chaos and carnage tour tickets

SUICIDE SILENCE And CARNIFEX Announce 'Chaos & Carnage' 2022 Tour

The "Chaos & Carnage" tour has announced its 2022 return to the road after two previous successful runs in 2018 and 2019. Co-headlined by deathcore titans SUICIDE SILENCE and CARNIFEX , the tour will also feature a selection of the very best bands from the world of modern metal with LORNA SHORE , UPON A BURNING BODY , ANGELMAKER and DISTANT rounding out the lineup. Tickets for the "Chaos & Carnage" tour go on general sale on Friday, January 14 at 10 a.m. local time from ChaosAndCarnage.com.

Produced by industry visionaries Jason Malhoyt of Imperial Artist Management and JJ Cassiere of renowned booking agency 33 And West , the "Chaos & Carnage" tour is now in its third year and has quickly garnered a reputation for showcasing the very best big-name, established acts from the world of extreme metal, whilst also supporting incredible new talent by providing them with a platform to play in front of larger crowds. Previous years have featured the likes of WHITECHAPEL , DYING FETUS , REVOCATION , SPITE , WINDS OF PLAGUE and more with most shows selling out ahead of time.

SUICIDE SILENCE guitarist and founding member Chris Garza states: "For over two decades, it's been deeply humbling to see how far the genre has come. 'Chaos & Carnage' brings to you the best of the best from multiple generations. It's an honor to still be here, sharing the stage with CARNIFEX and the rest of these amazing bands. Stoked."

CARNIFEX frontman Scott Lewis says: "Co-headlining 'Chaos & Carnage' with SUICIDE SILENCE and joined by some of the most brutal bands around is truly exciting for us. We have a massive set planned and can't wait to lose our minds with you at these shows."

The "Chaos & Carnage" tour will begin on Friday, May 6 in Sacramento, California, the home state of both SUICIDE SILENCE and CARNIFEX , and will hit a further 21 cities across the U.S. before ending back in California for two final shows in Anaheim, California, and finally an unforgettable night in Los Angeles, California on June 4.

Tickets will be available for general sale on Friday, January 14 from 10 a.m. local, with VIP package upgrades available on Friday, January 21 at 10 a.m. local over at ChaosAndCarnage.com .

"Chaos & Carnage" tour 2022 dates:

May 06 - Sacramento, CA @ Ace of Spades May 07 - Portland, OR @ Bossanova Ballroom May 08 - Seattle, WA @ El Corazon May 10 - Grand Junction, CO @ Mesa Theater May 11 - Denver, CO @ Oriental Theater May 13 - Minneapolis, MN @ Cabooze May 14 - Chicago, IL @ WC Social Club May 15 - Pontiac, MI @ Crofoot May 17 - Columbus, OH @ King of Clubs May 18 - Pittsburgh, PA @ Jergels May 19 - Boston, MA @ Big Night Live May 20 - New York, NY @ Gramercy Theatre May 21 - Reading, PA @ Reverb May 22 - Baltimore, MD @ Soundstage May 24 - Atlanta, GA @ The Masquerade May 25 - Tampa, FL @ Orpheum May 27 - Arlington, TX @ Choctaw Stadium* May 28 - Houston, TX @ Warehouse Live May 29 - San Antonio, TX @ Paper Tiger May 31 - Albuquerque, NM @ El Rey Theatre June 01 - Mesa, AZ @ Nile Theatre June 02 - Las Vegas, NV @ 24 Oxford June 03 - Anaheim, CA @ House of Blues June 04 - Los Angeles, CA @ Regent Theater

* So What festival

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• Cover Story

Dying Fetus and Suicide Silence announce Chaos & Carnage co-headline tour

Dying Fetus and Suicide Silence promise “pure devastation” on their upcoming U.S. Chaos & Carnage run.

Dying Fetus and Suicide Silence are teaming up for a U.S. co-headline tour this April.

Dubbed the Chaos & Carnage tour, it’ll feature support from Born Of Osiris , Aborted , Sanguisuabogg, Crown Magnetar and Slay Squad.

“Looking forward to playing our most brutal set yet on the Chaos & Carnage Tour 2023 this spring!” says Dying Fetus’ Jonathan Gallagher. “We hope to see you all out there in the pit as we co-headline the tour with our friends in Suicide Silence, along with all the other sick bands. See you soon.”

“We are stoked to be returning to this year’s Chaos & Carnage Tour,” adds Suicide Silence’s Eddie Hermida. “We had so much fun last year we decided to come back again with our brothers in Dying Fetus! This year’s line-up is pure devastation, so come party with us.”

Tickets go on sale this Friday, January 13 at 10am EST.

