered a natural butterfly sanctuary. The forests were surrounded by the fisherman’s village. For some unknown reason, we kept going back to Shankarpur every year for vacations. It was like being in the lap of nature. However, over the years, when we went for our yearly vacations, we noticed incessant deforestation. The casuarina forests which were once whispering and roaring, withstanding all the storms, were slowly diminishing. Irresponsible tourism and commercialization had destroyed the beach. Suddenly the wildlife and natural sanctuaries were gone. The coastline had started shifting forward. There was a massive ecological disbalance and degradation. After a few years later, in 2016, there were no more casuarina trees. The beach was eroded and deserted. It was no longer accessible. We realized that due to incessant storms and cyclones and the sea level-rising the sand dunes were swept off and now “Thakur Da’s dokan“ (Grandpa's shack) was gone. After I joined Architecture school, I identified the relationship between the environmental, social, and economic aspects of an eco-system. I dared to challenge conventional tourism and explore how architecture can sensitively reverse the ecological disbalance. After re-visiting the village and interacting with the villagers, the following questions arose in my mind: • How can architecture respond to natural disasters and the atrocities of nature? • Were the incessant cyclones and rising sea-levels purely natural disasters or were these the result of devastating human activities and irresponsible coastal tourism? • How can architecture reverse or withstand the damage of these disasters? • Can architecture be a medium of inspiration, thereby educating local communities and tourists, fostering social and economic welfare? • How can I, as an Architect contribute to the change and establish a paradigm shift in the tourism industry?____”REVIVAL OF A DYING ECO-SYSTEM USING DISASTER RESILIENT ARCHITECTURE.” As a student of architecture, I have learnt “the extent up to which the world can be designed and changed, and I aspire to be a part of the change.” What follows in the upcoming pages, is a tribute to my childhood memories and how I have tried to reinforce my dream into reality. “To half the decline of an eco-system it is necessary to think like an eco-system. “ ________Jean Jaques Rousseau. In a world that is shrinking and eco-systems that our dying, there rises a distinct need to extend a field of action of responsible tourism which benefits the environment and thereby the society and consequently the economic growth. While zero-emission, zero-waste and zero-poverty seem to be faraway goals, as an Architect we can discover the world without distorting it. Revitalize ecosystems instead of impoverishing and polluting them. We can build a platform for active participation and restoration of cultural heritage, exchange without arrogance and enrich local communities through eco-sensitive design. In the years to come, the relationship that we maintain with nature will determine the sustainability of the homo-sapiens that we are. Along the coastline of Bay of Bengal, lie many pristine and scenic beaches with rich flora and fauna, namely Digha, Mohana, Talsari, Mandarmoni and Shankarpur which attract millions of tourists over the year. This region is a transitional zone in between sea and land where the casuarinas and mangrove forests were once seen to be whispering and roaring. However , over the last few years, due to incessant storms and cyclones, the sea-level rising and irresponsible coastal tourism there has been a massive ecological disbalance and degradation. Now the casuarina trees are almost gone, and the natural wildlife sanctuaries that once used to exist have all diminished. Along the various beaches which are flooded with tourists, Shankarpur was spotted as a small village with a beach expanding up to 1200 metres. It was comparatively less explored and commercialized than the neighbouring sea beaches but had immense potential for establishing a tourism hub which contributes to its environmental, social and economic standing. It is a severely ecologically affected zone. The coastline has been severely eroded and due to the coastal inundation, there has been removal of sand dunes and forest cover. The Forest Department has been giving proposals for restoring and replanting the lost green cover. There has also been a loss of cultural resources and social disruption due to negligence and lack of employment opportunities. Despite having a soaring literacy rate of 77% the small village population is at an economic and cultural standstill. There are limited transport and communication facilities. All these factors establish a need for a platform which is conducive to the development of the whole area. With this mindset, I shall design an Eco-tourism hub, resolutely committed to the concept of resilience. My proposal will follow the principles of sustainability and disaster resilience. It should protect the life and livelihood for coastal communities and conservation of ecological resources. It should create an interactive ground for locals and visitors so that there may be interchange of ideas and cultural exchange. The project conceives a site-oriented approach and demonstrates how the built environment engages with the natural environment. The natural endowment of the site with its vast expanse of water bodies , parts of which are partially dry, will all be developed. Provision of nature trails and aquascape retreats will be given. Since the beach is inaccessible, natural and artificial aquascapes will play an important part of the design. Nurseries for organic farming, promote self-reliance. Local communities will be involved in cooking and serving authentic cuisines. An eco-friendly approach and cost-effective vernacular architecture will be contextual to the place and easy to accept for the local people. It will challenge the conventional hotels and resorts in coastal regions and serve as an example or prototype to the tourism industry. Resort developments have been planned in border zones, rather deep within ecosystem units. The vernacular colour palette has been maintained among all the built forms to establish a visual linkage. The landscaping has become an extension of the existing ecosystem, mimicking it and preventing further fragmentation.

The site is located 200 metres from the high tide line thereby complying with the coastal regulation norms. It covers a vast expanse of 22 acres with existing palm and coconut tree forests, four existing waterbodies and an existing temple. It is surrounded by the village on its periphery and the shoreline is 200m to its south. Two abutting roads run along its southern and western periphery. The natural endowment of the site has barren organic patches of land in intermediate spaces in the forests. These pristine areas have been left untouched to cause minimum intervention with the existing ecosystem. An FAR of 0.3 has been maintained. Owing to the coastal regulation norms and height restrictions, a horizontal expansion has been opted for. A total built-up area of 78,456 sq.m has been achieved. Tropical cyclones cause maximum cumulative economic loss, hence disaster-resilient techniques were opted for. Most of the built forms are on stilts. This gives a base isolation to the structures and at the same time creates minimum interference with the existing landscape and green cover. The roofs were designed at an angle of 35-40 degrees to enhance resistance to high velocity winds. TECHNOLOGICAL INTERVENTION: Floating structures that rise to survive floods___Buoys protect homes from floods and rising sea levels by making houses float as high as the flood water level rises.The buoys can be made by recycled jugs. When water levels rise tanks lift the building while vertical guideposts extending from the stilts, hold the construction in place letting it go up and down. These amphibious homes are already in use in Vietnam. This technology has been introduced by Dr. ELIZABETH after HURRICANE KATRINA. Some solar passive techniques used are Trombe Michael's wall cooling action and the Parasol roof principle. Building orientation, shading techniques and flow of wind through fenestrations were also taken into considerations. Locally available and recycled materials have been used for construction. The vernacular architecture of West Bengal has been explored with the use of bamboo cross-bracing, mud, and thatched roofs. Climate responsive forms have been adopted taking reference from the pre-fabricated DELTEC HOMES.

Supervisor: Ar. Anshuman Laloo Head of Department: Ar. Maitrayee Mishra Designer: Spriha Chakravorty

Favorited 1 times

Thank you for visiting nature.com. You are using a browser version with limited support for CSS. To obtain the best experience, we recommend you use a more up to date browser (or turn off compatibility mode in Internet Explorer). In the meantime, to ensure continued support, we are displaying the site without styles and JavaScript.

• View all journals
• My Account Login
• Explore content
• About the journal
• Publish with us
• Sign up for alerts
• Open access
• Published: 28 November 2022

Architectural characteristics of accommodation buildings within the context of sustainable ecotourism in Cyprus: evaluation and recommendations

• Miray Dizem Üzümoğlu   nAff2 &
• Zihni Turkan 1  

Humanities and Social Sciences Communications volume  9 , Article number:  422 ( 2022 ) Cite this article

2273 Accesses

2 Citations

1 Altmetric

Metrics details

• Cultural and media studies
• Science, technology and society

Tourism, a socioeconomic activity generally defined as an exchange of culture, is diversified by its different purposes. Ecotourism, which emerged and has been constantly developing in the last quarter century, is based on the principles of protecting the natural environment and recognising the original local culture in an interaction with the environment. As significant components of tourism activities, accommodation structures play a major role in the realisation of ecotourism. Due to its location, cultural heritage and rich history together with its Mediterranean climate, Cyprus is an especially important tourism destination for people from Middle East and European countries. The traditional living culture in this small island country has created a huge demand for ecotourism in Cyprus. The ecotourism industry in Cyprus provides housing structures restored with the traditional architectural characteristics of the island as well as new buildings. The new accommodation structures should be constructed in compliance with the traditional architectural characteristics of Cyprus to contribute to the island’s cultural tourism. Our study was conducted through a literature review regarding the main concepts of tourism and ecotourism and on-site field work on the architectural characteristics of existing ecotourism accommodation structures located in the ecotourism villages of Cyprus. In consideration of the field study findings, this study also proposes recommendations that could be a model for the architectural characteristics of new accommodation structures to be constructed for sustainable ecotourism in Cyprus. Within the framework of our study, the location, construction date, and architectural characteristics of fifteen accommodation structures were selected from Cyprus ecotourism villages; their layout and sketch drawings were completed using measurements and observations, while outdoor-indoor photographs were taken. As a result of these findings and based on the common architectural characteristics of existing ecotourism accommodation structures, the architectural characteristics of future accommodation structures have been identified accordingly.

Similar content being viewed by others

A geographical perspective on the formation of urban nightlife landscape

Yi Liu, Yifan Zhang, … Ying Zhao

Aula Verde (tree room) as a link between art and science to raise public awareness of nature-based solutions

A. Conte, R. Pace, … L. Passatore

Implications of ideology on school buildings and cultural pluralistic context of Gazimağusa, North Cyprus

Ejeng B. Ukabi & Huriye Gurdalli

Introduction

Tourism is generally defined as a consumer’s act of travelling and obtaining temporary accommodation at a place other than their permanent residence for holiday relaxation and recreational purposes (Yörük, 2003 ). Tourism, which is performed by changing locations for various reasons, comprises social, cultural, sports and special interest activities. Specific places and regions are chosen for different purposes and activities, making it possible to diversify. Accommodation buildings, among other tourism facilities, are vital components of tourism activities. Accommodation buildings that first provide a safe shelter for individuals and meet their various needs, such as comfort, relaxation, food and beverages, and entertainment, are categorised as hotels, motels, holiday resorts, bed and breakfasts, mountain resorts and thermal facilities (Kozak et al., 2014 ).

With its significant place among the various types of tourism, ecotourism, which emerged in the 1980s, is an important tourism activity for cultural exchange between countries. Ecotourism, namely, ecological tourism, can be defined as travel to natural and ecologically uninterrupted areas or regions (Özhan, 2007 ). Ecotourism accommodation buildings have characteristics that differ from the others, and they are similar to boutique hotels that are compatible with their natural surroundings while providing quality services. Eco-accommodation structures minimise the environmental impact on natural and cultural assets and involve landscape design and gardens and sustainable design construction, use green technologies, integrate the local community into the development and implementation of eco-accommodation buildings, and ensure environmental and cultural education for its visitors (Hakim and Nakagoshi, 2014 ). Accommodation structures, which are crucial for tourism activities, play an important role in the promotion and maintenance of traditional living culture for their visitors.

For centuries, Cyprus has been an important tourism centre due to its geographical location, Mediterranean climate, rich history and cultural heritage. As an island in the Mediterranean, Cyprus connected with other countries via the sea and maintained trade relations. The arrival of people from other countries began with British administrative and military officers during the British administration (1878–1960) (Turkan, 2008 ). After the division of the island in 1974 into north and south, Ercan Airport was opened in 1976, connecting the north with the outside world through means other than sea transportation. In the early 1980s, tourism became more active in Cyprus, and small holiday resorts were built and opened (Bıçak and Turkan, 2018 ). Since the 2000s, most accommodation buildings, particularly those along the eastern and northern coastlines, have been multi-storey and luxurious modern buildings that provide services based on the triangle of sea, bed, and sea (Ölçer, 2011 ; Emekli, 2003 ).

