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Soundgarden  

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Soundgarden are an American rock band formed in 1984 in Seattle, Washington. They are considered pioneers of the grunge genre.

Soundgarden are a legendary name and a piece of US music history. The band who currently consist of Chris Cornell, Kim Thayil, Matt Cameron and Ben Shepherd merge elements of punk rock with metal to create their unique, experimental grunge style. Taking influences from 70's juggernauts including Black Sabbath and Led Zepplin, the band began life under the name The Shemps before touring, writing and honing their sound as a group, preparing to release their debut album.

It took a while for Soungarden to achieve a commercial success to match the cult notoriety they were receiving on the live scene. They picked up an early Grammy nomination for Ultramega OK which led to a signing with to A & M Records. Their third album 'Badtomyfinger' gained them moderate UK and US chart success and another Grammy nomination for Best Metal Performance. However it was the following album 'Superunknown' that is considered to be their most iconic and successful record to date, it topped the charts in the US and included huge singles including 'Spoonman', 'Black Hole Sun' and 'My Wave'. Incorporating experimental sounds from across the globe, the band's dark lyrical matter and evolving style captivated fans and new listeners alike to this incredible body of work. They won their first two Grammy awards with this album and toured the world extensively.

The follow-up to this album, 'Down On The Upside' was considered to be both a commercial and critical success yet it failed to emanate the stature of its predecessor. Due to inter-band disputes, they decided to split with Cameron stating that Soundgarden was "eaten up by the business." The band all continued to work on solo projects and material before an inevitable reunion occurred in 2010 and the band released their first single since 1997 which led to a new original album entitled 'King Animal' coming out in 2012. Soundgarden has left a huge legacy as band, they are cited as inspiration to some of the most iconic performers including Kurt Cobain and Nirvana, Alice in Chains and Pearl Jam. They are hailed for their technical abilities, development of sound and pioneering qualities to the genre of grunge.

Live reviews

So. friggin'. good. This is the standard to which rock concerts should be held. Soundgarden illustrated why Chris Cornell still has one of the most powerful, rafter shaking rock voices. Nine Inch Nails however, brought it. Reznor is a man of few words, but searing intensity. He and his band did not disappoint. So much electronica/alt based fury. The lightning storm that began and continued throughout both shows simply added to the intensity. So damn good.

First and foremost, however, the set lists: SOUNDGARDEN SET LIST: Searching With My Good Eye Closed Spoonman Flower Outshined Black Hole Sun Jesus Christ Pose The Day I Tried to Live My Wave Superunknown Blow Up The Outside World Fell on Black Days A Thousand Days Before Rusty Cage Beyond the Wheel

NIN SET LIST: Copy of A Sanctified Came Back Haunted 1,000,000 March of the Pigs Piggy Terrible Lie Closer Gave Up Me, I’m Not Find My Way The Great Destroyer Eraser Wish Only The Hand That Feeds Head Like a Hole ENCORE: Hurt Soundgarden opened around 7:40 and played a sonic assault for 70 minutes afterward. Starting off with 'Searching With My Good Eye Closed' Cornell set the stage for a 90s trip down memory lane. As they were celebrating the 20th anniversary of "Superunknown", their biggest selling and arguably best album, they played no new material. This really wasn't an issue as the older material is more a bit more challenging in some respects, requiring more of a vocal work out. Cornell now 47, proved he could easily attain the vocal heights he once effortlessly hit in his 20s. Spoonman was delivered with Kim Thayil's pounding guitar vibrato and stiff drum work from Matt Cameron. "Outshined" was preceded by Cornell decrying the current state of music, namely the profligation of disco style music and the world's state of affairs not really improving in the past 20 years, before dropping into a grindy rendition of "Outshined". It is with "Jesus Christ Pose" and "Beyond the Wheel" that Cornell showered (pun intended) the audience with a true vocal onslaught that easily have come from 1994. "Black Hole Sun", "My Wave" and "Superunknown" got fans moving and singing in unison. "Rusty Cage" covered beautifully by the great American country music outlaw/icon Johnny Cash, was perfectly executed, with throbbing bass, warbling alt guitar styling and of course, stellar vocal work. I would have liked to hear a little more as really these guys have been around over two decades now, but I am also aware that it is a double bill and allowances for both acts had to be made. Overall, however, Soundgarden came, saw and conquered.

NIN was something else. Trent Reznor came out pounding on key boards with the fury of armaggdeon. He might has well have had his fists taped up as he came in fighting. As I stated earlier, the man is intense and it literally permeates through his music. Now happily married and seemingly in a good place overall, his energy while performing is undiminished. Starting off with a furious version of "Copy of A" from the fantastic, revitalizing "Hesitation Marks", Reznor showed he came to play. Smoothly flowing into "Sanctified" the fury began building. By "March of Pigs" with thunder and lightning and heavy rains bashing the place, Reznor lit the place up with "March of Pigs". Throughout his 90 minutes plus performance no one was sitting. There was just too much energy flowing.

Playing like a manic, sinister maestro, Reznor's NIN shook the stadium with a collecton of classics and newer material. "Closer" was magnificent. It is a little bit hilarious that a song with such an angry emotional core, featuring such lyrics as "I want to @#$% you like an animal" is so intensenly "singable". It is dark, scathing, intimate and amazingly danceable with its pounding beat, and "oop, oop" backing vocal tracks. "Only", "Hand That Feeds", from arguably his best album 2006's "With Teeth, rounded off the concert with powerful, energetic vibration. Everyone was up as if they had no choice in the matter. Trent Reznor is a man of few words as I have already stated, so when he thanked everyone for sticking around throughout the stormy show and for their support of over the years, it was a genuine moment.

"Head Like a Hole", one of NIN's trademark finishers closed out the show and kept everyone moving. The encore and final capper unquestionably was...and had to be... the classic "Hurt", from "Downward Spiral", covered so evocatively and beautifully by Johnny Cash. Reznor just brought so much with this final song, pouring out all he had left. That a thunder clap should strike at the end of his performance was just perfect. Simply outstanding and well, well worth one's time.

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I've followed this band since owning a cassette back in 1989 of Ultramega. I was hooked.

Listening to their music and seeing them live takes you back to when you cranked all their albums when we were younger. The band always played well together and when they play the new with the old classics like "Big Dumb Sex", "Like Suicide", "Spoon Man" especially it's a great feeling. Thayil still cranks it out. You can just close your eyes and feel the guitar.

I am disappointed however by their "Citi" show that was limited to only some fans. But for their music I guess I can forgive.

Looking forward to seeing them this summer.

Soundgarden put on a great show. Chris Cornell still has the pipes and is not afraid to show off. Kim Thayil put on a great guitar clinic as well.

In support of Nine Inch Nails, Soundgarden only did about an hour-long set. Pretty much their greatest hits from Badmotorfinger and Superunknown, they also played a couple early tracks and one or two from their most recent album. For an outdoor venue, Shoreline does a great job with the mixing levels. All the instruments and vocals came through very clearly, so everyone sounded amazing for such a large venue - even in the cheap lawn seats.

I have waited years to see Chris Cornell live, he's the final act on my "bucket list" and the Tuscaloosa Amphitheatre should have been the perfect setting...

The sound crew was obviously not experienced with the acoustics of the venue and tried to blow everyone out of the arena.

There were multiple instances of uncontrolled feedback and being unable to hear Chris over the music half of the time was a profound disappointment...

Of everything they played "spoonman" was the best song of the show...

Soundgarden put on great show 7 days ago with at Rockfest it was my first time seeing them, and first time seeing Chris Cornell and I didn't know that was going to be my last time seeing him live. RIP Chris Cornell.

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Remembering Soundgarden’s Final Concert

As Chris Cornell tore through a typically supercharged set with Soundgarden on the night of May 17, 2017, at Detroit's Fox Theatre, there was nothing to indicate he'd be dead just a few hours later.

Even guitarist Kim Thayil subsequently told  Billboard , "I thought the show was good. I remember Chris had just gotten [into town] and was a little tired and his voice was a little rough, but by about the fourth or fifth song, it kicked in and then it was just, like, super amazing – beautiful, clear and strong and, I thought, particularly emotive."

Cornell was discovered unconscious at 12:15AM in the bathroom of his hotel room at the nearby MGM Grand with an elastic exercise band wrapped around his neck. He was pronounced dead at 1:30AM, and Detroit police ruled it a suicide — which the Wayne County Medical Examiner confirmed a little more than two weeks later. His family, however, rejected the finding, claiming instead that Ativan, an antianxiety medication he used in his acknowledged battle against depression, played a role in his death.

Five years later the discussion of whys and wherefores has faded. The crucial thing is that Cornell, who was 52, is no longer with us, though the music he left behind has been celebrated via reissues of Soundgarden and Temple of the Dog albums and the career-spanning 2018 compilation Chris Cornell , which was curated by Cornell's widow, Vicky, Soundgarden A&R rep Jeff Fura and Thayil, who wrote an essay for the package.

There was, not surprisingly, some sentiment in the immediate wake of the tragedy that the final show was filled with hints that all was not right with Cornell. But that was simply not the case. The two-hour, 19-song show offered a wide-ranging romp through Soundgarden's six-album catalog, with plenty of expected favorites such as "Spoonman," "Burden in My Hand," "My Wave," "Fell on Black Days" and "Black Hole Sun." The group also dug into deep cuts such as "Hunted Down" from its first Sub Pop EP, 1987's Screaming Life , along with Superunknown tracks such as "Kickstand" and "Mailman." Interestingly, there was nothing from 1988's Ultramega OK , Soundgarden's full-length debut, which the group had reissued in an expanded, remastered edition just two months earlier.

Watch Soundgarden Perform 'Black Hole Sun' at the Last Concert in 2017

Cornell was energetic and ebullient through the show, in a strong voice and hitting all the expected screams as well as fist-bumping with fans in the pit in front of the stage. He also went out of his way to flatter the city, tweeting , "Finally back in Detroit Rock City" with a picture of the Fox Theatre earlier in the day and telling fans at the show, "It's great to be back here, honestly."

"I have bragged about Detroit crowds for 30 years," he added. "There's no other crowd that never, ever disappoints" He saved more praise for the encore, declaring, "Detroit, you guys show up! I feel sorry for the next place we play, but we don't have the same expectations."

There was a point mid-show where Cornell was absent from the stage for a protracted period, but Thayil said it was simply because the guitar Cornell was playing next had fallen out of tune and a backup wasn't immediately ready. "He had to leave the stage, I remember," said Thayil, "and he just kind of poked his head around and said, 'Go ahead, start without me,' at which point [bassist] Ben [Shepherd] started jamming on something and we all fell in until Chris was ready." More telling about Cornell's state of mind to many came when he slipped a bit of Led Zeppelin 's "In My Time of Dying" into the closing "Slaves & Bulldozers." But Thayil noted "that wasn't the first time he did that. He liked the song – he liked Led Zeppelin. ... And he often added bits or snippets of other songs like that into the shows, especially at the end. So, maybe ... but I don't think so."

Thayil largely agreed that hindsight was inevitable but not exactly 20/20. "You know, people speculate, and they get causality in reverse," said the guitarist, who, along with drummer Matt Cameron, visited with friends backstage after the show. The rest of the group didn't hear about Cornell's death until they were on a bus headed to the next show, at the Rock on the Range festival in Columbus, Ohio, which turned into a multi-band wake for the singer. "I guess it's natural to try to fill in the blanks to explain a particular mystery. I think it's natural to say that 'We know something terrible happened, so we know there must have been some sort of problem. Let's see what that problem might be. Well, come to think of it, the show was kind of messy.'"

Cornell was cremated on May 23 – the same day Norah Jones played a solo piano version of "Black Hole Sun" at the Fox Theatre in Cornell's honor — and his ashes were buried three days later at the Hollywood Forever Cemetery, next to Johnny Ramone's memorial statue. Thayil, Cameron, Shepherd and former Soundgarden members Hiro Yamamoto and Scott Sundquist spoke, as did Pearl Jam 's Jeff Ament and Mike McCready , who played with Cornell in Temple of the Dog, and his Audioslave bandmate Tom Morello . Linkin Park 's Chester Bennington and Brad Delson performed Leonard Cohen 's "Hallelujah." (Bennington, who was a close friend,  killed himself on July 20, which would have been Cornell's 53rd birthday.) Cornell's death would be mourned around the world for months to come, from Seattle's Space Needle to baseball games. Heart 's Ann Wilson and Alice in Chains ' Jerry Cantrell paid tribute to Cornell with a performance of "Black Hole Sun" at the Rock & Roll Hall of Fame induction ceremony on April 14, 2018, in Cleveland. (Soundgarden have been nominated, but not yet voted into the Rock Hall.)

Watch Norah Jones Perform 'Black Hole Sun' on May 23, 2017

The next Rock on the Range festival coincided with the first anniversary of Cornell's death. Alice in Chains honored him by playing two Soundgarden songs , "Hunted Down" and "Boot Camp," arranging the stage lights to spell out "CC" and "SG" at the end of the latter. Two nights later,  Tool dedicated their Rock on the Range set to Cornell.

Cornell's family continued to question the official autopsy and also criticized what seemed like an excessive wait — 41 minutes – to get a medical team to the hotel. In November 2018, it sued Cornell's physician, Dr. Robert Koblin, for "negligently and repeatedly" prescribing "dangerous mind-altering controlled substances ... which impaired Mr. Cornell's cognition, clouded his judgment and caused him to engage in dangerous impulsive behaviors that he was unable to control, costing him his life." Details of the April 2021 out-of-court settlement were kept confidential .

Soundgarden, meanwhile, have continued to exist in archival form with releases such as Live From the Artists Den and Essentials , both from 2019. Cameron continues his membership in Pearl Jam, while Thayil pulled himself out of a post-Cornell " fetal position " to be part of Wayne Kramer's MC50 band, with which Cameron also made appearances. The guitarist has also made guest appearances on several other projects, and he and Cameron are part of the Seattle band 3rd Secret with Nirvana bassist Kris Novoselic and others. More vault projects are likely in the future, though another version of Soundgarden has not been spoken about publicly.

"We often reference rock history, and we've often commented on what other bands in similar situations have done," Thayil explained, "not as a plan or anything but just commenting on how bands have handled situations like this and what bands seem to have been graceful and dignified in how they manage their future musical endeavors and how some maybe were clumsy and callous. We think about those things. We try not to go too deep into these conversations, but stuff comes up after a few beers."

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The best Soundgarden live performances show how the group transcended even their own recordings to become an unparalleled force of nature.

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As the best Soundgarden live performances prove, the rock legends weren’t simply a band, they were a sonic strike-force unrivalled in music. With dextrous rhythm section Matt Cameron and Ben Shepherd providing that all-important bedrock for guitarist Kim Thayil to unleash the deadliest riffs this side of Tony Iommi, and frontman Chris Cornell ’s multi-octave vocal range and commanding stage presence sealing the deal, there were absolutely no weak links in the chain.

The versatile Seattle quartet’s illustrious body of work includes highly-acclaimed alt.rock touchstones such as Badmotorfinger and 1994’s formidable Superunknown . But while the band’s studio recordings have enshrined their legend, they can’t quite match the elemental power of Soundgarden onstage. In celebration of this singular outfit, uDiscover Music presents a career-spanning, 15-song selection of the best Soundgarden live performances.

Are we missing any of your favorites? Or were you even at some of the ones we have picked? If so, let us know in the comments section below.

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Listen to Soundgarden’s Live At The Artist’s Den right now.

15: Get On The Snake (Whiskey A Go Go, Los Angeles, 1989)

Soundgarden was the first of the Seattle grunge acts to sign to a major label, with A&M releasing their second album, 1989’s Louder Than Love . The group’s new label also gave future Nirvana / R.E.M. director Kevin Kerslake the green light to film one of the shows on the ensuing US tour. Released as the Louder Than Live video in May 1990, the hand-held black-and-white footage vividly captures Cornell and co riding their first surge of popularity. An incendiary set, performed at LA rock shrine Whiskey A Go Go, it peaks with a relentlessly heavy version of “Get On The Snake.” The audio recording was later released on 2010’s career-spanning anthology, Telephantasm.

14: Burden In My Hand ( Saturday Night Live , 1996)

As the follow-up to the colossal Superunknown , Soundgarden’s fifth album, Down On The Upside , was one of 1996’s most hotly-anticipated releases. The band trailed the record with the anthemic ‘Pretty Noose’, but also stopped by at NBC’s Saturday Night Live studio in New York to perform a coruscating version of its follow-up single, “Burden In My Hand,” in May 1996. Introduced by Jim Carrey and filmed using split-screen techniques, the Seattle quartet performed with power and charisma to spare, with Chris Cornell looking especially sharp in a black shirt with matching Fender Telecaster.

13: Fell On Black Days (Henry J Kaiser Convention Center, Oakland, 1996)

Soundgarden had planned to release their first official live album in the wake of Down On The Upside . With this in mind, they commissioned producer Adam Kasper ( Aerosmith , Foo Fighters) to record several of the West Coast shows on their 1996 US tour, on a mobile, 24-track facility. The project was shelved after the band split in 1997, but revisited when they reunited 13 years later. Live On I-5 (the title referenced the Pacific Coast Highway’s Interstate 5) was released in March 2011, revealing that Soundgarden was in lean and hungry live form on their Down On The Upside trek. Several of Live On I-5 ’s tracks are contenders for inclusion in this list of the best Soundgarden live performances, with this intense version of Superunknown ’s “Fell On Black Days” ranking among the essentials.

12: Beyond The Wheel (Exhibition Stadium, Toronto, 1993)

They’d long since proved themselves, but Soundgarden was simply a force of nature as they worked towards their colossal fourth album, Superunknown . All the proof you need exists in this monolithic version of their Black Sabbath -esque Ultramega OK stand-out “Beyond The Wheel” (later released as a “Black Hole Sun” B-side), captured at a 1993 show at Toronto’s Exhibition Stadium. Chris Cornell’s octave-defying vocals have to be heard to be believed.

11: My Wave (Jones Beach Amphitheatre, New York, 1993)

This magnificent live version of one of Superunknown ’s key tracks later appeared on the album’s deluxe reissue. Again captured during 1993, from a show at New York’s Jones Beach Amphitheatre, this remarkable take of “My Wave” is both joyful and turbulent, with Matt Cameron performing minor miracles behind the drum kit and Cornell’s vocal expertly riding the waves as Kim Thayil throws out riff after riff.

