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JOURNEY OF EAST

Details | journey of east, description.

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The Sweet East

2023, Drama, 1h 44m

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Critics Consensus

A consistently amusing satire of modern American life, The Sweet East is so engaging from moment to moment that it's easy to forgive its somewhat hazy thesis. Read critic reviews

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The Sweet East is a picaresque journey through the cities and woods of the Eastern seaboard of the United States undertaken by Lillian, a high school senior from South Carolina who gets her first glimpse of the wider world on a class trip to Washington, D.C. Separated from her schoolmates, she embarks on a fractured fairy tale travelogue into America, where she is granted access to a variety of the strange factions that proliferate the present-day unreality of contemporary life.

Genre: Drama

Original Language: English

Director: Sean Price Williams

Producer: Craig Butta , Alex Coco , Alex Ross Perry

Writer: Nick Pinkerton

Release Date (Theaters): Dec 1, 2023  limited

Box Office (Gross USA): $321.8K

Runtime: 1h 44m

Distributor: Utopia

Production Co: Base 12 Productions, Marathon Films

Cast & Crew

Talia Ryder

Jacob Elordi

Jeremy O. Harris

Ayo Edebiri

Sean Price Williams

Nick Pinkerton

Screenwriter

Craig Butta

Alex Ross Perry

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Origin director Ava DuVernay on grief and the Pulitzer Prize-winning author who inspired her latest film

Grief is complicated, says filmmaker Ava DuVernay (Selma; 13th).

"It is its own life journey that most of us will experience, unfortunately, and you know it has sorrowful moments, but there is also beauty in that journey," she says. "It's all intertwined."

DuVernay was grieving when the inimitable Oprah Winfrey handed her a copy of Pulitzer Prize-winning author Isabel Wilkerson's non-fiction book Caste: The Origins of Our Discontents in 2020.

"We were in the midst of a pandemic, I had lost some loved ones and we were dealing, in the United States, with the murder of George Floyd , which was a huge cultural and social event here; a tragedy," DuVernay recalls.

"I didn't feel like reading a 500-page book about some pretty heavy subject matter. I just wasn't in the headspace."

Wilkerson's searing treatise – one of former President Barack Obama's favourite books – posits that the great racial rift in America is as much about brutal caste structures as it is about skin colour. Drawing parallels with India's treatment of the Dalits, or "untouchables", and Nazi persecution of Jewish people, it's a confronting read. After two months, DuVernay picked up and was exhilarated by Wilkerson's theories.

"The idea of caste as being the foundational principle of so many of the -isms that we experience in our lives — whether it's racism, sexism, homophobia, Islamophobia, anti-Semitism or whatever — the bedrock of all of that is this very fundamental idea that I'm better than you because of this set of random traits and that I will organise society and I will accrue power and status based on that," says DuVernay

"It sparked a fresh way of thinking about old things."

Blurred lines

Channelling her grief through the momentous text, DuVernay decided to turn it into a film. But she approached the material in a fresh way, crafting an intriguing biopic about Wilkerson's fraught experience writing the book.

"I wanted to tell a story about a woman who was a teacher, who is galvanised by this cultural phenomenon and wants to share these ideas with us," DuVernay says.

Three of Wilkerson's family members died while she tackled the thesis.

"This woman was going through great tragedy, the horrors of losing the three closest people to you in your life within a 16-month period. How do you endure?" DuVernay says.

And yet endure Wilkerson does. The remarkable Aunjanue Ellis-Taylor steps into the author's shoes, towering in the central role. She had worked with DuVernay before, starring as Sharonne, the mother of Yusef Salaam, in the director's powerful Netflix miniseries  When They See Us , about five real-life Black and Latino teenagers falsely accused of raping a white woman.

"I really needed someone who was going to be an intellectual partner with me, because the subject matter is pretty dense," DuVernay says.

"And if there's one word that I think of when I consider Aunjanue, it's rigour. She's a very disciplined actor, highly intelligent and she gives us a superb performance."

As we follow Wilkerson's inquisitive journey through America's south and on to Berlin and New Dehli, her interviews with experts give way to dramatic re-creations.

Origin opens with the goosebump-inducing last moments of teenager Trayvon Martin , played by Myles Frost. We meet Nazi Party member August Landmesser (Finn Wittrock), who fell in love with and married a Jewish woman, Irma Eckler (Victoria Pedretti), and is the subject of a famous photo in which he refuses to participate in the "Heil Hitler" salute.

Caste-confounding Dalit professor Suraj Yengde plays himself.

"As a documentarian, I like blurring those edges," DuVernay says of casting Yengde. "I was working in the narrative form, but there are some documentary-esque textures."

