sabrina carpenter world tour 2023

Sabrina Carpenter Teases ‘New Songs’ as She Announces 2023 Tour

By Tomás Mier

Sabrina Carpenter is just circling back, following up, and checking in! On Monday, the singer surprised fans by announcing a second North American leg to her successful Emails I Can’t Send tour.

“i said i was done but i was just confused,” Carpenter wrote on Instagram, quoting a lyric in her song “Already Over” and referring to her brief tour earlier this year. “So excited to announce the second leg of the emails i can’t send tour in North America.” 

Carpenter will begin her tour in Fort Lauderdale on Mar. 16 before making her way through Texas and stopping at the Greek Theater in Los Angeles on Apr. 20. She’ll then head to the east coast stopping at Nashville’s Ryman Auditorium on May 2 and New York City’s Terminal 5 on May 11.

View this post on Instagram A post shared by Sabrina Carpenter (@sabrinacarpenter)

“I can’t wait to see your faces and maybe even sing some new songs!” she wrote.

This fall, Carpenter stopped in 14 major cities, including Los Angeles’ the Wiltern and New York City’s Webster Hall. Throughout the tour, she went viral for changing the outro to her song “Nonsense” each night.

Kristi Noem Doubles Down on Story About Killing Her Dog From Memoir: ‘I Decided What I Did’

Billie eilish would like to reintroduce herself, taylor swift makes chart history with ‘the tortured poets department', russian mercenaries hunt the african warlord america couldn’t catch.

Emails I Can’t Send Tour 2023:

Editor’s picks

The 250 greatest guitarists of all time, the 500 greatest albums of all time, the 50 worst decisions in movie history, every awful thing trump has promised to do in a second term, taylor swift makes chart history with ‘the tortured poets department'.

• Chart Landmark
• By Althea Legaspi

Rihanna Again Teases New Album 'R9': 'It's Gonna Be Amazing'

• the wait continues...
• By Daniel Kreps

Kathleen Hanna Recalls Falling in Love With a Beastie Boy in 'Rebel Girl' Book Excerpt

• By Kory Grow

Post Malone Teams With Brad Paisley, Dwight Yoakam for Country Pivot at Stagecoach

• Stagecoach 2024
• By Larisha Paul

Miranda Lambert Surprises Stagecoach 2024 With Reba McEntire, Debuts New Song 'Wranglers'

• Fancy Cameo
• By Joseph Hudak

Most Popular

Anne hathaway says 'gross' chemistry test in the 2000s required her to make out with 10 guys: that's the 'worst way to do it' and 'now we know better', louvre considers moving mona lisa to underground chamber to end 'public disappointment', real-life 'baby reindeer' stalker speaks out following netflix show success, sources gave an update on hugh jackman's 'love life' after fans raised concerns about his well-being, you might also like, ‘mufasa: the lion king’ trailer: disney prequel follows young mufasa and scar as blue ivy carter joins voice cast, notable guests at the central park hat luncheon through the years, the best yoga mats for any practice, according to instructors, ‘challengers’ scores $15 million opening: great for luca guadagnino, not for the box office, bruin capital buying majority of stadium grass turf tech company.

Rolling Stone is a part of Penske Media Corporation. © 2024 Rolling Stone, LLC. All rights reserved.

Verify it's you

Please log in.

Sabrina Carpenter Announces 2023 Tour

by Alli Patton December 12, 2022, 5:50 pm

Sabrina Carpenter has replied all to fans wanting more of her emails i can’t send tour. The dance-pop star has announced a second run of shows in support of her fifth studio album.

Videos by American Songwriter

“I can’t wait to see your faces and maybe even sing some new songs!” she wrote in a post on social media , alerting followers of the news while hinting at new music in her future.

View this post on Instagram A post shared by Sabrina Carpenter (@sabrinacarpenter)

After a brief stint this past fall in support of her latest release, the new leg will kick off in mid-March and see an extensive 36-date trek across North America. See a full list of dates, below.

In a recent digital cover story from American Songwriter, Carpenter discussed her latest album emails i can’t send . “It just made sense because all the songs were different stories from that time in my life,” she said. “I don’t regret any of the songs, but I think that there was a fear, initially, of putting stuff out that I was far too afraid to confront.” 

The singer further shared, “I think from beginning to end, you find all of these themes of the way I communicate and the way situations have affected me and how I’m coping with that (and not coping with that) and also doubting myself or blaming myself in the meantime. There’s a lot of layers to it because you’re literally experiencing everything for the first time like I was at that time in my life, so it’s quite a roller coaster.”

2023 Tour Dates:

Mar. 16 – Ft Lauderdale, FL @ Hard Rock Live Seminole Mar. 20 – New Orleans, LA @ Orpheum Theater Mar. 22 – Houston, TX @ Warehouse Live Mar. 24 – Dallas, TX @ The Factory in Deep Ellum Mar. 25 – San Antonio, TX @ The Espee Mar. 26 – Austin, TX @ ACL Live at The Moody Theater Mar. 28 – Tulsa, OK @ Tulsa Theater Mar. 30 – Denver, CO @ The Mission Ballroom Apr. 1 – Salt Lake City, UT @ The Union Apr. 2 – Garden City, ID @ Revolution Concert House Apr. 5 – Calgary, AB @ Grey Eagle Event Centre Apr. 6 – Edmonton, AB @ Union Hall Apr. 8 – Vancouver, BC @ PNE Forum Apr. 10 – Portland, OR @ Crystal Ballroom Apr. 11 – Seattle, WA @ Showbox Sodo Apr. 15 – San Francisco, CA @ The Warfield Apr. 16 – Sacramento, CA @ Hard Rock Live Sacramento Apr. 20 – Los Angeles, CA @ Greek Theater Apr. 22 – Las Vegas, NV @ Virgin Hotels Las Vegas Apr. 23 – Mesa, AZ @ Mesa Amphitheater Apr. 26 – Kansas City, MO @ Midland Theater Apr. 27 – Minneapolis, MN @ The Fillmore Apr. 28 – Madison, WI @ The Sylvee Apr. 30 – Chesterfield, MO @ The Factory May 1 – Indianapolis, IN @ Old National Centre May 2 – Nashville, TN @ Ryman Auditorium May 5 – Toronto, ON @ Queen Elizabeth Theater May 6 – Detroit, MI @ Royal Oak Music Theatre May 7 – Cleveland, OH @ Agora Ballroom May 9 – Boston, MA @ Roadrunner May 11 – New York, NY @ Terminal 5 May 13 – Philadelphia, PA @ Franklin Music Hall May 14 – Washington, DC @ The Anthem May 16 – Raleigh, NC @ The Ritz May 17 – Atlanta, GA @ The Eastern May 20 – Gulf Shores, AL @ Hangout Festival

Photo: Courtesy of The Oriel Co.

Leave a Reply Cancel reply

Only members can comment. Become a member . Already a member? Log In .

Blake Shelton Nearly Speechless After Bodie’s “Gratitude” Cover on ‘The Voice’ Finale

© 2024 American Songwriter

Join us on Social

Photo: Courtesy of Sabrina Carpenter

Sabrina Carpenter's Big Year: The Pop Songstress Gushes On The Eras Tour, Her Christmas EP & More

Nearly 10 years into her career, Sabrina Carpenter is celebrating her biggest milestones yet. The "Feather" star details some of her most important moments of 2023.

When Sabrina Carpenter was 9 years old, she posted her first video to YouTube: a cover of Taylor Swift 's " Picture To Burn ." Fifteen years later, Carpenter isn't just a pop force to be reckoned with in her own right — she's sharing the stage with Swift.

While Carpenter certainly hasn't been a stranger to the spotlight before this year — she launched her singing career in 2014, the same year she gained recognition for her leading role in Disney Channel's "Girl Meets World" — her Eras Tour slot is indicative of the monster year she's had. Since her fifth studio album, emails i can't send , arrived in July 2022, Carpenter has continued to reach new career heights, from garnering billions of streams, to being named Variety 's Rising Star of 2023, to headlining her biggest sold-out tour yet.