The residents of the island managed to continue their rural life and traditional living culture since the distances between the settlements are not too far and transportation is easy. The sustainable traditional lifestyle on the island provided positive conditions for ecotourism. Since 2005, Bağlıköy (Ambelikou), Büyükkonuk (Komi Kebir) and Dipkarpaz (Risokarpaso) were selected for the introduction of ecotourism, and the houses built with local architectural characteristics were restored and transformed into boutique hotel-style buildings. Annual ecotourism days are organised for the exhibition and selling of local food, beverages and handcrafts; and folk dance and various rural life events are held, all of which promotes and preserves the traditional life and cultural assets of Cyprus.

Ecotourism has recently become popular in Cypriot domestic and foreign tourism. The housing buildings at the related villages reflecting the traditional architectural characteristics of the island have been restored for use in ecotourism, and additional spaces and new accommodation buildings have been constructed to eliminate the shortcomings. These ecotourism accommodation buildings were chosen as the subject matter of our study with the aim of contributing to the improvement and sustainability of ecotourism since the traditional cultural assets of the island can only be promoted through accommodation buildings with traditional architectural characteristics. Because of this, future ecotourism accommodation buildings should be designed and built with the traditional architectural nature of the island.

Since the early 2000s, ecotourism has become so important among worldwide tourism activities that Cyprus’s domestic and foreign tourism visitors prefer ecotourism as their first choice. In line with such choices, there is an increasing need for accommodation buildings as a significant component in ecotourism. Considering the findings from our field studies on the architectural characteristics of the existing accommodation buildings in ecotourism villages, which were conducted to support the sustainability of ecotourism activities in Cyprus, the aim of this study is to make recommendations on the architectural characteristics of future ecotourism accommodation buildings that would promote and maintain the traditional living culture and all other local cultural heritage through spaces with traditional architectural characteristics of the island furnished with local authentic fittings.

Cyprus is an important tourism destination due to its location, rich historical and cultural heritage and Mediterranean climate (Bıçak and Turkan, 2018 ). Cyprus is particularly compatible with the notion of ecotourism since rural areas that are very close to urban life opportunities yet merged with nature still operate in a traditional way. The existing accommodation buildings used in tourism activities are not sufficient in terms of reflecting and promoting the historical pattern, traditional architecture and living culture of the island; hence, they cannot be useful for ecotourism. Therefore, there are not enough accommodation buildings in the villages to meet the increasing demand for ecotourism. As a result of our study, we identified the architectural characteristics that have a major role in the island’s ecotourism activities and proposed these for the design of accommodation buildings. While there are various studies on ecotourism in Cyprus, our study is the first detailed and comprehensive study on how ecotourism accommodation buildings contribute to the promotion of ecotourism through future accommodation buildings with the proposed architectural characteristics. Moreover, the study findings make a major contribution to the correct performance and sustainability of ecotourism through the new ecotourism facilities to be built with the proposed architectural characteristics.

Starting from the concept of tourism as the basis of our research, the types of tourism, the accommodations in tourism, the concept of ecotourism and its properties and effects, the ecotourism villages in Cyprus, the architectural characteristics of accommodation buildings in such villages and the architectural characteristic recommendations for the design of new ecotourism accommodation buildings are the focus of our study.

The research process table is shown in Table 1 .

Theoretical framework

Ecotourism is generally defined as nature-conscious travel that aims to protect the environment and consider the welfare of the local community (Ayman, 2013 ). In other words, the concept of ecotourism comprises travels to visit or study the landscape, flora and fauna, and activities unique to such places (Soykan, 2003 ). According to Elizabeth Boo, ecotourism is nature-oriented tourism protecting nature and improving tourism by fundraising for parks, protected areas and surrounding communities and organising environmental training courses for the local community (Erkut, 2005 ). Kutay noted that ecotourism is considered a development model at natural sites and is planned as a part of biological source-based tourism within a socioeconomic structure (Özyaba, 2001 ). The World Tourism Organisation recognises ecotourism as responsible travel to natural areas with the aim of protecting the environment and enhancing the welfare of the local community. Ecotourism, which has grown and continues to grow, involves travelling to a place where the natural environment and unique culture are protected and where tourists can interact with their surroundings to learn about the local community and culture (Özhan, 2007 ). The concept of ecotourism was first used by Hector Ceballos-Lascurain in 1983. According to Hector Ceballos-Lascurain, ecotourism has the least impact on the environment; it covers visits to unspoiled or unpolluted natural areas with the special purpose of analysing, observing and living with the landscape, wildlife and rural concepts. The most important aspect of ecotourism is the inclusion of the local community; hence, socioeconomic benefits are acquired (Boo, 1993 ).

The trend in ecotourism has the fastest growth among the worldwide tourism industries. The most important factors that provide significance to ecotourism are as follows (Hawkins and Lamoureux, 2001 ):

International awareness.

Desire for nature-oriented experience.

Necessity to preserve natural resources for future generations.

The main characteristics of ecotourism are respect, responsibility and sustainability. The following four principles are always emphasised in all definitions of ecotourism (Erdoğan, 2003 ; Polat, 2008 ):

Natural environment.

Ecological and cultural sustainability.

Education and explanation of topic.

Economic benefits at the local level.

Ecotourism also aims to benefit from both natural and cultural features. The rural life, mountain and village houses chosen for accommodation, the tastes of local cuisine and the ability to camp in unspoiled nature are some of the characteristics of ecotourism activities. With respect to ecotourism, which focuses on existing resources, the main aim is to transfer daily life habits towards an activity (Polat, 2008 ).

Ecotourism accommodation buildings, which have a different approach than the accommodations for other types of tourism, are mainly boutique hotels that fit within their natural surroundings and provide quality service. They are mainly small-scale establishments that operate as family businesses.

Ecolodges were first introduced at the First International Forum on Ecological Accommodation in 1994 in the US Virgin Islands. In 1995, a guideline about ecolodge facilities, “The First International Ecolodge Guidelines”, was developed during an international conference held in Costa Rica. Consequently, the first international definition of ecolodge facilities was provided accordingly. Based on this definition, the essential components of the first ecolodge facility are as follows (Wood, 2002 ; Demir and Çevirgen, 2006 ):

Protect the natural and cultural elements of its surroundings.

Minimal negative impact on the natural environment during construction.

The physical and cultural texture of the facility should blend with the local architectural styles and scenery and colours.

Use of alternative practices to meet long-term water demands and minimise water consumption.

Solid waste and wastewater systems should be established with effective management.

Contribute to sustainable development of the local community through research programs.

Efforts to collaborate with the local community.

Offer ecological and cultural training courses from which local employees and tourists can also benefit.

Meet the energy needs by merging passive designs and modern installations with sustainable use.

Ecotourism in Cyprus

Cyprus is a small island where the industry sector has not developed very much, and the production sector mainly focuses on agriculture and animal husbandry. The local community have maintained their rural life and traditional living culture since the distances between the settlements are not too far and transportation is easy. The sustainable traditional lifestyle on the island has provided positive conditions for ecotourism.

Büyükkonuk (Komi Kebir) was chosen as a pilot ecotourism village in 2005 to revive tourism in Cyprus. Within the scope of such activities, the locals were provided training about ecotourism, and several conferences were held as well. Later, with the ecotourism activities initiated in Bağlıköy (Ampelikou) and Dipkarpaz (Rizokarpaso), ecotourism in Cyprus became popular and developed. Special ecotourism days are organised annually in ecotourism villages where local food and beverages and handcrafts are sold and folk dance shows and various rural life activities are held, enabling the promotion and maintenance of the traditional lifestyle and cultural assets of Cyprus. The houses built with local architectural characteristics are restored and transformed into boutique hotels to serve their visitors.

Bağlıköy (Ampelikou) is a village in Lefke, Cyprus, with 200 habitants, stone streets, houses built with traditional materials and a richness in nature where people still live in a traditional way (Tietze, 2002 ; LEKAD, 2009 ). Bağlıköy is a typical eco-village due to its traditional architectural texture, traditional lifestyle, local produce from fertile soils, traditional handcrafts and Cyprus cuisine. It became an eco-village in 2013, its locals were trained about ecotourism, and the Ecotourism Volunteers Association was established, which ensured awareness of natural beauties and the environment and protected cultural heritage items and local texture. As a part of ecotourism activities, village houses were restored as accommodation buildings, local products became much more important, and an annual eco-day event was planned (Figs. 1 and 2 ).

Ampelikou general appearance.

Ampelikou: a view from eco-day. https://www.havadiskibris.com/baglikoyde-paluze-tadinda-etkinlik-2/ .

Dipkarpaz (Rizokarpaso) village is in the district of İskele with a population of 2349. It is located on the far east tip of the Karpasia Peninsula and is disconnected from urban life due to the insufficiency of the transportation axis and means as well as its distance from cities. However, this has favoured the survival of traditional island life in the village with all of its properties. The ecotourism facilities in the Karpasia Peninsula were first opened in 2009, and the first one was called ‘Arch House’. The traditional houses that have the historical texture of Dipkarpaz were restored and transformed into ecotourism eligible accommodation facilities. In 2013, the “Multi-Purpose Community Centre” (ÇATOM Coop.), the first Women’s Cooperative in Dipkarpaz, was founded to develop and sustain ecotourism and to support women and farmers in village life. Products made by women are sold on eco-day festivals and fairs under the brand of this cooperative (Figs. 3 and 4 ).

Risokarpaso general appearance.

Risokarpaso ÇATOM Cooperative.

With its population of 2860 people, Büyükkonuk (Komi Kebir) is a settlement built on top of a necropolis from the Bronze Age (Tuğun and Karaman, 2014 ). In 2005, Büyükkonuk village was declared a pilot village for eco- and agrotourism sites with the aim of reviving tourism in the area. Hence, trainings and seminars on ecotourism were organised for the locals. In collaboration with the SME Centre, several workshops were held to merge the local community with the concept of ecotourism. The handcrafts of Büyükkonuk, cultural events and festivals are important both for visitor attraction and for improving domestic and foreign tourism. The ‘Eco-Day’ festival is held in Büyükkonuk twice a year in May and October with major participation to support the local community in the village and preserve the local cuisine. The objectives of the eco-day festival are to improve environmental awareness, promote local and regional heritage and sell the local delicacies and the natural and organic produce of the local community. The very old traditional houses at the village square have been restored and put in service as accommodation buildings and restaurants for ecotourism activities. Büyükkonuk, the first eco-village in the region, serves ecotourism with its history, social and cultural assets and local architectural texture (Figs. 5 and 6 ).

Komikebir general appearance.

Komikebir-craft stand.

Methodology

Our research was conducted with a qualitative method covering a literature review on basic concepts and on-site field work. Therefore, an in-depth literature review on the concepts of tourism and ecotourism in particular was performed as the basis of our study, examining the types of tourism accommodation buildings, ecotourism accommodation buildings and ecotourism in Cyprus through the related journals, books, articles and thesis works.