Catch the Chaos & Carnage tour at the following:

7 Fort Worth, TX – Ridglea Theater 8 San Antonio, TX – Vibes Event Center 9 Houston, TX – Warehouse Live 11 Atlanta, GA – The Masquerade 13 New York, NY – Palladium Times Square 14 Sayreville, NJ – Starland Ballroom 15 Hartford, CT – Webster Theater 16 Reading, PA – Reverb 18 Pittsburgh, PA – Mountain View Amp 19 Cleveland, OH – Agora Theatre 20 Covington, KY – Madison Theater 21 Pontiac, MI – The Crofoot 22 Joliet, IL – The Forge 24 Denver, CO – Ogden Theatre 26 Las Vegas, NV – House of Blues 27 Mesa, AZ – The Nile 28 Los Angeles, CA – The Belasco 29 Berkeley, CA – UC Theatre 30 Anaheim, CA – House of Blues

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Chaos & Carnage Tour 2023

Tour Dates And Line Up Announced

Including Rotating Co-Headliners

Dying Fetus And Suicide Silence

With Special Guests Born Of Osiris, Aborted,

Sanguisugabogg, Crown Magnetar + Slay Squad

General Tickets On Sale: Friday, January 13 at 10 AM Local Time

VIP Upgrades On Sale: Friday, January 20 at 10 AM Local Time ChaosAndCarnage.com

Monday, January 9, 2023 – The CHAOS & CARNAGE TOUR has announced their dates and lineup for their triumphant fourth run in 2023. Co-headlined by Dying Fetus and Suicide Silence who will rotate closing the show each night, the tour also has special guests Born of Osiris , Aborted , Sanguisugabogg , Crown Magnetar , and Slay Squad . Tickets for the CHAOS & CARNAGE TOUR 2023 go on general sale this Friday, January 13 at 10 AM local time with VIP package upgrades available for purchase next Friday, January 20 at 10 AM local time at ChaosAndCarnage.com .

Produced by industry veterans Jason Malhoyt of Imperial Artist Management and JJ Cassiere of renowned booking agency 33 and West, the CHAOS & CARNAGE TOUR is now in its fourth year and has quickly garnered a reputation for showcasing the very best big-name, acclaimed acts from the world of extreme metal, whilst also supporting incredible new guard artists by providing them with a platform to play in front of larger crowds. Previous years have featured the likes of Carnifex , Lorna Shore , Whitechapel , Revocation , AngelMaker , and more, with most shows selling out ahead of time.

Speaking on today’s announcement, Jonathan Gallagher of Dying Fetus shared:

“ Looking forward to playing our most brutal set yet on the Chaos & Carnage Tour 2023 this Spring! We hope to see you all out there in the pit as we co-headline the tour with our friends in Suicide Silence, along with all the other sick bands. See you soon! ”

Eddie Hermida of Suicide Silence commented: “ We are stoked to be returning to this year’s Chaos and Carnage Tour. We had so much fun last year we decided to come back again with our brothers in Dying Fetus! This year’s line up is pure devastation, so come party with us! ”

Find Chaos & Carnage Online HERE

Find Dying Fetus Online HERE

Find Suicide Silence Online HERE

Find Born Of Osiris Online HERE

Find Aborted Online HERE

Find Sanguisugabogg Online HERE

Find Crown Magnetar Online HERE Find Slay Squad Online HERE

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CATTLE DECAPITATION and CARNIFEX co-headline 2024 Chaos & Carnage tour

Extreme-metal fans, start stretching your necks. The 2024 edition of the Chaos & Carnage Tour has been announced and, no surprise, it's gonna be brutal.

Cattle Decapitation and Carnifex are set to co-headline the trek, with Rivers of Nihil, Humanity's Last Breath, The Zenith Passage, Vitriol and Face Yourself set to open the proceedings. Check out the full itinerary below.

Tickets will go on sale this Friday, January 12th at 10 a.m. local time. VIP upgrades will launch a week later on January 19th at 10 a.m. PDT/1 p.m. EDT.

Chaos & Carnage 2024 tour dates: 04/30 Mesa, AZ – Nile Theater 05/02 Austin, TX – Come And Take It Live 05/03 Dallas, TX – Granada Theater 05/04 San Antonio, TX – Vibes Event Center 05/06 Tampa, FL – The Orpheum 05/09 Nashville, TN – Brooklyn Bowl 05/10 Brooklyn, NY – The Brooklyn Monarch 05/11 Reading, PA – Reverb 05/12 Worcester, MA – The Palladium 05/14 Liverpool, NY – Sharkey's Event Center 05/15 New Kensington, PA – Preserving Underground 05/16 Columbus, OH – King Of Clubs 05/17 Pontiac, MI – The Crofoot 05/18 West Chicago, IL – WC Social Club 05/20 Englewood, CO – The Gothic Theatre 05/23 Berkeley, CA – The UC Theatre 05/24 Los Angeles, CA – The Belasco 05/25 Anaheim, CA – House of Blues 05/26 Las Vegas, NV – House of Blues

View this post on Instagram A post shared by CHAOS & CARNAGE (@chaosandcarnagetour)