"In such a weird way, I guess I've tried to do my best and be enjoying what I'm doing without being too aware of what's going on," Carpenter admits to GRAMMY.com. "The love of what I do is in the actual making of things, so I've been making so much music and writing so much over the last year. Seeing this cool, organic reaction to it is great. But in the moment, it's hard to grasp it."

In between the Argentina and Brazil Eras Tour stops in November, Carpenter topped off her banner year with another bucket list item: a Christmas project. The six-track EP fruitcake nods to one of her biggest hits to date, "Nonsense," with a revamped version aptly dubbed "A Nonsense Christmas." 

Shortly after wrapping her 2023 Eras Tour run, Carpenter took GRAMMY.com on a rollicking journey through her biggest milestones of the past 12 months.

View this post on Instagram A post shared by Sabrina Carpenter (@sabrinacarpenter)

Opening For Taylor Swift On The Eras Tour

When I first found out, it was through a text and there were a lot of emojis and exclamation points. That was really how it happened; it wasn't through managers or anything. When Taylor texted me and asked if I wanted to come on tour with her, I threw my phone across the room. 

It's a really surreal thing. I covered one of her songs when I was 9 years old and definitely, throughout my life, she was an artist and a songwriter and businesswoman who I've always admired. So to call her a friend and be a part of something as iconic as this tour, I still can't process it. 

I'm still on the tour into next year and have been learning as much as I can along the way. I actually feel bad about how many shows I've been to because so many people want to see this show, so I feel lucky and privileged to have seen it as many times as I have! 

Creating Her Latest Billboard Hot 100 Hit, "Feather"

I was actually on the phone with my producer, John Ryan, and we were laughing about it because honestly, when we made it, we were just having fun. We wanted to make this song about all the s—ty events happening in my life, because it's so much more fun to turn it into a positive than to sit in the sadness. 

When we wrote it, it was me, John and one of my closest friends, the songwriter Amy Allen. We were just literally dancing around when John was playing a chord progression and a cool, feathery thing on the piano. We wrote it in two hours and the fact that it fit so perfectly on the deluxe [version of emails i can't send ] was a very kismet situation.

Getting Honored With Variety's Rising Star Of 2023

Just to be recognized by them was also surreal, because then I'm in a room with a bunch of people whose music I listen to, songs I study, and producers I love. I was just sitting there talking to them — and it's not, like, imposter syndrome, because it did feel like such an honor. It's cool to be able to do the thing I love the most, and when those things happen it's just icing on the cake. I'm very grateful for them. 

Solidifying Her Status As A Songwriter

I wrote my first song when I was 10 years old and it was very bad. But it was always something that I loved doing. 

When I got a little older and to a place where I got people's opinions, I was always made to feel like it wasn't my place; like I should just listen to them, be sent songs and be happy with them. But something really tricky for me is that I would actually have a real weird internal reaction singing lyrics that didn't feel honest to me, or didn't feel something I would say. I just always had a specific point of view — and I'm a Tarus, so I'm a little stubborn. 

But over time, writing became a necessity for me; if I didn't write a song, I wouldn't be able to make it through these situations in life. I'm very lucky that I now get to do it all the time, but also that the people I work with who I love so much all believe in me so much. 

Writing Original Christmas Music For Her New EP, fruitcake

It's been a dream of mine for a long time to make a Christmas EP. At first, the dream was to make a naughty EP and have all the songs be sexual and focus on a more risqué side of Christmas. Growing up, I always listened to naughty ones like "I Saw Mommy Kissing Santa Claus" and "Santa Baby." But as I wrote the first couple songs, I had way more ideas and just wrote normal songs with Christmas lyrics, and it all became a very special project for me. It's always exciting to put new energy and life into classics and the traditions, so there's a lot of new and there's a lot of old. 

I got so lucky with the lives "Nonsense" has taken on, because I don't think I could have done that with just any song of mine. The holidays fit so perfectly with what the song is about. 

At first I thought it'd be fun to make a short form version of it, so I made a music video at home with my sister and a friend in my house and put on a Santa outfit. It was well-received by my fans who I love very much, and when they want something they harass me. So they harassed me to write a full version, and that's how that happened.

Meeting Her Idols

I met Paul McCartney back in March. It was at a party, which is not the environment you want to meet your biggest icon in. But he was so present, sweet and gracious with me. You know the kind of eye contact that someone makes with you and you're like, "You're a real person, I'm just not sure I believe it." 

I've been so inspired by him my entire life, and I'm not sure a lot of people know that about me. I do think that sometimes when you're writing pop music, or whatever genre it is, I pull from so many different genres and Paul has always been my No. 1. As we were talking, I definitely did start crying a little bit, which is not something I do often. I'll remember it forever and I hope I can see him again. 

5 Reasons Why Taylor Swift's Eras Tour Will Be The Most Legendary Of Her Generation

Photo: ROBYN BECK/AFP via Getty Images

11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More

From Paul McCartney to Paramore, Emily Dickinson and even "Game of Thrones," read on for some of the major influences Taylor Swift has referenced throughout her GRAMMY-winning career.

As expected, much buzz followed the release of Taylor Swift 's 11th studio album, The Tortured Poets Department , on April 19. Fans and critics alike have devoured the sprawling double album’s 31 tracks, unpacking her reflections from "a fleeting and fatalistic moment in time" in search of Easter eggs, their new favorite lyrics and references to famous faces (both within the pop supernova’s closely guarded orbit and the historical record). 

Shoutouts abound in The Tortured Poets Department : Charlie Puth gets his much-deserved (and Taylor-approved) flowers on the title track, while 1920s screen siren Clara Bow, the ancient Greek prophetess Cassandra and Peter Pan each get a song titled after them. Post Malone and   Florence + the Machine ’s Florence Welch each tap in for memorable duets. Relationships old (Joe Alwyn), new (Travis Kelce) and somewhere in between (1975’s Matty Healy) are alluded to without naming names, as is, possibly, the singer’s reputation -era feud with Kim Kardashian. 

Swift casts a wide net on The Tortured Poets Department , encompassing popular music, literature, mythology and beyond, but it's far from the first time the 14-time GRAMMY winner has worn her influences on her sleeve. While you digest TTPD , consider these 10 figures who have influenced the poet of the hour — from Stevie Nicks and Patti Smith to Emily Dickinson, William Wordsworth, Arya Stark and more.

Stevie Nicks

If Taylor Swift is the chairman of The Tortured Poets Department , Stevie Nicks may as well be considered its poet laureate emeritus. The mystical Fleetwood Mac frontwoman earns an important mention on side A closer "Clara Bow," in which Swift ties an invisible string from herself to a pre- Rumours Nicks ("In ‘75, the hair and lips/ Crowd goes wild at her fingertips"), and all the way back to the 1920s It Girl of the song’s title.

For her part, Nicks seems to approve of her place in Swift’s cultural lineage, considering she penned the poem found inside physical copies of The Tortured Poets Department . "He was in love with her/ Or at least she thought so," the Priestess of Rock and Roll wrote in part, before signing off, "For T — and me…"

Swift’s relationship with Nicks dates back to the 2010 GRAMMYs, when the pair performed a medley of "Rhiannon" and "You Belong With Me " before the then-country upstart took home her first Album Of The Year win for 2009’s Fearless . More recently, the "Edge of Seventeen" singer publicly credited Swift’s Midnights cut "You’re On Your Own, Kid" for helping her through the 2022 death of Fleetwood Mac bandmate Christine McVie .

