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In Extremo tour dates 2024

In Extremo is currently touring across 5 countries and has 33 upcoming concerts.

Their next tour date is at Movistar Arena in Santiago, after that they'll be at Kulturzelt in Kassel.

Currently touring across

• 🇨🇭 Switzerland

Upcoming concerts (33) See nearest concert

Kulturfabrik Cortendorf

Rock Imperium Festival

Dong Open Air

Waldbühne Rügen

Landskron Braumanufaktur Goerlitz

Festung Mark

Hohentwielfestival

Burg Creuzburg

Wacken Open Air

Unknown venue

Rock The Lakes

Amphitheater

Wasserschloss Klaffenbach

In Extremo - Weckt die Toten Festival

Festung Ehrenbreitstein

Z7 Konzertfabrik

Moya Concerts & Dancehall

Columbiahalle

Kia Metropol Arena

Raiffeisen Halle Im Gasometer

Lokschuppen Bielefeld

Swiss Life Hall

Alter Schlachthof

Haus Auensee

Porsche Arena

Zenith, die Kulturhalle

Schlachthof Wiesbaden

Messehalle Erfurt

Past concerts

Fredenbaumpark

View all past concerts

Support across tour dates

Recent tour reviews

Being an American, you don’t hear the term medieval metal thrown around in popular culture, or let alone most American culture. But in Berlin, Germany, there is a very live scene of medieval metal, a scene that In Extremo has taken upon themselves to be a part of. So I had to google what Medieval metal was, and turns out it was a blend of your average run of the mill metal music that uses medieval instruments like bagpipes, harp, hurd-gurdy and shawm. Now this was extremely interesting, so seeing their live set was super interesting. Taking the stage clad in a mix of modern clothing and medieval garb, they take the stage and pick up their instruments. The band is fairly large in number, but given the massive sound that they produced, it made complete sense. To my surprise, their songs are written in a variety of languages; the ones I could distinguish were English, Spanish, French, German and even Hebrew. The variation on the languages, the instrumentals, and the different types of people really made for an extremely unique show. The live set draws a huge crowd of people, and the variation of people were quite surprising as well.

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In extremo on december 1, 2023.

Fredenbaumpark, Dortmund, Germany

Note: Dr. Pymonte war krankheitsbedingt abwesend, Specki ebenfalls schwer erkältet und musste zeitweise zwischen und während einiger Songs inhalieren

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In Extremo - Moscow 2009

See also (all categories):

• Live Review: M’era Luna Festival - Hildesheim 2014 (Day 2) - 28/08/2014 10:25
• Live Review: In Extremo - Berlin 2013 - 20/11/2013 12:09
• CD Review: In Extremo - Kunstraub - 22/10/2013 12:07
• Live Review: M’era Luna Festival - Hildesheim 2012 (Day 2) - 21/08/2012 12:14
• Live Review: Blackfield Festival - Gelsenkirchen 2012 (Day 2) - 14/08/2012 15:53
• CD Review: In Extremo - Sterneneisen (Live aus Siegen) - 09/06/2012 13:28
• Live Review: In Extremo - Landshut 2011 - 15/09/2011 11:49
• Live Review: In Extremo - Magdeburg 2011 - 21/04/2011 09:08
• CD Review: In Extremo - Sterneneisen - 11/03/2011 09:59
• Interview: In Extremo - January 2011 - 15/02/2011 14:12
• Special: In Extremo - “Sterneneisen” Listening Session, an insight into the upcoming CD - 03/02/2011 15:18
• M'era Luna - Hildesheim 2010 (Day 2 - Main Stage) - 17/08/2010 17:27
• In Extremo (15 Years Anniversary Festival) - Erfurt 2010 - 02/08/2010 14:59
• In Extremo (acoustic) - Berlin 2010 - 22/03/2010 12:05
• In Extremo - Munich 2009 - 04/01/2010 18:44
• Taubertal-Festival - Rothenburg ob der Tauber 2009 (Day 2 and 3) - 26/08/2009 14:07
• InExtremo - Am goldenen Rhein (DVD) - 24/05/2009 17:58
• In Extremo - Cologne 2008 - 08/01/2009 14:02
• In Extremo - Utrecht 2008 - 25/12/2008 13:45
• In Extremo - Merseberg and Klaffenbach 2008 - 04/09/2008 12:37
• Summer Breeze - Dinkelsbühl 2007 (Day 2) - 09/10/2007 17:59
• Citadel Music Festival - Berlin 2007 - 18/09/2007 11:29
• Huntenpop - Varsselder 2005 - 13/09/2005 17:00
• In Extremo - Tilburg 2005 - 06/09/2005 23:49
• Bospop - Weert 2005 - 10/07/2005 20:02
• Amphi Festival - Gelsenkirchen 2005 (Day 2) - 08/07/2005 15:07