As part of the meetings with the related institutions regarding the accommodation buildings in the ecotourism villages in Cyprus, which is the main subject matter of our study, the relevant institutions, associations and individuals whom we contacted provided the following information: the documentation on the registered tourism accommodation buildings and ecotourism accommodation buildings from the Ministry of Tourism and Environment; the information on the location, current situation and contact details of ecotourism accommodation building owners in the related villages from the Municipalities of Lefke, Büyükkonuk and Dipkarpaz; the information on the role of Lefke in ecotourism, ecotourism villages in the area and the procedures on how the ecotourism accommodation buildings in Bağlıköy, Yeşilırmak and Yeşilyurt became a part of ecotourism from the Chairman of the Lefke Tourism Association; the detailed information on the integration of ecotourism accommodation buildings in Karpasia into tourism activities and their contribution from the Chairman of Karpasia Eco-Agrotourism Cooperative and Board Members and officials from the Ecotourism Volunteers Association; the information and documentation on the history of existing accommodation buildings, restoration process, official procedures in transforming accommodation buildings and the benefit of such buildings for the regional ecotourism from the owners/managers of the existing accommodation buildings.

No surveys were used for our study. Only several interviews were held with the related persons and institutions for information purposes.

A total of fifteen ecotourism accommodation buildings were analysed on-site through the field studies performed examining the accommodation buildings in the ecotourism villages in Cyprus, which are Bağlıköy (Ambelikou), Büyükkonuk (Komi Kebir), Dipkarpaz (Risokarpaso), Yeşilyurt (Pentageia), Yeşilırmak (Limnitis) and Kumyalı (Kumyalik). Outputs were generated on the number of floors and the architectural characteristics, the courtyards that provide indoor-outdoor space, the building materials, the construction systems, the room systems, the façade details, the interior elements and the furnishings. The measurements and observations required to identify the spaces in buildings and determine the functional relation between the spaces were performed, and their individual layout sketches were developed. The indoor and outdoor spaces of buildings were photographed to identify the existing status of accommodation buildings and support our study.

Our field study findings on the architectural characteristics of ecotourism accommodation buildings are presented via a systematic table. The common architectural characteristics of existing ecotourism accommodation buildings were identified based on follow-up assessments.

Pursuant to the findings generated from our interviews and architectural observations, the majority of ecotourism accommodation buildings are built with the traditional architectural characteristics. Some of the old buildings were restored and became a part of ecotourism, while the others are new buildings partially reflecting the traditional architectural characteristics. Future accommodation buildings should have the properties to reflect traditional architecture and living culture in their location, layout, material, and furnishing, all of which would maintain and ensure the sustainability of ecotourism. Hence, our study provides architectural characteristic recommendations for future ecotourism accommodation buildings.

The following table reflects our research plan, outline of our activities and overall process (Table 2 ).

Case study (ecotourism accommodation buildings in Cyprus)

Within the framework of our field study conducted on ecotourism accommodation buildings in Cyprus, the layout sketches of two accommodation buildings in Bağlıköy (Ampelikou) (Bağ Evi, Ambelikou Guest House), three in Büyükkonuk (Komi Kebir) (Ayphodios Guest House, Asut Guest House, Galifes Guest House), six in Dipkarpaz (Rizokarpaso) (Castle Carpasia Guest House, Karpasia Natura Guest House, Villa Lembos Hotel, Glaro Garden Hotel, Revaklı Ev Guest House, Karpaz Arch House) and one in Yeşilyurt (Pentageia) (Pendaya Eco Garden), two in Yeşilırmak (Limnitis) (Vouni King Hotel, Erson Hoca’s Organic Farm) and one in Kumyalı (Kumyalik) (Nitovikla Garden Hotel) were generated, and the buildings were photographed upon visiting them on-site and identifying their architectural characteristics.

Among the fifteen ecotourism accommodation buildings that are under the scope of our research, thirteen are in the village centre where active rural life continues, and two of them (Ayphodios Guest House, Erson Hoca’s Organic Farm) are located outside the villages. They are not high-storey buildings, yet all of them have courtyards.

The accommodation buildings are mainly built with masonry construction using traditional materials such as ashlar, adobe and wood. In some of the accommodation buildings (Villa Lembos, Glaro Garden Hotel, Erson Hoca’s Organic Farm, Karpasia Natura Guest House, Vouni King Hotel, Nitovikla Garden Hotel), reinforced concrete carcass systems and modern materials were also used together with masonry. Adobe was only used in the walls, stone walls, door-window frames, arch and wall coverings, while wood was used for door windows, ceiling carrier systems, shading elements and railings (Figs. 7 – 10 ).

Example of an adobe structure.

Example of reinforced concrete construction.

Example of a piecewise structure.

The majority of the accommodation buildings were scattered in design, and the layouts were organised in a rectangular form (Figs. 11 and 12 ).

Plan sketch—Risokarpaso.

The roof systems of accommodation buildings are generally either flat or slightly inclined roofs covered with bricks. Flat roof and saddle back and jerkinhead were used in six of the accommodation buildings (Castle Karpasia Guest House, Karpasia Natura Guest House, Glaro Garden Hotel, Karpaz Arch House, Pendeya Eco Garden Hotel, Nitovikla Garden Hotel).

Almost all of the accommodation buildings have a simple façade with wooden doors and windows. The arch stoas in four of the accommodation buildings (Galifes Guest House, Revaklı Ev Guest House, Karpaz Arch House, Nitovikla Garden Hotel) also pepped up the façades (Figs. 13 – 16 ).

An example of a structure built with stone material—Komikebir.

An example of a portico and arched structure—Risokarpaso.

An example of a building with stone materials—Risokarpaso.

An example of reinforced concrete construction—Kumyalık.

In general, the floors are covered with ceramic, while the ceilings are mainly built with straw roofs spread on rectangular wooden beams. The ceilings of four accommodation buildings (Asut Guest House, Karpasia Natura Guest House, Villa Lembos, Glaro Garden Hotel) are plastered and painted white (Figs. 17 and 18 ).

Authentic furnishing example—Komikebir.

The bedrooms have authentic beds made with wood, iron and brass; wooden carved chests, armchairs and tables; rugs on the floor; and curtains embellished with handcrafts for the final touch. The reception and sitting areas in public spaces are decorated with authentic wooden armchairs and sofas and a coffee table, sideboard, showcase cabinet and shelves. A wooden table with legs made on a wood lathe and woven straw chairs are placed in the dining areas (Figs. 19 – 22 ).

Authentic furnishing example—Kumyalik.

An example of a stone arched structure—Komikebir.

Example of a wooden rafter ceiling—Komikebir.

Ceiling and floor sample—Risokarpaso.

Findings and evaluation (table of eco-tourism accommodation buildings)

Pursuant to the comparisons and evaluations regarding the architectural characteristics of Cyprus ecotourism accommodation buildings, the accommodation buildings are located in rural settlement villages, and the majority of them have been restored and made functional. While some of the buildings are old housing units with traditional architectural characteristics, the others are new buildings with traditional architectural elements.

The old buildings have one or two stories with a courtyard built with masonry construction method using stone, adobe and wooden materials. The roof systems are brick-covered saddle or flat roof. Most of these buildings have arch porches built with ashlar along their sleeping units. There are wooden shutters on the simple face of the buildings. The floor materials are local marble plates, polished concrete and ceramic, while the ceilings have reed mats on rectangular wooden columns. All indoor furnishings in all buildings are authentic local materials made with wood, iron and brass.

Most of the new accommodation buildings are single storey, whereas the others are built with two or three stories with courtyards. They are mainly built with bricks in reinforced concrete carcass systems. The new buildings are generally fragmented and in a rectangular layout plan. Most of them are covered with flat roofs, and some have brick-covered saddle roofs. The floors of the accommodation buildings, which have simple façades with wooden doors and windows, are covered with ceramic material. The ceilings are generally plastered and painted white. The indoor furnishings are comprised of local authentic furniture made with wooden materials.

The architectural characteristics of the ecotourism accommodation buildings under the scope of our study are reflected in the table below (Table 3 ).

Conclusion and recommendations

Accommodation buildings, with their location, architecture and authentic elements and services, are crucial for the existence and sustainability of ecotourism as a kind of tourism that promotes and maintains local cultural assets.

The ecotourism accommodation buildings that are covered by our study are houses in rural settlement villages and have traditional architectural characteristics; here, people have the chance to live within the traditional lifestyle surrounded by streets integrated with nature.

Since the buildings do not have many stories, visitors can enjoy village life together with the traditional living culture in which people can sit and eat outdoors surrounded by nature.

The use of traditional materials promotes the traditional architecture of Cyprus, while the insulation properties of materials provide structural comfort during summer and winter. Moreover, the materials are from local suppliers, which has also added value for the construction economy.

The accommodation buildings are designed as scattered on the land, allowing them to be customised by the utilisation nature of different functions, while their connection with outdoor spaces as well as being low-rise buildings ensures integration with nature and detached living.

In terms of roof systems, the buildings have flat or slightly inclined roof structures that fit with the low-precipitation Mediterranean climate.

The buildings’ simple façades, doors and windows made from wood fit the Mediterranean climate, just as the traditional materials, stone arch porches and indoor-outdoor living spaces reflect the traditional architecture that has a major place in Cypriot life, and this is all provided for the enjoyment of visitors.

Although ceramics are used for the flooring, the use of traditional materials and construction techniques in the old and restored buildings and the ceilings of new accommodation buildings conserve the interior characteristics of local architecture.

Most interior furnishings are similar. The bedrooms and common areas have authentic furniture and furnishings made with wood, iron and brass, reflecting the traditional interior design of the island.

Consequently, our architectural recommendations for the design of future sustainable ecotourism accommodation buildings are based on our findings regarding the architectural characteristics of the ecotourism accommodation buildings in Cyprus.:

New ecotourism accommodation buildings should be in rural areas that are isolated from urban life and where unique Cyprus flora and fauna exist, traditional living activities still live on, and local and original production is performed.

New buildings should be low-rise buildings with courtyards inside to provide better quality service for visitors, better utilisation of rural life opportunities and provision of living service in a close relationship with nature.

To support the economy, contribute to structural soundness, and promote the sustainability of traditional architecture and local material resources, the main building materials should be stone, adobe and wood, which are still available for easy access on the island.

While accommodation buildings with low bed capacity may be single buildings, most should be designed as scattered buildings with bedrooms and common areas connected through a courtyard to be functionally compatible with a traditional rural lifestyle in touch with nature.

The roof systems should be flat roofs or brick-covered slightly inclined roofs to fit with the Mediterranean climate and traditional architecture.

To accommodate the higher temperatures of the Mediterranean climate and to reflect the traditional architecture, the windows should have wooden shutters, and semi-open spaces (terraces, arch porches, traditional balconies) should be used to create the outdoor spaces that have a vital place in traditional outdoor life in the Mediterranean climate.

Local and traditional materials (stone plate, wood, straw mat) should be used for walls, flooring and ceilings.

Wooden, brass and iron materials that reflect the living culture and ethnographical cultural assets of Cyprus and that are still used in rural areas should be used for the furnishings of accommodation buildings.

Moreover, electricity should be generated from the solar energy resources that are a benefit of the Mediterranean climate, which would make it possible to meet hot water needs; rainwater harvesting systems should be available as an additional source for water demand; and wastewater should be treated to be used outdoors and in landscaping with the aim of minimising the environmental impact on natural and cultural assets and contributing to ecotourism.

Pursuant to our findings, the future ecotourism accommodation buildings that would be built based on our recommendations regarding the location, number of floors, materials, roof system, façade by climate, indoor organisation, furnishings and renewable energy resources would promote the cultural values of the island and bring major contributions to sustainable ecotourism in Cyprus.

Data availability

Data can be made available on request.