Patti Smith

Swift may see herself as more "modern idiot" than modern-day Patti Smith, but that didn’t stop the superstar from name-dropping the icon synonymous with the Hotel Chelsea and punk scene of ‘70s New York on a key track on The Tortured Poets Department . Swift rather self-deprecatingly compares herself to the celebrated Just Kids memoirist (and 2023 Songwriters Hall of Fame nominee) on the double album’s synth-drenched title track, and it’s easy to see how Smith’s lifelong fusion of rock and poetry influenced the younger singer’s dactylic approach to her new album. 

Smith seemed to appreciate the shout-out on "The Tortured Poets Department" as well. "This is saying I was moved to be mentioned in the company of the great Welsh poet Dylan Thomas. Thank you Taylor," she wrote on Instagram alongside a photo of herself reading Thomas’ 1940 poetry collection Portrait of the Artist as a Young Dog .

Emily Dickinson

When it comes to iconic poets, Swift has also taken a page or two over her career from Emily Dickinson. While the great 19th century poet hasn’t come up explicitly in Swift’s work, she did reference her poetic forebear (and actual sixth cousin, three times removed !) in her speech while accepting the award for Songwriter-Artist of the Decade at the 2022 Nashville Songwriter Awards.

"I’ve never talked about this publicly before, because, well, it’s dorky. But I also have, in my mind, secretly, established genre categories for lyrics I write. Three of them, to be exact. They are affectionately titled Quill Lyrics, Fountain Pen Lyrics and Glitter Gel Pen Lyrics," Swift told the audience before going on to explain, "If my lyrics sound like a letter written by Emily Dickinson’s great-grandmother while sewing a lace curtain, that’s me writing in the Quill genre," she went on to explain.

Even before this glimpse into Swift’s writing process, Easter eggs had been laid pointing to her familial connection to Dickinson. For example, she announced her ninth album evermore on December 10, 2020, which would have been the late poet’s 190th birthday. Another clue that has Swifties convinced? Dickinson’s use of the word "forevermore" in her 1858 poem "One Sister Have I in Our House," which Swift also cleverly breaks apart in Evermore ’s Bon Iver-assisted title track ("And I couldn’t be sure/ I had a feeling so peculiar/ That this pain would be for/ Evermore").

The Lake Poets

Swift first put her growing affinity for poetry on display during her folklore era with "the lakes." On the elegiac bonus track, the singer draws a parallel with the Lake Poets of the 19th century, wishing she could escape to "the lakes where all the poets went to die" with her beloved muse in tow. In between fantasizing about "those Windermere peaks" and pining for "auroras and sad prose," she even manages to land a not-so-subtle jab at nemesis Scooter Braun ("I’ve come too far to watch some name-dropping sleaze/ Tell me what are my words worth") that doubles as clever wordplay on the last name of Lake Poet School members William and Dorothy Wordsworth.

Swift revealed more about why she connected to the Lake Poets in her 2020 Disney+ documentary folklore: the long pond studio sessions . "There was a poet district, these artists that moved there. And they were kind of heckled for it and made fun of for it as being these eccentrics and these kind of odd artists who decided that they just wanted to live there," she explained to her trusted producer Jack Antonoff . "So ‘the lakes,’ it kind of is the overarching theme of the whole album: of trying to escape, having something you wanna protect, trying to protect your own sanity and saying, ‘Look, they did this hundreds of years ago. I’m not the first person who’s felt this way.’"

Paul McCartney

Paul McCartney and Swift have publicly praised one another’s work for years, leading to the 2020 Rolling Stone cover they posed for together for the special Musicians on Musicians issue . The younger singer even counts Sir Paul’s daughter Stella McCartney as a close friend and collaborator (Stella designed a capsule collection for Swift’s 2019 studio set Lover and earned a shout-out of her own on album cut "London Boy").

However, Swift took her relationship with the Beatles founder and his family a step further when it was rumored she based Midnights deep cut "Sweet Nothing" on McCartney’s decades-long romance with late wife Linda. While the speculation has never been outright confirmed, it appears Swift’s lyrics in the lilting love song ("On the way home, I wrote a poem/ You say, ‘What a mind’/ This happens all the time") were partially inspired by a strikingly similar quote McCartney once gave about his relationship with Linda, who passed away in 1998. To add to the mystique, the Midnights singer even reportedly liked a tweet from 2022 espousing the theory.  

The admiration between the duo seems to go both ways as well, with the former Beatle admitting in a 2018 BBC profile that the track "Who Cares" from his album Egypt Station was inspired by Swift’s close relationship with her fans.

From her days as a country music ingénue to her ascendance as the reigning mastermind of pop, Swift has credited the Chicks as a seminal influence in her songwriting and career trajectory. (Need examples? Look anywhere from early singles like "Picture to Burn" and "Should’ve Said No" to Evermore ’s Haim-assisted murder ballad "no body, no crime" and her own Lover -era collab with the band, "Soon You’ll Get Better.") 

In a 2020 Billboard cover story tied to the Chicks’ eighth album Gaslighter , Swift acknowledged just how much impact the trio made on her growing up. "Early in my life, these three women showed me that female artists can play their own instruments while also putting on a flamboyant spectacle of a live show," she said at the time. "They taught me that creativity, eccentricity, unapologetic boldness and kitsch can all go together authentically. Most importantly, they showed an entire generation of girls that female rage can be a bonding experience between us all the very second we first heard Natalie Maines bellow ‘that Earl had to DIE.’"

"Game of Thrones"

When reputation dropped in 2017, Swift was on a self-imposed media blackout, which meant no cover stories or dishy sit-down interviews on late-night TV during the album’s roll-out. Instead, the singer let reputation speak for itself, and fans were largely left to draw their own conclusions about their queen’s wildly anticipated comeback album. Two years later, though, Swift revealed the dark, vengeful, romantic body of work was largely inspired by "Game of Thrones."

"These songs were half based on what I was going through, but seeing them through a 'Game of Thrones' filter," she told Entertainment Weekly in 2019. "My entire outlook on storytelling has been shaped by ["GoT"] — the ability to foreshadow stories, to meticulously craft cryptic story lines. So, I found ways to get more cryptic with information and still be able to share messages with the fans. I aspire to be one one-millionth of the kind of hint dropper the makers of 'Game of Thrones' have been."

Joni Mitchell

Swift has long made her admiration of Joni Mitchell known, dating back to her 2012 album Red , which took a cue from the folk pioneer’s landmark 1971 LP Blue for its chromatic title. In an interview around the time of Red ’s release, the country-pop titan gushed over Blue ’s impact on her, telling Rhapsody, "[Mitchell] wrote it about her deepest pains and most haunting demons. Songs like ‘River,’ which is just about her regrets and doubts of herself — I think this album is my favorite because it explores somebody’s soul so deeply."

Back in 2015, TIME declared the "Blank Space" singer a "disciple of Mitchell in ways both obvious and subtle" — from her reflective songwriting to the complete ownership over her creative process, and nearly 10 years later, Swift was still showing her appreciation for Mitchell after the latter’s triumphant and emotional appearance on the GRAMMY stage to perform "Both Sides Now" on the very same night Taylor took home her historic fourth GRAMMY for Album Of The Year for Midnights .

Fall Out Boy & Paramore

When releasing the re-recording of her third album Speak Now in 2023, Swift cited two unexpectedly emo acts as inspirations to her early songwriting: Fall Out Boy and Paramore . 

"Since Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album," she wrote in an Instagram post revealing the back cover and complete tracklist for Speak Now (Taylor’s Version) , which included Fall Out Boy collaboration "Electric Touch" and "Castles Crumbling" featuring Paramore frontwoman Hayley Williams .

For one of Swift’s original career inspirations, we have to go all the way back to the very first single she ever released. "Tim McGraw" was not only as the lead single off the 16-year-old self-titled 2006 debut album, but it also paid reverent homage to one of the greatest living legends in the history of country music. 

In retrospect, it was an incredibly gutsy risk for a then-unknown Swift to come raring out of the gate with a song named after a country superstar. But the gamble clearly paid off in spades, considering that now, when an entire generation of music fans hear "Tim McGraw," they think of Taylor Swift.