10: Jesus Christ Pose (Rushmore Plaza Civic Center, Rapid City, South Dakota, 1993)

Arguably the most visceral of all Soundgarden songs, “Jesus Christ Pose” was always performed live with a manic intensity that matched Chris Cornell’s self-flagellating lyric. While you’re hard-pressed to identify the definitive live take of this exceptional song, this seven-minute blow-out from Rushmore, South Dakota, circa ’93 (initially an extra on the CD single of “Black Hole Sun” and later released on Telephantasm ) is as good as any.

9: Searching With My Good Eye Closed ( Hype! film performance, 1996)

The looming, Badmotorfinger -era psych-rocker “Searching With My Good Eye Closed” was a high point of most Soundgarden live sets during the 90s, so fans are spoilt for choice where live performances of this song are concerned. The Live On I-5 cut is terrific, as is this version, which was included in director Doug Pray’s grunge movie, Hype! , from 1996, and intercut with a brief interview with Kim Thayil and Matt Cameron. Sub Pop released a spin-off soundtrack to Hype! which featured Soundgarden performing an excellent version of ‘Nothing To Say’ instead.

8: Blind Dogs ( Live From The Artists Den , 2013)

Soundgarden submitted “Blind Dogs” for Island Records’ soundtrack to the 1995 U.S. crime drama The Basketball Diaries , based upon Jim Carroll’s autobiographical novel of the same name. While the song was widely acclaimed, the band never played “Blind Dogs” live until 2013, when they afforded it a suitably mesmeric debut during their career-spanning Live From The Artists Den set at The Wiltern in LA.

7: Rowing ( The Late Show With David Letterman , 2012)

In celebration of their 2012 comeback, King Animal , Soundgarden played an exclusive hour-long set for The Late Show With David Letterman . They dipped into their back catalog for Superunknown’s “Fell On Black Days” and Ultramega OK ’s “Beyond The Wheel,” but inevitably concentrated on their new album. All of its material sounded mighty fine, though the leftfield, loops- and electronica-based “Rowing” was agreeably robust in a live setting.

6: Outshined (Paramount Theatre, Seattle, 1992)

A&M’s initial Soundgarden live video, Louder Than Live , was a relatively low-key affair and, to date, has not been reissued. Again directed by Kevin Kerslake, their second in-concert release, Motorvision , was a significantly higher-profile title that captured the Seattle quartet just as Badmotorfinger launched them on the international stage. Filmed at an absolutely rammed hometown show at the Paramount Theatre, Soundgarden are in electrifying form, with a setlist including superb versions of “Jesus Christ Pose,” “Slaves And Bulldozers” and a truly stupendous “Outshined.”

5: Black Rain ( Conan , 2010)

Effectively the song that resulted in Soundgarden’s fully-fledged reunion, “Black Rain” had been demoed as early as 1991, but was only finished by the band and Down On The Upside producer Adam Kasper in 2010, when it was uncovered during a search for archival material. The song was released a single and included on the Telephantasm compilation, while the band’s memorably visceral performance of it on Conan O’Brien’s TBS talk show marked their first TV appearance together in 13 years.

4: Room A Thousand Years Wide/Somewhere (1996)

The 1996 live recordings which were eventually compiled for Live On I-5 also spawned a 2011 Black Friday Record Store Day exclusive, Before The Doors: Live On I-5 . A limited-edition orange-vinyl EP, it was compiled from soundcheck recordings from the Down On The Upside tour, but the ferocious versions of Badmotorfinger stand-outs “Room A Thousand Years Wide” and “Somewhere” were worth the price of admission alone.

3: Rusty Cage ( Later… With Jools Holland , 2012)

In addition to their widely-hailed Live On Letterman performance, Soundgarden also ventured to the UK to turn in a blinding mini-set for the ever-popular Later… With Jools Holland , in November 2012. They performed a squalling version of King Animal ’s “Been Away Too Long” that night, but their truly blistering take of Badmotorfinger ’s “Rusty Cage” is the one we’ll still be talking about for decades to come.

2: Black Hole Sun ( Live From The Artists Den , 2013)

Even when pitted against a body of work such as Soundgarden’s, a song as singular as “Black Hole Sun” will stand apart. With its dreamy, “White Album” -esque atmosphere and dazzling ensemble performance, the band’s signature hit has an indefinable quality that renders it timeless. It’s always a song Chris Cornell and the troops put their heart and soul into onstage, so it’s no surprise that the rendition Soundgarden turned in for their Live From The Artists Den extravaganza is one of the most memorable of all.

1: Spoonman (Del Mar Fairgrounds, Del Mar, 1996)

One of Soundgarden’s most wonderfully peculiar quirks was their penchant for songs with unlikely time signatures. Indeed, any number of the selections here, from “Get On The Snake” (played in 9/4) to “Black Rain” (in 9/8), illustrate this point. However, their most daring, tempo-defying set-piece, Superunknown ’s “Spoonman,” vacillates from 7/4 to 3/4 (during the spoon solo) and back into a slightly less hair-raising 4/4. Soundgarden loved the challenge of performing the song and it became a highlight of their set from 1993 on. This version, from their 1996 Del Mar Fairgrounds show, which turned up on Live On I-5 , surely ranks among the very best in their career.

Soundgarden’s Live At The Artist’s Den performance is available as a 4LP, 2CD or Blu-ray release, and can be bought here .

gene claywell

July 26, 2019 at 10:02 pm

Rowing u2 Stadium london hands down best live performance

https://www.youtube.com/watch?v=dvVpNZMRzfU

July 27, 2019 at 2:20 am

(song #4) it’s “Room a Thousand YEARS Wide” not Yards

July 27, 2019 at 4:07 am

ALL OF THESE TRACKS ARE PHENOMENAL CHRIS CORNELL IS A MUSICAL GOD RIP YOU ARE MISSED IMMENSELY!!!!

david seaman

July 27, 2019 at 6:14 pm

Obviously you guys are Fairweather fans if you don’t put their cover of Body Counts Cop Killer from Lollapalooza 92 at the top of the list.

Go find it on YouTube…40k+ people chanting along fuck the police while Chris dedicated the song to the “too much coffee drinking, too much donut eating, too quick on the trigger motherfuckers”

Please. Do your homewirk.

September 29, 2020 at 7:17 am

Birth Ritual https://youtu.be/vB4x2LF7FT8 Cornell went full on rock god on this one

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Soundgarden In Concert – 1989 – Past Daily Backstage Pass

• May 29, 2021

Soundgarden – live at I-Beam, San Francisco – February 12, 1989 – Band soundboard –

Soundgarden this weekend, recorded live at the I-Beam in San Francisco on February 12, 1989.

One of the seminal bands of the early Grunge movement, Soundgarden was one of the first of a wave of bands to be signed by the then-fledgling label Sub-Pop Records in Seattle. Although it took a while for the band to break ground as a commercial success, their sound and their style and Chris Cornell’s songwriting paved the way for a genre to be born.

Soundgarden’s origins began with a band called the Shemps, which performed around Seattle in the early 1980s, and featured bassist Hiro Yamamoto and drummer and singer Chris Cornell. Following Yamamoto’s departure, the band recruited guitarist Kim Thayil as its new bassist. Thayil moved to Seattle from Park Forest, Illinois, with Yamamoto and Bruce Pavitt, who would later start the independent record label Sub Pop. Cornell and Yamamoto stayed in contact, and after the Shemps broke up Cornell and Yamamoto started jamming together, and were eventually joined by Thayil.

Soundgarden formed in 1984 and included Cornell (drums and vocals), Yamamoto (bass), and Thayil (guitar). The band named themselves after a wind-channeling pipe sculpture titled A Sound Garden, on National Oceanic and Atmospheric Administration property at 7600 Sand Point Way, next to Magnuson Park in Seattle. Cornell originally played drums while singing, but in 1985 the band enlisted Scott Sundquist to allow Cornell to concentrate on vocals. The band traveled around playing various concerts with this lineup for about a year. Their first recordings were three songs that appeared on the 1986 compilation album for C/Z Records called Deep Six—”Heretic”, “Tears to Forget” and “All Your Lies”. It also featured songs by fellow grunge pioneers Green River, Skin Yard, Malfunkshun, the U-Men, and the Melvins. In 1986, Cornell’s then-girlfriend and future wife, Susan Silver started managing Soundgarden. In the same year, Sundquist left the band to spend time with his family and was replaced by Skin Yard’s drummer, Matt Cameron.

A Soundgarden performance one night impressed KCMU DJ Jonathan Poneman who later said: “I saw this band that was everything rock music should be.” Poneman offered to fund a release by the band, so Thayil suggested he team up with Bruce Pavitt. Poneman offered to contribute $20,000 in funding for Sub Pop, effectively turning it into a full-fledged record label. Soundgarden signed to Sub Pop, and the label released “Hunted Down” in 1987 as the band’s first single. The B-side of “Hunted Down”, “Nothing to Say”, appeared on the KCMU compilation tape Bands That Will Make Money, which was distributed to record companies, many of whom showed interest in Soundgarden. Through Sub Pop, the band released the Screaming Life EP in 1987, and the Fopp EP in 1988, and a combination of the two, Screaming Life/Fopp, in 1990.

Though major labels were courting the band, in 1988 they signed to the independent label SST Records for their debut album, Ultramega OK, released on October 31, 1988. Cornell said the band “made a huge mistake with Ultramega OK” because they used a producer suggested by SST who “didn’t know what was happening in Seattle”. According to Steve Huey of AllMusic, Soundgarden demonstrates, a “Stooges/MC5-meets-Zeppelin/Sabbath sound” on the album. Mark Miremont directed the band’s first music video for “Flower”, which aired regularly on MTV’s 120 Minutes. Soundgarden promoted Ultramega OK on a tour in the United States in the spring of 1989, and a tour in Europe, which began in May 1989—the band’s first overseas tour.

This concert comes from that Spring 1989 tour – and it blisters with energy and conviction. This concert gives you some idea what Jonathan Poneman heard that night. The rest is history.

Crank it up and enjoy. Believe it or not, it’s a full crowd at the I-Beam, but the mix is strictly on the band, so it sounds like no one is there. You can make up for it by yelling at the speakers if you want.

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About Soundgarden

SOUNDGARDEN

Chris Cornell (vocal & guitar) / Kim Thayil (lead guitar) / Matt Cameron (drums) / Ben Shepherd (bass)

Hiro Yamamoto (bass 1984-1989) / Scott Sundquist (drums 1985-1986) / Jason Everman (bass 1989-1990)

Hailed as grunge innovators, Soundgarden redefined rock music for a generation. In the 80s and 90s, its punk ethos, coupled with a brutal metal soundscape and Chris Cornell’s ravenous roar, seduced audiences hungry for something new.

Initially a drummer, Cornell soon moved on to vocals and guitar, writing songs alongside guitarist Kim Thayil and bassist Hiro Yamamoto. Jagged and ferocious, their music was deeply at odds with the synth-pop and hair metal which dominated the ‘80s airwaves.

Early indie releases, including seminal EP Screaming Life and Grammy-nominated album Ultramega OK, quickly collected a dedicated indie following as the band toured on both sides of the Atlantic.

After the departure of Yamamoto and a brief stint by Jason Everman on bass, Ben Shepherd completed what now became the band’s classic lineup and Soundgarden became the first of the new generation of Seattle bands to sign to a major label.

1991’s platinum album Badmotorfinger attracted critical applause from all over the world (NME called it “stripped down, lithe and lethal”) and a tour supporting Guns ‘n’ Roses gave wider exposure to Soundgarden’s wild originality and outsider allure.

Mainstream success came with the 1994 release of Superunknown, recently re-released in a special 20th anniversary edition. An immediate #1 album in the States, it netted Soundgarden two Grammys, shifted millions of units worldwide, and introduced the band to a mass TV audience via the video for Black Hole Sun. At the same time it explored a menacing interior landscape teeming with pain, fear, fury and defiance. As Rolling Stone concluded, “it demonstrates far greater range than many bands manage in an entire career.”

Two years later, Down on the Upside continued the band’s musical development away from alt-metal into hard-edged experimentation. Rave called it “full of dualities and binary oppositions”; People said “Soundgarden breaks down the walls and pulverizes them.” Self-produced and stylistically various, it was perhaps the most complete expression of just how far the band had travelled.

After a dozen years, five pioneering albums and a slew of singles, Soundgarden played its final live show of the century in Honolulu on February 9 1997 and spent the next thirteen years on hiatus while its members pursued other musical projects.

At the dawn of 2010, Soundgarden announced a new beginning. The first 21st century show in front of hometown fans and Seattle greats at the city’s Showbox venue sold out in mere minutes. After headlining the famous Lollapalooza festival, the Chicago Tribune hailed Soundgarden as “one of the last great hard-rock bands to emerge in the last 25 years.”

2010’s Telephantasm was a career-spanning retrospective celebrating the band’s legacy; along with rediscovered 90s live set Live on I5, it introduced Soundgarden’s work to a new generation. An acclaimed world tour was followed by the release of single “Live To Rise”, specially written for the end-credits of Josh Whedon’s smash-hit movie, Marvel’s The Avengers.

2012’s King Animal continued Soundgarden’s courageous musical exploration while maintaining its special identity. The album’s character is rooted deeply within the wild landscape of the Pacific North West – an atmosphere which still resonates strongly for the band. In their review, the BBC dubbed 2012’s Soundgarden “dark Americana…a stadium band yet still outsiders.” Rolling Stone called the album “a weirdly cool beast…as ageless as it is anachronistic.”

In 2014 the band toured South America and Europe before embarking on a co-headlining tour with Nine Inch Nails in the US. The following year, they visited Australia and New Zealand and released a triple album of B-sides and rarities, Echo Of Miles: Scattered Tracks Across The Path.

Whether in the studio or on the road, Soundgarden remains a truly ‘alternative’ band in an age when the word has been devalued to just another genre label. Though firmly anchored in their shared sense of place and happy to be honouring their legacy, they continue to be instinctive pathfinders. In Chris Cornell’s words – “I don’t think we’ve ever had to find a compass and redirect ourselves to the north.”

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Soundgarden: "We never got used to the success"

Think of the Seattle scene and you think of Nirvana. But it was Soundgarden who led the grunge explosion. CR caught up with them to look back at the band that killed glam metal

When Soundgarden’s world tour wrapped up in 1997, it seemed like the end of just another successful record-tour cycle for the band. Their latest album, Down On The Upside , was a global hit, they had become the first ever band to appear twice on Lollapalooza, and they had just wrapped up a lengthy headlining tour of their own. But behind the scenes it was an entirely different story. “The [recording] sessions were certainly strained,” drummer Matt Cameron remembers. “So I knew something was up, something was certainly going on. And then once when we started touring for that record, the shows were just increasingly bad. It was just horrible; a lot of drinking, a lot of bad vibes, a lot of temper tantrums, a lot of rock-star bullshit. I was actually thinking about bailing at that point. It was really tough. We couldn’t get through a show, basically, without someone storming off the stage. It was so not about music.”

On February 9, Soundgarden played the final show of the tour, at the Blaisdell Arena in Hawaii. On April 9 the group announced their break-up.

Before their demise Soundgarden were one mean rockin’ machine, a leading light in the world of grunge. Equally influenced by Black Sabbath and Bad Brains, the band perfected a style that had its origins in the early 80s with the likes of The Melvins and Black Flag – slowing down punk’s fury to a sludgy crawl. And while Nirvana were the band that blew the roof off the 90s Seattle rock movement, Soundgarden were the ones that did the legwork. They were one of the first groups from the scene to record for the Sub Pop label, tour nationally and sign to a major label. Soundgarden were also responsible for some of the 90s’ best rock albums ( Badmotorfinger and Superunknown ) and songs ( Rusty Cage , Outshined , Black Hole Sun …). Along with Pearl Jam, Alice In Chains and Nirvana, Soundgarden effectively exterminated glam metal.

Frontman Chris Cornell, a former cook, and guitarist Kim Thayil, a philosophy graduate, were the men who put Soundgarden together. Both from the Seattle, Washington, area, Cornell and Thayil had crossed paths thanks to a mutual friend, Hiro Yamamoto. Cornell was a roommate of Yamamoto’s and they played in a band together, The Shemps (for whom Cornell played drums); Thayil and Yamamoto were friends since their early days in Chicago, before they relocated to Washington together to go to college.

In 1985 the trio decided to form their own band – Thayil on guitar, Yamamoto on bass, and Cornell ‘doing a Phil Collins’ and handling both drums and vocals. Taking their name from The Sound Garden – an art installation in a nearby Seattle park – Soundgarden were born.

The three-piece line-up only lasted only for a few shows, however, before drummer Scott Sundquist joined and Cornell focused solely on vocals. “I played the drums and sort of fell into singing by accident,” recalls Cornell. “I was playing drums and singing and we didn’t know which was easier to find – a singer or a drummer, so we looked for both. The decision was based on the fact we found a drummer first, so I became the singer.

Producer Jack Endino happened to catch the band’s debut gig as a quartet. “They played half the set with Chris on drums, then he came out, and said: ‘Okay, we want to introduce our new drummer, and I’m just going to sing now’. Scott came out, finished the set, and Chris just stood there and sang. It would have been one of their very early shows – probably in early ’85.”

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Endino, who was then a member of another up-and-coming Seattle band, Skin Yard, recalls Soundgarden’s early sound: “Scott was an older guy. He had a Ginger Baker touch on the drums, a rolling, jazzy sort of feel that was really dynamic and very fluid; it wasn’t so ‘conventional heavy rock’ as they became later. It was a slightly psychedelic kind of vibe. And at times it was really pretty amazing. Even though technically he wasn’t anywhere near the drummer that [Matt Cameron would be].

“After they got Matt in the band,” Endino continues, “they became more focused, and zeroed in on the sound they became known for later. Soundgarden were a little inconsistent live, you never knew what was going to happen. There was definitely an element of chance going on, craziness, and fun. There were some amazing Soundgarden shows in the early days.”

In addition to becoming Soundgarden’s focal point on stage, Cornell was also quickly becoming the group’s chief songwriter. Cornell recalls realising early on that life in a band was not as simple as he had thought. “I thought it would be a lot easier than it ended up being, to write and make records of quality,” he says. “It shouldn’t be in-fighting; there shouldn’t be clashing egos; there shouldn’t be this constant editing of ideas out of fear of what other people might think, all that stuff.”

1986 was an important year for Soundgarden. The band made their first ever appearance on vinyl – the CZ Records compilation Deep Six – and experienced the first flutter in their line-up. It was becoming obvious that the band would have to venture outside the Pacific Northwest region to further their career, so Sundquist (who was a husband and father) opted to leave. It was a decision that enabled Matt Cameron to occupy the drum stool.