Ayman O (2013) Doğa Dostu Tatil, National Geographic Traveler, April, 38

Boo E (1993) Eco-tourism planning for protected areas, eco-tourism: a guide for planners and managers. North Bennington, Vermony: The Eco-tourism Society. pp. 15–31

Bıçak T, Turkan Z (2018) Two examples of cultural tourism and accomodation buildings in Northern Cyprus Karpaz Arch House-Lefke Gardens Hotel. Master Thesis. Lefkoşa, Near East University Institute of Graduate School of Applied Science. p. 597

Bıçak T, Turkan Z (2018) Cultural tourism in The North Cyprus and two example of accommodation buildings: Karpaz Arch Houses-Lefke Gardens Hotel. Master Thesis. Lefkoşa, Near East University Institute of Graduate School of Applied Science. p. 595

Demir C, Çevirgen (2006) A eco tourism management. Ankara, Nobel publication, (1. Basım), pp. 70–71

Emekli G (2003) The place of Pergamon and Ephesus in the cultural tourism of Izmir, Aegean. Geogr J 12:39–50

Google Scholar  

Erdoğan N (2003) Environment and (Eco)tourism. ERK publication, Ankara

Erkut FÇ (2005) Evaluation of Akçay valley and Madran mountain as eco-tourism resource. Unpublished Master Thesis. Aydın, Adnan Menderes University, Institute of Social Sciences. p. 53

Hakim L, Nakagoshi N (2014) Eco-tourism and climates changes: the ecolodge contribution i̇n global warming mitigation. J Trop Life Sci 4(1):26–32

Article   Google Scholar  

Hawkins DE, Lamoureux K (2001) Global growth and magnitude of eco-tourism. The encyclopedia of eco-tourism B. David (editör). CABI Publishing, London, pp. 37–62

Kozak N, Kozak MA, Kozak M (2014) General tourism information principles-concepts. Ankara, Detay Publication. p. 49

LEKAD (2009) Lefke and Surrounding Villages Solidarity and Development Association (LEKAD). Voice of the West, 2009, Number: 7

Ölçer EÖ (2011) On questioning the local and authenic in cultural tourism and reproducing exhausted spaces. Turkish Stud ume 6/4:255–262

Özhan T(2007) Conversation with Taha Özhan on colonialism and new colonialism. Old New, number 5, pp. 44–51

Özyaba M (2001) Searching for eco-tourism possibilities and it’s effects on urban and regional economy in the Eastern Black Sea region’s high plateaus. Unpublished Doctoral Thesis. Karadeniz Technical University, Institute of Social Sciences, Trabzon, p.16

Polat T (2008) Eco-tourism Karapınar district and its neighborhood. Published by Karapınar Municipality, Konya, p 1

Polat T (2008) Eco-tourism KarapınaR District and Its Neighborhood. Published by Karapınar Municipality, Konya, p 2

Soykan F (2003) Rural tourism and its importance for Turkish tourism, Aegean. Geogr J 12:1–11

Tietze A (2002) Historical and Etymological Turkey Turkish Dictionary. İstanbul, Simurg Publication, p. 259

Turkan Z (2008) The formation and development of Kyrenia harbour within the historical city texture. Işık Bookstore Publication, Nicosia, p 10

Tuğun Ö, Karaman AA (2014) Sustainability model for gaining the core villages to the eco tourism. Megaron J 9:321–337

Wood ME (2002) Eco-tourism: principles. Practices and policies for sustainability. United Nations Publication, France

Yörük ÜK (2003) The study of disability factor in designing tourism buildings. Master Thesis. İstanbul, Yıldız Teknik University, Institute of Science, p. 23

Download references

Author information

Miray Dizem Üzümoğlu

Present address: Near East University, Graduate Education Institute, North Cyprus, Cyprus

Authors and Affiliations

Near East University, Faculty of Architecture, North Cyprus, Cyprus

Zihni Turkan

You can also search for this author in PubMed   Google Scholar

Corresponding author

Correspondence to Miray Dizem Üzümoğlu .

Ethics declarations

Competing interests.

The authors declare no competing interests.

Ethical approval

This article does not contain any studies with human participants performed by any of the authors. Ethical approval was not required because no survey, numerical and graphical research was conducted.

Informed consent

The approval of all the participants interviewed in the study was obtained.

Additional information

Publisher’s note Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ .

Reprints and permissions

About this article

Cite this article.

Üzümoğlu, M.D., Turkan, Z. Architectural characteristics of accommodation buildings within the context of sustainable ecotourism in Cyprus: evaluation and recommendations. Humanit Soc Sci Commun 9 , 422 (2022). https://doi.org/10.1057/s41599-022-01443-7

Download citation

Received : 13 May 2022

Accepted : 14 November 2022

Published : 28 November 2022

DOI : https://doi.org/10.1057/s41599-022-01443-7

Share this article

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

Quick links

• Explore articles by subject
• Guide to authors
• Editorial policies

NAUTILUS ECO-RESORT | Vincent Callebaut Architectures

While upgrading the natural heritage and culture, this “zero-emission, zero-waste, zero-poverty” project will be built from reused and/or recycled materials from the archipelago. This collaborative concept offers responsible ecotourism based on education and interpretation in a natural environment, where the resources and well-being of local populations are to be preserved and gradually restored in a voluntary approach to “reimburse ecological debt”.

Discover the world without distorting it. Revitalize ecosystems instead of impoverishing and polluting them. Actively participate in the restoration of cultural heritage. Exchange without arrogance and enrich yourself with the local communities by sharing eco-responsible behaviors. In the years to come, the relationship that we decide to maintain with nature will determine the sustainability of the Homo-Sapiens that we are. With this mindset, the Nautilus Eco-Resort is resolutely committed to the concept of environmental resilience, militating for a new social system that is concerned about human and planetary health!1. THE PHILIPPINES, A COUNTRY IN CRISIS FACING ENVIRONMENTAL DEGRADATION

Courtesy of Vincent Callebaut Architectures

The Philippine seas are severely threatened. Over-fishing, mass tourism, massive pollution of plastic waste and toxic products, as well as climate change present real threats to the health of the archipelago and, of course, the survival of its inhabitants. Corals are dying, mangrove areas are being destroyed, sea-grass beds are suffocated by erosion, and vital populations of fish and other marine species are declining dangerously.

And yet the Philippines, with its 7,641 islands and islets, and its 266,000 square kilometers of coastal, turquoise waters and bays, is one of the true sanctuaries of marine biodiversity in the world, at the top of the famous “Coral Triangle”.

These seas harbor at least five species of marine turtles, 28 marine mammals, 168 cartilaginous fish, 648 species of mollusks, 1,755 fish associated with reefs, and 820 species of algae.

What would resilient tourism, capable of revitalizing the symbiosis between humans and the environment, look like? How should we humbly accompany the local population to implement urgent measures to establish marine protected areas, to protect them from severe floods, landslides, and typhoons, to restore waste management, and revitalize their biodiversity? In short, how can we reconcile the human adventure with the whole of life?

2. A PIONEERING ECO-RESORT FOR ECO-RESPONSIBLE, ETHICAL, AND UNITED TOURISTS.

Tourism has become the most important industry at the international level. Its potential to contribute to sustainable development is therefore substantial and can be reinvented. Since the early 1980s, ecotourism has been exploring ways to reconcile the socio-economic development of our societies with the protection of the environment.

One step further, the Nautilus Eco-Resort project is a pioneering, eco-tourism complex designed to unite the knowledge of the scientific community with the will of eco-tourists to optimize the revitalization and protection of a degraded ecosystem such as in the Philippines. Based on biomimicry, the architectures of this Eco-Resort are inspired by the shapes, structures, intelligence of materials and feedback loops that exist in living beings and endemic ecosystems.

Ethical and eco-friendly, the Eco-Resort promises to the host populations and travelers to be actively involved with engineers, scientists, and ecologists in the protection of the environment that it wants to discover.

This collaborative concept offers responsible ecotourism based on education and interpretation in a natural environment, where the resources and well-being of local populations are to be preserved and gradually restored in a voluntary approach to “reimburse ecological debt”.

By minimizing its ecological footprint, the experience is centered on the preservation of nature and local urban ecology while respecting endemic ecosystems and agro-ecosystems.

While upgrading the natural heritage and culture, this “zero-emission, zero-waste, zero-poverty” project will be 100% built from reused and/or recycled materials from the archipelago.

Self-sufficient in energy and food, it will satisfy its needs thanks to renewable energies and permaculture. A zero-waste policy means that it will systematically upgrade its own waste into resources. Through a co-creation process, the Eco-Resort will contribute to the well-being of local communities by including them in its planning, development, and operation.

Through crowdfunding, the project will generate funds for the site’s conservation with the association of preservation of fauna and flora. It will directly support local economic development in the form of jobs and income. Finally, it will encourage respect for the archipelago’s different cultures.

It is above all a project made to exchange and transmit ecological gestures between the natives and the newcomers. It will ask volunteer ecotourists to clean the washed-up plastic waste from beaches, put in place “cradle to cradle” recycling schemes, learn permaculture, protect coral crops, restore reasonable fishing, which will allow nature to regenerate, or strengthen natural protection against flooding.

3. A LOW BIOPHILIC DESIGN BASED ON UPCYCLING AND ECO-MATERIALS

“Upcycling” means using waste and consumer products to make new objects or materials. In this process of industrial ecology and economical zero-waste logic, everything is transformed: series production collapses from factories, plastic waste recovered at sea, glass bottles, non-edible agricultural waste, or old boats.

The notion of waste is thus banned in favor of the notion of a closed cycle and circular economy.

To ensure that the Nautilus Eco-Resort is built in perfect harmony with the climate, the spirit of the place, and its resources, bio-sourced materials derived from vegetable biomass will be adopted. For example: co-products from agriculture or wood and hemp wool for thermal insulation, microalgae and linseed oil to produce organic tiles, local tropical wood species from eco-responsible forests for pontoons and wood floors.

Plants, their raw materials, are at the heart of the architectural project, simply because man has an innate need to be constantly connected to Nature. The five principles of biophilic design applied to the Nautilus Eco-Resort project are as follows:

• Strengthen the visual link with nature • Focus on thermal variability and the renewal of air • Enjoy dynamic and diffused light • Multiply biomorphic shapes and patterns • Optimize the sensory link with bio-sourced materials

4. A PLUS-ENERGY VILLAGE IN A DOUBLE GOLDEN SPIRAL ON STILTS

The objective clearly defined in the architectural design of this Eco-Resort is to select with care the best of Low-Tech and High-Tech rather than choose one over the other.

Coiled at the foot of the hills in a crescent of fine sand, the Eco-Resort houses natural pools and waterfalls of vertical gardens. The two main architectural entities – the shell-shaped hotels and the rotating apartment towers – wind up along two golden spirals respecting the Fibonacci sequence, a symbol of balance and harmony.

The height of each building increases with the convolution of the two spiral pontoons from the central island hosting the nautical center and the scientific research laboratories under its large plant roof.

The whole is dense to better preserve the territory and agricultural land. It is accessed mainly by sailboats or electric boats with flat bottom to limit the ecological footprint of road infrastructures.

This sustainable village is built on telescopic piles that produce, on the one hand, ocean thermal energy by exploiting the difference in temperature between the surface and deep waters of the sea, and, on the other hand, tidal energy which exploits the marine currents in kinetic energy by capturing them using hydro-turbines. Frigories for cool air and kilowatts for lighting are thus produced by renewable sources.

The façades and roofs combine plant walls and photovoltaic cells to increase the thermal inertia of the building, optimize natural cooling, and generate electricity. Producing more energy than it consumes, the Eco-Resort thus achieves a positive energy balance. The added value of energy is thus redistributed in real time via a mini smart-grid to the local community, making them self-sufficient. Rainwater is used and the gray water is biologically recycled in waste stabilization ponds bordering the gardens, while organic waste is recycled into biomass.