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

Photos (L-R): Buda Mendes/TAS23/Getty Images for TAS Rights Management, Jeff Kravitz/FilmMagic, Christopher Polk/Getty Images for Clear Channel

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Upon the arrival of Taylor Swift's 'The Tortured Poets Department,' take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today.

Editor’s note: This story was updated on April 19 to reflect the release of The Tortured Poets Department.

The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Since then, she's released 11 studio albums, re-recorded four as "Taylor's Version," and cultivated one of the most feverish fan bases in music. Oh, and she's also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist.

Swift has become one of music's most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk and beyond. A once-in-a-lifetime generational storyteller, one could argue that she is music's modern-day maverick, constantly evolving both her music and the culture around her.

Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. In turn, Swift hasn't just become one of the biggest artists of all time — she's changed pop music altogether.

To celebrate Taylor Swift's newest era with The Tortured Poets Department , GRAMMY.com looks back on all of her albums (Taylor's Versions not included) and how each era shaped her remarkable career.

Taylor Swift : Finding Her Place In Music

In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist. The thing that differentiated her from other writers — and still does to this day — is her songwriting. She didn't want to be just "another girl singer" and knew writing her own songs would be what set her apart. 

Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. Serving as a snapshot of Swift's life and teenhood, she avoided songwriting stereotypes typically found in country music. Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. 

As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers. One writer in particular, Liz Rose , applauded Swift's songwriting capabilities, stating that she was more of an "editor" for the songs because Swift already had such a distinct vision. 

The album's lead single, "Tim McGraw," an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift's songwriting process; meticulously picking apart her emotions to better understand them. With its follow-up, "Our Song" — which spent six consecutive weeks on the top of Billboard's Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. 

Although Swift's eponymous debut is underappreciated now — even lacking its own set on Swift's Eras Tour — Taylor Swift 's forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer's current and more refined vocals. Still, for fans who haven't properly explored Taylor Swift , it's easy to tie together Swift's earlier work to her current discography. 

On the track "A Place In This World," a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights ' "You're On Your Own, Kid." 

Even as a new country artist, critics claimed that she "mastered" the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. 

Fearless : Creating A Different Kind Of Fairytale

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift's coming-of-age record. More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like "Love Story" and "You Belong With Me," yet still keeps the confessional attributes known in country songwriting. 

Most of Fearless is Swift coming to terms with what she believed love to be. On the album's liner notes, Swift says Fearless is about "living in spite" of the things that scare you, like falling in love again despite being hurt before or walking away and letting go. The 2008 version of Taylor wanted to "believe in love stories and prince charmings and happily ever after," whereas in Swift's Fearless (Taylor's Version) liner notes, she looks back on the album as a diary where she was learning "tiny lessons" every time there was a "new crack in the facade of the fairytale ending she'd been shown in the movies." 

Much of Fearless also sees Swift being reflective and nostalgic about adolescence, like in "Never Grow Up" and "Fifteen." Still wistful and romantic, the album explores Swift's hopes for love, as heard in the album's lead single "Love Story," which was one instance where she was "dramatizing" observations instead of actually experiencing them herself. 

Unlike the slow-burn of Taylor Swift , Fearless went straight to No. 1 on the Billboard 200 and stayed there for eight consecutive weeks. It won Swift's first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20. To date, it has sold 7.2 million copies in America alone. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come.

Speak Now : Proving Her Songwriting Prowess

Everything that happened after the success of Fearless pushed Swift from country music's best-kept secret to a mainstream star. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.

For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. No longer was she the girl writing songs like "Fifteen" in her bedroom — now she was working through becoming a highly publicized figure. Speak Now is the answer to those growing pains. 

Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. But that also resulted in some of her most poignant lyrics to date.

Read More: For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. The album's title track pulled from the saying, "Speak now or forever hold your peace," inspired by a friend's ex-boyfriend getting engaged; meanwhile, "Mean" was everything Swift wanted to say to a critic who was continuously harsh about her vocals.

Retrospective and reflective, Speak Now is an album about the speeches she could've, would've and should've said. From addressing the aforementioned VMA incident in the forgiving "Innocent" to a toxic relationship in "Dear John," Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.

Red : Coming Into Her Own

Highly regarded as Swift's magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first "adult" record. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience " intense love, intense frustration, jealousy and confusion " — all feelings that she'd describe as "red." 

Unlike most of her previous writing that had been inspired by happy endings and fairytales, Red explores the lingering pain and loss that can embed itself within despite trying your hardest to let go. In her liner notes, she references Pablo Neruda's poem "Tonight I Can Write," stating that "Love is so short, forgetting is so long" is the overarching theme for the album. She plays with time — speeding it up in "Starlight," dabbling in the past in "All Too Well," and reframing it in "State of Grace" — to better understand her experiences. 

After releasing country-pop records, Red toed the line between genres more than ever before. Swift leaned further into the full pop territory by working with esteemed producers Max Martin and Shellback for the dubstep-leaning track "I Knew You Were Trouble," the punchy lead single "We Are Never Getting Back Together," and the bouncy anthem "22." But even when the pop power players weren't involved, her country stylings still leaned more pop across the album, as further evidenced with the racing deep cut "Holy Ground" and the echoing title track. 

The slight change of direction became polarizing for critics and fans alike. Following the more country-influenced Speak Now , some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out. If that wasn't enough, Red became an era where Swift's personal life went from speculation to tabloid fodder, with misogynistic headlines and diluting her work to just "writing about her exes." It's an era that would eventually inspire many tracks on Red 's successor, 1989 , like "Blank Space" and "Shake It Off."

Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. The impact of Red extended beyond its own success, too. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray , Swift's confessional, soul-bearing authenticity set a new standard for straightforward pop music. 

1989 : Reinventing Into A Pop Genius

The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. And in true Swiftian fashion, turning into a pop artist didn't just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone.

1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. Swift opted to lean more into radio-friendly hits, which resulted in songs like "Style," "Wildest Dreams," "Blank Space," and "Shake It Off," all of which became singles. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn't falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.

After exploring pop-leaning sonics she first found with Red , Swift worked with Martin and Shellback again on most of 1989 . This reinvention brought new (and very important) collaborators as well. Swift's now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with "I Wish You Would" and "Out Of The Woods"; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights .

At the time, 1989 became Swift's best-selling album to date. It sold nearly 1.3 million copies within release week in the U.S., debuting atop the Billboard 200 and reigning for 11 non-consecutive weeks. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice. 

Following the release of 1989 , Swift became a cultural juggernaut, and the album has had an omnipresence in music since. Swift didn't just normalize blending genres, but proved that you can create a sound that is uniquely yours by doing so. In turn, Billie Eilish , Dua Lipa and more pop stars have refused to conform or stick to what they've done prior. 

reputation : Killing The Old Taylor

For years, Swift was on a strict two-year cycle — she'd release an album one year, tour the next, and then release a new album the following year. But following the heightened scrutiny and highly publicized tabloid drama that followed the end of the 1989 era, Swift completely disappeared for a year. She stayed away from public appearances, didn't do any press, and missed the album schedule fans became accustomed to. It wasn't until summer 2017 when she returned from her media (and social media) blackout to unveil the fitting title for her new album: reputation .

Born as a response to the naysayers and name-callers, reputation follows Swift shedding her public image — which includes the pressure to be perfect, the drama, and the criticism — by declaring, "There will be no further explanation. There will just be reputation." Leaning on the same tongue-in-cheek songwriting techniques she used while penning "Blank Space," Swift wrote from the mindset of how the public perceived her.

When Swift released the lead single "Look What You Made Me Do," a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. Although Swift said that the album has its vindictive moments — even declaring that the "old Taylor" is dead on the bridge of "Look What You Made Me Do" — it's a vulnerable record for her. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments. 