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Tommy Emmanuel shows off his 'fearless' fingerpicking guitar style

Will Loftus

Stephen Kallao

Tommy Emmanuel on World Cafe

Tommy Emmanuel Simone Cecchetti/Courtesy of the artist hide caption

• Tommy Emmanuel
• "El Vaquero"
• "Deep River Blues"
• "Doc's Guitar"
• "Blue Moon"

Tommy Emmanuel is routinely in the discussion for best acoustic guitar player on the planet. He's been honing his craft for decades, from his early career in his native Australia, playing in The Southern Star Band and Dragon, to his stellar solo work that's defined the later half of his career.

A blistering guitar picker that's well-versed in jazz, classical and pop styles, Emmanuel's idol Chet Atkins called his style "fearless." His last few records have seen an all-star cast of collaborators line up to play on his Accomplice series. The latest installment, Accomplice Two, features Billy Strings , Molly Tuttle , Sam Bush , Jerry Douglas and Michael McDonald . He also celebrated his first Grammy win this year.

In this mini-concert, Emmanuel performs a special set recorded at AMERICANAFEST in 2023. Enjoy.

This episode of World Cafe was produced and edited by Will Loftus. The web story was created by Miguel Perez. Our senior producer is Kimberly Junod. Our engineer is Chris Williams. Our programming and booking coordinator is Chelsea Johnson.

Episode Playlist

Nicki Minaj Pink Friday 2 tour: See the setlist for her career-spanning concert

Though she kicked off her Pink Friday 2 tour March 1 in Oakland, California, and still has more than a month to roam the country before heading to Europe, Nicki Minaj's enthusiasm and spunkiness are still raging.

On April 1, Minaj rolled into Capital One Arena in D.C. with a glossy spectacle and plenty of her trademark attitude for another sold-out date.

With a career-spanning 33-track setlist – albeit with some shortened versions of songs – Minaj, 41, delivered a fun, colorful set for fans who have waited more than eight years to see her on a U.S. tour again.

Her anticipated “Pink Friday 2” album arrived in December and was preceded by a snappy update of Aqua’s “Barbie Girl” with Ice Spice on “Barbie World” ( from the “Barbie” movie soundtrack , for those with fleeting memories).

That hit, as well as new songs including “FTCU,” “Big Difference” and “Ruby Red da Sleeze,” allowed Minaj to slip into her various personas , which she also did gleefully with megahits “Super Bass” and “Anaconda.”

Minaj’s devotees – aka “Barbz” – came ready to play, bopping in the arena clad in more pink than the city’s famed cherry blossom trees.

Here are the songs fans will hear during Minaj’s Pink Friday 2 World Tour.