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S.L.R. Magazine

Chaos & Carnage Tour 2022 Tour Dates and Line Up Announced

Co-Headlined By Suicide Silence and Carnifex

With Special Guests Lorna Shore, Upon A Burning Body, Angel Maker and Distant

The CHAOS & CARNAGE TOUR has announced their 2022 return to the road after two previous successful runs in 2018 and 2019. Co-Headlined by deathcore titans Suicide Silence and Carnifex , the tour will also feature a selection of the very best bands from the world of modern metal with Lorna Shore , Upon A Burning Body , Angel Maker and Distant rounding out the line-up. Tickets for the CHAOS & CARNAGE TOUR go on general sale on Friday, January 14th at 10am local time from  ChaosAndCarnage.com . Produced by industry visionaries Jason Malhoyt of Imperial Artist Management and JJ Cassiere of renowned booking agency 33 and West, the CHAOS & CARNAGE TOUR is now in its third year and has quickly garnered a reputation for showcasing the very best big-name, established acts from the world of extreme metal, whilst also supporting incredible new talent by providing them with a platform to play in front of larger crowds. Previous years have featured the likes of Whitechapel , Dying Fetus , Revocation , Spite , Winds of Plague , and more with most shows selling out ahead of time. SUICIDE SILENCE guitarist and founding member, Chris Garza shares: “For over 2 decades it’s been deeply humbling to see how far the genre has come. CHAOS & CARNAGE brings to you the best of the best from multiple generations. It’s an honor to still be here, sharing the stage with Carnifex and the rest of these amazing bands. STOKED. ” CARNIFEX frontman, Scott Lewis informs us: “Co headlining Chaos & Carnage with Suicide Silence and joined by some of the most brutal bands around is truly exciting for us. We have a massive set planned and can’t wait to lose our minds with you at these shows!” The CHAOS & CARNAGE TOUR will begin on Friday, May 6th in Sacramento, CA, the home state of both SUICIDE SILENCE and CARNIFEX and will hit a further 21 cities across the US before ending back in California for two final shows in Anaheim, CA, and finally an unforgettable night in Los Angeles, CA on June 4th.   Tickets will be available for general sale on Friday, January 14th from 10am local , with VIP Package Upgrades available on Friday, January 21st at 10AM local over at ChaosAndCarnage.com . 

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CHAOS & CARNAGE 2024 w/ CATTLE DECAPITATION, CARNIFEX + SPECIAL GUESTS

HOB FDR VIP Access - Chaos & Carnage 2024 - Not a Concert Ticket

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Humanity's Last Breath

The zenith passage, face yourself, latest setlist, cattle decapitation on march 31, 2024.

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Dying Fetus & Suicide Silence co-headline Chaos & Carnage Tour 2023

Official press release:

The Chaos & Carnage Tour has announced their dates and lineup for their triumphant fourth run in 2023. Co-headlined by Dying Fetus and Suicide Silence who will rotate closing the show each night, the tour also has special guests Born of Osiris , Aborted , Sanguisugabogg , Crown Magnetar , and Slay Squad . Tickets for the Chaos & Carnage Tour 2023 go on general sale this Friday, January 13 at 10 AM local time with VIP package upgrades available for purchase next Friday, January 20 at 10 AM local time at ChaosAndCarnage.com

Speaking on today's announcement, Jonathan Gallagher of Dying Fetus shared:

Looking forward to playing our most brutal set yet on the Chaos & Carnage Tour 2023 this Spring! We hope to see you all out there in the pit as we co-headline the tour with our friends in Suicide Silence, along with all the other sick bands. See you soon!

Eddie Hermida of Suicide Silence commented:

We are stoked to be returning to this year's Chaos and Carnage Tour. We had so much fun last year we decided to come back again with our brothers in Dying Fetus! This year's line up is pure devastation, so come party with us!

04/07 Fort Worth, TX @ Ridglea Theater 04/08 San Antonio, TX @ Vibes Event Center 04/09 Houston, TX @ Warehouse Live 04/11 Atlanta, GA @ The Masquerade 04/13 New York, NY @ Palladium Times Square 04/14 Sayerville, NJ @ Starland Ballroom 04/15 Hartford, CT @ Webster Theater 04/16 Reading, PA @ Reverb 04/18 Pittsburgh, PA @ Mountain View Amp 04/19 Cleveland, OH @ Agora Theatre 04/20 Covington, KY @ Madison Theater 04/21 Pontiac, MI @ The Crofoot 04/22 Joliet, IL @ The Forge 04/24 Denver, CO @ Ogden Theatre 04/26 Las Vegas, NV @ House of Blues 04/27 Mesa, AZ @ The Nile 04/28 Los Angeles, CA @ The Belasco 04/29 Berkeley, CA @ UC Theatre 04/30 Anaheim, CA @ House of Blues

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Cattle Decapitation and Carnifex Plan 2024 Tour Dates: Ticket Presale Code & On-Sale Info

by Francesco Marano

Published january 9, 2024.

Heavy metal bands Cattle Decapitation and Carnifex announced 2024 tour dates, Opening bands on tour include Rivers of Nihil, Humanity's Last Breath, The Zenith Passage, Vitriol, and Face Yourself.

Billed as Chaos & Carnage, the new co-headlining shows are planned in April and May at mid-sized venues across North America. In March, Cattle Decapitation begin a headlining tour through Europe. These are the only dates Carnifex have on their schedule so far.