Love stories

Both DuVernay and Wilkerson make sense of the world through their work.

"This time that we're in, it feels intense to us. But there's never been a time when there has not been war, tragedy, sorrow and pain happening somewhere, whether we know about it," DuVernay says.

"Some of my colleagues, like [ Dune director] Denis Villeneuve, are futurists. They're thinking about what's ahead and the worlds to come.

"And I want to learn about what we've done and how we can learn from it."

While much of DuVernay's work tackles difficult material, she sees it from another angle.

"When They See Us is about five boys who Donald Trump relegated to being criminals, by taking out a full-page ad to demonise them when they were innocent. He wanted to throw away the key and at one point said that they should be killed," she says.

"But at the end of the four-part series, you see the triumph of overcoming that. That is a joyous journey, for me as a storyteller. It's not a weight. Selma is not a weight. 13th is not a weight.

"It's telling the stories of the triumph of the people who have survived."

To DuVernay, they are love stories.

"Colin in Black & White [about American footballer and activist Colin Kaepernick's high school years] is a love story between him and his parents. When They See Us is a love story about the families that stood by these boys through thick and thin and were ostracised. Selma is about the love of your tribe. Origin is a love story about human connection and addressing grief," she says.

Art connects us all, DuVernay argues: "Whether it's film, literature, music, painting, sculpture or the culinary arts, going home and whoever is there puts love into what they make for you, or what you make for yourself: That's art.

"Art is just the beauty of life, and these are the things that remind us of our humanity."

Origin is in cinemas from April 4.

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Ayo Edebiri’s new film The Sweet East is a must-see gem

Alice in Wonderland meets Woodstock in this fascinating journey into a surrealist Americana.

A surrealist and wildly entertaining journey into a Wonderland-like America, the movie is a living present-day fresco of extreme ideologies, extravagant personalities and absurd behaviours coexisting on the east coast of the United States.

It looks like a blend of a '70s rock documentary (such as Michael Wadleigh's Woodstock ) and a John Cassavetes film, and yet it feels terribly contemporary, as a young woman's directionless life becomes a portrait of a confused generation.

She's an Alice in Wonderland wandering through an insane ideological climate that she couldn't care less about.

Starring Talia Ryder ( Never Rarely Sometimes Always ), The Sweet East follows Lillian, a young woman from South Carolina who decides to dump her high-school mates during a trip to Washington DC and go in search of more exciting experiences.

After wandering around the city, she joins a community of starving artists who are planning to disrupt a neo-Nazi meeting. That leads her to become housemates with a sexually-repressed far-right intellectual ( Red Rocket 's Simon Rex) caught up in some dangerous business, becoming a movie star for a budding film director ( Ayo Edebiri ) and being held captive (for her own security) in a secret forest community of gay muslims.

Ryder is amazing as an apathetic teenager who is not at all looking for her way back home. She seems to feel more at ease as an alienated presence happy to disrupt highly excitable ideological communes in her search for... Meaning? Purpose? Nothing at all?

What is amazing about this directorial debut of Sean Price Williams (who has worked for more than two decades as a cinematographer on films like the Robert Pattinson-starring Good Time ) is how free and unconstrained it feels.

The movie is happy to get lost in recognisable spaces of our modern-day culture without a clear destination. This might prove testing for viewers expecting more action, but the best way to enjoy this movie is to just let the retro aesthetics and absurdist comedy of the film wash over you.

That immersion is possible thanks to some standout performances, including Ayo Edebiri's annoyingly excitable film-student-turned-director making a movie in New York.

In one scene, she asks Lillian to read some lines of the script in order to cast her in the movie, and her reactions are priceless, and improvised, too. Similar to some scenes of the excellent teenage comedy Bottoms , The Bear star knows how to inject comedy on the spot.

Jacob Elordi is barely there, unfortunately, so stealing his spotlight is Simon Rex, who unexpectedly becomes the strongest emotional component of the film.

He is so gullible, so clueless about Lilian's manipulation that, for a moment, we even feel sorry for him. Then we remember he's a white supremacist, and we're over it, but that duality is a testament to Rex's great performance and the richness of the movie.

Moving through opposites that define our current society (cynicism and civility, ideological anarchy and hope) and finding warmth in the unlikeliest of places, The Sweet East is an imaginative and magical road movie that shouldn't fly under the radar.

It won't lead the box office charts or make headlines this weekend, yet it might prove a transformative experience for those willing to give it a chance.

The Sweet East is now out in UK cinemas.

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Deputy Movies Editor, Digital Spy  Mireia (she/her) has been working as a movie and TV journalist for over seven years, mostly for the Spanish magazine Fotogramas . 