“I’d seen them play a few times, and they were my favourite band in Seattle,” Cameron says of early Soundgarden. “I heard that Scott left, and I called Kim. I said: ‘I’d like to try out.’ And I did. I knew a few of their songs – there was one called Heretic that I knew, and I knew Incessant Mace , and a few others – so I showed up semi-prepared. I remember Chris really liked the way I played – he said that I played everything perfectly. They had a gig in a week’s time at the Central Tavern, so it was baptism by fire. I just threw myself in there and never looked back.”

Making believers out of local rock fans, the band left a profound impression on one admirer, a man by the name of Ben Shepherd. “They were playing a show down in Olympia, one of those daylight shows,” he remembers. “There was a bunch of bands. Seattle was totally cool back then. The music scene was totally happening; people were fun, life was cool as fuck, and there they were. So that was the first time in Olympia getting to see Matt play. It was like: ‘Wow, they’re the real thing now.’ Chris was just singing, and Hiro and Kim – that was the true Soundgarden. The very first show I saw, they blew some national act away.”

With the Cornell/Thayil/Yamamoto/Cameron line-up now in place, Soundgarden set out to go beyond the demo stage and undertake a professional recording. Already pals with Jack Endino, the band asked the producer – who had landed a job at the nearby Reciprocal Recording Studio – to oversee the sessions.

Endino: “We worked very hard at getting the right performances. We spent a ridiculous amount of time mixing it, just making it exactly so; just as good as we could possibly get it with the gear and the budget that we had available – nobody had any money around here. Sub Pop didn’t really exist yet. I think it was something that came up partly through the recording – ‘Oh, these guys we know are talking to us about maybe releasing it’.”

Recorded quickly and mostly live (Cameron recalls that they “only had three or four days to get the rhythm tracks done, because we had day jobs”), the six tracks were released in October 1987 as the Screaming Life EP, through the Sub Pop label, which was co-run by Bruce Pavitt (an old pal of Thayil’s) and Jonathan Poneman.

“I remember listening back to the mix of Nothing To Say ,” Cameron recalls, “and I just couldn’t believe that I was playing in a band so good at such an early stage of development.”

Shepherd agrees with Cameron’s assessment. “ Screaming Life is still my favourite record of theirs. That’s what Soundgarden sounds like to me – dark, black and blue. It sounds like the overcast days of Seattle. They sounded huge, and the riffs weren’t stupid or anything – there was something more to them, something disturbing.”

Wasting little time, a follow-up EP, Fopp , was issued through Sub Pop in August 1988. Working with producer Steve Fisk, it was recorded at Seattle’s Moore Theater during an afternoon with a mobile truck. Fisk recalls realising that Seattle’s buzz was growing: “At one point, a jackhammer crew went to work on pavement, and we couldn’t hear anything in the truck,” he says. “We got the crew to move and come back later in the day, because although they didn’t know who Soundgarden were, they knew Seattle bands were starting to get some attention. So they moved to be cool.”

With major labels starting to sniff around, the band opted to stay independent for their full-length debut, and Ultramega OK was released in November ’88 via Black Flag’s SST label. (The following year the album would go on to be nominated for a Best Metal Performance Grammy Award.)

Cameron remembers more rapid-fire recording. “We had a little more money to record with. We went down to a home-made studio that was pretty good. It was in this place called Newberg, Oregon. Again, we didn’t have a lot of time – I think we had two weeks to do it all. We recorded some up here in Seattle, in an abandoned warehouse, recorded some drums there, then we finished the rest in Newberg.”

With other Seattle groups following Soundgarden up the ladder (Screaming Trees, Mudhoney, Nirvana, Mother Love Bone), the band decided that the time was finally right to sign with a major label. After signing to A&M, Louder Than Love (produced by Terry Date) was released in September 1989. It wasn’t the record that broke Soundgarden commercially, but it certainly helped, with the videos for both Hands All Over and Loud Love receiving late-night MTV rotation. It was also supported with a year’s worth of live dates.

But it was a period that was far from smooth sailing, with Yamamoto leaving the band when the album sessions were wrapped up. With an extensive American tour looming with Faith No More and Voivod, Soundgarden arranged try-outs for prospective bass players. They whittled the competition down to two – ex-Nirvana guitarist Jason Everman and ex-Nirvana roadie Ben Shepherd.

“They were crunched for time,” Shepherd remembers. “Once we got to the rehearsal room, I didn’t say anything; I just walked over to the amp, turned it up and started playing. We jammed for three hours – we didn’t play any of their songs. We didn’t even talk, we just played music the whole time. They took Jason because he knew the songs. He was more connected and on-beat with it.”

While Soundgarden completed the ensuing tour with Everman, they soon realised they had chosen the wrong bassist. Upon returning home in the spring of 1990, they asked Shepherd to join. He was pushed straight in at the deep end.

“We rehearsed for a couple of weeks, then we went straight to touring Europe,” he recalls. “The first place I played was the Roskilde Festival [Denmark]. We come on stage and the crowd is chanting: ‘Hiro! Hiro!’ I’m like: ‘Oh, goddamit!’ We did this three-week tour, then we came home, then we had another tour all ready to go. So it was like jumping right into the fire. It was awesome. So fucking fun.”

After a tour with Danzig finished in September, Soundgarden focused on their next studio album, which was again to be produced by Terry Date. But since their previous recording, something had changed; there was something in the air about the Seattle scene, which Shepherd remembers noticing: “You could see everybody was ‘on music’ at that point. Music was suddenly alive again and doing something. Sometimes it’s film and writing that does that culturally, but that time it was music.”

Shepherd remembers the sessions – at Studio D in Sausalito, California (at the behest of their Faith No More pals) – being extremely laid back: “It was so fun, we invented this game – it takes a Frisbee and a Nerf ball to play, two-man teams. We’d play that all the time when we weren’t tracking. A home away from home. It’s way outside the city, a cool old barn turned into a recording studio.”

Just as the sessions had been completed, a side project that included Cornell and Cameron (plus former members of Mother Love Bone and a then-unknown Eddie Vedder) released the Temple Of The Dog album. It was a tribute to Andrew Wood, the singer of Mother Love Bone, who had recently died from a drug overdose, and would also prove the launchpad for what would become Pearl Jam. “It was initially my idea because of a couple of songs I recorded,” Cornell explained at the time. “It didn’t feel like a morose project. It felt sort of celebratory.”

Cameron: “Chris and Andy had been room-mates. I think the original idea was to do a single on Sub Pop in tribute to Andy. We got together, and just started to write more songs. Chris had a bunch of really cool songs, so we decided just to do it. So it was, once again, organically produced. A&M really liked it and put it out.”

Soundgarden’s Badmotorfinger , released in October 1991, was where it first all came together for the band in the studio. It was their strongest and most consistent album. It also didn’t hurt that it came out right as grunge was really taking off, helped hugely by the recent releases of Pearl Jam’s Ten and Nirvana’s Nevermind (and, earlier, Alice In Chains’ Facelift ). Additionally, Soundgarden landed some prime touring spots.

In the same week as the release of Badmotorfinger, Soundgarden played alongside Metallica as part of the mammoth Day On The Green Festival in Oakland, California. Two months later they played a string of arena dates opening for Guns N’ Roses, who were still in all of their out-of-control glory, followed by dates with Skid Row. “We were in the metal trenches at that point, just fully paying our dues. We were kind of ‘the opening act’ for ’91/’92,” Cameron says.

Despite coming from opposite ends of the spectrum to GN’R, Shepherd remembers the tour with them fondly: “We had a blast. The whole crew of theirs and their whole band are really fucking nice. And me, I’m a punk rocker fuck-up, and I’m all cantankerous – my nickname was Manimal back then, and we were called Frowngarden. We weren’t rock stars and shit, we’re not like that. I’m all grumpy – ‘Goddamn it, these guys are nice, I can’t even fucking hate ‘em! I hate their music, but they’re nice.’ Same thing with Skid Row – fucking hated their music, they knew it, but they’re all so fucking cool. Pissed me off, now I don’t even have a reason to be pissed off. What the hell is this? My life is going to shit and it’s beautiful at the same time.”

It was also around this time that rock photographer Ross Halfin began working with the band: “The thing about them – they were all actually quite quiet. They were very nice, but they were one of those bands that as soon as they started drinking… It got to a point where they ended up getting security in England. Ben was walking across Camden Town, there was a bunch of guys outside a pub, and he’s like, ‘Fuck you assholes,’ and they came over and whacked him. So security was needed because they would just go off when they drank.”

With such songs as Outshined and Rusty Cage getting significant airplay, Badmotorfinger served as Soundgarden’s commercial breakthrough. And as a reward, the group nabbed a spot on Lollapalooza II in the summer of 1992, alongside the Red Hot Chili Peppers and their pals Pearl Jam. “That was our payback for opening for all these weird heavy metal bands that we had nothing in common with,” laughs Cameron. “Once we got to Lollapalooza, we were back with our friends. That was a really fun tour.”

But it was also during this time that Shepherd began hitting the bottle heavily. “I would hang out with the Jesus & Mary Chain, I was the only guy that would talk to them – share my whisky with them or whatever. I started drinking too much on that first Guns N’ Roses tour. I would just get really depressed and that was the only way out, or so it seemed. A lot of touring is ‘hurry up and wait’ – you get there and then you wait. You’d see guys that had been out for a couple of years in a row – you hit this wall where it’s like: ‘Why go back? Why go home? There is no home, there’s nothing! Let’s just keep going, we’ll play another show.’ It gets really surreal.”

By the time their 1991-92 tour was at an end, there were three Soundgarden-related albums on the charts – Badmotorfinger , the Singles movie soundtrack and Temple Of The Dog . Having toured non-stop for over a year, Soundgarden took a much-deserved break for most of 1993, during which Cornell ‘celebrated’ by shaving off his long hair, and Cameron/Shepherd launched a garage rock band, Hater. In fact, the only shows Soundgarden played the whole year were two weeks’ worth of dates opening for Neil Young in August.

The majority of the year was spent at Seattle’s Bad Animals studios with producer Michael Beinhorn, preparing the album that they hoped would be the final push over the top.

“I think creatively we were really peaking at that point,” says Cameron. “All pistons were firing – we were writing really cool music and we were playing really good together. I think the arc of the band was fully peaking at that point. We really wanted to be prepared and we rehearsed a lot. Worked on the arrangements of the songs and everything.

“I remember those sessions being pretty intense – it took like four or five months to track that record. There was a lot of wheel-spinning going on – like we would spend three days on a guitar part. It got really silly. We knew we had a good record in there, but I think we were all just sick of it, we just didn’t care anymore. Then Brendan O’Brien mixed it, and he did it in about two weeks – the complete opposite of the way we were working. Just knocked it out. At that point, when I took the mixes home, I realised we had a really good record.”

Shortly before the album’s arrival, a press release was issued, in which Shepherd explained: “Bands like Aerosmith and Led Zeppelin made records where every song counted, and I think that’s what we did.” He wasn’t kidding: Superunknown was not only one of the greatest rock albums of the 90s, but of all time.

Released in March of 1994, Superunknown would debut at the top of the US album chart, and prove to be a worldwide smash on the strength of such hits as Spoonman , Fell On Black Days and, especially, the moody-yet-melodic Black Hole Sun .

Cornell recalls that the latter song helped the group start thinking outside of what was musically ‘expected’ of them. “At some point, there was an idea that we had to decide: ‘Is this or is this not a Soundgarden song?’” he remembers. “And after Badmotorfinger it was like, Black Hole Sun ? No, it’s not a Soundgarden song. So we had to look at ourselves and go: ‘It is if we play it’.

“ Black Hole Sun was a song that I wrote and recorded entirely in my basement, 16 hours a day and then offering a tape of a song, already finished, to a band that then learns it. It was refreshing and kind of cool for a moment because we hadn’t worked that way and we came up with ideas that did sort of reinvent us as a band. But in the long run, even when I look back at it, some of it was a lonely, miserable time. Only half of what I might have worked on would end up being liked by other members of the band. It’s weird for any band member to be dictated to: ‘Here’s [the] song in a final form – learn it’.”

With the album’s worldwide chart success, Soundgarden were now part of rock’s elite. But a month after the album’s release, the world was shocked by the suicide of Kurt Cobain, which spelled the end of Nirvana. Couple that with Pearl Jam losing the plot and touring less (in part due to a battle with Ticketmaster), and suddenly, Soundgarden were the leaders of the pack.

On March 1, 1995, Soundgarden took home two Grammy Awards – Best Hard Rock Performance for Black Hole Sun and Best Metal Performance for Spoonman.

How did the group handle their new status? Halfin remembers that the band “were fine with that, I just think they didn’t care. It’s very much that ‘down’ Seattle mentality. One of the things I think they had over Pearl Jam – Pearl Jam, despite all their anti-everything stance, still very much liked the trappings of being rock stars. The bodyguards, the this, the that. Whereas Soundgarden didn’t really have that – they were very accessible where Pearl Jam were: ‘Keep everyone away’.”

Despite the success, Cameron remembers the first chinks in the armour showing around this time. “For the most part, the tour was pretty fun,” he concedes, “and then towards the end of that tour, the whole fabric of our group was starting to unravel a little bit.

“We weren’t really getting along that good. The pressures of touring so much, just being on the major label machine of record-tour-record-tour sort of took its toll after a while. After that, I think we took a little break, then we started to try and get some songs going for Down On The Upside .”

Produced by Adam Kaspar, Down On The Upside was released in May, 1996. While the album peaked at No.7 in the UK charts (No.2 in the US) and contained its share of highlights ( Pretty Noose , Blow Up The Outside World ), it didn’t exactly measure up to its stellar predecessor.

“It was my idea to record it at Studio Litho with Adam Kasper,” states Cameron, “because I felt our last situation was so kind of intense with all these big-name producer guys involved. It just wasn’t our scene at all – we just went back to the homemade method of making records with our buddy Adam. It was good, but we weren’t all on the same page. I was certainly trying to keep everyone motivated and just try to get it off the ground, but if people don’t want to do things, it’s really hard to get them going. I just think that at that time, we just weren’t enjoying the process as much as we had been.”

And as Cameron recollected earlier, things only got worse once Soundgarden hit the road in support of …Upside , first as part of Lollapalooza once more, and then their own headlining tour. By the time the tour was winding down in Australia and Hawaii, Halfin could see the writing on the wall. “Ben kept walking off stage halfway through the last few shows – you got an idea they weren’t getting on. You’d be in Australia, and they’d just be holed up all day – Chris would just stay in his room all day, you never saw him.”

Shepherd recalls what put him in such a foul mood during their last few shows. “That last show we played in Hawaii was the night that I found out it was our last show. Because our bass tech, I’d gotten him out of rehab, which is another harsh thing about our family that was going on – but that’s a whole other story. But anyway, I got him over to Hawaii, and he called a band meeting. He’s the only guy besides one of us that can call a band meeting – he had seniority. He goes: ‘What’s this shit I hear that this is your last show and you’re breaking up?’ And I’m like: ‘What?!’ And everyone didn’t rebut that, they just sat there. I was like: ‘Oh my God, what the fuck’?

“And of course, my equipment died that night. It completely died, and the other opening band had already left, so there was no other fucking equipment in the building. So I got all pissed off and smashed my bass. I was totally out of my head – angry and pissed off, drunk. I left the stage because there was no sound. I’m not going to stand up there and monkey around like I’m playing. It was almost right away; I think I got to play six songs, if that. And I was so lividly sad, because that was the end of the tour after my honey had left me. And that was it, the last show of the tour that she should have been with me on. It was the most creative and destructive music that I’d ever heard or been part of. The final magic.”

Two months later, Cameron was surprised to find a mystery visitor one morning at his Seattle home. “I took my dog out for a walk, came back, and Chris’s truck was in my driveway. I was like: ‘Cool, Chris never comes to visit. Awesome man – we’ll work on some stuff. What a great opportunity.’ So I go into the house, and my girlfriend – who’s now my wife – she goes: ‘Hey, Chris is in the basement.’ I go down there, and he just reeked of alcohol. I think he’d been up all night drinking, and he looked a little odd, so I said: ‘Hey, what’s up man?’ And he was like: ‘Well, I’m here because I’m leaving the band’.”

Shepherd also recalls getting a similar visit from Cornell that day. “We’re all standing in my living room, and my friend goes: ‘Today’s the day The Beatles broke up.’ And Chris goes: ‘Here man,’ and hands me the bottle of whisky. I take a swig, we go down to my car, and he says: ‘I’m quitting, I’m breaking up the band. How do you feel about that?’ I looked down at the ground, I spit, and I went: ‘Alright.’ That’s how I joined the band – they asked me: ‘Do you want to join the band?’ I looked down at the ground, I spit, looked up, and said: ‘Fuck yeah!’ So it was kind of fitting for me.” Just like that, one of Seattle’s finest was over.

In Soundgarden’s wake, Cornell initially launched a solo career, before uniting with Tom Morello, Brad Wilk and Tim Commerford of Rage Against The Machine as Audioslave. Cameron has remained busy with another garage rock outfit, Wellwater Conspiracy, as well as keeping the beat in Pearl Jam. Shepherd kept a low profile before returning this year with a belatedly released second album from Hater, and focusing on an all-new band, Unkmongoni. Thayil on the other hand appears to have vanished completely, as his ex-bandmates do not even have contact info for him. Jack Endino offers this update: “Kim is basically hanging out, reading books, watching TV. I’m not sure what he’s doing.”

Looking back at Soundgarden’s split nearly 10 years later, it’s clear the group did the noble thing, and shut things down at their peak (à la The Police and The Beatles). Cornell agrees: “I feel like the entire career of Soundgarden, if you look at it in a capsule, I couldn’t have imagined it artistically going better. I mean our last record is my favourite record. It sold, like, two million copies. We didn’t sort of meander into obscurity and continue going on the road and making records that I wasn’t proud of. None of that ever happened.”

Ultimately, the band fell victim to their own phenomenal achievement. As Cornell admitted at the time, Soundgarden’s break up was a “an act of self-preservation. We were so self-contained in the beginning, but I don’t think we ever really adjusted to the success part of it.”

This feature originally appeared in Classic Rock #83 .

For more Soundgarden and the chance to flick through record racks with Matt Cameron, then click on the link below.