When do Cattle Decapitation and Carnifex 2024 tour tickets go on sale and what is the presale code?

The general public on-sale begins as early as January 12. Presales for Knotfest are currently underway. Citi cardmember, Ticketmaster, Live Nation, LN Mobile App., and local venues / radio presales will follow. Keep in mind, each date is different and details are subject to change.

The Knotfest presale password is chaos . For the Citi presale, you can use the promo passcode 412800 , but you will need the card to complete your purchase. The Live Nation presale password is SPOTLIGHT , and the LN Mobile App code is COVERT . Click through the individual concert links for more information about the show you're interested in.

Cattle Decapitation All Tour Dates and Tickets

For the most up-to-date information, follow Cattle Decapitation and Carnifex on social media, in addition to checking your local venue's social media and email subscription service.

For more, check out the Cattle Decapitation and Carnifex Zumic artist pages.

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Chaos & Carnage Tour 2023 Announce Dates And Line Up Including Co-Headliners Dying Fetus And Suicide Silence

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Girls Aloud 2024 tour dates and how you can still get tickets

Following their appearance on Ant & Dec's Saturday Night Live, Girls Aloud will be heading on tour next month - and there's still some tickets available

• 18:30, 13 APR 2024

It’s not long until Girls Aloud kick off their eagerly-awaited tour and fans will get their first glimpse of what could be in store for The Girls Aloud Show this evening.

In what has been billed as a rare television appearance for the four-piece, the girl band are appearing on Ant & Dec’s Saturday Night Takeaway this evening (April 13) on ITV as part of the series finale ‘extravaganza’.

Their appearance comes just a little over a month before they kick off their 2024 tour - which will be their first tour in 11 years and their first since the untimely passing of member Sarah Harding, who passed away in 2021.

READ MORE: 'What a night!': Take That join Lulu on stage at Manchester gig for surprise performance

Announced earlier this year, Nadine, Cheryl, Nicola and Kimberley said The Girls Aloud Tour will be a ‘celebration’ to mark the 21st anniversary since they were voted the winners on ITV’s Popstars: The Rivals.

The huge 30-date arena tour will kick off at the 3Arena in Dublin, Ireland on May 17 and will then head around the UK and Ireland before finishing up in Liverpool on June 30. In-between then, they'll be heading to the likes of Belfast, Cardiff, Newcastle, Glasgow, Leeds and, of course, Manchester - where they will be performing three huge nights at the AO Arena ( tickets here ).

Fans will be hoping the band’s biggest hits, including Sound of the Underground, The Promise and Call The Shots, will be amongst the tour’s setlist, alongside some lesser-known favourites and album tracks.

And if you still haven’t got yourself a ticket, then we’ve got you covered. Here’s all the details you’ll need if you want to secure some last-minute seats to The Girls Aloud Show 2024.

Are tickets still available?

A number of the dates were added following such a huge demand for tickets therefore some of the original dates are now sold out. But, you’ll be pleased to know, there are still some tickets available for a few of the dates.

Ticketmaster reports 'low availability' for the May 23 , May 24 and May 25 dates at the AO Arena, but there are still some resale tickets available for each night. In most cases, you will have to pay above the original ticket price if you want to buy resale tickets.

General tickets are still available to buy from Ticketmaster for the May 25 show, as well as VIP and hospitality packages .

A limited number of tickets are also available for the other dates too via Ticketmaster.

How much are tickets?

There are a series of ticket prices and they will all vary based on location and whether you are buying resale tickets, or directly from ticket providers.

At the time of writing, the lowest priced tickets for the May 25 show at Manchester’s AO Arena were available for £58.75 each on Ticketmaster before booking fees. There are also tickets priced at £71.75, whilst official platinum tickets will cost a lot more - with prices starting from £172.60. Resale tickets are also available at various price points.

Hospitality tickets start from £167.75 each before fees. The lowest price package included VIP entry, access to The Mezz for pre-drinks, panoramic views of the stage, cloakroom access and a dedicated host service. Higher VIP packages are also available.

What are the Girls Aloud 2024 tour dates?

The full tour dates are as follows:

• Friday, May 17 - 3Arena Dublin
• Saturday, May 18 - 3Arena Dublin
• Monday, May 20 - SSE Arena Belfast
• Thursday, May 23 - Manchester AO Arena
• Friday, May 24 - Manchester AO Arena
• Saturday, May 25 - Manchester AO Arena
• Tuesday, May 26 - Sheffield Utilia Arena
• Monday, May 27 - Cardiff Utilita Arena
• Friday, May 31 - Newcastle Utilita Arena
• Saturday, June 1 - Newcastle Utilita Arena
• Sunday, June 2 - Newcastle Utilita Arena
• Tuesday, June 4 - Aberdeen P&J Live
• Saturday, June 8 - Glasgow OVO Hydro
• Sunday, June 9 - Glasgow OVO Hydro
• Monday, June 10 - Glasgow OVO Hydro
• Wednesday, June 12 - Nottingham Motorpoint Arena
• Thursday, June 13 - Nottingham Motorpoint Arena
• Saturday, June 15 - Leeds First Direct Arena
• Sunday, June 16 - Leeds First Direct Arena
• Tuesday, June 18 - Birmingham Resorts World Arena
• Wednesday, June 19 - Birmingham Resorts World Arena
• Thursday, June 20 - Birmingham Resorts World Arena
• Saturday, June 22 - London The O2
• Sunday, June 23 - London The O2
• Tuesday, June 25 - London The O2
• Wednesday, June 26 - London The O2
• Saturday, June 29 - Liverpool M&S Bank Arena
• Sunday, June 30 - Liverpool M&S Bank Arena
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‘Civil War’ Review: We Have Met the Enemy and It Is Us. Again.