Her work has been published in other outlets such as Esquire and Elle in Spain, and WeLoveCinema in the UK. 

She is also a published author, having written the essay Biblioteca Studio Ghibli: Nicky, la aprendiz de bruja about Hayao Miyazaki's Kiki's Delivery Service .    During her years as a freelance journalist and film critic, Mireia has covered festivals around the world, and has interviewed high-profile talents such as Kristen Stewart, Ryan Gosling, Jake Gyllenhaal and many more. She's also taken part in juries such as the FIPRESCI jury at Venice Film Festival and the short film jury at Kingston International Film Festival in London.     Now based in the UK, Mireia joined Digital Spy in June 2023 as Deputy Movies Editor. 

.css-15yqwdi:before{top:0;width:100%;height:0.25rem;content:'';position:absolute;background-image:linear-gradient(to right,#51B3E0,#51B3E0 2.5rem,#E5ADAE 2.5rem,#E5ADAE 5rem,#E5E54F 5rem,#E5E54F 7.5rem,black 7.5rem,black);} Movie Reviews

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Missouri teen beaten in viral video is out of ICU but has limited speech and trouble walking on her own, attorney says

A Missouri teenager who was brutally beaten in what officials called a "deranged display of violence" by another teen is out of the intensive care unit but has limited speech and trouble walking on her own, an attorney for the family said.

Kaylee Gain has been hospitalized since a March 8 fight near Hazelwood East High School in St. Louis County that was captured in a viral social media video.

The footage shows several people brawling in the street near the intersection of Norgate and Claudine drives, the St. Louis County Police Department said in a  March 11 Facebook post .

One person is seen repeatedly punching Gain and slamming her head to the ground. A 15-year-old girl was arrested on assault charges a day after the fight, authorities said.

Police said the victim was found "suffering a severe head injury" and was taken to the hospital in critical condition.

In an update Friday, an attorney for Gain's family said she was out of the intensive care unit and "has been able to engage in limited verbal conversations."

"Kaylee also recently began speech therapy, and has gone on a few short walks with the assistance of hospital staff as she is still unable to ambulate on her own," attorney Bryan Kaemmerer said. "However, Kaylee does not have any recollection of the altercation that led to her hospitalization."

Kaemmerer addressed several social media rumors about the altercation, denying reports that Gain's mother drove her to the location of the fight.

He said Gain's mother was at work and was driven to the hospital by a co-worker after police informed her of what happened.

The attorney, however, did confirm reports that Gain had been involved in a fight on March 7 with a different teenager. Both girls were suspended after that incident, Kaemmerer said.

He said it was unclear whether the March 8 brawl was retaliation.

Gain's parents are calling for the 15-year-old to be tried as an adult. Kaemmerer said in his statement that "the family believes trying the accused as an adult is the most appropriate way to provide the justice that Kaylee deserves."

Authorities have not said if the 15-year-old would be tried as an adult.

St. Louis County Prosecuting Attorney Wesley Bell  said  in a post on X that the fight was "sickening" and the video was "difficult to watch."

Missouri Attorney General Andrew Bailey called the actions in the video a "deranged display of violence that must be punished to the full extent of the law."

On Thursday, police announced that eight more teenagers were referred to St. Louis County Family Court for consideration of assault charges, NBC affiliate KSDK of St. Louis reported. They include a 17-year-old girl, a 17-year-old boy, two 16-year-old girls, three 16-year-old boys, and one 14-year-old girl. None of the teens have been taken into custody.

Minyvonne Burke is a senior breaking news reporter for NBC News.

• Cast & crew

A LEGO Journey to the East

The LEGO brand has made it's mark on the world for generations. But can LEGO fulfill its mission in reaching children around the world with the fundamental message about learning through pla... Read all The LEGO brand has made it's mark on the world for generations. But can LEGO fulfill its mission in reaching children around the world with the fundamental message about learning through play? The company looks east as China represents a bright spot of opportunity and growth. The... Read all The LEGO brand has made it's mark on the world for generations. But can LEGO fulfill its mission in reaching children around the world with the fundamental message about learning through play? The company looks east as China represents a bright spot of opportunity and growth. The LEGO group continues its unprecedented growth into China. As with other parts of the worl... Read all

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Long Day’s Journey Into Night review – Brian Cox upstaged by Patricia Clarkson’s morphine fiend

Wyndham’s theatre, London Cox is thrilling as an overbearing patriarch but it’s Clarkson who steals the show in Eugene O’Neill’s agonising family drama

T he overbearing patriarch in Eugene O’Neill’s semi-autobiographical drama is an actor who feels his career has been straitjacketed by typecasting. Could James Tyrone be speaking for Brian Cox too who, playing him, steps almost seamlessly from Succession’s paterfamilias to O’Neill’s flawed father marshalling obstreperous sons?