Record shopping with Soundgarden's Matt Cameron

Contributing writer at Classic Rock magazine since 2004. He has written for other outlets over the years, and has interviewed some of his favourite rock artists: Black Sabbath, Rush, Kiss, The Police, Devo, Sex Pistols, Ramones, Soundgarden, Meat Puppets, Blind Melon, Primus, King’s X… heck, even William Shatner! He is also the author of quite a few books, including Grunge Is Dead: The Oral History of Seattle Rock Music , A Devil on One Shoulder And An Angel on the Other: The Story of Shannon Hoon And Blind Melon , and MTV Ruled the World: The Early Years of Music Video , among others.

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A Soundgarden Tour of Seattle – 9 spots you can still visit

Posted by Brian Cicioni | Apr 6, 2020 | Music , Pacific Northwest | 13 |

Soundgarden

Coryell apartments, the moore theatre, museum of pop culture, paramount theatre, ray's boathouse, a sound garden, west point lighthouse, ray’s boathouse.

Chris Cornell started working in this Seattle institution as a dishwasher back in the early 1980s. According to a Seattle Times article from around the one-year anniversary of his death, the young, long-haired teenager used to enjoy impersonating rock stars while he hosed off floor mats down by the dock. His older brother (Peter) got him the job, and he in turn, got his friend Kevin a job. Some say that Kevin from the song “Full On Kevin’s Mom” off Soundgarden’s 1989 major label debut is a reference to Chris’ former friend and co-worker.

View this post on Instagram A post shared by Brian Cicioni (@brianmayroam) on Aug 16, 2019 at 12:34pm PDT

The first of the Seattle grunge bands to sign to a major label, Soundgarden took their name from this outdoor public artwork located on the National Oceanic and Atmospheric Administration (NOAA) campus. The sculptural group of a dozen 21’ high steel towers makes un-grunge-like soothing sounds when the wind passes through. This is because each one is topped with an organ pipe attached to a weather vane. Bring your imagination and visit during a windy day, and maybe you’ll hear the intro to “The Day I Tried to Live” or “ Beyond the Wheel .”

Coryell Court Apartments (The Apartment Building from Singles)

The building first appears at the 8 minute and 35-second mark after the humorous black and white caption, “Have Fun Stay Single.” We first meet Cliff (played by Matt Dillon) and Steve in the building, and it makes numerous appearances throughout the film. Janet (played by Bridget Fonda) lives there as well.

Towards the end of the movie, there’s a hilarious scene where an excited Cliff surprises Janet with a new car stereo he installed for her. As the music starts ( “Jinx” by Tad ), a stoned-looking Chris Cornell comes walking out of one of the apartments dressed in black. As he’s standing beside Cliff bobbing his head, Cliff continues to turn up the music until all of the windows blow out on Janet’s car.

View this post on Instagram A post shared by Brian Cicioni (@brianmayroam) on Aug 22, 2019 at 8:07am PDT

This is the lighthouse you see in Temple of the Dog’s “Hunger Strike” video. Just months before Chris Cornell broke his Rusty Cage and Eddie Vedder let the world know that he’s still alive, Temple of the Dog released their only album . It started as a tribute to Mother Love Bone (Jeff Ament and Stone Gossard’s pre-Pearl Jam band) frontman, Andrew Wood. The project started with two songs, “Say Hello 2 Heaven” and “Reach Down” and eventually was released as an album featuring Chris Cornell and the Pearl Jam lineup from 1998-present. 

The Paramount Theatre

The Paramount has been on the National Register of Historic Places since 1974. Soundgarden’s March 6, 1992, Paramount show was released in its entirety under the same name as part of the 25th-anniversary re-release of Badmotorfinger .

The Moore Theatre

Dating back to 1907, the Moore is the oldest Seattle theatre that is still in use. Soundgarden recorded their 1988 Fopp EP here before signing with A & M.

MoPOP (Chris Cornell Statue)

In November 2016, the former Experience Music Project rebranded itself as the Museum of Pop Culture (MoPOP) . The famous guitar sculpture is still there, and you can still play with an array of instruments on the second floor, but the 140,000 square foot museum now focuses on film as well. Outside the museum, there’s a life-sized bronze statue of Chris Cornell, with guitar in hand.

View this post on Instagram A post shared by Brian Cicioni (@brianmayroam) on Aug 25, 2019 at 8:15am PDT

The 5th floor at the Hotel Max pays tribute to Sub Pop Records. Each door is designed with a black and white Charles Peterson photograph of a Seattle rock icon. Each room has a Crosley record player with a small Sub Pop vinyl collection along with some books about the grunge era. The door of room 509 has a Soundgarden picture from the Louder Than Love era. Inside the room, the vinyl version of Ultramega Ok hangs on the wall, held up by guitar straps.

View this post on Instagram A post shared by Brian Cicioni (@brianmayroam) on Aug 11, 2019 at 11:40am PDT

KEXP started in 1972 as part of the University of Washington. With a team of 60 employees and 45 deejays, they are on air 24/7, 365 days a year. Unlike other radio stations in the United States, KEXP disc jockeys are allowed to play what they want.

Tours are offered daily at 2 PM. In the summer months, there’s also a morning tour. They are limited to 45-minutes, which is not much time if you want to check out their extensive vinyl and CD collections. Two of the more interesting items in their collection are original 1991 vinyl releases of Nirvana’s Nevermind and Soundgarden’s Badmotorfinger . Numerous stickers are attached to the sleeves with comments from KEXP deejays. Comments include, “This entire album ( Badmotorfinger ) is a perfect fusion of rock/metal/punk.” When Chris Cornell died, hundreds of fans descended on the KEXP lobby area. The place quickly reached capacity, and an impromptu memorial service was held for one of the most iconic vocalists to come out of Seattle in the past 35 years.

View this post on Instagram A post shared by Brian Cicioni (@brianmayroam) on Aug 10, 2019 at 6:54pm PDT

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I stayed at the Kimpton Palladian Hotel , which is conveniently located across the street from the Moore Theatre and within walking distance of many other Seattle grunge landmarks . Here’s a more general list of rock and roll landmarks in Seattle .

About The Author

Brian Cicioni

Brian enjoys exploring different cities along public transit lines and writing about it on his blog, IMayRoam.com. He also writes about food tours, layovers, and exploring movie and musical landmarks. You can find some of his work on Fodor’s, Insider, InsideHook, Travel + Leisure, and USA Today. Brian has traveled to more than 50 countries as well as every state. On weekends, he leads music and film-focused tours of New York City. His five-star rated Goodfellas Tour of NYC has been featured in Airbnb Magazine. Always happy to offer tips to aspiring travel writers and tour guides, Brian has spoken at events, including the Travel & Adventure Show, TBEX, and the New York Times Travel Show.

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13 Comments

Wow! I only see this place when I’m watching movies. Thank you for the virtual tour!

Wow this place looks totally awesome! How I wish I have chance to visit in Seattle someday nice pictures!

You know growing up a Gen X kid, I definitely was aware of Soundgarden but I have to say in the 90s I very much disliked the whole grunge scene coming out of Seattle. It wasn’t until Chris Cornell took over the lead of Rage and became Audioslave that I suddenly fell in love with his voice and styles. Then after I returned to Soundgarden and my ear suddenly became appreciative of their music. I personally would love to see all the old places he played at in Seattle. I missed that the last time I was there but it is a great reason to return.

I was thrilled in 2005, when Audioslave began playing Soundgarden songs. But I didn’t think Chris sounded right singing RATM songs at all.

Yeah, I can see that. I preferred Rage over soundgarden back then, so it never bothered me. Did you ever see the Audioslave live concert in Cuba? Its amazeballs!!!

Yes, I have the Live in Cuba DVD. I actually prefer the Audioslave version of Outshined to the original.

Yeah, its great.

Omg, I can only imagine Seattle was a paradise for you! I lived there for a few years (in the 90s!) and love love loved the music scene. So happy I was there for it!

What a great unique way to visit a place, especially if you are a music lover. I would think that all the places you mention are visited regularly by fans of Soundgarden.

When in Seattle one definitely should check out the grunge spots!

I just visited Seattle for the first time in September and really loved it. Thanks for sharing a unique way to visit the city and how the area influenced Soundgarden.

Absolutely Loved your informative Soundgarden Tour of Seattle with real life references and photos.

Thanks, Vicky. Heading back out there this week.

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S6 E2 Soundgarden Ends Tour With Performance At LA’s The Wiltern

On a warm February night in Los Angeles, the legendary Seattle rock band Soundgarden concluded a sold-out winter tour in support of King Animal , their first studio album in over sixteen years. In front of a rapturous crowd, Live From the Artists Den captured this unforgettable night within the historic art deco setting of The Wiltern. Soundgarden interwove brand new songs with classic radio hits, along with rarities performed for the first time in front of a live audience. Over the extended set, the band showcased their legendary catalogue and unparalleled musicianship, solidifying their impact on the history of rock and roll.

The full 29-song concert film is available to stream and for purchase on Blu-ray, LP, CD, and Limited Edition Super Deluxe Box Set.

Soundgarden interwove brand new songs with classic radio hits, along with rarities performed for the first time in front of a live audience.

Behind the Den

  View this post on Instagram   A post shared by Artists Den (@artistsden) on Apr 15, 2020 at 9:01am PDT

Soundgarden

Legendary rock band Soundgarden formed in Seattle in 1984, emerging as one of the pioneers of grunge. Founded by frontman Chris Cornell and guitarist Kim Thayil, the band released its first full-length album, Ultramega OK , to critical acclaim in 1988. The band fine-tuned its sound with the additions of drummer Matt Cameron and bassist Ben Shepherd, achieving breakout success in 1994 with the release of its fourth album, Superunknown . Propelled by the singles “Black Hole Sun,” “Spoonman,” “Fell on Black Days,” and “The Day I Tried to Live,” Superunknown debuted at the top of the charts and won two Grammy Awards. Soundgarden released its followup album, Down on the Upside , in 1996. In the following years, Cornell embarked on several new projects, releasing three solo albums and forming the supergroup Audioslave with members of Rage Against the Machine, and Cameron joined the band Pearl Jam. Soundgarden returned to the stage in 2010 and released its sixth studio album, King Animal , on November 12, 2012. The album debuted at the Number 5 spot in the Billboard 200. In 2019, Soundgarden, in collaboration with the Artists Den, and the Cornell Estate released the album  Soundgarden: Live From the Artists Den showcasing the full 29 song set from the 2013 show.

The Wiltern opened in Los Angeles in 1931 as the Warner Brothers Western Theater, a vaudeville theater intended as the chain’s flagship venue. Closing quickly a year later, the theater reopened in the mid-1930s as The Wiltern, a reference to the intersection at which the theater sits (Wilshire and Western). Housed inside the landmark Pellissier Building, a dramatic Art Deco skyscraper covered in zig-zagging blue-green tiles, the theater features a spectacular interior designed by G. Albert Lansburgh and colorful murals by Anthony Heisbergen. The Wiltern fell into disrepair in the 1970s and faced demolition before local preservationists intervened and saved it. The theater was renovated and reopened in 1985. Photography courtesy of Colin Young-Wolff for Artists Den Entertainment.

You think you know what the songs do and what impact they have on the audience night after night, and it's just not true. It's always evolving. Chris Cornell