In Alex Garland’s tough new movie, a group of journalists led by Kirsten Dunst, as a photographer, travels a United States at war with itself.

• Share full article

‘Civil War’ | Anatomy of a Scene

The writer and director alex garland narrates a sequence from his film..

“My name is Alex Garland and I’m the writer director of ‘Civil War’. So this particular clip is roughly around the halfway point of the movie and it’s these four journalists and they’re trying to get, in a very circuitous route, from New York to DC, and encountering various obstacles on the way. And this is one of those obstacles. What they find themselves stuck in is a battle between two snipers. And they are close to one of the snipers and the other sniper is somewhere unseen, but presumably in a large house that sits over a field and a hill. It’s a surrealist exchange and it’s surrounded by some very surrealist imagery, which is they’re, in broad daylight in broad sunshine, there’s no indication that we’re anywhere near winter in the filming. In fact, you can kind of tell it’s summer. But they’re surrounded by Christmas decorations. And in some ways, the Christmas decorations speak of a country, which is in disrepair, however silly it sounds. If you haven’t put away your Christmas decorations, clearly something isn’t going right.” “What’s going on?” “Someone in that house, they’re stuck. We’re stuck.” “And there’s a bit of imagery. It felt like it hit the right note. But the interesting thing about that imagery was that it was not production designed. We didn’t create it. We actually literally found it. We were driving along and we saw all of these Christmas decorations, basically exactly as they are in the film. They were about 100 yards away, just piled up by the side of the road. And it turned out, it was a guy who’d put on a winter wonderland festival. People had not dug his winter wonderland festival, and he’d gone bankrupt. And he had decided just to leave everything just strewn around on a farmer’s field, who was then absolutely furious. So in a way, there’s a loose parallel, which is the same implication that exists within the film exists within real life.” “You don’t understand a word I say. Yo. What’s over there in that house?” “Someone shooting.” “It’s to do with the fact that when things get extreme, the reasons why things got extreme no longer become relevant and the knife edge of the problem is all that really remains relevant. So it doesn’t actually matter, as it were, in this context, what side they’re fighting for or what the other person’s fighting for. It’s just reduced to a survival.”

By Manohla Dargis

A blunt, gut-twisting work of speculative fiction, “Civil War” opens with the United States at war with itself — literally, not just rhetorically. In Washington, D.C., the president is holed up in the White House; in a spookily depopulated New York, desperate people wait for water rations. It’s the near-future, and rooftop snipers, suicide bombers and wild-eyed randos are in the fight while an opposition faction with a two-star flag called the Western Forces, comprising Texas and California — as I said, this is speculative fiction — is leading the charge against what remains of the federal government. If you’re feeling triggered, you aren’t alone.

It’s mourning again in America, and it’s mesmerizingly, horribly gripping. Filled with bullets, consuming fires and terrific actors like Kirsten Dunst running for cover, the movie is a what-if nightmare stoked by memories of Jan. 6. As in what if the visions of some rioters had been realized, what if the nation was again broken by Civil War, what if the democratic experiment called America had come undone? If that sounds harrowing, you’re right. It’s one thing when a movie taps into childish fears with monsters under the bed; you’re eager to see what happens because you know how it will end (until the sequel). Adult fears are another matter.

In “Civil War,” the British filmmaker Alex Garland explores the unbearable if not the unthinkable, something he likes to do. A pop cultural savant, he made a splashy zeitgeist-ready debut with his 1996 best seller “The Beach,” a novel about a paradise that proves deadly, an evergreen metaphor for life and the basis for a silly film . That things in the world are not what they seem, and are often far worse, is a theme that Garland has continued pursuing in other dark fantasies, first as a screenwriter (“ 28 Days Later ”), and then as a writer-director (“ Ex Machina ”). His résumé is populated with zombies, clones and aliens, though reliably it is his outwardly ordinary characters you need to keep a closer watch on.

By the time “Civil War” opens, the fight has been raging for an undisclosed period yet long enough to have hollowed out cities and people’s faces alike. It’s unclear as to why the war started or who fired the first shot. Garland does scatter some hints; in one ugly scene, a militia type played by a jolting, scarily effective Jesse Plemons asks captives “what kind of American” they are. Yet whatever divisions preceded the conflict are left to your imagination, at least partly because Garland assumes you’ve been paying attention to recent events. Instead, he presents an outwardly and largely post-ideological landscape in which debates over policies, politics and American exceptionalism have been rendered moot by war.