Each architectural entity offers a specific experience:

• Rotating triskeles : To the East, 12 small spiral towers of varying heights invite travelers to live in apartments turning on their axis and following the course of the sun. Distributed in three branches, the 54 modules of three dwelling units fully rotate 360 degrees in one day. The 162 apartments offer exceptional views towards the landscape. The facades are adjusted surfaces integrating ramps to access the panoramic terraces. The central mat incorporates the vertical circulation and is covered with lush vegetation walls. At the top, a triskel roof also integrates solar tubes producing hot water and photovoltaic pergolas.

Courtesy of Vincent Callebaut ArchitecturesCourtesy of Vincent Callebaut Architectures

• Green shells : To the West, 12 small museum-hotels in the form of a sea snails seem to emerge out of the water. On the lower floors, there are exhibition spaces explaining in particular the environmental and socio-cultural challenges of the archipelago. A bio-cement structural moucharabieh is deployed in a three-dimensional spiral to cover the programmatic functions distributed in alcoves. This bio-cement incorporates microorganisms improving its performance by inducing the precipitation of calcium carbonates in recycled concrete, as does a real shell to form its exoskeleton. These 12-living nautiluses feature a self-stable shell covered with vegetable essences that are to be protected on the island. Their two openings form funnels and are closed by curtain walls, incorporating silicon cells in imposts and green balconies in cascades.

• Petals and corals : Punctuating the two-large golden spiral quays, small pavilions with organic and quasi-maternal shapes invite ecotourists to rest and relax along the water. The “petals” are covered with a vegetated hyperbolic roof while the shape of the “corals” is inspired by an Enneper triple surface, spiraling to erase any boundary between the inside and the outside. From each of their 22 pavilions, scientists have access to the fish and coral reef ponds in order to reintegrate endangered wildlife and plant life.

• Origami mountain : In the center of the lagoon, the scientific research center and the nautical recreation base are located under a CLT (Cross Laminated Timber) framework. This is covered with 360 degrees of undulating ramps unfolding like giant origami. On the roof, there are vegetable gardens and organic orchards supplying, in short circuit, the kitchens of the restaurants of the Eco-Resort. The architecture is furtive and resembles the surrounding hills. This artificial mountain has a sports pool and a seawater leisure pool surrounded by all the scientific laboratories in order to increase exchanges between researchers and ecotourists. It also hosts an elementary school, a children’s home and sports halls for local youth.

In a world that is shrinking, the Nautilus Eco-Resort project wants to extend the field of action of a triple-zero eco-tourism: zero-emission, zero-waste, zero poverty. Discover the world without distorting it. Revitalize ecosystems instead of impoverishing and polluting them. Actively participate in the restoration of cultural heritage. Exchange without arrogance and enrich yourself with the local communities by sharing eco-responsible behaviors. In the years to come, the relationship that we decide to maintain with nature will determine the sustainability of the Homo-Sapiens that we are. With this mindset, the Nautilus Eco-Resort is resolutely committed to the concept of environmental resilience, militating for a new social system that is concerned about human and planetary health!

Tags: Eco house Eco-friendly Green Architecture Palawan Philippines Sustainability Sustainable Sustainable Building Vincent Callebaut Vincent Callebaut Architectures

Pears Jewish Campus | Tchoban Voss Architekten

Atlantis The Royal | KPF

Hilton Garden Inn Boston – Brookline | CambridgeSeven

Mercator One Office Building | Hadi Teherani Architects

Can design make ecotourism even better?

Napo Wildlife Centre eco-lodges, Spain. Napo Wildlife Centre (Creative Commons).

Taking holidays is an important part of modern life. Who hasn’t got through a difficult Tuesday afternoon at work by daydreaming about their next getaway?

And while the typical 'fly and flop' package is still undoubtably popular, a growing number of holidaymakers are now opting for ecotourism.

What is ecotourism?

Ecotourism, growing in popularity since the 1990s, is defined by the Ecotourism Society as "responsible travel to natural areas that conserves the environment and improves the well-being of local people.”

Beyond that, there’s a lot of different opinions on what exactly is or isn’t ecotourism. The following principles come up most often:

• A focus on enjoying nature (animals, water, landscapes, skyscapes, etc)
• Tourists’ money funding nature conservation
• Sustainable and low-impact facilities / accommodation
• Respect of local and indigenous cultures
• Tourists’ money going directly to local people
• A focus on learning about the destination’s ecology and culture

Another important aspect is that ecologically sensitive areas (e.g. a rainforest in Costa Rica) lend themselves very well to ecotourism ventures, but by their very nature such sites cannot cope with too many visitors without degradation.

Ecotourism sites cannot take as many guests as possible as this will risk damaging the very sites the tourists come to experience. For this reason the Ecotourism Society adapted the classic definition of sustainable development. Ecotourism: "meets the needs of present tourists and host regions while protecting and enhancing opportunities for the future.”

The country most associated with ecotourism is undoubtably Costa Rica. The small Central American nation is blessed with rich rainforests and rivers, boasting many charismatic animals like sloths, tree frogs and turtles. The country has been very progressive in its uptake of renewable energy and has taken a similarly ecological approach to tourism – promoting ecotourism has allowed it to monetise its natural assets while preserving their integrity. Other destinations that spring to mind are frequently in the developing world, like Borneo, Kenya and parts of India. However, rich countries can also embrace ecotourism with New Zealand, Norway and Iceland popular eco-destinations.

Currently, the UK doesn’t feature too highly as a global ecotourism destination but that seems to be changing. The website Green Traveller lists many eco lodges in England alone.

Why do we need ecotourism?

Tourism is one of the world’s biggest industries, and is an important source of income and employment for many countries. However it also has costs. The industry is responsible for over 5% of global greenhouse gas emissions, helping to fuel dangerous climate change.

More locally, the construction of hotels, resorts, and accompanying infrastructure, has led to habitat loss and displacement of local poor people. High volumes of tourists also produce a lot of waste, and put pressure on water sources. Many hotel and resort chains are owned by foreign corporations, some of whom extract vast profits without giving much to the host community.

Finally, development for tourism has sometimes led to cultural homogenisation, the breakdown of traditional customs, practices and activities, and the marginalisation of local people. These impacts are particularly prevalent in developing countries where locals have less economic and political power, but also happen to a lesser extent in developed countries with large tourism industries (e.g. Spain and Italy).

Of course, it’s horrible to think that your holiday could be causing damage to the host community. We travel for pleasure, relaxation and adventure, not to marginalise anyone or pollute the environment.

A tourism experience can be environmentally sustainable and/or culturally sensitive without necessarily being ecotourism, so clearly ecotourism is not the only positive option. However it is a very progressive trend, which is clearly resonating with many people. Plus it has a strong business case, as the broader category of nature tourism  is now the fastest growing segment of tourism.

Role of architecture in ecotourism

But what does all this have to do with architecture and design?

Point 3 of our 6 identified key principles calls for 'Sustainable and low-impact facilities / accommodation'. Clearly this alone isn’t enough to make an ecotourism experience, but it is an important point. Also, good design can help to fulfil some of the other points too: being culturally sensitive by respecting local architectural styles, and benefiting the host community economically by hiring local people for building, maintaining and operating the premises.

Visualisation of our unique zero-carbon luxury eco-lodge, PassivPod

We believe a well designed eco lodge should:

• Be made of predominantly natural materials, sourced locally and sustainably
• Use passive solar and energy efficiency features to minimise energy demand
• Include renewable energy technologies to provide most or all of the power
• Utilise water conservation methods and rainwater harvesting
• Provide a comfortable, inspiring and educational base for guests
• Draw design inspiration from local architecture and blend into the landscape

We are actually developing our own award-winning eco-lodge design, called PassivPod. While it could be adapted easily for other uses, PassivPod is perfect for ecotourism.

A ‘pod-shaped’ building with four bedrooms and comfortable living space, it uses passive solar design, solar power and a wood stove to be carbon neutral in operation. It’s also made from natural materials and harvests rainwater. With its extensive floor-to-ceiling glazing on the southern side, balcony and outside hot-tub, PassivPod is ideal for placement in an area of rich natural beauty.

Our design was a finalist in the Sunday Times Eco-Haus Competition 2014 and we’re working on further developing the technical plans, building a dedicated website and raising funding for a prototype. Our vision is for PassivPods to be rolled out in remote rural areas, allowing people to have inspiring and comfortable nature-based holidays from a zero-carbon base which enhances rather than degrades the landscape.

If you work in the ecotourism industry and are interested in PassivPod, please get in touch and take a look at our new website: www.passivpod.co.uk .

If you’re interested in ecotourism as a tourist, here’s some useful resources:

https://www.greentraveller.co.uk https://www.ecotourism.org

https://www.ecotourdirectory.com

And we’ll keep you updated on our progress with making PassivPod an ecotourism reality. Sign up to our newsletter to be the first to know!

What do you think of ecotourism? Tweet us your views at @KoruArchitects .

01273 204065 [email protected]

Studio 221, 91 Western Road, Brighton and Hove, BN1 2NW

Subscribe to our newsletter.

Get access to latest news and all the features by subscribing here.

© 2022 Koru Architects  |  Privacy & Cookies Policy |  Facebook   |  Twitter

Website managed by Insight Consultancy

Eco-Tourism and its Architecture: A Methodological Framework for Assessing Progress towards Sustainable Development