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Band residency. 26/11/1987; Concert at Savvy’s, Fort Worth, TX, USA. 27/11/1987; Concert at Savvy’s, Fort Worth, TX, USA. 28/11/1987; Concert at Savvy’s, Fort Worth, TX, USA. 29/11/1987; Concert at Savvy’s, Fort Worth, TX, USA. 30/11/1987; Concert at Savvy’s, Fort Worth, TX, USA. 10/12/1987; Concert at Metalworks, Arlington, TX, USA. 11/12/1987; Concert at Metalworks, Atlington, TX, USA. 12/12/1987; Concert at Metalworks, Arlington, TX, USA. 31/12/1987; Concert at Metalworks, Arlington, TX, USA. with Katt Daquiri. 01/01/1988; Concert at Metalworks, Arlington, TX, USA. with Katt Daquiri. 02/01/1988; Concert at Metalworks, Arlington, TX, USA. with Katt Daquiri. 24/06/1988; `Power Metal` album released. 1st album with Phil Anselmo. 02/07/1988; Concert at Arcadia Theatre, Dallas, TX, USA. 20/10/1988; Concert at Joe’s Garage, Ft. Worth, TX, USA. with Katt Daquiri. 20/12/1988; Concert at The Basement, Dallas, TX, USA. opening for Circus Of Power. 06/03/1989; Concert at The Cat Club, New York, NY, USA. 19/05/1989; Concert at Joe’s Garage, Fort Worth, TX, USA. with Kerry King as special guest. 01/06/1989; Concert at City Limits, Dallas, TX, USA. 02/06/1989; Concert at City Limits, Dallas, TX, USA. 03/06/1989; Concert at City Limits, Dallas, TX, USA. 16/06/1989; Concert at Joe’s Garage, Fort Worth, TX, USA. with Tailspin. 17/06/1989; Concert at Joe’s Garage, Fort Worth, TX, USA. with Tailspin. 01/07/1989; Concert at City Limits, Dallas, TX, USA. with Katt Daiquiri. 14/07/1989; Concert at The Bear Creek Crossin’ Club, De Soto, TX, USA. 15/07/1989; Concert at The Bear Creek Crossin’ Club, De Soto, TX, USA. 17/07/1989; Concert at City Limits, Dallas, TX, USA. with Hammerhead. 09/11/1989; Concert at City Limits, Dallas, TX, USA. 10/11/1989; Concert at City Limits, Dallas, TX, USA. 14/12/1989; Concert at City Limits, Dallas, TX, USA. 15/12/1989; Concert at City Limits, Dallas, TX, USA. 16/12/1989; Concert at City Limits, Dallas, TX, USA. 31/12/1989; Concert at The Basement, Dallas, TX, USA. 30/03/1990; Concert at L’Amour, Brooklyn, NY, USA. opening for Sanctuary & Fates Warning, with Dead-On. 25/05/1990; Concert at Backstage, ??, TX, USA. 02/06/1990; Concert at The Basement, Dallas, TX, USA. video shoot. 01/07/1990; Concert at The Basement, Dallas, TX, USA. video shoot. 13/07/1990; `Cowboys From Hell` album released. 21/07/1990; Concert at The Basement, Dallas, TX, USA. album release show. 26/07/1990; Concert at Kinetix, ??, CA, USA. with Forte. album release show. 18/08/1990; Concert at The Stone, San Francisco, CA, USA. opening for Suicidal Tendencies. 19/08/1990; Concert at The Bren Center, Los Angeles, CA, USA. opening for Exodus & Suicidal Tendencies. 20/08/1990; Concert at After The Gold Rush, Phoenix, AZ, USA. opening for Exodus & Suicidal Tendencies. 21/08/1990; Concert at ??, Tuscon, AZ, USA. 23/08/1990; Concert at ??, Denver, CO, USA. 25/08/1990; Concert at ??, Milwaukee, WI, USA. 26/08/1990; Concert at The Vic, Chicago, IL, USA. opening for Exodus & Suicidal Tendencies. 27/08/1990; Concert at First Avenue, Minniapolis, MN, USA. opening for Exodus & Suicidal Tendencies. 29/08/1990; Concert at Mississippi Nights, St. Louis, MD, USA. 30/08/1990; Concert at Bogarts, Cincinatti, OH, USA. opening for Exodus & Suicidal Tendencies. 31/08/1990; Concert at The Agora, Cleveand, OH, USA. opening for Exodus & Suicidal Tendencies. 01/09/1990; Concert at ??, Columbus, OH, USA. 02/09/1990; Concert at ??, Detroit, MI, USA. 04/09/1990; Concert at ??, Toronto, ON, Canada. 05/09/1990; Concert at The Spectrum, Montreal, QC, Canada. opening for Exodus & Suicidal Tendencies. 06/09/1990; Concert at Saratoga Winners, Albany, NY, USA. opening for Exodus & Suicidal Tendencies. 07/09/1990; Concert at The Ritz, New York City, NY, USA. opening for Exodus & Suicidal Tendencies. 08/09/1990; Concert at The Ritz, New York City, NY, USA. opening for Exodus & Suicidal Tendencies. 09/09/1990; Concert at ??, Boston, MA, USA. 10/09/1990; Concert at ??, Athens, NY, USA. 11/09/1990; Concert at ??, New Haven, CT, USA. 12/09/1990; Concert at ??, Philadelphia, PA, USA. 13/09/1990; Concert at Painters Mill Theater, Owings Mills, MY, USA. opening for Suicidal Tendencies & Exodus. 15/09/1990; Concert at The Concrete Foundations Forum, Los Angeles, CA, USA. 20/09/1990; Concert at ??, Providence, RI, USA. 21/09/1990; Concert at ??, Newark, NJ, USA. 22/09/1990; Concert at The Fastlane II, Astbury Park, NJ, USA. with Skitzo. 24/09/1990; Concert at ??, Boston, MA, USA. 25/09/1990; Concert at ??, Washington, DC, USA. 26/09/1990; Concert at ??, Pitsburgh, PA, USA. with Eviction & Solitude. 27/09/1990; Concert at ??, Rochester, NY, USA. 28/09/1990; Concert at ??, Brooklyn, NY, USA. 29/09/1990; Concert at ??, ??, NY, USA. 01/10/1990; Concert at ??, Baltimore, MD, USA. 03/10/1990; Concert at ??, Cleveland, OH, USA. 04/10/1990; Concert at ??, Toronto, ON, Canada. 05/10/1990; Concert at ??, Detroit, MI, USA. 06/10/1990; Concert at ??, Chicago, IL, USA. 07/10/1990; Concert at 7th Street Entry, Minneapolis, MN, USA. 08/10/1990; Concert at ??, St. Paul, MN, USA. 10/10/1990; Concert at The Lone Star, Kansas City, MO, USA. 11/10/1990; Concert at The Diamond Ballroom, Chatanooga City, OK, USA. 12/10/1990; Concert at ??, Wichita, KS, USA. 13/10/1990; Concert at Cain`s Ballroom, Tulsa, OK, USA. with Forte & Klokworq. 16/10/1990; Concert at ??, Houston, TX, USA. 17/10/1990; Concert at ??, San Antonia, TX, USA. 18/10/1990; Concert at ??, Austin, TX, USA. 04/11/1990; Concert at ??, Orlando, FL, USA. 05/11/1990; Concert at ??, Ft. Lauderdale, FL, USA. 06/11/1990; Concert at ??, Jacksonville, FL, USA. 07/11/1990; Concert at The Masquerade, Atlanta, GA, USA. opening for Prong, with Mind Over Four. 08/11/1990; Concert at ??, Hickory, NC, USA. 09/11/1990; Concert at ??, Wilmington, NC, USA. 11/11/1990; Concert at ??, Hadley, MA, USA. 12/11/1990; Concert at ??, Provodence, RI, USA. 13/11/1990; Concert at ??, Boston, MA, USA. 14/11/1990; Concert at ??, New York City, NY, USA. 15/11/1990; Concert at ??, Albany, NY, USA. 17/11/1990; Concert at ??, Montreal, QC, Canada. 18/11/1990; Concert at The Diamond Club, Toronto, ON, Canada. opening for Prong. 19/11/1990; Concert at Peabody`s Downunder, Cleveland, OH, USA. opening for Prong, with Mind Over Four. 20/11/1990; Concert at ??, Cincinatti, OH, USA. opening for Prong, with Mind Over Four. 23/11/1990; Concert at ??, Columbus, OH, USA. 24/11/1990; Concert at ??, Detroit, MI, USA. 25/11/1990; Concert at ??, Chicago, IL, USA. 26/11/1990; Concert at First Avenue, Indianapolis, IN, USA. opening for Prong, with Mind Over Four. 27/11/1990; Concert at City Center Theater, Green Bay, WI, USA. 28/11/1990; Concert at ??, Minniapolis, MN, USA. 30/11/1990; Concert at ??, Des Moines, IA, USA. 01/12/1990; Concert at The Outhouse, Lawrence, KS, USA. opening for Prong, with Mind Over Four. 02/12/1990; Concert at The Diamond Ballroom, Omaha, NE, USA. opening for Exodus & Prong. 03/12/1990; Concert at ??, St. Louis, MD, USA. 04/12/1990; Concert at ??, Memphis, TN, USA. 05/12/1990; Concert at The Backroom, Houston, TX, USA. opening for Prong, with Mind Over Four. 07/12/1990; Concert at ??, Dallas, TX, USA. 08/12/1990; Concert at ??, Dallas, TX, USA. 11/12/1990; Concert at ??, Denver, CO, USA. 12/12/1990; Concert at ??, Salt Lake City, UT, USA. 14/12/1990; Concert at The Quake, Reno, NV, USA. 15/12/1990; Concert at The Stone, San Francisco, CA, USA. with The Horde Of Torment. 16/12/1990; Concert at ??, Fresno, CA, USA. 17/12/1990; Concert at ??, Las Vegas, NV, USA. 19/12/1990; Concert at ??, Long Beach, CA, USA. 28/12/1990; Concert at ??, New Orleans, LA, USA. 29/12/1990; Concert at ??, Shreveport, LA, USA. 31/12/1990; Concert at ??, Houston, TX, USA. 20/01/1991; Concert at The Beachem Theatre, Orlando, FL, USA. opening for Morbid Angel, Deicide, Devastation & Fatal Sin. 31/02/1991; Concert at KB Hallen, Copenhagen, Denmark. opening for Judas Priest & Annihilator. 01/02/1991; Concert at Scandinavium, Gothenburg, Sweden. opening for Judas Priest & Annihilator. 02/02/1991; Concert at Isstadion, Stockholm, Sweden. opening for Judas Priest & Annihilator. 04/02/1991; Concert at Jaahalli, Helsinki, Finland. opening for Judas Priest & Annihilator. 06/02/1991; Concert at Rockerfeller Music Hall, Oslo, Norway. opening for Judas Priest & Annihilator. 08/02/1991; Concert at Grugahalle, Essen, Germany. opening for Judas Priest & Annihilator. 09/02/1991; Concert at Alsterdorfer Sporthalle, Hamburg, Germany. opening for Judas Priest & Annihilator. 11/02/1991; Concert at Eissporthalle, Berlin, Germany. opening for Annihilator. 12/02/1991; Concert at Eilenriedehalle, Hannover, Germany. opening for Annihilator. 14/02/1991; Concert at Saarlandhalle, Saarbrucken, Germany. opening for Judas Priest & Annihilator. 15/02/1991; Concert at Oberschwabenhalle, Ravensburg, Germany. opening for Annihilator. 16/02/1991; Concert at Carl-Diem-Halle, Wurzberg, Germany. opening for Judas Priest & Annihilator. 18/02/1991; Concert at Stadhalle, Offenbach, Germany. opening for Judas Priest & Annihilator. 19/02/1991; Concert at Olympiahalle, Munich, Germany. opening for Judas Priest & Annihilator. 20/02/1991; Concert at Bank-Austria Zelt, Vienna, Austria. opening for Judas Priest & Annihilator. 21/02/1991; Concert at Eisstadion Liebenau, Graz, Austria. opening for Judas Priest & Annihilator. 23/02/1991; Concert at Festhalle, Lucerne, Switzerland. opening for Judas Priest & Annihilator. 24/02/1991; Concert at Palasport Palaresa, Bolzano, Italy. opening for Judas Priest & Annihilator. 25/02/1991; Concert at Hala Tivoli, Ljublijana, Slovenia. opening for Judas Priest & Annihilator. 26/02/1991; Concert at Dom Sportova, Zagreb, Croatia. opening for Judas Priest & Annihilator. 01/03/1991; Concert at Teatro Tendastrice, Rome, Italy. opening for Annihilator. 02/03/1991; Concert at Palasport, Brescia, Italy. opening for Annihilator. 04/03/1991; Concert at Hanns-Martin-Schleyer-Halle, Stuttgart, Germany. opening for Annihilator. 05/03/1991; Concert at Friedrich-Ebert-Halle, Ludwigshafen Am Rhein, Germany . opening for Annihilator. 06/03/1991; Concert at Rhein-Mosel Halle, Keblenz, Germany. opening for Annihilator. 08/03/1991; Concert at The Bull Ring, Saragossa, Spain. opening for Annihilator. 09/03/1991; Concert at Velodromo De Anoeta, San Sebastian, Spain. opening for Judas Priest & Annihilator. 10/03/1991; Concert at Palacio De Deportes, Madrid, Spain. opening for Judas Priest & Annihilator. 12/03/1991; Concert at Transbordeur, Villeurbanne, France. opening for Judas Priest & Annihilator. 13/03/1991; Concert at Sportivo De Cascais, Cascais, Portugal. opening for Annihilator. 15/03/1991; Concert at Rijnhal, Arnhem, The Netherlands. opening for Judas Priest & Annihilator. 16/03/1991; Concert at Vorst National, Brussles, Belgium. opening for Judas Priest & Annihilator. 17/03/1991; Concert at Le Zenith, Paris, France. opening for Judas Priest & Annihilator. 19/03/1991; Concert at The Marquee, London, England. with Slammer. 19/03/1991; In Store Appearance at Shades, London, England. 10/04/1991; Concert at Bogarts, Cincinatti, OH, USA. opening for Wrathchild America. 11/04/1991; Concert at The Alrosa, ??, ??, USA. opening for Wrathchild America. 13/04/1991; Concert at The Ritz, ??, ??, USA. opening for Wrathchild America. 14/04/1991; Concert at The Avalon Nightclub, Chicago, IL, USA. with Wrathchild America & Demeted Ted. 20/04/1991; Concert at Hammerjacks, Baltimore, MD, USA. opening for Wrathchild America, with Mystic Force. 24/04/1991; Concert at Center Stage, ??, ??, USA. with Wrathchild America. 25/04/1991; Concert at Andale Hall, Andale, ??, USA. opening for Wrathchild America. 28/04/1991; Concert at The Visage Nightclub, Orlando, FL, USA. with Wrathchild America. 30/04/1991; Concert at St. Bernard Civic Center, Chalmette, LA, USA. with Wrathchild America. 01/05/1991; Concert at ??, Shreveport, LA, USA. with Wrathchild America. 04/05/1991; Concert at The Arcadia Theater, Dallas, TX, USA. with Wrathchild America. 05/05/1991; Concert at The Showcase, San Antonio, TX, USA. with Wrathchild America & Byfist. 07/05/1991; Concert at The Diamond Ballroom, Oklahoma City, OK, USA. with Wratchchild America. 12/05/1991; Concert at The Limelite, Grove Street, Reno, NV, USA. with Wrathchild America & Absolut. 14/05/1991; Concert at The Stone, San Francisco, CA, USA. with Wrathchild America, Panic & Oblivion. 15/05/1991; Concert at The Bandstand, Anaheim, CA, USA. with Wrathchild America & Kill Era. 16/05/1991; Concert at The Whiskey A-Go-Go, Hollywood, CA, USA. with Wrathchild America. 19/05/1991; Concert at Chandler Compadre Stadium, Chandler, AZ, USA. opening for Flotsam & Jetsam & Sacred Reich, with Wrathchild America etc. 21/05/1991; Concert at The Outhouse, Boston, MA, USA. with Wrathchild America & Kill Whitey. ​25/05/1991; Concert at The Newport Music Hall, ??, ??, USA. with Wrathchild America. 26/05/1991; Concert at Bogarts, Cincinatti, OH, USA. opening for Wrathchild America. 31/05/1991; Concert at Saratoga Winners, Albany, NY, USA. with Wrathchild America. 03/06/1991; Concert at Toad`s Place, New Haven. ??, USA. with Wrathchild America. 07/06/1991; Concert at The Airport Music Hall, Allentown, PA, USA. opening for Wratchild America, with Gothic Slam. 14/06/1991; Concert at The Ritz Music Hall, ??, ??, USA. with Wratchild America, Violent Demise & Cornucopia Of Death. 02/08/1991; Concert at Pink’s Garage, Honalulu, HI, USA. with B.Y.K. 28/09/1991; Concert at Tushino Airfield, Moscow, Russia. opening for AC/DC, Metallica, The Black Crowes. 23/11/1991; Concert at The Ritz Theatre, Tampa, FL, USA. 29/11/1991; Concert at The Vatican, Washington, DC, USA. 14/01/1992; Concert at The Roxy, Atlanta, GA, USA. 17/01/1992; Concert at Hammerjacks, Baltimore, MD, USA. 23/01/1992; Concert at ENT Hall, ??, ??, USA. opening for Skid Row. 25/01/1992; Concert at Club 1000, ??, ??, USA. 19/02/1992; Concert at Club 367, St. Louis, MO, USA. with Krazan. 21/02/1992; `Vulgar Display Of Power` album released. also released/advertised as 20/02/1992 in some territories. 22/02/1992; Concert at Harpo’s, Detroit, MI, USA. 23/02/1992; Concert at The Vic, Chicago, IL, USA. with Fates Warning & The Plague. 25/02/1992; Concert at McNichols Arena, ??, ??, USA. opening for Skid Row & Soundgarden. 08/03/1992; Concert at Henry J. Kaiser Center, San Francisco, CA, USA. opening for Skid Row. 09/03/1992; Concert at Sacremento Exhibit Hall, Sacremento, CA, USA. opening for Skid Row. 10/03/1992; Concert at The Event Centre, San Jose, CA, USA. opening for Skid Row. 20/03/1992; Concert at The Astro Arena, Houston, TX, USA. opening for Skid Row. 28/03/1992; Concert at Cains Ballroom, Tulsa, OK, USA. with My Sister`s Machine & Crowbar. 31/03/1992; Concert at The Mirage Nightclub, ??, MN, USA. with My Sister`s Machine & Crowbar. 01/04/1992; Concert at The Mirage Nightclub, ??, MN, USA. 12/04/1992; Concert at RPI Fieldhouse, ??, ??, USA. opening for Skid Row. 24/04/1992; Concert at The Paramount, ??, ??, USA. opening for Skid Row. 17/05/1992; Concert at The Riverfront, ??, ??, USA. opening for Skid Row. 27/05/1992; Concert at Fargo Civic Memorial Auditorium, ??, ??, USA. opening for Skid Row. 03/06/1992; Concert at The Trocadero, Philadelphia, PA, USA. 04/06/1992; Concert at The Metropol, ??, ??, USA. 08/06/1992; Concert at The Auditorium De Verdun, Montreal, QC, Canada. opening for Skid Row. 12/06/1992; Concert at The Meadowlands, East Rutherford, NJ, USA. opening for Skid Row. 26/06/1992; Concert at The San Diego Sports Arena, San Diego, CA, USA. with White Zombie & Crowbar. 27/06/1992; Concert at The Hollywood Palladium, Hollywood, CA, USA. with White Zombie, Crowbar. 08/07/1992; Concert at Kanin Hoken Hall, Tokyo, Japan. with Outrage. 09/07/1992; Concert at Kohwan, Kaiken, Nagoya, Japan. with Outrage. 11/07/1992; Concert at Midoh Kaikan, Osaka, Japan. with Outrage. 13/07/1992; Concert at Club Citta Kawasaki, Kanagawa, Japan. with Outrage. 14/07/1992; Concert at Nakano Sanplaza, Tokyo, Japan. with Outrage. 17/08/1992; Concert at The Pacific Amph., ??, ??, USA 18/08/1992; Concert at The Warfield, San Francisco, CA, USA. with White Zombie & Trouble. 19/08/1992; Concert at The Pioneer Centre, Reno, NV, USA. 23/08/1992; Concert at The Mirage Nightclub, ??, MN, USA. with Trouble & White Zombie. 26/08/1992; Concert at The Riviera, Chicago, IL, USA. 27/08/1992; Concert at The State Theatre, Detroit, MI, USA. 28/08/1992; Concert at The Exhibition Center, Cincinatti, OH, USA. with Trouble. 01/09/1992; Concert at The Spectrum, Montreal, QC, Canada. with White Zombie. 02/09/1992; Concert at E.M. Leow’s, Worcester, MA, USA. with White Zombie & Trouble. 04/09/1992; Concert at The Roseland, New York, NY, USA. 05/09/1992; Concert at The Boathouse, Norfolk, VA, USA. with White Zombie & Trouble. 12/09/1992; Concert at Aeroporto Di Reggio Emilia, Italy. opening for Iron Maiden etc. `Monsters Of Rock`. 14/09/1992; Concert at Plaza De Toros, Barcelona, Spain. opening for Iron Maiden etc. `Monsters Of Rock`. 17/09/1992; Concert at Velodromo De Anoete, San Sebastian, Spain. opening for Iron Maiden etc. `Monsters Of Rock`. 18/09/1992; Concert at Las Arenas Plaza De Toros, Madrid, Spain. opening for Iron Maiden etc. `Monsters Of Rock`. 19/09/1992; Concert at Municipal Tent, Madrid, Spain. opening for Iron Maiden etc. `Monsters Of Rock`. 22/09/1992; Concert at Le Zenith, Paris, France. opening for Megadeth, with Body Count. 24/09/1992; Concert at The Ulster Hall, Belfast, Ireland. opening for Megadeth. 27/09/1992; Concert at N.E.C. Arena, Birmingham, England. opening for Megadeth. 28/09/1992; Concert at The Pavillions, Plymouth, England. opening for Megadeth. 29/09/1992; Concert at Hammersmith Odeon, London, England. opening for Megadeth. 30/09/1992; Concert at Hammersmith Odeon, London, England. opening for Megadeth. 01/10/1992; Concert at Newport Centre, Newport, Wales. opening for Megadeth. 03/10/1992; Concert at The Barrowlands, Glasgow, Scotland. opening for Megadeth. 04/10/1992; Concert at The City Hall, Newcastle-Upon-Tyne, England. opening for Megadeth. 05/10/1992; Concert at The Apollo, Manchester, England. opening for Megadeth. 06/10/1992; Concert at Wessex Hall, Poole, England. opening for Megadeth. 07/10/1992; Concert at The Corn Eschange, Cambridge, England. opening for Megadeth. 16/10/1992; Concert at Burghal, Genk, Belgium. opening for Megadeth. 17/10/1992; Concert at Festhalle, Sempach, Germany. opening for Megadeth. 20/10/1992; Concert at The Docks, Hamburg, Germany. opening for Megadeth. 23/10/1992; Concert at Philpshalle, Dortmund, Germany. opening for Megadeth. 24/10/1992; Concert at Rijhal, Arnhem, The Netherlands. opening for Megadeth. 06/11/1992; Concert at The Commodore Ballroom, Vancouver, BC, Canada. 07/11/1992; Concert at The Roseland Theater, Portland, OR, USA. with Trouble. 08/11/1992; Concert at The Paramount Theater, Seattle, WA, USA. 10/11/1992; Concert at Sacremento Exhibit Hall, Sacremento, CA, USA. with Trouble. 11/11/1992; Concert at Huntridge Perf. Arts, Las Vegas, NV, USA. cancelled. 11/11/1992; Concert at The Event Center, San Jose, CA, USA. with Trouble. 12/11/1992; Concert at The Wilson Theatre, Fresno, CA, USA. with Trouble. 