Swift still remained in the pop lane with reputation , largely leaning on Antonoff and the Martin/Shellback team. The sound almost mirrored the scrutiny Swift faced in the years prior — booming electropop beats, maximalist production and pulsing synthesizers dominate, particularly on "End Game," "I Did Something Bad," and "Ready For It…?" But the "old Taylor" isn't entirely gone on songs like "Call It What You Want," "So It Goes…" and "New Year's Day," where she lets her guard down to write earnest love odes.

Even after Swift spent some time away from the spotlight, the public didn't immediately gravitate toward her return. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989 . With time, though, it became clear that the response to reputation became muddled with the public's overall perception of her at the time — some even claimed that Swift was ahead of her time with the album's overall sound.

For her 2023 TIME Person of the Year profile , Swift described reputation as a "goth-punk moment of female rage at being gaslit by an entire social structure." For years, she felt the pressure to be "America's Sweetheart" and to never step out of line. Writing reputation became a lifeline following the events that catalyzed it  — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. 

Lover : Stepping Into The Daylight

After finding love amongst chaos with reput ation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover . Both sonically and visually, Lover was a complete change from reputation . After touring reputation , Swift found that her fans saw her as "a flesh-and-blood human being," inspiring her to be "brave enough to be vulnerable" because her fans were along with her. Stepping away from the dark and antagonistic themes around reputation encouraged Swift to step into the light and be playful with her work on Lover .

Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of "Blank Space" and "Look What You Made Me Do." Leaning into Lover being a "love letter to love," Swift explored every aspect of it. Tracks like "Paper Rings" and "London Boy" exude a whimsical energy, even if they center on more serious themes like marriage and commitment. Other songs, including "Death By A Thousand Cuts" and "Cornelia Street," are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. 

Looking at Lover retrospectively, it's an album that almost symbolizes a bookend in her discography. She was playful yet poignant, picking apart her past lyrics and feelings and looking at them with the perspective of someone who was once on top of the world, hit rock bottom, and survived in spite of it. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012's Red , "Daylight," which sees her describe her love as "golden" rather than "burning red." 

Lover also marked the first time Swift divulged into politics and societal issues, like campaigning against Donald Trump, releasing the Pride-infused "You Need To Calm Down," and feeling disillusioned by the political climate with "Miss Americana & the Heartbreak Prince." Swift's documentary Miss Americana explores this change further, discussing how she regrets not being vocal about politics and issues prior, in addition to opening up about her body image issues and mental health struggles.

Lover became Swift's sixth No. 1 album in America, making her the first female artist to achieve the feat. But Lover was more than any accolades could reflect — it was Swift's transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018.

folklore : Looking Beyond Her Personal Stories

After the pandemic started and Swift cancelled her Lover Fest, she spent the early stages of quarantine reading and watching a myriad of films. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. The result became folklore , 2020's surprise archetypal quarantine album.

Crafting a world with characters like the folklore love triangle between those in "betty" and "august," as well as Rebekah Harkness from "the last great american dynasty" (who once lived in Swift's Rhode Island mansion), was Swift's way of venturing outside her typical autobiographical style of writing. She'd see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. 

She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National . Some songs, like "peace," were recorded in just one take, capturing the essence and fragility in the song's story, whereas the lyrics for the sun-drenched "august" were penned on the spot as Swift was in her makeshift home studio in Los Angeles.

Another aspect that separated folklore from her previous work was the obvious decision not to create hits made for radio play, so much so that Dessner claimed that she made an anti-pop record at a time when radio wanted clear "bops." Sonically, it ventured into genres Swift hadn't explored much outside of a few folkier tracks on Lover . Rather than relying on mostly electronic elements, Swift, Antonoff and Dessner weaved in soft pianos, ethereal strings, and plucky guitars.

folklore 's impact on the zeitgeist at a time where everyone was stuck at home helped shape people's quarantine experience. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke , Gracie Abrams , and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. At the 2021 GRAMMYs, folklore took home Album Of The Year , making her the fourth artist in history to win three times in the Category. 

evermore : Embracing Experimentation

It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. So when evermore was released just six months after folklore , fans were in shock. 

Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn't have distinct "eras" between albums. She felt like there was something "different" with folklore , stating in a social media post that making it was less like she was "departing" and more like she was "returning" to the next stage of her discography. In turn, the album served as a similar escape for Swift as folklore did.

Bridging together the same wistful and nostalgic themes as heard on its predecessor, evermore sees Swift venture even further into escapism. She explores more stories and characters, some based in fiction like "dorothea," and some real, like "marjorie," written in dedication to Swift's grandmother. 

Evermore follows folklore 's inclusion of natural imagery and motifs, like landscapes, skies, ivy, and celestial elements. In contrast to the fairytale motifs and happy endings of Fearless , evermore saw Swift become fixated on "unhappy" endings — stories of failed marriages ("happiness"), lifeless relationships ("tolerate it"), and one-time flings ("'tis the damn season"). 

Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift's past records — from pop to country to indie rock — and features all of them on one album. Country songs like "cowboy like me" and "no body, no crime" reaches back to Swift's earlier work in narrative building, seamlessly crafting a three-party story with ease. "Closure" is a "skittering" track that has the same energy as tracks like Lover 's "I Forgot That You Existed," whereas the ballad "champagne problems" is thematically reminiscent of Swift's Speak Now track "Back To December" where she takes responsibility for her lover's heartache. 

Working mostly with Dessner on evermore , Swift was emboldened to continue creating and opted to embrace whatever came naturally to them rather than limiting themselves to a sound. Swift felt a "quiet conclusion" after finishing up evermore , describing that it was more about grappling with endings of all "sizes and shapes," and the record represented a chapter closing. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department .

Midnights : Encapsulating Her Artistic Magic

After coming out of the folklorian woods following folklore and evermore , fans and critics alike were intrigued to see what direction Swift would take on her next studio album. On Midnights , Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover .

Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to "what if" fantasies, falling in love, and falling apart. They are the things that keep her up at night, like the self-critiquing in "Anti-Hero," her rise to fame in "You're on Your Own, Kid," and the anxiety of falling in love again in "Labyrinth." Similarly to Swift's cheeky songwriting style that sees her create caricatures of herself in songs like "Blank Space" and "Look What You Made Me Do," she doubles down on claims she's "calculated" on "Mastermind," a song about devising a plan for her and her lover. 

Although the album is a departure from the two pandemic sister albums, the overall creation process didn't differ too much. In addition to working alongside Antonoff (and bringing Dessner in for the bonus-track-filled 3am Edition), Swift's worldbuilding is still the throughline that connects Midnights and Swift's recent albums, whether she's dreaming of a Parisian escape in "Paris" or using war imagery as a metaphor for the struggle of love in "The Great War."

Read More: 5 Takeaways From Taylor Swift's New Album 'Midnights'

Following the success with folklore and evermore , Swift's intrigue was at a then-all-time high upon the release of Midnights . Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift's 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).

To say that Swift's celebrity has become otherworldly since the release of Midnights would be an understatement. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift's work. 

As a result, there has arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February. Midnights helped further solidify Swift's larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. 

The Tortured Poets Department : A Grief-Stricken Poetic Odyssey

It’s been a while since Swift has penned a full-fledged breakup album. On The Tortured Poets Department , she navigates the five stages of grief — denial, anger, bargaining, depression and acceptance — after her long-term relationship ended. Taking a page from the release of folklore and evermore , she dropped a double album and announced The Tortured Poets Department: The Anthology at 2 a.m. on release day. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. 

On Instagram, Swift described the album as a collection of poetic songs that reflect the "events, opinions and sentiments from a fleeting and fatalistic moment in time," Swift pulled out the fountain and quill pens to craft songs about the "tortured poets" in her life — sometimes musing about lovers, sometimes taking aim at villains, and sometimes pointing the finger at herself. 