‘Civil War’ Is Designed to Disturb You

One thing that remains familiar amid these ruins is the movie’s old-fashioned faith in journalism. Dunst, who’s sensational, plays Lee, a war photographer who works for Reuters alongside her friend, a reporter, Joel (the charismatic Wagner Moura). They’re in New York when you meet them, milling through a crowd anxiously waiting for water rations next to a protected tanker. It’s a fraught scene; the restless crowd is edging into mob panic, and Lee, camera in hand, is on high alert. As Garland’s own camera and Joel skitter about, Lee carves a path through the chaos, as if she knows exactly where she needs to be — and then a bomb goes off. By the time it does, an aspiring photojournalist, Jessie (Cailee Spaeny), is also in the mix.

The streamlined, insistently intimate story takes shape once Lee, Joel, Jessie and a veteran reporter, Sammy (Stephen McKinley Henderson), pile into a van and head to Washington. Joel and Lee are hoping to interview the president (Nick Offerman), and Sammy and Jessie are riding along largely so that Garland can make the trip more interesting. Sammy serves as a stabilizing force (Henderson fills the van with humanizing warmth), while Jessie plays the eager upstart Lee takes under her resentful wing. It’s a tidily balanced sampling that the actors, with Garland’s banter and via some cozy downtime, turn into flesh-and-blood personalities, people whose vulnerability feeds the escalating tension with each mile.

As the miles and hours pass, Garland adds diversions and hurdles, including a pair of playful colleagues, Tony and Bohai (Nelson Lee and Evan Lai), and some spooky dudes guarding a gas station. Garland shrewdly exploits the tense emptiness of the land, turning strangers into potential threats and pretty country roads into ominously ambiguous byways. Smartly, he also recurrently focuses on Lee’s face, a heartbreakingly hard mask that Dunst lets slip brilliantly. As the journey continues, Garland further sketches in the bigger picture — the dollar is near-worthless, the F.B.I. is gone — but for the most part, he focuses on his travelers and the engulfing violence, the smoke and the tracer fire that they often don’t notice until they do.

Despite some much-needed lulls (for you, for the narrative rhythm), “Civil War” is unremittingly brutal or at least it feels that way. Many contemporary thrillers are far more overtly gruesome than this one, partly because violence is one way unimaginative directors can put a distinctive spin on otherwise interchangeable material: Cue the artful fountains of arterial spray. Part of what makes the carnage here feel incessant and palpably realistic is that Garland, whose visual approach is generally unfussy, doesn’t embellish the violence, turning it into an ornament of his virtuosity. Instead, the violence is direct, at times shockingly casual and unsettling, so much so that its unpleasantness almost comes as a surprise.

If the violence feels more intense than in a typical genre shoot ’em up, it’s also because, I think, with “Civil War,” Garland has made the movie that’s long been workshopped in American political discourse and in mass culture, and which entered wider circulation on Jan. 6. The raw power of Garland’s vision unquestionably owes much to the vivid scenes that beamed across the world that day when rioters, some wearing T-shirts emblazoned with “ MAGA civil war ,” swarmed the Capitol. Even so, watching this movie, I also flashed on other times in which Americans have relitigated the Civil War directly and not, on the screen and in the streets.

Movies have played a role in that relitigation for more than a century, at times grotesquely. Two of the most famous films in history — D.W. Griffith’s 1915 racist epic “The Birth of a Nation” (which became a Ku Klux Klan recruitment tool) and the romantic 1939 melodrama “Gone With the Wind” — are monuments to white supremacy and the myth of the Southern Lost Cause. Both were critical and popular hits. In the decades since, filmmakers have returned to the Civil War era to tell other stories in films like “Glory,” “Lincoln” and “Django Unchained” that in addressing the American past inevitably engage with its present.

There are no lofty or reassuring speeches in “Civil War,” and the movie doesn’t speak to the better angels of our nature the way so many films try to. Hollywood’s longstanding, deeply American imperative for happy endings maintains an iron grip on movies, even in ostensibly independent productions. There’s no such possibility for that in “Civil War.” The very premise of Garland’s movie means that — no matter what happens when or if Lee and the rest reach Washington — a happy ending is impossible, which makes this very tough going. Rarely have I seen a movie that made me so acutely uncomfortable or watched an actor’s face that, like Dunst’s, expressed a nation’s soul-sickness so vividly that it felt like an X-ray.

Civil War Rated R for war violence and mass death. Running time: 1 hour 49 minutes. In theaters.

Manohla Dargis is the chief film critic for The Times. More about Manohla Dargis

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• Category: ID@Xbox

Trail Out: Explosive Racing Hits Xbox Today

• Explosive racing action for all ages.
• A variety of destruction modes across 40 different locations.
• Customize and upgrade over 70 vehicles, from sports cars to unconventional options like tanks and school buses.