14/11/1992; Concert at The Starlight Bowl, SanDiego, CA, USA. 15/11/1992; Concert at The Anaconda Theater, Isla Vista, CA, USA. 16/11/1992; Concert at The Shrine Expo Hall, Los Angeles, CA, USA. 17/11/1992; Concert at Club Rio, Tempe, AZ, USA. 18/11/1992; Concert at The Amigo Center, Tucson, AZ, USA. 20/11/1992; Concert at The Fair Park Coliseum, Lubbock, TX, USA. 22/11/1992; Concert at The Myriad Exhibition Hall, Oklahoma City, OK, USA. 23/11/1992; Concert at Rockwave, San Antonio, TX, USA. 24/11/1992; Concert at The Unicorn, Houston, TX, USA. 25/11/1992; Concert at The Unicorn, Houston, TX, USA. 30/11/1992; Concert at The Edge, Ft. Lauderdale, TX, USA. with White Zombie. 01/12/1992; Concert at The Ritz Theatre, Ybor City, FL, USA. with White Zombie. 04/12/1992; Concert at The International Ballroom, Atlanta, GA, USA. with White Zombie. 05/12/1992; Concert at The Performance Hall, Nashville, TN, USA. with White Zombie. 10/12/1992; Concert at The Ranch Bowl, Omaha, Nebraska, USA. with White Zombie. 20/01/1993; Concert at The Marquee, London, England. with The Wildhearts. 21/01/1993; Concert at Elysee-Montmartre, Paris, France. with M.O.D.. 22/01/1993; Concert at Vooruit, Gent, Belgium. 24/01/1993; Concert at The Aladin, Bremen, Germany. 25/01/1993; Concert at The Docks, Hamburg, Germany. 26/01/1993; Concert at Huxley`s Neue Welt, Berlin, Germany. 27/01/1993; Concert at The Music Hall, Hannover, Germany. 29/01/1993; Concert at Pumphuset, Copenhagen, Denmark. 30/01/1993; Concert at Rocks, Odense, Denmark. 01/02/1993; Concert at The Paradiso, Amsterdam, The Netherlands. 02/02/1993; Concert at Noorderligt, Tilburg, The Netherlands. 03/02/1993; Concert at Real, Nurnberg, Germany. 04/02/1993; Concert at The Music Hall, Frankfurt, Germany. 05/02/1993; Concert at PC69, Bielfeld, Germany. 07/02/1993; Concert at Palagesto?, Milan, Italy. 10/02/1993; Concert at Nottingham Rock City, Nottingham, England. with Gruntruck. 10/02/1993; In Store Appearance at Way Ahead Records in Nottingham. 11/02/1993; Concert at The Town & Country Club, London, England. with Gruntruck. 11/02/1993; In Store Appearance at Rock It! Records in Croydon. 12/02/1993; Concert at The Newport Center, Wales. with Gruntruck. 13/02/1993; Concert at The Wolverhampton Civic Center, Wolverhampton, England. with Gruntruck. 14/02/1993; Concert at The Barrowlands, Glasgow, Scotland. with Gruntruck. 14/02/1993; In Store Appeareance at Tower Records in Glasgow. 15/02/1993; `Walk` single released. 16/02/1993; Concert at The SFX, Dublin, Ireland. with Gruntruck. (moved from 08/02). 04/03/1993; Concert at The Orpheum, Bostom, MA, USA. with Sacred Reich. 06/03/1993; Concert at The Concert Hall, Toronto, ON, Canada. with Sacred Reich. 07/03/1993; Concert at Le Spectrum, Montreal, QC, Canada. with Sacred Reich. 08/03/1993; Concert at Le Spectrum, Montreal, QC, Canada. with Sacred Reich. 09/03/1993; Concert at Ottowa Congress, Ottawa, ON, Canada. with Sacred Reich. 10/03/1993; Concert at Solide Rock, Quebec City, QC, Canada. with Sacred Reich. 12/03/1993; Concert at Palace Theatre, Albany, NY, USA. with Sacred Reich. 13/03/1993; Concert at Tower Theatre, Upper Darby, PA, USA. with Sacred Reich. 14/03/1993; Concert at The Agora Ballroom, Cleveland, OH, USA. with Sacred Reich. 15/03/1993; Concert at Michaels 8th Avenue, Glen Burnie, MD, USA. with Sacred Reich. 17/03/1993; Concert at Auditorium Theatre, Rochester, NY, USA. with Sacred Reich. 18/03/1993; Concert at Blind Melons, Cheektowaga, NY, USA. with Sacred Reich. 19/03/1993; Concert at The Roseland Ballroom, New York, NY, USA. with Sacred Reich. 20/03/1993; Concert at The Palladium, Warwick, RI, USA. with Sacred Reich. 21/03/1993; Concert at The Sting, New Britain, CT, USA. with Sacred Reich. 23/03/1993; Concert at Metropol, Pittsburgh, PA, USA. with Sacred Reich. 25/03/1993; Concert at Hara Arena, Dayton OH, USA. with Sacred Reich. (moved to April). 26/03/1993; Concert at Veterans Memorial, Columbus, OH, USA. with Sacred Reich. 27/03/1993; Concert at State Theatre, Detroit, MI, USA. with Sacred Reich. 28/03/1993; Concert at The Aragon Theatre, Chicago, IL, USA. with Sacred Reich. 02/04/1993; Concert at The Murat Theatre, Indianapolis, IN, USA. with Sacred Reich. 03/04/1993; Concert at The Sports Arena, Toledo, OH, USA. with Sacred Reich. 04/04/1993; Concert at Macauley Theatre, Louisville, KT, USA. with Sacred Reich. ??/04/1993; Concert at Hara Arena, Dayton, OH, USA. with Sacred Reich. (moved from 25/03 and was the last date of the tour, several dates were cancelled). 01/07/1993; Concert at DTE Energy Music Center, Clarkston, IL, USA. opening for Megadeth, with White Zombie. 02/07/1993; Concert at Cleveland Public Hall, Cleveland, OH, USA. opening for Megadeth, with White Zombie. 03/07/1993; Concert at Hara Arena, Dayton, OH, USA. opening for Megadeth, with White Zombie. 07/12/1993; Concert at Bilheteria Do Olympia, ??, Brazil. 08/12/1993; Concert at Bilheteria Do Olympia, ??, Brazil. 10/12/1993; Concert at Estacionamiento Del Poliedro, ??, ??. 07/03/1994; `I’m Broken` single released. 18/03/1994; `Far Beyond Driven` album released. also released/advertised as 21/03/1994 or 22/03/1994 in some territories. 25/03/1994; `Far Beyond Driven` album released in Japan. 25/03/1994; `Vulgar Video` released in Japan. 07/04/1994; Concert at The Tower Theater, ??, ??, USA. 10/04/1994; Concert at Fogel Sabourin, Montreal, QC, Canada. 13/04/1994; Concert at Roseland Ballroom, New York, NY, USA. 15/04/1994; Concert at The Agora Theatre, Cleveland, OH, USA. with Crowbar. 20/04/1994; Concert at The Aragon Ballroom, Chicago, IL, USA. with Crowbar. 21/04/1994; Concert at The American Theatre, ??, ??, USA. with Crowbar. 22/04/1994; Concert at The Memorial Hall, ??, ??, USA. 26/04/1994; Concert at The Civic Plaza, ??, ??, USA. 28/04/1994; Concert at The Warfield, San Francisco, CA, USA. 30/04/1994; Concert at The Civic Auditorium, Santa Monica, CA, USA. with Crowbar. 10/05/1994; Concert at ??, Tokyo, Japan. with White Zombie. 11/05/1994; Concert at ??, Osaka, Japan. with White Zombie. 13/05/1994; Concert at ??, Tokyo, Japan. with White Zombie. 14/05/1994; Concert at ??, Tokyo, Japan. with White Zombie. 14/06/1994; Concert at Donington Park, Donington, England. with Aerosmith etc.. `Monsters Of Rock`. 19/06/1994; Concert at Toledo Sports Arena, Toledo, OH, USA. 20/06/1994; Concert at Village Pantry, Deer Creek, ??, USA. 23/06/1994; Concert at The Coliseum, ??, ??, USA. 24/06/1994; Concert at The World Music Theatre, ??, ??, USA. with Sepultura & Biohazard. 29/06/1994; Concert at ??, ??, ??, USA. with Sepultura & Biohazard. 02/07/1994; Concert at Daytona Beach, Daytona, ??, USA. with Biohazard. 09/07/1994; Concert at PNE Forum, Vancouver, Canada. with Sepultura & Prong. 10/07/1994; Concert at Portland Meadows, Portland, OR, USA. with Sepultura & Prong. 11/07/1994; Concert at ??, Seattle, WA, USA. with Sepultura & Prong. 14/07/1994; Concert at Arco Arena, Sacremento, CA, USA. with Sepultura & Prong. 15/07/1994; Concert at The Event Centre, San Jose, CA, USA. with Sepultura & Prong. 17/07/1994; Concert at Irvine Meadows Amph., Irvine, CA, USA. with Sepultura & Prong. 19/07/1994; Concert at San Diego Sports Arena, San Diego, CA, USA. with Sepultura & Prong. 20/07/1994; Concert at Compton Terrace, Phoenix, AZ, USA. with Sepultura & Prong. 22/07/1994; Concert at The County Coliseum, El Paso, TX, USA. with Sepultura & Prong. 23/07/1994; Concert at The Convention Center, Abuquerque, NM, USA. with Sepultura & Prong. 25/07/1994; Concert at Red Rock Amph., Morrison, CO, USA. with Sepultura & Prong. 27/07/1994; Concert at Fair Park Coliseum, Lubbock, TX, USA. with Sepultura & Prong. 29/07/1994; Concert at Starplex Amph., Dallas, TX, USA. with Sepultura & Prong. 30/07/1994; Concert at South Park Meadows, Austin, TX, USA. with Sepultura & Prong. 31/07/1994; Concert at Astro Arena, Houston, TX, USA. with Sepultura & Prong. 03/08/1994; Concert at State Palace Theatre, New Orleans, LA, USA. with Sepultura & Prong. 05/08/1994; Concert at Lakewood Amph., Atlanta, GA, USA. with Sepultura & Prong. 06/08/1994; Concert at Blockbuster Pavillion, Charlotte, NC, USA. with Sepultura & Prong. 07/08/1994; Concert at Walnut Creek Amph., Raleigh, NC, USA. with Sepultura. 09/08/1994; Concert at Starwood Amph., Antioch, TN, USA. with Sepultura & Prong. 10/08/1994; Concert at Mid South Coliseum, Memphis, TN, USA. with Sepultura & Prong. 11/08/1994; Concert at Riverport Amph., St. Louis, MO, USA. with Sepultura & Prong. 13/08/1994; Concert at Apple River Amph., Somerset, WI, USA. with Sepultura & Prong. 14/08/1994; Concert at Alpine Valley, E. Troy, WI, USA. with Sepultura & Prong. 16/08/1994; Concert at Wings Stadium, Kalamazoo, MI, USA. with Sepultura & Prong. 17/08/1994; Concert at Polaris Amph., Columbus, OH, USA. with Sepultura. 19/08/1994; Concert at Nassau Coliseum, Uniondale, NY, USA. with Prong. 20/08/1994; Concert at The Spectrum, Philadelphia, PA, USA. 07/09/1994; Concert at The Barrowlands, Glasgow, Scotland. with Downset. 08/09/1994; Concert at City Hall, Newcastle, England. with Downset. 10/09/1994; Concert at The Royal Court, Liverpool, England. with Downset. 11/09/1994; Concert at Newport Centre, Newport, Wales. with Downset. 12/09/1994; Concert at Brixton Academy, London, England. with Downset. 14/09/1994; Concert at Manchester Labatts Apollo, Manchester, England. with Downset. 15/09/1994; Concert at The Civic Hall, Wolverhampton, England. with Downset. 16/09/1994; Concert at The Pavillion, Plymnouth, England. with Downset. 24/09/1994; Concert at Isstadion, Stockholm, Sweden. with Downset & The Almighty. 26/09/1994; Concert at Stadhalle 4, Bremen, Germany. 28/09/1994; Concert at Gross Freiheit, Hamburg, Germany. 29/09/1994; Concert at The Stadhalle, Offenbach, Germany. with Downset & The Almighty. October 1, 1994 at Boschhalle, Wels, Austria 03/10/1994; Concert at Congresszentrum, Stuttgart, Germany. with The Almighty & Downset. 05/10/1994; Concert at Kulturzelt, Leipzig, Germany. 06/10/1994; Concert at Rudi-Sedermayer-Halle, Munich, Germany. with The Almighty. 07/10/1994; Concert at Stadhalle, Furth, Germany. 08/10/1994; Concert at Die Halle, Berlin, Germany. with Downset & The Almighty. 10/10/1994; `Planet Caravan` single released. 10/10/1994; Concert at Turbinenhalle, Oberhausen, Germany. 11/10/1994; Concert at Music Hall, Hannover, Germany. 12/10/1994; Concert at De Vereeningen, Nijmengen, Holland. with The Almighty & Downset. 13/10/1994; Concert at Le Zenith, Paris, France. with The Almighty & Downset. 15/10/1994; Concert at Velodrome Anoeta, ??, ??. with The Almighty & Downset. 16/10/1994; Concert at Pabellon Del Real Madrid, Madrid, Spain. with The Almighty & Downset. 17/10/1994; Concert at Cascais, ??, ??. with Downset & The Almighty. 19/10/1994; Concert at Vall D`Hebron, ??, Spain. with The Almighty & Downset. 21/10/1994; Concert at The Forum, Milan, Italy. with The Almighty & Downset. 05/11/1994; Concert at Logan Campbell Centre, Auckland, New Zealand. 06/11/1994; Concert at Wellington Town Hall, Wellington, New Zealand. 08/11/1994; Concert at The Festival Hall, Brisbane, Australia. 09/11/1994; Concert at The Festival Hall, Brisbane, Australia. 11/11/1994; Concert at The Entertainment Centre, Newcastle, Australia. 12/11/1994; Concert at The Entertainment Centre, Sydney, Australia. 14/11/1994; Concert at The Festival Hall, Melbourne, Australia. 15/11/1994; Concert at The Festival Hall, Melbourne, Australia. 16/11/1994; Concert at The Entertainment Centre, Adelaide, Australia. 18/11/1994; Concert at The Entertainment Centre, Perth, Australia. 20/01/1995; Concert at Memorial Coliseum, Winston Salem, NC, USA. with Type O Negative. 22/01/1995; Concert at Nashville Municipal Auditorium, Nashville, TN, USA. 24/01/1995; Concert at The University Of N. Florida, Jacksonville, FL, USA. 25/01/1995; Concert at The Expo Hall, Tampa, FL, USA. 26/01/1995; Concert at West Pal Beach Auditorium, West Palm Beach, FL, USA. 28/01/1995; Concert at Edge Concert Field, Orlando, FL, USA. 31/01/1995; Concert at Hirsch Memorial Coliseum, Shreveport, LA, USA. 02/02/1995; Concert at The Expo Square Pavillion, Tulsa, OK, USA. with Type O Negative. 03/02/1995; Concert at Dallas Fair Park, Dallas, TX, USA. 05/02/1995; Concert at The Shrine Mosque, Springfield, MO, USA. 06/02/1995; Concert at The Memorial Hall, Kansas City, MO, USA. 07/02/1995; Concert at The Civic Auditorium, Omaha, NE, USA. 09/02/1995; Concert at The Target Center, Minniapolis, MN, USA. with Type O Negative. 11/02/1995; Concert at Palmer Civic Center, Danville, IL, USA. with Type O Negative. 17/02/1995; Concert at The State Fair Coliseum, Detroit, MI, USA. with Type O Negative. 19/02/1995; Concert at Rhodes Arena, Akron, OH, USA. with Type O Negative. 21/02/1995; Concert at Ft. Wayne Coliseum Arena, ??, ??, USA. 22/02/1995; Concert at Louisville Gardens, Louisville, KY, USA. 04/03/1995; Concert at Auditorium De Verdun, Montreal, QC, Canada. with Type O Negative. 06/03/1995; Concert at Nassau Coliseum, New York, NY, USA. with Type O Negative. 13/03/1995; Concert at ??, ??, USA. with Type O Negative. 17/03/1995; Concert at Jonnyland, Corpus Christi, TX, USA. with Type O Negative. 30/03/1995; Concert at The Event Centre, San Jose, CA, USA. with Type O Negative. 31/03/1995; Concert at The Wilson Theatre, ??, ??, USA. with Type O Negative. 21/04/1995; Concert at Estadio Ferrocarril Oeste, ??, Argentina. 31/12/1995; Concert at ??, ??, ??, USA. 28/06/1996; Concert at LJVM Coliseum, Winston-Salem, NC, USA. with White Zombie. 29/06/1996; Concert at Hampton Coliseum, Hampton, VA, USA. with White Zombie. 01/07/1996; Concert at The Fox, Louisville, KY, USA. with White Zombie. 02/07/1996; Concert at Starwood Amph., Nashville, TN, USA. with White Zombie. 03/07/1996; Concert at Oak Mountain Amph., Pelham, AL, USA. with White Zombie. 05/07/1996; Concert at Jacksonville Coliseum, Jacksonville, FL, USA. with White Zombie. 06/07/1996; Concert at Miami Arena, Miami, FL, USA. with White Zombie. 07/07/1996; Concert at Orlando Arena, Orlando, FL, USA. with White Zombie. 09/07/1996; Concert at The Civic Center, Savannah, GA, USA. with White Zombie. 11/07/1996; Concert at Kiefer Uno L`Front Arena, New Orleans, LA, USA. with White Zombie & Eyehategod. 12/07/1996; Concert at The Summit, Houston, TX, USA. with White Zombie. 13/07/1996; Concert at Starplex Ampitheater, Dallas, TX, USA. with White Zombie. 15/07/1996; Concert at Freeman Coliseum, San Antonio, TX, USA. with White Zombie. 16/07/1996; Concert at Convention Centre Hall, Albuquerque, NM, USA. with White Zombie. 18/07/1996; Concert at Compton Terrace, Chandler, AZ, USA. with White Zombie. 19/07/1996; Concert at The Forum, Los Angeles, CA, USA. with White Zombie. 20/07/1996; Concert at The Sports Arena, San Diego, CA, USA. with White Zombie & Eyehategod. 22/07/1996; Concert at The Cow Palace, San Francisco, CA, USA. with White Zombie & Eyehategod. 23/07/1996; Concert at The Arco Arena, Sacremento, CA, USA. with White Zombie. 25/07/1996; Concert at Memorial Coliseum, Portland, OR, USA. with White Zombie & Eyehategod. 26/07/1996; Concert at Pacific Coliseum, Vancouver, BC, Canada. with White Zombie. 27/07/1996; Concert at The Gorge Amph., George, WA, USA. with White Zombie. 29/07/1996; Concert at Redrocks / Mcnichol, ??, ??, USA. with White Zombie. 01/08/1996; Concert at Kansas Coliseum, Valley Center, KS, USA. with White Zombie & The Deftones. 02/08/1996; Concert at Riverport Amph., Maryland Heights, MO, USA. with White Zombie & The Deftones. 03/08/1996; Concert at Sandstone Amph., Bonner Springs, KS, USA. with White Zombie. 05/08/1996; Concert at Target Center, Milliapolis, MN, USA. with White Zombie & The Deftones. 06/08/1996; Concert at 5 Seasons Centre, Cedar Rapids, IA, USA. with White Zombie & The Deftones. 07/08/1996; Concert at Marcus Amph., Milwaukee, WI, USA. with White Zombie & The Deftones. 09/08/1996; Concert at Rosemont Horizon, Chicago, IL, USA. with White Zombie & The Deftones. 10/08/1996; Concert at The Palace Of Auburn Hills, Detroit, MI, USA. with White Zombie & The Deftones. 11/08/1996; Concert at Deer Creek, Noblesville, IN, USA. with White Zombie & The Deftones. 12/08/1996; Concert at Wings Stadium, Kalamazoo, MI, USA. with White Zombie & The Deftones. 14/08/1996; Concert at Hara Arena, Dayton, OH, USA. with White Zombie & The Deftones. cancelled. 15/08/1996; Concert at Blossom Music Centre, Cleveland, OH, USA. with White Zombie & The Deftones. 16/08/1996; Concert at Copps Coliseum, Hamilton, ON, Canada. with White Zombie & The Deftones. 18/08/1996; Concert at Star Lake Amph., Pittsburgh, PA, USA. with White Zombie & The Deftones. 19/08/1996; Concert at Blockbuster Ent. Centre, Philadelphia, PA, USA. with White Zombie & The Deftones. 22/08/1996; Concert at The Meadows, Hartford, CT, USA. with White Zombie & The Deftones. 23/08/1996; Concert at Nissan Pavillion, Bristow, VA, Canada. with White Zombie & The Deftones. 24/08/1996; Concert at Continental Airlines Arena, East Rutherford, NJ, USA. with White Zombie & The Deftones. 26/08/1996; Concert at The Centrum, Worcester, MA, USA. with White Zombie & The Deftones. 27/08/1996; Concert at ??, Augusta, MA, USA. with White Zombie & The Deftones. 28/08/1996; Concert at Knickerbocker Arena, Albany, NY, USA. with White Zombie & The Deftones 09/01/1997; Concert at Roy Wilkins Auditorium, St. Paul, MN, USA. with Clutch & Neurosis. 10/01/1997; Concert at Bruce Hall, Milwaukee, WI, USA. with Clutch & Neurosis. 12/01/1997; Concert at Pepsi Coliseum, Indianapolis, IN, USA. with Clutch & Neurosis. 14/01/1997; Concert at Wallace Civic Center, Fitchburg, MA, USA. with Clutch & Neurosis. 15/01/1997; Concert at The Strand, Providence, RI, USA. with Clutch & Neurosis. 16/01/1997; Concert at Metropolis, Montreal, QC, Canada. with Clutch & Neurosis. 18/01/1997; Concert at The Convention Center, Asbury Park, NJ, USA. with Clutch & Neurosis. 19/01/1997; Concert at The Roseland, New York City, NY, USA. with Clutch & Neurosis. 21/01/1997; Concert at Roberts Stadium, Evansville, IN, USA. with Clutch & Neurosis. 22/01/1997; Concert at Hara Arena, Dayton, OH, USA. with Clutch & Neurosis. 24/01/1997; Concert at Michigan State Fairground, Detroit, MI, USA. with Clutch & Neurosis. 25/01/1997; Concert at The Aragon Ballroom, Chicago, IL, USA. with Clutch & Neurosis. 26/01/1997; Concert at Rhodes Arena, Akron, OH, USA. with Clutch & Neurosis. 28/01/1997; Concert at The American Theater, St. Louis, MO, USA. with Clutch & Neurosis. 30/01/1997; Concert at Mammoth Events Center, Denver, CO, USA. with Clutch & Neurosis. 01/02/1997; Concert at Salt Air, Salt Lake City, UT, USA. with Clutch & Neurosis. 03/02/1997; Concert at Spokane Convention Centre, Spokane, WA, USA. with Clutch & Neurosis. 04/02/1997; Concert at Mercer Arena, Seattle, WA, USA. with Clutch & Neurosis. 05/02/1997; Concert at Salem Armory, Salem, OR, USA. with Clutch & Neurosis. 07/02/1997; Concert at San Jose Events Center, San Jose, CA, USA. with Clutch & Neurosis. 08/02/1997; Concert at Orange Pavillion, San Bernadino, CA, USA. with Clutch & Neurosis. 09/02/1997; Concert at Mesa Amph., Mesa, AZ, USA. with Clutch & Neurosis. 13/02/1997; Concert at Villa Real Convention Center, Mc Allen, TX, USA. with Clutch & Neurosis. 14/02/1997; Concert at Live Oak Civic Centre, Live Oak, TX, USA. with Clutch & Neurosis. 15/02/1997; Concert at Fair Park Coliseum, Dallas, TX, USA. with Clutch & Neurosis. 14/03/1997; Concert at Estadio River Plate, Mexico City, Mexico. opening for Kiss. 24/05/1997; Concert at The Nissan Pavillion, Bristow, VA, USA. opening for Black Sabbath etc.. (May 24th – June 29th ‘The Ozzfest 1997’ tour). 