Even if so, Cox is, as always, thrilling to watch. Yet it is Patricia Clarkson as his “morphine fiend” of a wife, just returned from a sanatorium and tumbling back into addiction, who steals the show. Clarkson exudes vulnerability along with hard denial. For all the play’s period elements – it is set in 1912 – hers feels like a true, infuriating, compassionate portrait of an addict.

Tyrone is less textured, a disgruntled and judgmental father switching between anger, flecks of wry humour and expressions of love.

First staged posthumously in 1956 against O’Neill’s instruction that it not be dramatised for 25 years after his death, it might represent the gruelling apex of classic American dysfunction family dramas. We spend a day with the Tyrones, during the course of which the source of Mary’s addiction is revealed along with the family’s points of weakness and pain, from James’s tight-fistedness and tendencies towards drink to wrangles between his sons, Edmund (Laurie Kynaston), a failed poet with TB, and Jamie (Daryl McCormack), a failed actor and drunk.

Under Jeremy Herrin’s direction, the production does not seek to leaven the drama’s gloomy spirit: it is a long, talking play with little action delicately well-crafted which slides between domestic exchange and accusation, anger, emotional conflagration.

Here it is stripped to its elemental state as the family convene in their summer home and vacillate between love and hate. Anger is tempered by anxious love that ironically seem to fuel each other’s various addictions: parents wring their hands over Edmund’s illness, sons wring theirs over their mother’s soul-sapping addiction.

In one pique, Mary tells James the family house has never felt like a home and Lizzie Clachan’s set, spare and wooden, reflects her sentiment. It has the look of early American puritanism, Shaker-like in its simple lines, severe colour palette and sleek lighting (by Jack Knowles). There are doorways within doorways, it seems, which gesture towards Mary’s sense of being spied upon too, although the set-up, as empty as it is, does not quite carry a sense of over-heated crowdedness.

“There’s gloom in the air you could cut with a knife,” says James. He is right. This drama is so stark it seems almost Beckettian, despite its naturalism. Yet there is forgiveness and tenderness between the hard edges, especially between Mary and James – Cox and Clarkson have a lovely, natural chemistry. And although characters spiral into resentment and rage, they always return to love and togetherness, which makes this distinct from the emotional desolations of a Tennessee Williams drama.

Louisa Harland, for her part, is so effective as the family maid, Cathleen, that you want more of her. She lifts every scene she is in, turning a functional role into a comic highlight.

Some scenes glitter with dark energy, and are truly tragic. Others feel protracted, the play’s old-fashioned exposition exposed, and the over-used device of characters narrating memories feeling like lengthy confessions. The circularity of family argument and accusation, are grinding too, and do not always absorb us, emotionally.

At three and a half hours it feels withering. Then again, that is the point here. This is the ultimate family reckoning, with some light, but mostly shade.

• Eugene O'Neill
• Patricia Clarkson

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Solar eclipse live: Watch live coverage from path of totality

[See eclipse livestream below]

On Monday, millions of people across the United States will get to see a rare total solar eclipse , the first in the U.S. since 2017 and the last until 2044.

And millions of others who aren't in the path of totality will see a partial solar eclipse .

Depending on where you are will determine how much of the sun will be covered by the moon. Those along the path of totality — which stretches from northern Mexico into Texas, the Midwest and East Coast and, finally, southeast Canada before moving out to sea, according to  NASA — will see a total solar eclipse, in which the moon appears the same size as the sun and blocks the entire disk, leading to a period of darkness lasting several minutes.

In Jacksonville and across Northeast Florida, about 62% of the sun will be obscured.

What time does the eclipse start in Jacksonville?

In Jacksonville, the eclipse will begin at 1:47 p.m. and continue to 4:19 p.m. At its peak at 3:05 p.m., about 64% of the sun will be obscured by the moon. ( Search eclipse times by ZIP code .)    

Solar eclipse live: Watch a livestream from the path of totality

So if you want to experience the total solar eclipse from the path of totality, you'll want to follow USA TODAY's livestream of the eclipse as it moves across the country.

When will the next solar eclipse happen?

A solar eclipse is a rare phenomenon: it won't happen again in the U.S. again for another 20 years, on Aug. 23, 2044. Even then, its path of totality will stretch across Montana, North Dakota and South Dakota — hundreds of miles northwest from Monday’s eclipse path.

So grab your eclipse glasses and head outside to view it. And view the live stream to see what really makes a solar eclipse so special.