This thesis proposes a composite framework for the evaluation of the environmental impact of tourism development on host destinations. In this study, the environmental impact of tourism is considered as a social-ecological phenomenon that can be categorized into the two aspects of natural and social-cultural impacts. Ecotourism is introduced as a type of sustainable tourism in that its policies and principles for development are based on conservation of environmental heritage (including natural and cultural heritage) via engagement of local people and communities in the tourism development process. The proposed composite framework arises from the integration of an ecological and a cultural framework for the sustainable development of tourism. This framework places the conservation of natural resources as the main ecological outcome for eco-tourism. The proposed framework uses the ecological footprint (EF) of the main tourism activities and services (including transportation, food and accommodation services) as the ecological indicator for evaluation of ecotourism development to ensure it is ecologically compatible. Ecological footprint (EF) is a way of measuring environmental impact. It assumes that everything needed for living, including all energy, goods and services can be obtained from land, and that any wastes produced can be absorbed by land (Wackernagel and Rees, 1996:9). Because land productivity varies considerably around the world the average global productivity is the normal measure, and this is called global hectares (gha). The ecological footprint of a product or activity produced/ consumed and conducted by a defined group of people can be measured through the following equation:  EF (gha) = Lifecycle energy use of a given group of people (product and activity pro-duced or conducted) Gigajoules (GJ) / carrying capacity of the Earth (GJ/gha).  The above equation determines the area required to produce resources and to absorb pollutants like carbon dioxide generated in the lifecycle energy use of the product or activity through using fossil fuels (coal, oil and natural gas). Through using an ecological perspective, this thesis views culture as a system that links a group of people or a community to their surroundings through their use of local mate-rials and energies, and the production and consumption of products from these. The proposed framework determines the main cultural outcomes for ecotourism development such as conservation of heritage and making the host people aware of their cultural values. In addition, it introduces related activities such as social events, conservation of heritage and producing and consuming local products as contributive activities for achieving the outcomes stated above. Furthermore it investigates and refines a number of indicators that can be used as tools for evaluation of the cultural footprint of the development of ecotourism. Within these, local gross domestic product (GDP) as a social-economic indicator arising from tourism activities is also considered. This thesis concludes by presenting a case study of ‘The Otago Central Rail Trail’ (OCRT) as an example of ecotourism. The OCRT was introduced in the New Zealand Tourism Strategy (NZTS) for 2015 as a successful model for community-based development of sustainable tourism. The investigation reviews the impacts of the OCRT on natural and cultural heritage by using the framework developed in the thesis and its related ecological and cultural indicators. Through using the proposed holistic framework and the model for sustainable development of ecotourism, this thesis finds that, influenced by the development of the OCRT, many cultural heritage items including 60 bridges, 3 tunnels, and 78 buildings (used as OCRT accommodation services) have been refurbished. The restoration of this heritage can be considered as a policy that contributes to awareness of OCRT residents of their cultural heritage and identity. Likewise, as a part of the educational process related to ecotourism, this also makes an opportunity for OCRT visitors to learn about the cultural values of their host people. As shown in Table 5.84, in 2011, the total EF of 11,788 OCRT visitors including the EFs of the four categories of transportation, food, accommodation and activities is 1,617 gha (0.138 gha /visitor). In comparison with the EF of 0.03 gha/ visitor for sustainable tourism (see Table 5.86), the overshoot portion of the EF of the OCRT is equivalent to (0.138 – 0.03) 0.108 gha/ visitor. Likewise the total overshoot EF of 11,788 OCRT visitors is (11,788 visitors × 0.108 gha) 1,273 gha (see Table 5.86). This overshoot EF of the OCRT indicates that although the project has already been considered as a successful sustainable tourism project, still needs to reduce its total EF by 1,273 gha to be environmentally sustainable. As determined in Chapter 5 (see Table 5.88), the overshoot portion of the OCRT is calculated as 127,310.4 GJ/year. Since the costs to generate 1 GJ of overshoot energy use through using renewable energy sources (in this case wind + solar) is NZ$ 19.8, consequently the total cost to generate the overshoot energy use of the OCRT through using the latter systems (wind + solar) is equivalent to (127,310.4 GJ × NZ$ 19.8) NZ$ 2,720,746. Table 5.90 shows that in 2011, the total GDP of the OCRT is NZ$ 6,245,289 This means the total cost that must be spent to generate the overshoot portion of the OCRT energy use in a sustainable way (NZ$ 2,720,746) is 43.6% of its total GDP (NZ$ 6,245,289). Consequently the sustainable portion of the GDP (GDPs) of the OCRT is (NZ$ 6,245,289 – NZ$ 2, 720,746) NZ$ 3,524,543. The results of this thesis demonstrate that using local products (e.g. home prepared foods) as a sustainable cultural behavior not only contributes to the ability of the host destinations located along the OCRT (such as Naseby and Cromwell, used as further case studies) to present their cultural products, but also contributes to reduce the environmental impacts and increase the economic outcomes of the OCRT. For example, producing 17% (13,346.4 kg) of the total of 65165.05 kg consumed food as home prepared food reduces by 5.5% the ecological footprint related to the food consumed by OCRT visitors. As determined in Chapters 5 and 6, in three case studies, producing home prepared food contributes in a sustainable way to the increasing of the economic outcomes by about NZ$3.5 / kg of food produced. This thesis indicates that in all three case studies, using refurbished buildings as accommodation services, which is considered as an activity that contributes to preserving the cultural identity of the host destinations also contributes to reducing of environmental impacts and increasing the economic outcomes related to OCRT. For example in OCRT using 12.9% of bed space as refurbished buildings reduces by14.5% (7.3gha) the total 50.5 gha ecological footprint of accommodation services compared with when all accommodation buildings are assumed as new buildings. Chapters 5 and 6 determine that in OCRT using 21,378 m2 of refurbished buildings as accommodation services (12.9% of total bed spaces) increases by 5% the sustainable portion of GDP related to accommodation services. In Naseby also using refurbished buildings as accommodation services has the same sustainable ecological, cultural and economic outcomes as for the OCRT as a whole. The framework indicates the use of open air areas as being a cultural-ecological indicator for evaluation of architecture as being sustainable. Through using the framework, it is determined that using open air areas including balconies and verandas as part of OCRT accommodation buildings exerts environmentally friendly influences on the host destination. For instance in OCRT using 387 square meters of veranda and balcony as part of the 80,356m2 accommodation buildings decreases by 1.5% the total ecological footprint (50.5gha) of buildings used as accommodation services in OCRT. The thesis results demonstrate that an architecture that will contribute to sustainable development through ecotourism has a cultural footprint area in which the architecture contributes to the host societies knowing and preserving their cultural identity, capitals and heritages. Simultaneously, it contributes to reducing the environmental impacts and increasing the economic outcomes of the host societies through ecotourism. This thesis determines that since all ecological, cultural and economic characteristics of sustainable architecture are linked together, a strategy to develop sustainable architecture is successful when it considers the linkage between all of these profiles and influences that they exert on each other.

Copyright Date

Date of award, rights license, degree discipline, degree grantor, degree level, degree name, victoria university of wellington item type, victoria university of wellington school, usage metrics.

• Other built environment and design not elsewhere classified

Amazing Architecture

• {{ post.title }}
• No result found
• Nautilus Eco-Resort, Palawan, Philippines by Vincent Calleba...

Nautilus Eco-Resort, Palawan, Philippines by Vincent Callebaut Architectures

Vincent Callebaut Architectures :"A Biophilic Learning Center Facing the Challenges of Sustainable Development"

"Zero-emission, zero-waste, zero-poverty"

      1. THE PHILIPPINES, A COUNTRY IN CRISIS FACING ENVIRONMENTAL DEGRADATION

The Philippine seas are severely threatened. Over-fishing, mass tourism, massive pollution of plastic waste and toxic products, as well as climate change present real threats to the health of the archipelago and, of course, the survival of its inhabitants.

Corals are dying, mangrove areas are being destroyed, sea-grass beds are suffocated by erosion, and vital populations of fish and other marine species are declining dangerously.

And yet the Philippines , with its 7,641 islands and islets, and its 266,000 square kilometers of coastal, turquoise waters and bays, is one of the true sanctuaries of marine biodiversity in the world, at the top of the famous "Coral Triangle".

These seas harbor at least five species of marine turtles, 28 marine mammals, 168 cartilaginous fish, 648 species of mollusks, 1,755 fish associated with reefs, and 820 species of algae.

 What would resilient tourism, capable of revitalizing the symbiosis between humans and the environment, look like? How should we humbly accompany the local population to implement urgent measures to establish marine protected areas, to protect them from severe floods, landslides, and typhoons, to restore waste management, and revitalize their biodiversity? In short, how can we reconcile the human adventure with the whole of life?  

     2. A PIONEERING ECO-RESORT FOR ECO-RESPONSIBLE, ETHICAL, AND UNITED TOURISTS.

Tourism has become the most important industry at the international level. Its potential to contribute to sustainable development is therefore substantial and can be reinvented. Since the early 1980s, ecotourism has been exploring ways to reconcile the socio-economic development of our societies with the protection of the environment.

One step further, the Nautilus Eco-Resort project is a pioneering, eco-tourism complex designed to unite the knowledge of the scientific community with the willingness of eco-tourists to optimize the revitalization and protection of a degraded ecosystem such as in the Philippines. Based on biomimicry, the architectures of this Eco-Resort are inspired by the shapes, structures, intelligence of materials and feedback loops that exist in living beings and endemic ecosystems.

Ethical and eco-friendly, the Eco-Resort promises to the host populations and travelers to be actively involved with engineers, scientists, and ecologists in the protection of the environment that it wants to discover.

This collaborative concept offers responsible ecotourism based on education and interpretation in a natural environment, where the resources and well-being of local populations are to be preserved and gradually restored in a voluntary approach to "reimburse ecological debt ".

By minimizing its ecological footprint, the experience is centered on the preservation of nature and local urban ecology while respecting endemic ecosystems and agro-ecosystems.

While upgrading the natural heritage and culture, this "zero-emission, zero-waste, zero-poverty" project will be 100% built from reused and/or recycled materials from the archipelago.

Self-sufficient in energy and food, it will satisfy its needs thanks to renewable energies and permaculture. A zero-waste policy means that it will systematically upgrade its own waste into resources.

Through a co-creation process, the Eco-Resort will contribute to the well-being of local communities by including them in its planning, development, and operation.

Through crowdfunding, the project will generate funds for the site's conservation with the association of preservation of fauna and flora. It will directly support local economic development in the form of jobs and income. Finally, it will encourage respect for the archipelago's different cultures.

It is above all a project made to exchange and transmit ecological gestures between the natives and the newcomers. It will ask volunteer ecotourists to clean the washed-up plastic waste from beaches, put in place "cradle to cradle" recycling schemes, learn permaculture, protect coral crops, restore reasonable fishing, which will allow nature to regenerate, or strengthen natural protection against flooding.

     3. A LOW BIOPHILIC DESIGN BASED ON UPCYCLING AND ECO-MATERIALS

"Upcycling" means using waste and consumer products to make new objects or materials. In this process of industrial ecology and economical zero-waste logic, everything is transformed: series production collapses from factories, plastic waste recovered at sea, glass bottles, non-edible agricultural waste, or old boats.

The notion of waste is thus banned in favor of the notion of a closed cycle and circular economy.

To ensure that the Nautilus Eco-Resort is built in perfect harmony with the climate, the spirit of the place, and its resources, bio-sourced materials derived from vegetable biomass will be adopted. For example: co-products from agriculture or wood and hemp wool for thermal insulation, microalgae and linseed oil to produce organic tiles, local tropical wood species from eco-responsible forests for pontoons and wood floors.

Plants, their raw materials, are at the heart of the architectural project, simply because man has an innate need to be constantly connected to Nature. The five principles of biophilic design applied to the Nautilus Eco-Resort project are as follows:

     - Strengthen the visual link with nature 

     - Focus on thermal variability and the renewal of air 

     - Enjoy dynamic and diffused light 

     - Multiply biomorphic shapes and patterns

     - Optimize the sensory link with bio-sourced materials

      4. A PLUS-ENERGY VILLAGE IN A DOUBLE GOLDEN SPIRAL ON STILTS

The objective clearly defined in the architectural design of this Eco-Resort is to select with care the best of Low-Tech and High-Tech rather than choose one over the other.

Coiled at the foot of the hills in a crescent of fine sand, the Eco-Resort houses natural pools and waterfalls of vertical gardens.

The two main architectural entities - the shell-shaped hotels and the rotating apartment towers - wind up along two golden spirals respecting the Fibonacci sequence, a symbol of balance and harmony.

The height of each building increases with the convolution of the two spiral pontoons from the central island hosting the nautical center and the scientific research laboratories under its large plant roof.

The whole is dense to better preserve the territory and agricultural land. It is accessed mainly by sailboats or electric boats with flat bottom to limit the ecological footprint of road infrastructures.

This sustainable village is built on telescopic piles that produce, on the one hand, ocean thermal energy by exploiting the difference in temperature between the surface and deep waters of the sea, and, on the other hand, tidal energy which exploits the marine currents in kinetic energy by capturing them using hydro-turbines. Frigories for cool air and kilowatts for lighting are thus produced by renewable sources.

The façades and roofs combine plant walls and photovoltaic cells to increase the thermal inertia of the building, optimize natural cooling, and generate electricity.

Producing more energy than it consumes, the Eco-Resort thus achieves a positive energy balance. The added value of energy is thus redistributed in real time via a mini smart-grid to the local community, making them self-sufficient.

Rainwater is used and the gray water is biologically recycled in waste stabilization ponds bordering the gardens, while organic waste is recycled into biomass.