More: Beyoncé's 'Cowboy Carter' is a little bit country and a whole lot more: Review

Nicki Minaj Pink Friday 2 World Tour setlist

• "I'm the Best"
• "Barbie Dangerous"
• "Hard White"
• "Win Again"
• "Big Difference"
• "Beep Beep"
• "Pink Birthday"
• "Feeling Myself"
• "High School"
• "Red Ruby Da Sleeze"
• "Barbie World"
• "Roman's Revenge"
• "Fallin 4 U"
• "Right Thru Me"
• "Here I Am"
• "Let Me Calm Down"
• "Nicki Hendrix"

26. "Super Freaky Girl"

27. "Anaconda"

28. "Pink Friday Girls"

29. "Super Bass"

30. "The Night Is Still Young"

31. "Moment 4 Life"

32. "Starships"

33. "Everybody"

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Bruce Springsteen and the E Street Band Get Loose in Los Angeles

• By Ethan Millman

Ethan Millman

Three hours into Bruce Springsteen ‘s epic return to Los Angeles on Thursday night with the E Street Band, he stared down the sold-out crowd at the Forum. “Do you have anything left?” he shouted, midway through “Twist and Shout,” the second-to-last song of his first L.A. show in eight years. Five decades in, the magic of a Springsteen show remains: He always seems to have a little bit left in the tank. 

The 2024 version of the tour has been looser than last year’s, which stuck fairly close to a single set list, and Thursday was no exception. Springsteen kicked off with a true rarity, a cover of John Lee Hooker’s “Boom Boom” (most frequently played on the Tunnel of Love Express Tour back in 1988), before jumping into “Lonesome Day” (rarely played last year, but now a staple in the set) and “Prove It All Night,” then his live -favorite arena-rock reworking of Jimmy Cliff’s “Trapped.”

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Six dates into their return to the road, Springsteen and the E Street Band sounded like they had never been interrupted. “Are you having fun yet? Because we haven’t had fun yet,” Springsteen told the crowd just over an hour into his show. “This is our pre-fun. We’re here to wake you up, shake you up, and take you to higher ground. The E Street Band is here to bring the joyous power of rock & roll into your life. But we need your help. We plan on sending you home with your feet hurting, your hands hurting, your ass in paralysis, and your sexual organs stimulated.”

Springsteen maintains a remarkably simple setup and show presentation compared to the other blockbuster live shows currently on the road. The visuals are limited to video screens and elegant stage lights, keeping the focus on the 17 musicians onstage with him. He doesn’t really need much else. 

Bruce Springsteen Jokes About His Postponed Tour on 'Curb Your Enthusiasm'

Don omar cements his legacy with 'back to reggaeton' show in l.a., bruce springsteen joins zach bryan onstage at triumphant brooklyn show, the far right is crawling with eclipse conspiracy theories, ted cruz is getting nervous he’s going to lose his senate seat, jojo siwa is all grown up on new single 'karma', willie nelson thinks queer message in orville peck video is 'more important than ever'.

From there, the show was all joy and catharsis, with an unbroken string of hits and live favorites, beginning with Nils Lofgren’s jaw-dropping guitar virtuosity on “Because the Night,” and inevitably reaching “Thunder Road” and “Born to Run.” As he has throughout the tour, Springsteen finished the show alone with his meditation on life after death, “I’ll See You in My Dreams.” 

Springsteen and the E Street Band will play another Forum show on Sunday.

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• Perfect Circle, A, Puscifer & Primus
• April 2, 2024 Setlist

A Perfect Circle, Puscifer & Primus Setlist at Wang Theatre, Boston, MA, USA

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Tour: Sessanta: A 60th Birthday Celebration for Maynard James Keenan Tour statistics Add setlist