If you’re a fan of classic games like Carmeggedon , Wreck Fest , and Burnout Paradise , Trail Out’ s own brand of destruction is right up your alley. From the creative minds at Good Boys indie game studio and publisher Crytivo comes the explosive racing game Trail Out , now available on Xbox! The game explores different avenues of destruction through a variety of modes, including Roulette and even Zombies. You will build your own vehicles, upgrade them, and destroy them and your opponents in a story campaign and free races. Imagine this : you’re behind the wheel of your customized ride, tearing through destructible environments, battling it out with fierce competitors, and leaving a trail of chaos in your wake. That’s the thrill of Trail Out .

Key Features

• Total Car Carnage: Experience heart-pounding action as you unleash chaos with destructible cars that shatter, crumble, and explode in spectacular fashion.
• Dynamic Environments: Immerse yourself in the thrill of the chase amidst destructible environments where every building, barrier, and obstacle is fair game for demolition.
• Endless Excitement: Choose from a variety of adrenaline-fueled game modes, including intense battle royales, high-speed pursuits, and unpredictable challenges.
• Customization Galore: Take control of over fifty unique vehicles, from sleek sports cars to monstrous tanks, and personalize them to suit your racing style.
• Uncharted Territories: Blaze a trail across fifty diverse tracks, from bustling city streets to rugged off-road terrain, each offering its own set of challenges and surprises.

What truly sets Trail Out apart from the rest? It’s the player-centric experience that puts the power in your hands. Over 70 vehicles await your command, each one a canvas for your creativity and racing prowess. Whether you prefer the sleek lines of a sports car or the sheer mayhem of a tank, the choice is yours to make.

But here’s the kicker: These cars aren’t just vehicles; they’re your ticket to total domination on the track. Start with a humble rust bucket and transform it into a racing marvel in the junkyard. Earn cash from races and loyal fans who’ll dish out special requests, propelling you towards unlocking new rides and upgrading existing ones. From custom paint jobs to personalized license plates, every detail is yours to mold to perfection.

And let’s not forget the wild cards in your arsenal. Ever dreamed of tearing through the competition in a school bus or unleashing chaos in a Mario-inspired Kart? Trail Out makes it possible, with unconventional options that add a whole new level of thrill to the race.

You got the car of your dreams? Well, let’s now embark on a thrilling journey through fifty diverse locales in Trail Out , each presenting its own set of challenges and surprises. From sprawling metropolises to adrenaline-pumping arenas, every location offers a unique racing experience that will keep you on the edge of your seat.

But be prepared for the unexpected as you navigate through these dynamic environments. Whether you’re sliding across icy terrain, dodging aggressive vehicles, or facing off against wild animals, each map is filled with obstacles to test your skills.

But fear not, because destruction is your ally. Cut through buildings, smash barriers, and leave a trail of chaos in your wake to create shortcuts and gain the upper hand. And with every structure you demolish, you’ll not only gain valuable time but also attract more fans to cheer you on to victory.

Tired of Storylines and Campaigns?

Choose from eight action-packed modes, each offering its own unique challenges and opportunities for destruction. Dive into Derby Classic Mode for a pure battle royal experience, or test your skills in Derby Domination by earning points through skillful collisions with opponents.

Experience the fast-paced chaos of Cross Mode, where intersecting tracks invite intense clashes, or take control of a police cruiser in Hunter Mode and deploy spikes, traps, and missiles against your rivals. And don’t forget about the excitement of Roulette Mode, where fate decides your next challenge and vehicle.

But the fun doesn’t stop there. Explore thrilling stunt modes like Bowling and Darts, race against the clock in No Time Mode, or face off against bosses in Catch Me Up Mode. And for those craving even more destruction, Trail Out offers the ultimate challenge with Dead Out Mode, where you’ll battle hordes of zombies and equip your cars with guns for epic boss battles.

Now, let’s not forget about the fans. In Trail Out , you’ll earn fans as you race, and these loyal supporters will not only send you cash but also make special requests to fuel your racing dreams. It’s like having your own cheering squad on the sidelines!

Grab your controller, buckle up, and get ready for the ride of a lifetime. Trail Out is now available on Xbox, and trust me, you won’t regret it.

Jordan Spieth, Justin Thomas and Brian Harman among notables to miss the cut at the Masters

Jordan Spieth during the second round of the 2024 Masters Tournament. (Jamie Squire/Getty Images)

Sungjae Im, Justin Rose, Sam Burns will also fall short of cut line

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Jordan Spieth made a 9 at the par-5 15th in the first round of the Masters Tournament, matching his highest single-hole score on TOUR, en route to missing the cut by three strokes.

That was a harbinger of the cut-line chaos that unfolded Friday afternoon at Augusta National Golf Club, where 60 players made the cut at 6-over 148 or better. Players to miss the cut also included the last two major champions in Wyndham Clark and Brian Harman, in addition to world No. 6 Viktor Hovland, who carded a second-round 81 that included a three-putt double bogey from 5 feet at the par-5 15th hole, finishing two outside the number at 8-over 152.

Perhaps no player missed the cut in more heartbreaking fashion than Justin Thomas, who played his last four holes in 7-over for a back-nine 42 to miss by one stroke. Thomas was even-par for the tournament as he arrived at the 15th hole late Friday afternoon, but his second shot found the pond fronting the green, leading to a double bogey, which he followed with a double bogey at No. 16, bogey at No. 17 and double bogey at No. 18. It marked Thomas’ fourth missed cut in his last five major starts, and it bore similarities to his missed cut at last year’s Masters, where he also carded a back-nine 42 to miss the cut by one.