Each architectural entity offers a specific experience:

     - Rotating triskeles : To the East, 12 small spiral towers of varying heights invite travelers to live in apartments turning on their axis and following the course of the sun. Distributed in three branches, the 54 modules of three dwelling units fully rotate 360 degrees in one day. The 162 apartments offer exceptional views towards the landscape. The facades are adjusted surfaces integrating ramps to access the panoramic terraces. The central mat incorporates the vertical circulation and is covered with lush vegetation walls. At the top, a triskel roof also integrates solar tubes producing hot water and photovoltaic pergolas.

     - Green shells : To the West, 12 small museum-hotels in the form of a sea snails seem to emerge out of the water. On the lower floors, there are exhibition spaces explaining in particular the environmental and socio-cultural challenges of the archipelago. A bio-cement structural moucharabieh is deployed in a three-dimensional spiral to cover the programmatic functions distributed in alcoves. This bio-cement incorporates microorganisms improving its performance by inducing the precipitation of calcium carbonates in recycled concrete, as does a real shell to form its exoskeleton. These 12-living nautiluses feature a self-stable shell covered with vegetable essences that are to be protected on the island. Their two openings form funnels and are closed by curtain walls, incorporating silicon cells in imposts and green balconies in cascades.

     - Petals and corals : Punctuating the two-large golden spiral quays, small pavilions with organic and quasi-maternal shapes invite ecotourists to rest and relax along the water. The "petals" are covered with a vegetated hyperbolic roof while the shape of the "corals" is inspired by an Enneper triple surface, spiraling to erase any boundary between the inside and the outside. From each of their 22 pavilions, scientists have access to the fish and coral reef ponds in order to reintegrate endangered wildlife and plant life.

    - Origami mountain : In the center of the lagoon, the scientific research center and the nautical recreation base are located under a CLT (Cross Laminated Timber) framework. This is covered with 360 degrees of undulating ramps unfolding like giant origami. On the roof, there are vegetable gardens and organic orchards supplying, in short circuit, the kitchens of the restaurants of the Eco-Resort. The architecture is furtive and resembles the surrounding hills. This artificial mountain has a sports pool and a seawater leisure pool surrounded by all the scientific laboratories in order to increase exchanges between researchers and ecotourists. It also hosts an elementary school, a children's home and sports halls for local youth.

In a world that is shrinking, the Nautilus Eco-Resort project wants to extend the field of action of a triple-zero eco-tourism: zero-emission, zero-waste, zero poverty. Discover the world without distorting it. Revitalize ecosystems instead of impoverishing and polluting them. Actively participate in the restoration of cultural heritage. Exchange without arrogance and enrich yourself with the local communities by sharing eco-responsible behaviors.

In the years to come, the relationship that we decide to maintain with nature will determine the sustainability of the Homo-Sapiens that we are. With this mindset, the Nautilus Eco-Resort is resolutely committed to the concept of environmental resilience, militating for a new social system that is concerned about human and planetary health!

By Naser Nader Ibrahim

• Visualization
• Architecture Visualization
• Future Architecture
• Futuristic Architecture
• Architectural Visualization
• Vincent Callebaut Architectures
• Vincent Callebaut
• Philippines
• 3D Visualization
• Nautilus Eco-Resort
• Eco-Tourism Complex
• Biomimetic Learning Center
• Zero-Emission
• Zero-Poverty

Leave a comment

Related articles

Residence Inspired by Circles - Maria Dudkina

Secret Jungle House by Amin Moazzen

ROMA: Moon Village with Recreational and Research Approach by Mahdi Eghbali Amlashi

A Step Closer To Your Dream Escape by Suzan Valois

Eco-Tourism Resort Architecture by Ar. Vincent Callebaut in the Philippines

The architecture of Eco-Tourism Resort: We are already known the Vincent Callebaut for their imaginative futuristic architecture and development for Paris 2050. And today, We are going through Vincent Callebaut Architecture’s new architectural design proposal for futuristic Eco-tourism resort in the Philippines. This marina project is inspired by the natural cost line forms. Making extensive use of cradle-to-cradle and other sustainable design principles , the resort features a series of spiraling apartment buildings and shell-shaped hotel buildings, themselves positioned on two Fibonacci spirals of land in a coastal lagoon. At the center of the ensemble, a mountain-like complex combines a school, recreational swimming pools, sports halls, the resort’s kitchens, and a suite of laboratories for environmental scientists.

Nautilus Eco-Resort – An Eco-Tourism Resort in the Philippines

This project named the “Nautilus Eco-Resort,” the project’s Eco-credentials were a focus of the design, with Vincent Callebaut Architectures pinpointing the environmental threats to the Philippine archipelago as inspiration for the design. The proposal includes a variety of renewable energy sources, including tidal and solar energy, with any surplus planned to be connected to the local grid and provided to the community.

Design Concept of an Eco-Tourism Resort:

The designs also heavily utilize sustainable materials, such as bio-concrete in the shell-shaped hotel facades, green walls, and cross-laminated timber in the central complex. The primary proposed transportation system for the resort is via boat, in an attempt to prevent the imposition of road infrastructure. The boats will have flat bottoms in order to prevent damaging the marine environment.

The goal of the resort is a symbiosis in which Eco-tourism would fund the work of the resort’s environmental scientists , while tourists and residents would be exposed to the scientific knowledge that is generated in the laboratories. This was the key intention behind the large cross-laminated-timber complex at the heart of the resort. By including both recreational and scientific spaces in the same building, it is hoped that more interactions could be encouraged between scientists and visitors.

Architect’s word for An Eco-Tourism Resort:

“In a world that is shrinking,” explained Vincent Callebaut Architectures in a press release, “the Nautilus Eco-Resort project wants to extend the field of action of a triple-zero eco-tourism: zero-emission, zero-waste, zero poverty. Discover the world without distorting it. Revitalize ecosystems instead of impoverishing and polluting them. Actively participate in the restoration of cultural heritage.”

Let’s get through the Eco-tourism resort architecture via images:

Coral pavilion of an eco-tourism resort:.

Green Shell in an Eco-Tourism Resort:

Inside view of the An Eco-Tourism Resort:

Rotating Triskele:

Scientific Learning Center of an Eco-Tourism Resort:

Some more Sunset Rendering from the architect’s point of view:

Know more about Futuristic Architecture,

• Futuristic Smart City Vision of Paris in 2050 by Ar. Vincent Callebaut.
• What Architects should think about Futuristic Workplace Trends.
• Is Solar Energy Segments an Investment for the Future?
• Affordable Housing-Why People can not buy own Home in Urban Areas?
• Commercial Architecture Trends with Indoor Outdoor Theory.

So, friends, what do you think about this Eco-Tourism Resort architecture? Hope, you are like it. Share your opinion and view via comments below. Also, stay tuned for time to time updates on architecture and technology from kadvacorp.

You may also like

51+ Best examples of colorful contemporary Brazilian...

Job Description for Business Managers: Requirements...

Fall In Love With Furnished Monthly Apartments For...

Easy Design Ideas for Master Bathroom Refurbished

Empowering Indigenous Stories: CapCut’s AI Video...

What is Organic Architecture Concepts Characteristics...

Leave a comment x.

You must be logged in to post a comment.

B.Arch Thesis: Eco-Tourist Hub of KHONOMA Village, By Shanjo A. Kithan, ITM University-Gwalior

• August 17, 2019

Follow ArchitectureLive! Channel on WhatsApp

Eco-tourism is one such activities which provide a solution by creating awareness and concern for the environment among both the tourist and local people of the region.

Also, the local skills could be developed and explored. The traditional and indigenous knowledge, along with scientific development can be explored.

Eco tourism Hub by itself, which talks about the tourism aspects of the context, creating a cultural Hub point which gives a platform for the villagers as well as the essence of the vernacular for the tourist.

The brief of the concept is to design an eco-tourism hub for the region of KHONOMA (Asia’s first green village) and the proximity near the region. Keeping in mind the local traditions, culture, art and Architecture .The design brief put an emphasis on the articulation of said traditions and their interpretation in modern times without losing the essence of the vernacularity.

KHONOMA is an Angami Naga village located about 20 km west from the state Capital, Kohima, Nagaland. The terrain of the village is hilly, ranging from gentle slopes to steep and rugged hillsides. The hills are covered with lush forestland, rich in various species of flora and fauna.

HORNBILL International Festival which is being celebrated for 10 days every year near this proximity which also creates a benchmark of this village.

This thesis talks about vernacular settlement which can achieve sustainability through planning, orientation, materials and architectural practices evolved from long time due to the socioeconomic, climatic and environmental factors of the Region

AIMS AND OBJECTIVES

•To create an opportunity to the local people as well as for the tourist to get the essence of the context, keeping alive the essence of the context. •To design a better vision for tomorrow by keeping the Essence of the local regional context.

•Reprioritize the usage of the site based on the needs of the site demands. •To make the space a centre of public interaction and activities that reflects the people of the region.

•To engage the people by creating a hub in the village where they can learn, educate and understand each other. •To make use of the site’s assets in terms of creating a landmark for the urban fabric of Kohima people as well.

DESIGN BRIEF + PROGRAMME

The village of Khonoma (Asia’s first green village). As being said that the context of the site is a tourist spot and as the tourism is increasing each year people from around the world are travelling to see this beautiful village and the plus point is that there are many Tourism near the village which clearly states that there is a need for Eco-Tourism Hub in this arena.

Eco tourism is one such activities which will create an activities for the region. The local People gets the opportunity to expose their skills their economy to the tourist, which can create an important part of the hub.

The site will be developed with different types of components: 1. Weekly markets for the villagers, craft shops, Exhibition shops: where the villagers can get exposed and increase their growth of the economy. The market will run only on the basis of once in a week where they can sell all their organic crops or vegetables.

2. Museum: To reflect their culture, tradition and religion also to promote their legacy.

3. Workshop activities: where the tourist can educate the villagers and spread awareness and learn from one another.

The villagers can showcase their skills and even export their talents.

4. Accommodation unit for the tourist people: A home stay feeling accommodation unit for the tourist.

5.Library: It will provide a better exposure for the young generation of the surrounding villages.

6. O.A.T: Cultural program and festival season of recreational space.

DESIGN CONCEPT /APPROACH

The main challenge of design was a Site, which is having area of 92268sq.m. and facing NORTH To EAST direction also having contour difference of 40 meter. Main approach is to analyse with the existing contour and play with the levels. The existing site having contour along the river stream and the bridge is the only approach to the site.

Considering all the challenges, the design was to make ‘imperfect’ spaces with organic dynamism like villages.

With the start of the design development every space and area of the site were divided from part to whole. where every part of the space were defined according the use of the function like the open weekly market ,food stall ,craft shop ,museum ,library, OAT, Workshop area and the Accommodation unit which were segregated from each other but it was connected according to the function and use of the space.

Every function of the spaces were connected as per the user’s inferences. The general restaurant was at the core of the main area, the open market area was segregated totally from those main activities like the library, museum, workshop area, OAT and the Museum.

Although they are two different things we sense their interrelationship and emotional bond. Something very organic yet dynamic to be expressed by the site. The environment to be very vernacular with use of the roof of MORUNG style keeping alive the essence of the Region.

The Morung (or the traditional community house) at Khonoma Village. Acting as an educational institution, A Morung is where youngsters would gain their first few lessons of cultural & traditional knowledge through folk music, dance, folk tales and oral traditions. During the time of war, they were also used as used as a guard-house.

Design used the symbolism of that area through Morung.

VERNACULAR OF THE REGION

1.Use of the materials 2.local Materials, local skills, local technique 3.Keeping alive the essence of the village. 4. Implementing new technique design in terms of architectural thoughts, spaces, functions and purpose of the area. 5. New modern technologies design without losing the essence of the region

shanjo A Kithan

• B.Arch Thesis

13 Responses

I want detail sheet on mail for reffrence

Please contact if you were able to get through.I want to refer the report for my thesis as well.