TTPD is also her most confessional album thus far. It pokes fun at so-called fans who overstep with her personal life ("But Daddy I Love Him"), says goodbye to a city that gave her a home ("So Long London"), and muses on how her own celebrity has stunted her growth ("Who's Afraid Of Little Old Me?"). To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan ("Peter"), and Patti Smith .

In the same post, Swift declared that once she’s confessed all of her saddest stories, she’s able to find freedom. Yet The Tortured Poets Department (and its accompanying 15-track anthology) spends much time reflecting: she toys with her own lore, self-referencing past songs from albums like 1989 and poems from her reputation era. 

Fourteen years ago, Swift declared that she would never change, but she’ll never stay the same either. The Tortured Poets Department proves that in the throughline of Taylor Swift's many artistic eras is a commitment to exploration and a love of autobiographical lyricism.

All Things Taylor Swift

Photo: Don Arnold/TAS24/Getty Images for TAS Rights Management

Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album

"There is nothing to avenge, no scores to settle once wounds have healed," Taylor Swift wrote of her new album. From grapplings with fame to ultra-personal reflections on love lost, her latest set of fountain and quill pen songs marks the end of an era.

"All’s fair in love and poetry," Taylor Swift declared when she announced her 11th studio album, The Tortured Poets Department , at the 66th GRAMMY Awards . 

Taken from the proverb "All’s fair in love and war," the pop phenom gave us a fair warning: there’s no limit to what she’ll go through to achieve her ends. 

On the freshly released The Tortured Poets Department , Taylor Swift has a few things to get off her chest — so much that it required a surprise second record, The Tortured Poets Department: The Anthology , adding an additional 15 songs . The sprawling album is a masterclass in songwriting and so personal that it's analogous to performing a post mortem autopsy; The musical shapeshifter is here to exhume the tortured poets of her past and make peace with them. 

In an Instagram post , Swift called the record an anthology that reflects " events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure." With the release of Tortured Poets , "t here is nothing to avenge, no scores to settle once wounds have healed…our tears become holy in the form of ink on a page." 

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

Describing Swift’s work as a collection of tracks about boys and break-ups has always felt underbaked and disingenuous, but much of The Tortured Poets Department is just that. In true Swiftian fashion, she plays on preconceived theories, opting to toy with the five stages of grief — denial, anger, bargaining, depression, and acceptance — after a break-up, bringing listeners along on a peregrination exploring the depths of her relationships and personal growth. 

Analyzing her feelings to craft songs is muscle memory at this point, but with every release Taylor Swift somehow does so with a refreshed and reimagined perspective. The stories she shares with her fans in TTPD might’ve made her feel like she died, but she’s a revenant no longer tortured by the whims and words of other poets.

With The Tortured Poets Department open for business, read on for five key points to consider when listening to Taylor Swift’s new album .

It's Much More Than A Break-Up Record

Although the record orbits around a break-up, The Tortured Poets Department demonstrates Swift's ability to shapeshift as a songwriter. A song about a break-up is layered, typically forcing Swift to unveil her own flaws while wearing her broken heart on her sleeve.

The fifth track on a Taylor Swift album is typically the most emotionally cutting, and "So Long London" is no exception. On the standout track, Swift views the loss of her lover and the breakdown of her relationship to Joe Alwyn through the lens of the city they once shared together. It’s a cathartic release for Swift who point-blank notes the pain they inflicted upon her and how, in turn, they ended up just as heartbroken as she is. 

The high-spirited "Down Bad" and subdued "The Smallest Man in The World" are two sides of the same coin. The former is hopeful that a love could be reignited, whereas the latter sees Swift at her grittiest, pointing the finger at her former lover. "Smallest" poses a series of questions, accusing her ex of being a spy who only wanted to get intel on her.

On piano ode "loml," Swift looks back at the "get-love-quick" schemes she first wrote about in "Why She Disappeared," a poem for reputation . The poem originally considered the death of her reputation and how its aftermath made her stronger while she was simultaneously nursing a new relationship. 

The track has a similar energy to fan favorite "All Too Well," but is even more accusatory — seemingly unlocking another level of her songwriting prowess as she teeters between seething rage and mourning with lines about picking through a "braid of lies" spewed by a partner who "claimed he was a lion" but is really a coward. While Swift is honest about never feeling a loss so deeply, she maturely accepts that the effort she put into keeping the relationship afloat was all she could do. It’s distinctly different from the battles she bravely fought in "The Great War," "Daylight" and "long story short."

She's Grappling With Fame & Owning Her Choices

That Taylor Swift struggles with her own celebrity and the public's perception is nothing new. On reputation ’s album prologue, she stated, "We think we know someone, but the truth is that we only know the version of them they have chosen to show us." 

On The Tortured Poets Department, Swift has never been more honest about her feelings towards those who claim to know better than she does. On "But Daddy I Love Him," she doubles down on these frustrations, taking aim at self-righteous "vipers" and "judgmental creeps" who condemn her choice of a lover. Swift holds nothing back, declaring "I'll tell you something about my good name/It's mine alone to disgrace."

Swift stated that her life sometimes feels like a public autopsy with people psychoanalyzing her every thought and feeling. Following the release of Midnights and her larger-than-life Eras Tour , Swift’s been in her "glittering prime" despite experiencing her long-term relationship ending and the media hysteria around it would make anyone feel the opposite. "I Can Do It With A Broken Heart" confirms fans' theories that the GRAMMY winner was indeed putting on a brave face.  

On "Clara Bow" — a song named for the silent film actress whose public life was so scrutinized that she admitted herself into a sanatorium — Swift sings "Beauty is a beast that roars/Down on all fours/Demanding, 'More.'" Again, Swift plays with the double-edged sword of fame, comparing herself to a performing circus animal — something she sings about in "Who’s Afraid Of Little Old Me?" 

Taylor Swift Gets By With A Little Help From Her Friends

Swift has always looked up to and honored the greats in her music and art, and Tortured Poets is no exception. She recruits rock icon and songwriter Stevie Nicks to help build TTPD ’s world, and Nicks penned a poem featured in Swift’s physical album. Written in Texas, the poem is "For T and me..." and tells the tale of two ill-fated lovers. (Swift also namedrops Nicks in "Clara Bow," touching on the comparisons made between Clara, Nicks and herself.)

There are two additional guest appearances on TTPD : Post Malone appears on "Fortnight" and Florence Welch of Florence + the Machine is featured on "Florida!!!" (a surprisingly toned-down lead single). Swift particularly shines when paired with Welch, and the soaring "Florida!!!" sees their intertwined vocals creating a sound as infectious as the "drug" they sing about.

J.M. Barrie’s Peter Pan inspired Swift on "cardigan" ("Tried to change the ending/Peter losing Wendy") but now the Lost Boy gets his own track on The Anthology ’s "Peter." The ever-inquisitive Swift pleads, "You said you were gonna grow up/Then you were gonna come find me" and confronts this man who wouldn’t grow up. She even puts herself in the shoes of Wendy who waited for Peter Pan to return but has grown tired of waiting.

TTPS Is All Quill And Fountain Pen Songs

A few years ago, Taylor Swift categorized her songwriting according to three writing devices: glitter gel pens for fun tracks, fountain pens for songs using modern imagery and lyrics, and quill pens for tracks with flowery, figurative language. Although devoid of the glittery gel pen songs that comprise many of Swift's hits, TTPD and its accompanying anthology are steeped in fountain and quill writing. 

Most of The Tortured Poets Department are fountain pen tracks — thanks to 2024 Producer Of The Year Jack Antonoff ’s sleek pop production and synth use. Tracks like "Fresh Out The Slammer" and "My Boy Only Breaks His Favorite Toys" are sharp, snappy, tongue-in-cheek tales of love affairs about to begin and coming to an end with the same sonic exuberance of past Swift & Antonoff songs, like "Out of the Woods" and "Getaway Car."