26/05/1997; Concert at Coral Sky Pavillion, West Palm Beach, FL, USA. opening for Black Sabbath etc.. 28/05/1997; Concert at Blockbuster Pavillion, Charlotte, NC, USA. opening for Black Sabbath etc.. 31/05/1997; Concert at Alamodome, San Antonio, TX, USA. opening for Black Sabbath etc.. 01/06/1997; Concert at Starplex Arena, Dallas, TX, USA. opening for Black Sabbath etc.. 03/06/1997; Concert at Blossom Music Centre, Cuyahoga Falls, IO, USA. opening for Black Sabbath etc.. 04/06/1997; Concert at Deer Creek Music Centre, Noblesville, IN, USA. opening for Black Sabbath etc.. 07/06/1997; Concert at Star Lake Amph., Burgettstown, PN, USA. opening for Black Sabbath etc.. 08/06/1997; Concert at Blockbuster Entertainment Centre, Camden, NJ, USA. opening for Black Sabbath etc.. 10/06/1997; Concert at Riverport Amph., Maryland Heights, MS, USA. opening for Black Sabbath etc.. 12/06/1997; Concert at Pine Knob Music Theatre, Clarkston. MI, USA. opening for Black Sabbath etc.. 14/06/1997; Concert at Great Woods Theatre, Mannsfield MA, USA. opening for Black Sabbath etc.. 15/06/1997; Concert at Giants Stadium, East Rutherford, NJ, USA. opening for Black Sabbath etc.. 17/06/1997; Concert at Polaris Amph., Columbus, OH, USA. opening for Black Sabbath etc.. 19/06/1997; Concert at New World Music Theatre, Tinley Park, IL, USA. opening for Black Sabbath etc.. 21/06/1997; Concert at Alpine Valley Music Theatre, East Troy, WI, USA. opening for Black Sabbath etc.. 22/06/1997; Concert at Metrodome, Minneapolis, MN, USA. opening for Black Sabbath etc.. 24/06/1997; Concert at Mile High Stadium, Denver, CO, USA. opening for Black Sabbath etc.. 26/06/1997; Concert at Blockbuster Desert Sky Pavillion, Phoenix, AZ, USA. opening for Black Sabbath etc.. 28/06/1997; Concert at Thomas & Mack Centre, Paradise, NV, USA. opening for Black Sabbath etc.. 29/06/1997; Concert at Glen Helen Blockbuster Amph., Devore, CA, USA. opening for Black Sabbath etc.. 17/07/1997; Concert at Palacio De Los Deportes, ??, Mexico. with Anthrax. 19/07/1997; Concert at Auditorio Coca Cola, ??, Mexico. 04/09/1997; Concert at ??, Nashville, TN, USA. with Machine Head & Coal Chamber. 05/09/1997; Concert at LJVM Coliseum, Winston-Salem, NC, USA. with Machine Head & Coal Chamber. 06/09/1997; Concert at Cumberland City Arena, Fayetteville, NC, USA. with Machine Head & Coal Chamber. 07/09/1997; Concert at The International Ballroom, Atlanta, GA, USA. with Machine Head & Coal Chamber. 09/09/1997; Concert at The Electric Factory, Philadelphia, PA, USA. with Machine Head & Coal Chamber. 10/09/1997; Concert at The Roseland, New York City, NY, USA. with Machine Head & Coal Chamber. 12/09/1997; Concert at The Meadows, Hartford, CT, USA. with Machine Head & Coal Chamber. 13/09/1997; Concert at ??, Asbury Park, NJ, USA. with Machine Head & Coal Chamber. 14/09/1997; Concert at ??, Wheeling, WV, USA. with Machine Head & Coal Chamber. 16/09/1997; Concert at Nautica, Cleveland, OH, USA. with Machine Head & Coal Chamber. 17/09/1997; Concert at ??, Toledo, OH, USA. with Machine Head & Coal Chamber. 18/09/1997; Concert at Wings Stadium, Kalamazoo, MI, USA. with Machine Head & Coal Chamber. 19/09/1997; Concert at ??, Detroit, MI, USA. with Machine Head & Coal Chamber. 20/09/1997; Concert at Toledo Sports Arena, Dayton, OH, USA. with Machine Head & Coal Chamber. 21/09/1997; Concert at Riverbend Music Center, ??, ??, USA. with Machine Head & Coal Chamber. 22/09/1997; Concert at ??, Kalamazoo, MI, USA. with Machine Head & Coal Chamber. (possibly moved to 18th). 23/09/1997; Concert at The Aragon Ballroom, Chicago, IL, USA. with Machine Head & Coal Chamber. 24/09/1997; Concert at ??, Mineapolis, MN, USA. with Machine Head & Coal Chamber. 26/09/1997; Concert at ??, Omaha, NE, USA. with Machine Head & Coal Chamber. 27/09/1997; Concert at ??, Kansas City, KS, USA. with Machine Head & Coal Chamber. 28/09/1997; Concert at Red Rocks, Springfield, MO, USA. with Machine Head & Coal Chamber. 01/10/1997; Concert at The Sunken Gardens, San Antonio, TX, USA. with Machine Head & Coal Chamber. 02/10/1997; Concert at Texas Sky, Corpus Christi, TX, USA. with Machine Head & Coal Chamber. 14/11/1997; Concert at The Hollywood Palladium, Hollywood, CA, USA. with Anthrax & Coal Chamber. 15/11/1997; Concert at State University, San Jose, CA, USA. 17/11/1997; Concert at The Memorial Auditorium, Sacremento, CA, USA. with Anthrax & Coal Chamber. 19/11/1997; Concert at Salem Armory, Salem, OR, USA. with Anthrax & Coal Chamber. 01/12/1997; Concert at Villa Real Convention Center, McAllen, TX, USA. with Anthrax, Coal Chamber & Pumb Jack. 03/12/1997; Concert at The UC Arena, Orlando, FL, USA. 05/12/1997; Concert at The Expo Hall, Tampa, FL, USA. 07/12/1997; Concert at Coast Coliseum, Biloxi, MS, USA. with Anthrax, Coal Chamber & Soilent Green. 16/01/1998; Concert at Fort Wayne Coliseum, Fort Wayne, IN, USA. 20/01/1998; Concert at Dayton Hara Arena, Dayton, OH, USA. 24/01/1998; Concert at Worcester Memorial Auditorium, Worcester, ma, USA. 26/01/1998; Concert at Central Maine Civic Centre, Lewiston, ME, USA. with Anthrax. 28/01/1998; Concert at The Pavillion Bell, ??, QC, Canada. with Anthrax & Coal Chamber. 29/01/1998; Concert at The Warehouse, ??, ??, USA. 31/01/1998; Concert at The Auditorium, Milwaukee, WI, USA. 30/05/1998; Concert at Zenith, Paris, France. 03/06/1998; Concert at Kisstadion, Budapest, Hungary. opening for Black Sabbath. `The Ozzfest `98`. 04/06/1998; Concert at Wels Rock, Vienna, Austria. opening for Black Sabbath. `The Ozzfest `98`. 06/06/1998; Concert at Filaforum Assago, Milan, Italy. opening for Black Sabbath. `The Ozzfest `98`. 09/06/1998; Concert at Atleticky Stadion, Prague, Czech Republic. opening for Black Sabbath. `The Ozzfest `98`. 10/06/1998; Concert at Spodek, Katowice, Poland. opening for Black Sabbath. `The Ozzfest `98`. 13/06/1998; Concert at Festival, Hultsfred, Sweden. opening for Black Sabbath. `The Ozzfest `98`. 14/06/1998; Concert at Provinssirock Festival, Seinjaki, Finland. opening for Black Sabbath. `The Ozzfest `98`. 16/06/1998; Concert at Arena Auditorium, Valencia, France. with Stuck Mojo. 20/06/1998; Concert at The National Bowl, Milton Keynes, England. opening for Black Sabbath. `The Ozzfest `98`. 22/06/1998; Concert at Football Stadium, San Sebastian, Spain. opening for Black Sabbath. `The Ozzfest `98`. 25/06/1998; Concert at Festival, Roskilde, Denmark. opening for Black Sabbath. `The Ozzfest `98`. 27/06/1998; Concert at Open Air Festival, St. Gallen, Switzerland. opening for Black Sabbath. `The Ozzfest `98`. 28/06/1998; Concert at The Metal Meeting, Dessel, Belgium. opening for Black Sabbath. `The Ozzfest `98`. 30/06/1998; Concert at The Spectrum, Oslo, Norway. opening for Black Sabbath. `The Ozzfest `98`. 31/12/1998; Concert at Bankone Ballpark, Phoenix, AZ, USA. opening for Black Sabbath, with Megadeth, Slayer & asst. 02/01/1999; Concert at Thomas & Mack Center, Las Vegas, NV, USA. opening for Black Sabbath. 05/01/1999; Concert at The Forum, Los Angeles, CA, USA. opening for Black Sabbath. 07/01/1999; Concert at The Pon, Anaheim, CA, USA. opening for Black Sabbath. 08/01/1999; Concert at San Jose Arena, San Jose, CA, USA. opening for Black Sabbath, with Incubus. 11/01/1999; Concert at Rose Garden, Portland, OR, USA. opening for Black Sabbath. 12/01/1999; Concert at Key Arena, Seattle, WA, USA. opening for Black Sabbath. 14/01/1999; Concert at Delta Center, Salt Lake City, UT, USA. opening for Black Sabbath. 15/01/1999; Concert at McNichols Arena, Denver, CO, USA. opening for Black Sabbath. 17/01/1999; Concert at Target Center, Minniaplois, MN, USA. opening for Black Sabbath. 19/01/1999; Concert at Rosemont Horizon, Chicago, IL, USA. opening for Black Sabbath. 22/01/1999; Concert at Alamodome, San Antonio, TX, USA. opening for Black Sabbath. 24/01/1999; Concert at Reunion Arena, Dallas, TX, USA. opening for Black Sabbath. 25/01/1999; Concert at Compaq Center, Houston, TX, USA. opening for Black Sabbath. 28/01/1999; Concert at First Union Spectrum, Philaelphia, PA, USA. opening for Black Sabbath. 29/01/1999; Concert at Civic Arena, Pittsburgh, PA, USA. opening for Black Sabbath. 01/02/1999; Concert at Bryce Jordan Center, State College, PA, USA. opening for Black Sabbath. 03/02/1999; Concert at Fleet Center, Boston, MA, USA. opening for Black Sabbath. 05/02/1999; Concert at Meadowlands, East Rutherford, NJ, USA. opening for Black Sabbath. 06/02/1999; Concert at Nassau Coliseum, Uniondale, NY, USA. opening for Black Sabbath. 09/02/1999; Concert at Marine Midlan Arena, Buffalo, NY, USA. opening for Black Sabbath, with Deftones. 11/02/1999; Concert at Forum, Montreal, Canada. opening for Black Sabbath. 12/02/1999; Concert at ??, Toronto, Canada. opening for Black Sabbath. 14/02/1999; Concert at The Palace, Detroit, MI, USA. opening for Black Sabbath. 15/02/1999; Concert at The Palace, Detroit, MI, USA. opening for Black Sabbath. 30/04/1999; Concert at Foro Sol, Mexico City, Mexico. opening for Metallica, with Monster Magnet. 18/03/2000; album release party at The Clubhouse, ??, ??, USA. 27/03/2000; `Reinventing The Steel` album released. also released/advertised as 21/03/2000 in some territories. 17/04/2000; Concert at Arenan, Stockholm, Sweden. with Powerman 5000 & Satyricon. 18/04/2000; Concert at ??, Oslo, Norway. with Powerman 5000 & Satyricon. 19/04/2000; Concert at KB-Hallen, Stockholm, Sweden. with Powerman 5000 & Satyricon. 21/04/2000; Concert at Columbiahalle, Berlin, Germany. with Powerman 5000 & Satyricon. 22/04/2000; Concert at E-Werk, Cologne, Germany. with Powerman 5000 & Satyricon. 23/04/2000; Concert at Maaspoort, Den Bosche, The Netherlands. with Powerman 5000 & Satyricon. 25/04/2000; Concert at Newport Centre, Newport, Wales. with Powerman 5000 & Satyricon. 26/04/2000; Concert at Wolverhampton Civic Hall, Wolverhapton, England. with Powerman 5000 & Satyricon. 27/04/2000; Concert at The Apollo, Manchester, England. with Powerman 5000 & Satyricon. 28/04/2000; Concert at The Barrowlands, Glasgow, Scotland. with Powerman 5000 & Satyricon. 30/04/2000; Concert at Brixton Academy, London, England. with Powerman 5000 & Satyricon. 01/05/2000; Concert at Ancienne, Brussels, Belgium. with Powerman 5000 & Satyricon. 03/05/2000; Concert at Filaforum, Milan, Italy. with Powerman 5000 & Satyricon. 04/05/2000; Concert at Palas, Bologna, Italy. with Powerman 5000 & Satyricon. 05/05/2000; Concert at ??, Geneva, Italy. with Powerman 5000 & Satyricon. 06/05/2000; Concert at Colosseum, Munich, Germany. with Powerman 5000 & Satyricon. 08/05/2000; Concert at Kodeljevo, Llubljana, Slovenia. with Powerman 5000 & Satyricon. 10/05/2000; Concert at Longhorn, Stuttgart, Germany. with Powerman 5000 & Satyricon. 12/05/2000; Concert at ??, Barcelona, Spain. 13/05/2000; Concert at ??, San Sebastian, Spain. 15/05/2000; Concert at ??, Villeurbanne, France. 16/05/2000; Concert at ??, Strasburg, Germany. 18/05/2000; Concert at ??, Paris, France. 18/06/2000; Concert at ??, Yokohama, Japan. 19/06/2000; Concert at ??, Tokyo, Japan. 22/06/2000; Concert at Umeda Heat Beat, Osaka, USA. 02/07/2000; Concert at Mars Music Amph., West Palm Beach, FL, USA. opening for Ozzy Osbourne etc.. (July 2nd – Sept. 2nd ‘The Ozzfest 2000’ tour). 04/07/2000; Concert at Lakewood Amph., Atlanta, GA, USA. opening for Ozzy Osbourne etc.. 06/07/2000; Concert at AmSouth Amph., Antioch, TN, USA. opening for Ozzy Osbourne etc.. 08/07/2000; Concert at Blockbuster Pavillion, Charlotte, NC, USA. opening for Ozzy Osbourne etc.. 10/07/2000; Concert at GTE Virginia Beach Amph., Virginia Beach, VA, USA. opening for Ozzy Osbourne etc.. 12/07/2000; Concert at Pine Knob Music Theatre, Clarkston, MI, USA. opening for Ozzy Osbourne etc.. 14/07/2000; Concert at Nissan Pavillion, Bristow, VA, USA. opening for Ozzy Osbourne etc.. 16/07/2000; Concert at Post Gazzette Pavillion, Burgettstown, PN, USA. opening for Ozzy Osbourne etc.. 18/07/2000; Concert at Polaris Amph., Columbus, OH, USA. opening for Ozzy Osbourne etc.. 20/07/2000; Concert at Blossom Music Center, Cuyahoga Falls, OH, USA. opening for Ozzy Osbourne etc.. 22/07/2000; Concert at Blockbuster Sony Entertainment Center, Camden, NJ, USA. opening for Ozzy Osbourne etc.. 24/07/2000; Concert at PNC Banks Art Center, Holmdel, NJ, USA. opening for Ozzy Osbourne etc.. 26/07/2000; Concert at Saratoga Performing Arts Center, Saratoga Springs, NY, USA. opening for Ozzy Osbourne etc.. 29/07/2000; Concert at Tweeter Center, Mansfield, MA, USA. opening for Ozzy Osbourne etc.. 30/07/2000; Concert at Tweeter Center, Mansfield, MA, USA. opening for Ozzy Osbourne etc.. 04/08/2000; Concert at New World Theatre, Tinley Park, IL, USA. opening for Ozzy Osbourne etc.. 06/08/2000; Concert at Alpine Valley Music Theatre, East Troy, WI, USA. opening for Ozzy Osbourne etc.. 08/08/2000; Concert at Riverbend Music Center, Cincinatti, OH, USA. opening for Ozzy Osbourne etc.. 10/08/2000; Concert at Deer Creek Music Center, Noblesville, IN, USA. opening for Ozzy Osbourne etc.. 12/08/2000; Concert at Float Rite Park Amph., Somerset, WI, USA. opening for Ozzy Osbourne etc.. 14/08/2000; Concert at Riverport Amph., Maryland Heights, MS, USA. opening for Ozzy Osbourne etc.. 16/08/2000; Concert at Sandstone Amph., Bonner Springs, KS, USA. opening for Ozzy Osbourne etc.. 18/08/2000; Concert at Starplex Arena, Dallas, TX, USA. opening for Ozzy Osbourne etc.. 20/08/2000; Concert at Houston Raceway Park, Houston, TX, USA. opening for Ozzy Osbourne etc.. 24/08/2000; Concert at The Gorge Amph., George, WA, USA. opening for Ozzy Osbourne etc.. 26/08/2000; Concert at Shoreline Amph., Mountain View, CA, USA. opening for Ozzy Osbourne etc.. 28/08/2000; Concert at Sacremento Valley Amph., Marysville, CA, USA. opening for Ozzy Osbourne etc.. 30/08/2000; Concert at Blockbuster Desert Sky Pavillion, Phoenix, AZ, USA. opening for Ozzy Osbourne etc.. 02/09/2000; Concert at Glen Helen Blockbuster Pavillion, Devore, CA, USA. opening for Ozzy Osbourne etc.. 22/09/2000; Concert at Palacio De Los Deportes, ??, ??, ??. with Type O Negative & Puya. 07/11/2000; Concert at Mississippi Coast Coliseum, Biloxi, MS, USA. with Kittie. 08/11/2000; Concert at Boutwell Coliseum, Birmingham, AL, USA. with Kittie. 10/11/2000; Concert at Hard Rock Live, Orlando, FL, USA. with Kittie. 11/11/2000; Concert at USF Sundome, Tampa, FL, USA. with Kittie & Morbid Angel. 13/11/2000; Concert at Hampton Coliseum, Hampton, VA, USA. with Kittie. 14/11/2000; Concert at Mellon Arena, Pittsburgh, PA, USA. with Kittie. 16/11/2000; Concert at Tsongas Arena, Lowell, MA, USA. with Kittie. 17/11/2000; Concert at Hammerstein Ballroom, New York, NY, USA. with Kittie. 18/11/2000; Concert at First Union Spectrum, Philadelphia, PA, USA. with Kittie. 20/11/2000; Concert at Hara Arena, Dayton, OH, USA. with Kittie. 21/11/2000; Concert at Allstate Arena, Rosemont, IL, USA. with Kittie. 22/11/2000; Concert at US Cellular Arena, Milwaukee, WI, USA. with Kittie. 24/11/2000; Concert at The Pepsi Coliseum, Indianaplois, IN, USA. with Kittie. 25/11/2000; Concert at The Palace Of Auburn Hills, Detroit, MI, USA. with Kittie. 27/11/2000; Concert at The Target Center, Minneapolis, MN, USA. with Kittie. 28/11/2000; Concert at The Civic Auditorium, Omaha, NE, USA. with Kittie. 30/11/2000; Concert at The Memorial Coliseum, Fort Worth, TX, USA. with Kittie. 01/12/2000; Concert at The Nationwide Arena, Columbus, OH, USA. with Kittie. 02/12/2000; Concert at Rhodes Arena, Akron, OH, USA. with Kittie. 03/12/2000; Concert at Louisville Gardens, Louisville, KY, USA. with Kittie. 05/12/2000; Concert at The Myriad Center, Oklahoma City, OK, USA. with Kittie. 06/12/2000; Concert at The Freeman Coliseum, San Antonio, TX, USA. with Kittie. 08/12/2000; Concert at The Astro Arena, Houston, TX, USA. with Kittie. 09/12/2000; Concert at Fair Park Coliseum, Dallas, TX, USA. with Kittie. 08/02/2001; Concert at The Memorial Coliseum, Portland, OR, USA. with Soulfly & Morbid Angel. (Feb. 8th – Apr. 2nd; `The Real Steel` tour). 09/02/2001; Concert at Mercer Arena, Seattle, WA, USA. with Soulfly & Morbid Angel. 13/02/2001; Concert at Denver Coliseum, Denver, OH, USA. with Soulfly & Morbid Angel. 15/02/2001; Concert at The Family Arena, St. Charles, MO, USA. with Soulfly & Morbid Angel. 24/02/2001; Concert at The Delta Plex, Grand Rapids, MI, USA. 26/02/2001; Concert at Fort Wayne Coliseum, Fort Wayne, IN, USA. 27/02/2001; Concert at Toledo Sports Arena, Toledo, OH, USA. 13/03/2001; Concert at Mid Huson Civic Centre, Poughskeepsie, NY, USA. with Soulfly & Morbid Angel. 20/03/2001; Concert at Myriad Convention Centre, Oklahoma City, OK, USA. with Soulfly & Morbid Angel. 29/03/2001; Concert at Coast Coliseum, Biloxi, MI, USA. with Soulfly & Morbid Angel. 01/04/2001; Concert at Sunrise Musical Theatre, Miami, FL, USA. 02/04/2001; Concert at Hard Rock Live, Orlando, FL, USA. 13/05/2001; Concert at The Festival Hall, ??, Australia. 17/05/2001; Concert at Festival Hall, Melbourne, Australia. 25/06/2001; Concert at Copps Coliseum, Hamilton, ON, Canada. with Slayer, Morbid Angel & Static-X. (June 25th – July 26th; `Extreme Steel` tour). 29/06/2001; Concert at Van Andel Arena, ??, ??, USA. 01/07/2001; Concert at CSU Convocation Center, ??, ??, USA. 05/07/2001; Concert at Xcel Energy Center, St. Paul, MN, USA. 09/07/2001; Concert at Municipal Auditorium, Kansas City, KS, USA. with Slayer, Morbid Angel & Static-X. 11/07/2001; Concert at Denver Coliseum, Denver, CO, USA. with Slayer, Morbid Angel & Static-X. 14/07/2001; Concert at Smirnoff Music Centre, ??, ??, USA. 17/07/2001; Concert at America West arena, ??, ??, USA. with Slayer, Morbid Angel, Static-X & Skrape. 18/07/2001; Concert at Thomas & Mack, Las vegas, NV, USA. with Slayer, Morbid Angel & Static-X. 19/07/2001; Concert at Long Beach Arena, Long Beach, CA, USA. 21/07/2001; Concert at Cox Arena, San Diego, CA, USA. with Slayer, Morbid Angel & Static-X. 23/07/2001; Concert at Compaq Center, San Jose, CA, USA. 26/07/2001; Concert at Pacific Coliseum, Vancouver, BC, Canada. with Slayer, Morbid Angel & Static-X. 25/08/2001; Concert at Yokohama Arena, Yokohama, Japan. `Beast Feast` with Slayer etc.. Pantera`s final show. CANCELLED SHOWS: 13/09/2001; Concert at The Point, Dublin, Ireland. co-headline with Slayer. (Sept. 13th – Oct. 6th; `Tattoo The Planet` tour). Pantera cancels their appearances due to the Sept 11th attacks. 14/09/2001; Concert at The NIA, Birmingham, England. co-headline with Slayer. 15/09/2001; Concert at Wembley Arena, London, England. co-headline with Slayer. 16/09/2001; Concert at The SECC, Glasgow, Scotland. co-headline with Slayer. 18/09/2001; Concert at Brabanthal, Leuven, The Netherlands. co-headline with Slayer. 20/09/2001; Concert at Palavobis, Milan, Italy. co-headline with Slayer. 21/09/2001; Concert at Olympic Stadium, Athens, Greece. co-headline with Slayer. 22/09/2001; Concert at Boblingen Sporthalle, Stuttgart, Germany. co-headline with Slayer. 23/09/2001; Concert at Philipshalle, Dusselsorf, Germany. co-headline with Slayer. 25/09/2001; Concert at Spodek, Katowice, Poland. co-headline with Slayer. 26/09/2001; Concert at Zenith, Munich, Germany. co-headline with Slayer. 28/09/2001; Concert at Bercy, Paris, France. co-headline with Slayer. 29/09/2001; Concert at Brabnthallen, Den Bosch, The Netherlands. co-headline with Slayer. 30/09/2001; Concert at Sporthalle, Hamburg, Germany. co-headline with Slayer. 02/10/2001; Concert at Hovet, Stockholm, Sweden. co-headline with Slayer. 04/10/2001; Concert at The Ice Hall, Helsinki, Finland. co-headline with Slayer. 06/10/2001; Concert at The Arena, Berlin, Germany. co-headline with Slayer.