Did you got the details?

I want study report of your thesis for reference

I want to know how to contact you for more details

Hey I loved your Concept, if possible could you share your Area statement or a list of requirements? it would be of great help to my thesis tooo!!!

can i please get your thesis report for reference.

Can I get your thesis report for reference please.

can I also have your details for my thesis.thank you

Can I get your thesis report for reference please

Please share the details that would be great help for my thesis

can you please describe which all case studies you reffered for the same

I have some doubts regarding concept sheet can you please clear my doubts

Share your comments Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Beyond Design: Challenges and Opportunities in the Indian Architectural Profession

Vinod Gupta, of Opus Indigo Studio reflects on the evolution and challenges of the Indian architectural profession, emphasizing the need for architects to reclaim responsibilities beyond design to revitalize the industry’s trajectory.

Carving Architecture into Graphite | Pencil Lead Carving

Embarking on a journey where ordinary pencils become extraordinary artworks, Vipul Gupta explores the transformative art of Pencil Lead Carving, rediscovering beauty in detail.

An Architect Eats Samosa

ArchitectureLive! continues with Alimentative Architecture – The fifth in a series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.

The Stoic Wall Residence, Kerala, by LIJO.RENY.architects

Immersed within the captivating embrace of a hot and humid tropical climate, ‘The Stoic Wall Residence’ harmoniously combines indoor and outdoor living. Situated in Kadirur, Kerala, amidst its scorching heat, incessant monsoon rains, and lush vegetation, this home exemplifies the art of harmonizing with nature.

BEHIND the SCENES, Kerala, by LIJO.RENY.architects

The pavilion, named ‘BEHIND the SCENES’, for the celebrated ITFOK (International Theatre Festival of Kerala), was primarily designed to showcase the illustrious retrospective work by the famed scenic background artist ‘Artist Sujathan’.

Apdu Gaam nu Ghar, Vadodara, by Doro

Doro (a young architectural firm from India) renovate a 150-year-old house in Vemar, Vadodara, Gujarat, to transform it into a warm retreat for its owners, who are based overseas.

Integrated Production Facility for Organic India, Lucknow, by Studio Lotus

The Integrated Production Facility for Organic India in Lucknow is a LEED Platinum-rated development designed for production, processing, and administrative functions for the holistic wellness brand. The design scheme incorporates local influences to create a sustainable environment, featuring a sprawling campus.

Ideas in your inbox

Alive perspectives.

Stay inspired. Curious.

• Terms of Use
• Privacy Policy

© ArchitectureLive! 2024

WE ARE HIRING /

ArchitectureLive! is hiring for various roles, starting from senior editors, content writers, research associates, graphic designer and more..

• Hispanoamérica
• Work at ArchDaily
• Terms of Use
• Privacy Policy
• Cookie Policy

Ecotourism Center In France / Inca Architectes

• Curated by ArchDaily
• Architects: Inca Architectes
• Area Area of this architecture project Area:  5400 m²
• Year Completion year of this architecture project Year:  2011

Text description provided by the architects. SITE The site of the “Gorges de Franchard” is the most popular in the forest area of Fontainebleau (the biggest listed site in France). This very sensitive site of high quality within the new nature reserve « biosphère » is supported by the European program « PROGRESS »

ORDER The goal of the site, which is also the very first Eco tourism center within the île de France region, is the better management of the traffic flow in the area, as much as increasing the public awareness of its great fragility. Organized around a reception and exhibition area, the project includes a large hall designed for welcoming groups and conducting pedagogical activities.

ARCHITECTURAL PROJECT The project has been developed based on the analyses the agency made on the building’s atmosphere and its connection to the landscape. The building is thought of as a living room in the woods. Its wide and smooth shapes gently wandering along the preserved trees are inspired from the eroded stones seen on the site.

As a true dialogue between architecture and nature the project defines new limits. On one hand there are public areas and on the other the fragile forest with limited access.

The global environmental approach guiding the project ensures the control of its impact. The orientation choices and the protection from the main winds optimise the bioclimatic solutions and the eco-friendly energy sources used. The use of wood and its implementation gives us the opportunity for eco-construction solutions. Superficial foundations ensure the project’s reversibility. This comfortable and functional project offers a high degree of flexibility depending on the season and the attendance rate.

Project gallery

Project location

Address: fontainebleau, francia.

Materials and Tags

• Sustainability

世界上最受欢迎的建筑网站现已推出你的母语版本!

想浏览archdaily中国吗, you've started following your first account, did you know.

You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.

Check the latest Chandeliers

Check the latest Dining Table Accessories

Meet The Billionaire Betting Big On An Idyllic Island Retreat In The Philippines

Inside andrew tan's $720 million eco-tourism project in the country’s pristine beachside paradise., by jonathan burgos , forbes staff.

T he pitch is for tropical paradise: turquoise waters that lap a pristine shoreline fringed by lush, mist-streaked greenery. Philippine property giant Megaworld extolls on its Facebook page the virtues of Palawan island, the largest of a 1,780-island group by the same name that hangs to the left of the island nation in the Pacific. Here, Megaworld is pursuing its most complex project yet, a resort and residential estate that will be the island’s biggest real estate development to date.

On 462 hectares in San Vicente, a quiet, relatively untouched corner of Palawan’s northern coast, known for its rich biodiversity, virgin forests, steep karst cliffs and the longest white sand beach in the Philippines, Megaworld has a 15-year plan to raise a township from among the coconut trees—an ecofriendly addition, it says, to its hospitality, office, retail and residential portfolio that spans the country. When finished, Paragua Coastown will include two 10-story hotels, a residential condominium, villas, a hospital, a school, and wellness-related centers.

Megaworld, owned by billionaire Andrew Tan ’s spirits-to-property conglomerate Alliance Global Group, is pouring over 40 billion pesos ($720 million) into the venture—a tenth of what it plans to spend on building townships across the Philippines in the next five years. The company is banking on getting in on the ground floor as the island remakes itself into one of the country’s top tourist destinations. Some 1.5 million people, of which about 650,000 were overseas travelers, visited the island in 2023, nearly twice as many as the previous year, according to government figures, as tourists return to the Philippines post-Covid. (Boracay, the archipelago’s most popular resort island, had over 2 million visitors last year.) “We intend to showcase the best sustainable tourism and green living concepts by developing it into an ecotourism township,” Kevin Tan, Andrew’s eldest son and Megaworld’s executive vice president and chief strategy officer, says by email.

Andrew Tan (left), chairman of spirits-to-property conglomerate Alliance Global and his eldest son, Kevin Tan, CEO of Alliance Global.

San Vicente is seen as the next frontier in the island’s commercial boom, catching up to Palawan’s other island centers where tourism is flourishing, including its capital, Puerto Princesa City (home to the 8.2-kilometer underground river, a Unesco World Heritage site), and El Nido, a municipality comprised of small islands at Palawan’s northern tip that has in recent years become a playground for backpackers and jetsetters alike. Ayala Land, controlled by billionaire Jaime Zobel de Ayala and his family, has already made inroads as El Nido’s biggest developer, owning the 325-hectare Lio tourism estate along with four other resorts in the town’s smaller islands.

Megaworld broke ground last year on its 306-room Savoy Hotel Palawan and the nearby 189-unit Oceanfront Premier Residences tower, which are both slated to be completed in 2028. Construction of the 313-room Paragua Sands Hotel, which will open in 2029, has yet to start.

Most rooms will have water views, and the hiking trails of the Pagdanan mountain range, home to threatened wildlife such as the Philippine cockatoo, gray imperial pigeon and blue-naped parrot, are a short drive away.

Megaworld is building Paragua Coastown (left) along the coconut tree-lined (right) coastline of San Vicente, Palawan island in the Philippines.

“More than just sustainable tourism, our vision for Paragua Coastown is to be able to provide an opportunity to those who want to live the island life within a lush and sustainable landscape,” Tan says. To that end, he says Megaworld will incorporate solar and other renewable energy sources into its building design. There will be a waste-to-energy plant to supply electricity to the township as part of a new waste-management system and sewage-treatment center.

About 40% of Paragua Coastown’s land area has been earmarked for open (albeit landscaped) spaces, while a mangrove forest reserve in its boundaries will be left untouched. Megaworld also plans to plant thousands of trees on 100 hectares deforested by commercial logging, once a mainstay of the local economy, and upgrade the mostly dirt tracks used by San Vicente's 30,000 residents to a network of roads in and around the property.

Ana Margarita Lustre-Malijan, vice president at local hotelier and construction firmArlustre Group, believes such developments will be a huge boon for Palawan, bringing jobs and income to the island where about 15% of the population falls below the poverty line. It could also be the tipping point to improve accessibility to the area. There’s an airport in San Vicente, but Philippine Airlines and Cebu Pacific, two of the nation’s main airlines, don’t fly there. Getting to San Vicente means a 90-minute flight from Manila or Cebu to Puerto Princesa and a bumpy four-hour car ride across rugged terrain. Cebu Pacific CEO Michael Szucs tells Forbes Asia that the airline will consider flying to San Vicente once the Megaworld hotels are built.

Tourists visiting the Puerto Princesa underground river (top left), a Unesco World Heritage site, while a wild pig roams Coconut Beach in San Vicente. View of San Vicente's famed stretch of white-sand beach (right).

Besides attracting homegrown developers, Palawan has become a stopping point for international hospitality brands. “Palawan stands out as an attractive destination, blending cultural richness with natural landscapes,” Raj Menon, Marriott’s president for Asia Pacific excluding China, says by email. The U.S. group will add over 70 rooms this year to its recently opened 168-room Four Points by Sheraton on Sabang Beach, near Puerto Princesa’s underground river, to meet demand. American hotel chains Best Western and Wyndham Hotels’ Microtel have also established a presence on the island.

Megaworld has begun marketing the Paragua Coastown residential units, which will range from 32-square-meter studios to 106-square-meter two-bedroom suites, and expects them to generate some 2.3 billion pesos in sales. Doubling down on Palawan, Megaworld announced in December it would spend another 7 billion pesos to develop a mixed-use complex on a 6-hectare oceanfront site in Puerto Princesa. Named Baytown Palawan, the commercial, hotel and residential project is expected to take five years to complete. “Palawan has always been a hotspot for local and international tourists,” Tan says.

BUCKET LIST

International visitors to the Philippines have gradually returned but remain below pre-pandemic levels.

Palawan isn’t the Tans’ only tourism play. They are building resorts, retail space and convention facilities across the archipelago, including tourist hotspots Boracay, Cebu and Davao. Megaworld’s hospitality operations accounted for over 5% of the company’s 2023 revenue of 69.7 billion pesos, and the company expects the business will make up at least 10% of revenue by 2028.

Andrew Tan launched Megaworld in the late 1980s, pioneering the living concept of a city within a city in the Philippines. It now counts 24 townships (with an additional seven under construction) nationwide, part of his sprawling business empire under Alliance Global comprising a controlling interest in Emperador, owner of the Dalmore whisky and Fundador brandy brands, and a stake in the Philippine franchisee of McDonalds. Tan ranked No. 11 on the Philippines’ 50 Richest 2023 list with $2.4 billion net worth.

“Expanding our townships all over the Philippines will sustain our growth as a company and allow us to also diversify our offering in the real estate industry,” says son Kevin, who is also vice chairman and CEO of Alliance Global. “Through these developments, we can make a significant impact across economic sectors.”

MORE FROM FORBES

• Editorial Standards
• Reprints & Permissions