Tracks on The Anthology , mostly produced by Aaron Dessner , are stripped-back, folk-tinged quill songs brimming with sorrow and harrowing thematics and dives even deeper into her chaotic psyche. "The Prophecy" sees Swift beg to change a prophecy that has been laid out ahead of her — likely stemming from the pressure of being a global superstar when all she wants is to be loved.

This Is The End Of An Era (Or A Chapter)

To her occasional disdain, Swift's highly personal songwriting has created a global obsession with her inner life.  Although she's tired of the "public autopsy," Tortured Poets offers her time to reflect on the "events, opinions, and sentiments" over a time that was equal parts transient and transformative. 

From her growth from the country-twanged teen singer on her self-titled debut to woman who is fearless in her pursuit of happiness, love, and peace, Swift has transformed time and time again. By viewing her work in eras — or, in this case, a chapter in a book of her life — it’s clear that Swift sees this current chapter of her life coming to a close, turning the last page and no longer longing to look back. 

One could argue that Swift is an unreliable narrator, only ever presenting her side of the story. But she says that while considering the pain described on TTPS , many now-healed wounds turned out to be self-inflicted. With these stories immortalized, Taylor Swift has spoken her saddest story and is now "free of it." The tortured poets and poems will no longer take up space in this next chapter of her life.

Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon

Photo: Ashok Kumar/TAS24/Getty Images for TAS Rights Management

Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More

Just over two months after Taylor Swift announced 'The Tortured Poets Department' at the 2024 GRAMMYs, the sprawling, bracingly personal album is here. Before you open the department door, arm yourself with the following knowledge.

We’ll be wandering through this Department for the foreseeable future.

Not only has Taylor Swift unleashed an absolute maelstrom with her 16-song new album, The Tortured Poets Department ; she’s dropped a whopping 15 additional tracks via its expanded version, The Tortured Poets Department: The Anthology .

Clearly, there’s an absolute treasure trove here — for Swifties and the merely Swift-curious alike. A mostly downbeat and discursive affair, The Tortured Poets Department feels like the shadow cast by the gilded, giddy, exhilarating Eras Tour , which isn’t over yet. (Which makes all the sense in the world, as she was simultaneously chipping away at the album while crisscrossing the globe.)

If you’re reading this, you’re probably bracing yourself for this long, solemn, darkly funny journey. Don’t go alone: here’s a brief breakdown of what you should know going in. (And keep checking GRAMMY.com, as there’s plenty more Taylor and Tortured Poets coming your way.)

The Tracklisting

As previously reported , here’s the standard tracklist for The Tortured Poets Department:

Side A "Fortnight" (feat. Post Malone ) "The Tortured Poets Department" "My Boy Only Breaks His Favorite Toys" "Down Bad"

** Side B ** "So Long, London" "But Daddy I Love Him" "Fresh Out the Slammer" "Florida!!!" (feat. Florence + the Machine )

** Side C ** "Guilty As Sin?" "Who’s Afraid of Little Old Me?" "I Can Fix Him (No Really I Can)" "Loml"

** Side D ** "I Can Do It With a Broken Heart" "The Smallest Man Who Ever Lived" "The Alchemy" "Clara Bow"

The Expanded Tracklisting

Aside from The Black Dog Edition , The Albatross Edition , The Bolter Edition , and The Manuscript Edition — which consist of the standard edition of the album with its titular bonus track — here are the additional tracks that complete The Tortured Poets Department: The Anthology .

"The Black Dog"

"Imgonnagetyouback"

"The Albatross"

"Chloe or Sam or Sophia or Marcus"

"How Did It End?"

"So High School"

"I Hate It Here" "thanK you aIMee"

"I Look In People’s Windows"

"The Prophecy" "Cassandra" "Peter" "The Bolter" "Robin"

"The Manuscript"

Physical copies of The Tortured Poets Department feature an original poem by the one and only Stevie Nicks .

Titled "For T and me…," the poem starts off with "He was in love with her / Or at least she thought so / She was brokenhearted / Maybe he was too." It goes on to trace a doomed relationship — one party being "way too hot to handle" and the other "way too high to try."

Elsewhere, Post Malone lends a haunting vocal to opener and lead single "Fortnight," and Florence + the Machine elevate "Florida!!!".

https://www.youtube.com/watch?v=FiqoZyauhdA

The lion’s share of the album was produced by Jack Antonoff ; Aaron Dessner handled a handful of tunes on the standard edition and the majority of The Anthology .

The Easter Eggs

Where do we begin? For starters, most of the songs seem to be directed at ex Matty Healy of the 1975, but Joe Alwyn and Travis Kelce seem to pop up here and there as well.

In the title track, Swift describes embracing the "cyclone" of a relationship with a partner akin to a "tattooed golden retriever." And they’d be remiss to compare themselves to Patti Smith or Dylan Thomas or any other famously tortured poet of the 20th century: "We’re modern idiots… we’re two idiots."

Elsewhere, Lucy Dacus of boygenius — and Antonoff himself — pop up ("But you tell Lucy you’d kill yourself if I ever leave / And I had said that to Jack about you / So I felt seen").

Far be it from us to speculate on exact subjects, but there are shades of depression ("You sacrificed us to the gods of your bluest days"), a betrothal that wasn’t to be ("You swore that you loved me but where were the clues? / I died on the altar waiting for the proof") and the racket of fame ("The circus life made me mean").

As usual, Swift has dumped puzzle pieces on the carpet — daring her ardent, global fanbase to start at the edges and work their way to the center. But never to this degree, across such an ocean of material.

Tortured poets — and those who fall in love with them — assemble!

Songbook: An Era-By-Era Breakdown Of Taylor Swift’s Journey From Country Starlet To Pop Phenomenon

• 1 Sabrina Carpenter's Big Year: The Pop Songstress Gushes On The Eras Tour, Her Christmas EP & More
• 2 11 Artists Who Influenced Taylor Swift: Joni Mitchell, Stevie Nicks, Tim McGraw & More
• 3 Songbook: An Era-By-Era Breakdown Of Taylor Swift's Journey From Country Starlet To Pop Phenomenon
• 4 Taylor Swift's 'The Tortured Poets Department' Is A Post-Mortem Autopsy In Song: 5 Takeaways From Her New Album
• 5 Taylor Swift’s New Album 'The Tortured Poets Department' Is Here: The Tracklisting, Guests, Easter Eggs & More

• Moscow concerts Moscow concerts Moscow concerts See all Moscow concerts ( Change location ) Today · Next 7 days · Next 30 days
• Most popular artists worldwide
• Trending artists worldwide

• Tourbox for artists

Search for events or artists

• Sign up Log in

• Get the app
• Moscow concerts
• Change location
• Popular Artists
• Live streams
• Popular artists

Sabrina Carpenter tour dates 2024

Sabrina Carpenter is currently touring across 2 countries and has 3 upcoming concerts.

Their next tour date is at Stockwood Park in Luton, after that they'll be at Flushing Meadows Park in Queens.

Currently touring across

Upcoming concerts (3) See nearest concert

Radio 1's Big Weekend

The Governors Ball Music Festival

Wembley Stadium

Past concerts

Coachella 2024 (1st Weekend)

National Stadium

View all past concerts

Support across tour dates

Recent tour reviews

The concert was absolutely stunning and amazing! She kept us engaged during the concert by letting us sing certain parts of the songs and got us hyped up when she asked us to get off our seats to jump with the music!! Sabrina even made us work out with her by shaking our limbs progressively faster in the middle of the concert. Most importantly, her vocals were absolutely melodic and exactly like what I heard on YouTube, just simply raw talent!

The audience was also very good as no one was really pushing one another to get to the front etc. and everyone was just singing and cheering along to your lovely music!

Once again, thank you for coming to Singapore to perform and I really appreciate it! I hope that you can fulfil your promise of coming here again, especially when you release Singular Act 2!

p.s. Please release it soon, I'm dying to hear the rest of the album ever since you released Pushing 20 and unofficially Exhale.