• ACT 1: A Perfect Circle
• The Package ( A Perfect Circle  cover) Play Video
• Disillusioned ( A Perfect Circle  cover) Play Video
• The Contrarian ( A Perfect Circle  cover) (with Carina Round ) Play Video
• Those Damned Blue-Collar Tweekers ( Primus  cover) Play Video
• Too Many Puppies ( Primus  cover) Play Video
• Sgt. Baker ( Primus  cover) Play Video
• Here Come the Bastards ( Primus  cover) Play Video
• Man Overboard ( Puscifer  cover) Play Video
• Tiny Monsters ( Puscifer  cover) Play Video
• Indigo Children ( Puscifer  cover) ( Versatile Mix ) Play Video
• ACT 2: Primus
• Jerry Was a Race Car Driver ( Primus  cover) Play Video
• My Name Is Mud ( Primus  cover) Play Video
• Tommy the Cat ( Primus  cover) (with Maynard James Keenan ) Play Video
• Postulous ( Puscifer  cover) Play Video
• Momma Sed ( Puscifer  cover) ( Versatile Mix ) Play Video
• Bullet Train to Iowa ( Puscifer  cover) Play Video
• The Underwhelming ( Puscifer  cover) Play Video
• A Perfect Circle
• The Hollow ( A Perfect Circle  cover) (with Tim Alexander ) Play Video
• So Long, and Thanks for All the Fish ( A Perfect Circle  cover) Play Video
• Weak and Powerless ( A Perfect Circle  cover) Play Video
• The Outsider ( A Perfect Circle  cover) Play Video
• ACT 3: Puscifer
• The Humbling River ( Puscifer  cover) ( Versatile Mix ) Play Video
• The Remedy ( Puscifer  cover) Play Video
• Counting Bodies Like Sheep to the Rhythm of the War Drums ( A Perfect Circle  cover) Play Video
• Judith ( A Perfect Circle  cover) Play Video
• Southbound Pachyderm ( Primus  cover) ( With Josh Freese and Gunner Olsen ) Play Video
• The Sessanta E.P.P.P
• Kindred ( A Perfect Circle  cover) (with Carina Round ) ( Live debut ) Play Video
• No Angel ( Puscifer  cover) ( Live debut ) Play Video
• Pablo's Hippos ( Primus  cover) (with Maynard James Keenan ) ( Live debut ) Play Video
• Sessanta (all 3 bands)
• Grand Canyon ( Puscifer  cover) Play Video

Note: First A Perfect Circle concert since 2018

Edits and Comments

115 activities (last edit by Esty , 5 Apr 2024, 01:34 Etc/UTC )

Songs on Albums

• Bullet Train to Iowa by Puscifer
• Counting Bodies Like Sheep to the Rhythm of the War Drums by A Perfect Circle
• Disillusioned by A Perfect Circle
• Grand Canyon by Puscifer
• Here Come the Bastards by Primus
• Indigo Children by Puscifer
• Jerry Was a Race Car Driver by Primus
• Judith by A Perfect Circle
• Kindred by A Perfect Circle
• Man Overboard by Puscifer
• Momma Sed by Puscifer
• My Name Is Mud by Primus
• No Angel by Puscifer
• Pablo's Hippos by Primus
• Postulous by Puscifer
• Sgt. Baker by Primus
• So Long, and Thanks for All the Fish by A Perfect Circle
• Southbound Pachyderm by Primus
• The Contrarian by A Perfect Circle
• The Hollow by A Perfect Circle
• The Humbling River by Puscifer
• The Outsider by A Perfect Circle
• The Package by A Perfect Circle
• The Remedy by Puscifer
• The Underwhelming by Puscifer
• Those Damned Blue-Collar Tweekers by Primus
• Tiny Monsters by Puscifer
• Tommy the Cat by Primus
• Too Many Puppies by Primus
• Weak and Powerless by A Perfect Circle

A Perfect Circle, Puscifer & Primus

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A Perfect Circle, Puscifer & Primus Gig Timeline

• Apr 02 2024 Wang Theatre This Setlist Boston, MA, USA Start time: 8:05 PM 8:05 PM
• Apr 03 2024 Wang Theatre Boston, MA, USA Start time: 8:05 PM 8:05 PM
• Apr 05 2024 Premier Theater at Foxwoods Mashantucket, CT, USA Add time Add time

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Tour Update

Marquee memories: sleater-kinney.

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Mitski Is a Mesmerizing Study in Movement, and in Pedal-Steel Pop, at L.A.’s Shrine: Concert Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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Mitski is such a cerebral record-maker that I didn’t expect to be coming away from her 2024 shows making proclamations that I might have just seen the best- choreographed tour of the year. But it’s true: Her run of three shows at L.A.’s Shine Auditorium was the kind of unexpected, advanced study in movement that couldn’t possibly be guessed just from listening to her records — the latest and best of which was last year’s pretty heady “The Land Is Inhospitable and So Are We.”