As the winds gusted Friday afternoon and the course continually dried out, scoring conditions grew more perilous by the minute. For most of Friday, the cut line looked most likely to settle at 4-over 146. Then it moved to 5-over 147 for a brief period. Then in the waning daylight, the cut line settled at 6-over 148, with 60 players advancing to the weekend at the Masters.

After 36 holes, the Masters field is cut to the low 50 players and ties. The second round finished with 11 players tied for 50th place at 6-over; if any one of these players finished a stroke better, the cut line would have been 5-over. Perilous margins on a perilous afternoon amidst Augusta’s famed loblolly pines, where three players share the lead at 6-under 138: Scottie Scheffler, Max Homa and Bryson DeChambeau.

Playing in Friday’s final grouping, reigning U.S. Open champion Wyndham Clark had a chance to become the 61st player onward to the weekend. Following a three-putt bogey at the 17th hole, Clark bombed a drive on the finishing hole and feathered a short iron to 13 feet for a birdie try that would move him to 6-over. The putt tracked toward the hole but turned right at the end, and he joined reigning U.S. Amateur champion Nick Dunlap (who had a 38-foot birdie try at the finishing hole) as 2023 USGA winners to miss the cut by one. Dunlap’s afternoon was not without heroics, as the 20-year-old made birdie at Nos. 13, 15 and 17 (against a bogey at No. 16) in a valiant effort that fell one stroke shy.

Joining Clark, Dunlap and Thomas at 7-over 149, missing the cut by one stroke, were Justin Rose, Sungjae Im, Austin Eckroat, Zach Johnson, Mike Weir, Lee Hodges and Sergio Garcia.

Players to advance on the number (6-over 148) included Rickie Fowler, Hideki Matsuyama, Grayson Murray, Si Woo Kim, Adam Scott, Tom Kim, Jake Knapp, Luke List, Thorbjørn Olesen, Russell Henley and two-time Masters winner Jose Maria Olazábal – who at age 58 overcame a triple bogey at the par-3 12th with a birdie at No. 16 to advance to the weekend.

Vijay Singh (4-over 146) was the oldest player to make the cut, carding rounds of 75-73 at age 61. The 2000 Masters champion will play the weekend at Augusta National for the first time since 2018.

Ohio State’s Neal Shipley, last year’s U.S. Amateur runner-up, advanced to the weekend at 3-over 145, securing low amateur honors as the only of five amateurs in the field to make the cut.

In all, 29 players failed to advance to the weekend, perhaps no name more startling than Spieth, whose game through the years has shown to fit Augusta National’s demands more than most. His missed cut stems back to the mercurial 15th in the opening round. After safely laying up to 77 yards, Spieth missed the green long on his third shot, and his pitch rolled across the green and into the pond fronting the green. He walked all the way back around the pond to play his sixth shot, which again sailed over the green. He chipped on and two-putted for 9, tying the highest single-hole score of his PGA TOUR career.

Spieth began the 15th hole at 2-over, and he ended it at 6-over. He followed the quadruple bogey with a par-bogey-par finish to his first round, and he wouldn’t get any closer to the cut line for the rest of his Masters.

Spieth, 30, reported wrist trouble that affected his preparation for last week’s Valero Texas Open, but he finished T10 anyway in his final start before the Masters. The week began with buzz regarding whether the Texan could recapture the form that produced a win and a pair of runners-up in his first three Masters appearances (2014-16). It wasn’t meant to be, but the good news for Spieth lies within his lifetime Masters invitation per his 2015 victory. He’ll have more chances to earn a second green jacket.

Burns stood well outside the cut line after an opening-round 80, but he moved to the precipice with birdies on Nos. 10, 12 and 13 in the second round, which put him at 5-over total. The LSU alum made bogey on No. 15, double bogey on No. 16 and bogey on No. 17 to finish outside the line for the second time in three Masters starts.

Harman will lament a back-nine 47 in his opening round, which included a triple bogey on No. 16 followed by back-to-back double bogeys on Nos. 17 and 18. That followed an encouraging 2-under 34 to start the Masters, and he carded a respectable even-par 72 in a blustery second round. Although he was 2-under across three of his four nines, that 47 means the reigning Open champion will sit this weekend out.

Couples has struggled with back issues throughout his career, and this week was no different as he gingerly navigated hilly Augusta National with rounds of 80-76. Couples vowed afterward, though, that he would return again to compete at the Masters. “I'm planning on being healthy and making the cut and telling Fred (Ridley, chairman of Augusta National) I'm coming back the next year, too,” he said afterward.

As a Masters champion, after all, Couples has earned the right to do so.

Kevin Prise is an associate editor for the PGA TOUR. He is on a lifelong quest to break 80 on a course that exceeds 6,000 yards and to see the Buffalo Bills win a Super Bowl. Follow Kevin Prise on Twitter .