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Hotel in trendy nyc neighborhood quietly converted into shelter for migrant families.

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A hotel in one of New York City’s trendiest neighborhoods has been quietly converted into emergency housing for migrants for the past several months.

Mayor Eric Adams’ administration has recently awarded a $12.3 million emergency contract to a not-for-profit social service provider to run a “city sanctuary facility for families with children” at 235 Meeker Avenue in Williamsburg — the address of the Hotel Le Jolie .

The Department of Homeless Services issued the contract to the Brooklyn-based St. P.A.U.L’s Inc. to manage the facility.

Hotel Le Jolie was converted into a shelter for migrant families sometime last year, on a temporary basis.

“They are having St. P.A.U.L.’S take over the operation. Nothing functionally changes,” a source familiar with the shelter operation said over the weekend.

The source said DHS was using temporary staff at the site and hoped the not-for-profit group would provide better services for migrant families.

A person answering the phone at the location claimed the hotel was closed for “renovations” when asked if it had rooms available for tourists.

On the hotel’s Facebook page, a visitor asked last November, “Is the Hotel Le Jolie closed or still open for business?”

There was no reply.

The hotel staff’s last replies to reviews on Tripadvisor for the 55-room boutique accommodations were posted in April of last year.

With the shelter system bursting at the seams, the city has gotten creative in finding housing for the influx of migrants.

Last August, the Adams administration even opened a shelter at the popular McCarren Park located on the Williamsburg-Greenpoint border.

When asked about the new contract for migrants staying at the Hotel Le Jolie, a Department of Homeless Services spokesperson said, “This is not a new site – has been open for quite some time.”

The Post reached out to Hotel Le Jolie management and St. P.A.U.L’S for comment.

The migrant crisis has been a boon for Big Apple hotels still hurting from the loss of tourism during the COVID-19 pandemic.

More than 100 hotels have agreed to convert into emergency shelters for migrant families and individuals who have flooded the city from the southern border — with the government footing the bill for the rooms.

In January, the Adams administration inked a new emergency $76.69 million contract with the Hotel Association of New York City to provide “last resort” shelter to migrant families.

Under the contract, 15 hotels in Brooklyn, Queens and The Bronx will make blocks of rooms available to asylum-seeking families for up to 28 days under the “vouchering program” running through July.

The Post reported last September that the city extended contracts with the hotel association for three years at a staggering price tag of $1.3 billion — nearly five times the original $275 million deal — just to pay rental fees to the vast network of hotels converted into emergency shelters.

Adams has moved to curb mushrooming migrant costs by setting 30- and 60-day shelter stay limits for individuals and families, respectively.

Nearly 200,000 migrants have arrived in the Big Apple since spring 2022, overwhelming the city’s shelter population and forcing DHS to rely on hotels and to set up massive tent cities in Floyd Bennett Field, Creedmoor Psychiatric Center and on the grounds of Kennedy Airport.

New York City is forking out an average of $387 per day to put up a single migrant household in taxpayer-funded shelters, recent data from City Hall shows.

City Hall claimed the costs to combat the migrant migrant crisis could hit $10 billion through the next fiscal year.

The recently approved state budget provides the city $2.4 billion to help cover migrant costs while the federal government has provided little financial support.

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Wesley Bryan finishes second at Corales Puntacana, earns another start

Kevin tway, peter kuest also finish top 10 to qualify for the cj cup byron nelson.

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YouTuber and PGA TOUR winner Wesley Bryan held the 54-hole lead at the Corales Puntacana Championship, and he carded a smooth 68 in the final round at Puntacana Resort & Club’s Corales Golf Course. In a long-awaited return to Sunday contention, the wily veteran met the moment – with a mustache and swagger to boot.

It wasn’t quite enough for a return to the winner’s circle, as Bryan finished solo second to Billy Horschel, who stampeded to a final-round 63 for a two-shot win at 23-under. Yet Bryan, 34, will take plenty of good from the week. Having entered the season on low-level past champion status (this was just his second start of 2024, having missed the cut at the Puerto Rico Open), these 165 FedExCup points will help immensely in the upcoming reshuffle of conditional members.

Wesley Bryan's strong finish secures solo second place at Corales Puntacana

With a top-10 finish, Bryan also secures a start at THE CJ CUP Byron Nelson in two weeks.

“Obviously excited, it was an amazing week, but bummed,” Bryan said afterward. “Definitely encouraged how the golf game was, how it held up under the pressure of a weekend leading a golf tournament. … Today just got beat, plain and simple. … Hats off to Billy.

“I didn't realize there were that many people that watched our YouTube videos down in the Dominican Republic, but that support was amazing. Online it's been great this week. … I feel like we made some more good content from this week and something to build off of professionally playing as well. Looks like we'll have some more opportunities to play throughout the year.”

Bryan’s sole TOUR title came at the 2017 RBC Heritage (ironically also being played this week), shortly after winning three times on the 2016 Korn Ferry Tour en route to Player of the Year honors. Golf came easy for him at the time. It hasn’t always been the same since; he went nearly six years without a top-10 finish on TOUR, a streak that he snapped with a solo sixth at last year’s Puerto Rico Open.

Wesley Bryan's breakout win at RBC Heritage

This week, things snowballed upward in a big way. Bryan started fast in Punta Cana with an opening-round, 9-under 63, which he backed up with scores of 69-66 into Sunday’s final round, when he made five birdies against one bogey. The University of South Carolina alum finished in style with a 30-foot birdie at the 72nd hole, followed by congratulations from his wife Elizabeth and their three young children who made the trip.

The Bryans shared a rental house this week with Ben Martin and family, and there was plenty of poolside relaxation to be had. It corresponded with good golf and good memories.

“For the girls to be out here this week, I mean, I could have finished dead last, but for them to be able to see daddy hit a few golf shots and kind of soak in what the atmosphere was I feel like was pretty special,” Bryan said. “For me, just having them out here, it's amazing.”

Bryan wasn’t the only conditional member to secure a spot at THE CJ CUP Byron Nelson, as fellow TOUR past champion Kevin Tway finished solo third at 19-under to assure another start in two weeks. Tway carded four rounds in the 60s in Punta Cana, notching his first TOUR top-10 since the Texas Children’s Houston Open in fall 2021.

Kevin Tway curls in an eagle putt at Corales Puntacana

Non-member Peter Kuest also punched his ticket to THE CJ CUP Byron Nelson with a tie for ninth at the Corales. Kuest earned his spot in Punta Cana with a T10 at the Valero Texas Open, into which he Monday qualified, and he has now parlayed that successful Monday into a third start.

Kuest, 25, is making a habit of this practice. Last year, he finished fourth at the Rocket Mortgage Classic to earn a spot at the John Deere Classic, where he finished T17 to earn Special Temporary Membership. This year, he still has plenty of work ahead to reach that mark; he now holds 110 non-member FedExCup points, with the Special Temporary Membership threshold for this season at 263 points (No. 150 on last year’s FedExCup Fall standings).

Nonetheless, Kuest has earned another chance to chase that mark.

Kevin Prise is an associate editor for the PGA TOUR. He is on a lifelong quest to break 80 on a course that exceeds 6,000 yards and to see the Buffalo Bills win a Super Bowl. Follow Kevin Prise on Twitter .

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Justin bieber shares pictures of himself crying, hailey bieber responds, justin bieber shares pictures of himself crying ... pretty cryer, hailey says.

Justin Bieber 's letting fans in on an emotional moment ... sharing pics of himself crying to Instagram -- and drawing a reaction from his wife.

The beloved singer-songwriter shared the pics as part of a series of posts he shared Friday ... all of them pretty eclectic we gotta say.

In fact, these pics of Justin shedding a tear are totally surrounded by other random pics ... including a couple of his onstage and a blurry pic of what seems like weed.

In any case, the shots show a total different side of JB ... more somber and toned down than what many are used to seeing -- and, like we said, they prompted a response from Justin's better half.

Hailey Bieber hopped on her own IG to reply to Justin's post ... calling him "a pretty crier" -- so, it appears she's not too concerned with the images.

Other fans though ... they reacted with a lot more worry than HB -- asking if Justin was OK and questioning why the pop superstar might shed some tears.

Waiting for your permission to load the Instagram Media.

Just look around at Bieber's other posts from yesterday, and you'll see ... it's basically photo dump after photo dump -- so, no emotional breakdown happening recently as far as we can tell.

So, hopefully, Justin's fans can rest easy ... and enjoy Bieber's beautiful crying face just like Hailey did!

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