Not that the 2024 Mitski setlist wouldn’t still come off just fine if she presented it in a more or less still-life format. This latest album is a departure for her, with music that feels big and orchestrated, a little bit classic-country, and fairly reverb-y, in what adds up to slightly spooky beauty. The songs sounds like they were meant to be played at the “Twin Peaks” roadhouse bar or, barring that un-reality, then in a really huge room, where the sound can bounce around a little and you aren’t quite close enough to crack the code of her stony facial expressions. The Shrine (where years ago she’d played the side Expo Hall, before moving up to the big room) felt like a perfect place to hear something this quietly magisterial and kind of old-school.

That rapt attention and appreciation didn’t seem at all mitigated, or Mitski-gated (sorry), by the fact that the singer sometimes delivered the oldies a little bit differently than they might have been expecting. That is to say, some of the material longtime fans are most familiar with was rearranged to skew closer to the style, or styles, of “The Land Is Inhospitable and So Are We.” Its genre could be described as modern Americana meets the ghost signal of a clear-channel megawatt station from the 1950s or ’60s. When I first heard the album, my thought was that I was so happy she’d ditched the producer of her previous album, 2022’s synth-poppy “Laurel Hell,” for some new genius; the punchline, of course, is that it’s the same guy, Patrick Hyland, as it almost always is. The two of them seem inhospitable to stasis, so they’ll probably switch it up again for the next album. But while they’re touring behind this one — with Hyland as her musical director as well as guitarist, naturally — they’re letting things cohere a little while they’re in this rich vein, while not being completely resisting having some of the “hits” be as indie or synthy as they always were in her catalog. It’s an ideal balance all around.

The extent to which they’re having fun with some of the rearrangements is best found in Mitski’s new take on “I Don’t Smoke,” a 10-year-old chestnut. If you look at some setlists, fans have marked it down as “I Don’t Smoke (Folk Version).” Well, no. It’s more like “I Don’t Smoke (Hoedown Version)” — far more determinedly country than anything on her latest album (or on Beyonce’s). That’s a big outlier in the set, but a welcome one. Plenty of other moments rely on Mitski’s Patsy Cline inclinations to a far subtler degree, although the amount of pedal steel, fiddle and accordion played by Nashville alt-country veteran Fats Kaplan, the ace in her seven-piece band, is telltale about where this round of influences lies. And if you don’t like the countrypolitan touches? No problem — there’s still a lot of familiarity in this set for any returning fans, whether she’s getting synthy early on with “Working for the Knife” or reviving her more twee rocker mode to close out the encore with “Washing Machine Heart.”

For the rest of the night, once the curtain is gone, the singer stays on a round, slightly elevated platform at center stage, where her props consist of… two wooden chairs, fitfully employed when she needs something to lie down and lean against, or stand atop like she might be jumping off a building. The second number, “Buffalo Replaced,” had her going through the robotic motions of alternately hiding her eyes with both hands and putting them out as a stop signal, something she maintained even during a long, awkward pause between songs and into the beginning of the next one, “Working for the Knife.” Suddenly, in that one, she dropped the peekaboo routine and was all about graceful fluidity, or the occasional go-go-girl pose. At one point she turned her back to the audience and let her hands, wrists and arms form wavelike motions, kind of like the dancer in Bob Fosse’s “The Aloof” number in “Sweet Charity.”

Much later, and much less gracefully, Mitski was down on all fours for, appropriately, the crowd favorite “I Bet on Losing Dogs.” When a performance can make you think of David Byrne, Roy Orbison, Bob Fosse and dog-man Iggy Pop, it’s obviously doing something right.

And this is before getting to the two most interestingly staged moments in the show. In her Billboard Hot 100 hit “My Love Mine All Mine” and on through to “Last Words of a Shooting Star,” shards of something — faux plexiglass? — descended on strings from the top of the stage on down to her platform, then dangled there for a while before finally ascending, one by one, as her touch commanded them to arise. Were we to take these jagged edges as a form of danger that could be commandeered only by the awesome psychic powers of Mitski… or beauty in brokenness… or just nifty-looking stagecraft in a show that otherwise dispenses with it? Probably 6,000 different 15-to-25-agers at the Shrine held 6,000 different interpretations, and the scattered old folks, too, but we were all taken with it.

But “Heaven” offered the sweetest moment, when Mitski danced, arm in arm (sort of), with the white beam of an overhead followspot. That’s probably not as easily choreographed as it looks. (What was it they said about Ginger Rogers, that she did everything Fred Astaire did, but backwards and in heels? Mitski did everything the spotlight did, but backwards and comprised of physical matter.)

And she did. No, it assuredly wasn’t a concert designed to wrap up her adoring hordes in warm fuzzies. But as a highly theatrical show that still maintained the sense of a real, cool, warm person animating all that minimalist artifice, it ironically felt kind of… could this be the right word?… hospitable.

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The Black Crowes kick off tour in Nashville with high-energy show featuring Lainey Wilson

T he Black Crowes' brothers Chris and Rich Robinson kicked off their 35-date "Happiness Bastards" tour Tuesday night at the Opry House in Nashville and introduced the crowd to arguably some of their best new music in decades backed up with a few classic favorites and choice cover tunes.

On a minimal set decorated only with strings of white lights, uniquely mismatched Marshall stacks, a life-size dressing room mirror, and a cardboard cutout of Chuck Berry peeking from behind the curtain, the Crowes gave the crowd exactly what they'd been hoping for: Chris' pipes of steel, Rich's excellent guitar chops and a surprise appearance by Lainey Wilson.

"If you're going to play the Grand Ole Opry, you have to bring out a bona fide country superstar," Chris told the crowd as he welcomed Wilson to the stage. She sang a duet from the new album called "Wilted Rose" and then stayed to back the brothers on a powerful version of "She Talks to Angels."

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Chris danced and strutted across the stage in typical Black Crowes fashion, while his brother Rich focused on his guitar playing.

Kicking off the night at the packed-out Opry House despite looming severe weather Tuesday night were "Bedside Manners" and "Rats and Clowns" from the new album, "Happiness Bastards," which is the group's first original release in 15 years.

Lauren Daigle, Tyler Childers, Mitski: 10 can't-miss concerts in Nashville this April

"It's been a little while since we've had some new songs to play for you all," Chris Robinson teased the crowd.

Next came an old favorite, "Twice as Hard" from the band's 1990 smash "Shake Your Money Maker." The band would layer in hits from that first album including "Remedy," "Jealous Again," and their biggest hit they didn't write, "Hard to Handle."

"A few years ago, we were lucky enough to have the idea to record this song," he said of "Hard to Handle." "Written by the greatest soul singer of all time from Macon, Georgia. His name was Otis Redding and we've been riding on this song for a long time."

The band seemed to enjoy performing the show as much as the crowd enjoyed watching it and dancing to it. The Crowes played for a solid 90 minutes before leaving the stage briefly to return for a one-song encore with Lou Reed's "White Light/White Heat."

It was a great way to kick off this new tour, which Chris Robinson said was not the first one they've started in Nashville.

"This marks two tours we've started in Nashville," he said. "Maybe this could become a thing."

The Setlist:

• "Bedside Manners"
• "Rats and Clowns"
• "Twice as Hard"
• "Morning Song"
• "Cross Your Fingers"
• "Waiting and Wanting"
• "Hard to Handle"
• "Kickin' My Heart Around"
• "Wilted Rose"
• "She Talks to Angels"
• "Flesh Wound"
• "I Ain't Hiding"
• "Thorn in My Pride"
• "Jealous Again"
• "White Light/White Heat"

This article originally appeared on Nashville Tennessean: The Black Crowes kick off tour in Nashville with high-energy show featuring Lainey Wilson