Report as inappropriate

This was one of the best shows I’ve attended. Maggie Lindemann, the opening act, sounded very good and got me hyped for the show. Sabrina came out with amazing energy, dancing and singing her heart out the entire show. She sounded phenomenal, and I was extremely excited. The highlight of the night was when I held up my sign and Sabrina read it out loud before Prfct, which is awesome especially because the sign read “Sabrina, ur Prfct to me, we love you”. That meant so much to me that she read it. Overall, this show was infinity stars/5 and I can’t wait for her to come back.

I love You so Much <3 You have been my idol for 4 years now! Usually when i start liking a singer i only like them for about a year! but i can never stop Liking u! Your Beautiful and so Talented! Your a inspiration to so many Young people out there today! Im in Love with ur song Why! and I really look up to your song Shadows for Personal reasons which tbh only You and ur songs was able to help me get through that tricky stage! Ilysm! and im hoping very soon it would be my chance to meet you! i Hope u come back to the UK lots of love Shan <3

• Most popular charts
• API information
• Brand guidelines
• Community guidelines
• Terms of use
• Privacy policy
• Cookies settings
• Cookies policy

Get your tour dates seen everywhere.

• But we really hope you love us.

Sabrina Carpenter tour 2023: Dates, schedules, where to buy tickets

• Published: Dec. 16, 2022, 10:00 a.m.

Sabrina Carpenter will be going on the second leg of her "Emails I Can't Send" tour in March.

• Nicole Iuzzolino | NJ Advance Media for NJ.com

Sabrina Carpenter is not done touring just yet.

Carpenter has announced the second leg of her “Emails I Can’t Send” tour, which will begin on March 16 in Fort Lauderdale, Florida .

The singer will go on an extensive 36 date North American tour where she will make stops in New York City on May 11 and Philadelphia on May 13 .

The “Emails I Can’t Send” tour is in support of her fifth studio album.

Here is how you can get tickets to see Sabrina Carpenter in 2023.

Where can I get tickets to see Sabrina Carpenter in concert?

Tickets for the “Emails I Can’t Send” tour go on sale to the general public on Ticketmaster Dec. 16 at 10 a.m .

While tickets are available on Ticketmaster, tickets can also be purchased on the secondary market. Fans also can look for Sabrina Carpenter tickets on StubHub , Vivid Seats , Ticket Network , TicketCity and MegaSeats .

First-time Vivid Seats users can save $20 on ticket orders over $200 by entering promo code NJ20 at checkout.

A complete list of “Emails I Can’t Send” tour dates is available here .

More massive upcoming tours in 2023

Sabrina Carpenter is not the only artist going out on tour in the next few months.

Here are a few more upcoming tours you won’t want to miss.

• Motley Crue and Def Leppard
• Morgan Wallen
• Taylor Swift

RELATED STORIES ABOUT LIVE EVENTS:

Morgan Wallen tour 2023: Where to buy tickets, schedule, dates, festival info

What is Vivid Seats? Is it legit? Do they have fees? Here’s everything to know

Adele’s Las Vegas residency: What is the setlist?

Billy Joel and Stevie Nicks Philly concert 2023: Here is how you can get tickets

Our journalism needs your support. Please subscribe today to NJ.com .

Nicole Iuzzolino can be reached at [email protected] . Have a tip? Tell us at nj.com/tips .

If you purchase a product or register for an account through a link on our site, we may receive compensation. By using this site, you consent to our User Agreement and agree that your clicks, interactions, and personal information may be collected, recorded, and/or stored by us and social media and other third-party partners in accordance with our Privacy Policy.

Sabrina Carpenter Announces 2023 International Tour Kicking Off This March

• December 12, 2022, 9:09 am
• Photo Credits: Sabrina Carpenter Facebook

Singer-songwriter and actress Sabrina Carpenter announced her 2023 international emails I can’t send  tour.

An extension of her acclaimed and completely sold-out North American 2022 run, the 2023 tour kicks off on March 16 th  at the Hard Rock Live in Fort Lauderdale, continues coast-to-coast, playing venues such as Terminal 5 in New York City and The Greek Theatre in Los Angeles and will incorporate soon-to-be announced international dates. Fan Pre-Sale, Spotify Fan First Presale & local presales begin on December 13th and 14th. American Express® Card Members can purchase tickets in select markets before the general public beginning Tuesday, December 13 th  at 10am local time through Wednesday, December 14 th  at 10pm local time. General onsale starts on December 15th. Fans can purchase tickets  HERE .

UPCOMING SABRINA CARPENTER TOUR DATES:

3/16 Ft Lauderdale, FL – Hard Rock Live Seminole

3/20 New Orleans, LA – Orpheum Theater

3/22 Houston, TX – Warehouse Live

3/24 Dallas, TX – The Factory in Deep Ellum

3/25 San Antonio, TX – The Espee

3/26 Austin, TX – ACL Live at The Moody Theater

3/28 Tulsa, OK – Tulsa Theater

3/30 Denver, CO – The Mission Ballroom

4/1 Salt Lake City, UT – The Union

4/2 Garden City, ID – Revolution Concert House

4/5 Calgary, AB – Grey Eagle Event Centre

4/6 Edmonton, AB – Union Hall

4/8 Vancouver, BC – PNE Forum

4/10 Portland, OR – Crystal Ballroom

4/11 Seattle, WA – Showbox Sodo

4/15 San Francisco, CA – The Warfield

4/16 Sacramento, CA – Hard Rock Live Sacramento

4/20 Los Angeles, CA – Greek Theater

4/22 Las Vegas, NV – Virgin Hotels Las Vegas

4/23 Mesa, AZ – Mesa Amphitheater

4/26 Kansas City, MO -Midland Theater

4/27 Minneapolis, MN – The Fillmore

4/28 Madison, WI – The Sylvee

4/30 Chesterfield, MO – The Factory

5/1 Indianapolis, IN – Old National Centre

5/2 Nashville, TN – Ryman Auditorium

5/5 Toronto, ON – Queen Elizabeth Theater

5/6 Detroit, MI – Royal Oak Music Theatre

5/7 Cleveland, OH – Agora Ballroom

5/9 Boston, MA – Roadrunner

5/11 New York, NY – Terminal 5

5/13 Philadelphia, PA – Franklin Music Hall

5/14 Washington, DC – The Anthem

5/16 Raleigh, NC – The Ritz

5/17 – Atlanta, GA – The Eastern

5/20 – Gulf Shores, AL – Hangout Festival

More From LATF USA

Mother’s Day Fragrance: EQUIVOQUE, Eau de Parfum Intense From Givenchy

USPS Unveils New Floral Geometry Stamp

CVS Invests $19.2 million In Affordable Housing In Colorado

Mother’s Day Fragrance: AERIN Mediterranean Honeysuckle Tiare

Truth Bar To The Rescue: Healthy and Tasty

No Surprise Taylor Swift and Travis Kelce Are The Most Popular Celebrity Couple

2024 Beverly Hills Film Festival Announces Jury Members

Cannes Film Festival: Xavier Dolan To Serve As President of Un Certain Regard Jury

John Lennon’s Lost Help! Guitar Discovered After 50 Years

Los Angeles Proposes $950 million For Homeless Response

Mother’s Day Fragrance: Cœur Fou by Givenchy

Tom Brady Will Be Roasted Live and Kevin Hart Is In On It

Rugby football club los angeles partners with bubble tea chatime, earth day started in the 1970s, here’s how you can help today.

“No gossip, just news.” The latest stories in entertainment and lifestyle, with exclusive celebrity interviews.

©LATF USA 2023

• Sabrina Carpener
• Photo Gallery

Welcome to Sabrina Carpenter Online - the most up to date source for everything Sabrina Carpenter! You may know her as Maya Hart from "Girl Meets World" or her most recent album, Emails I Can't Send featuring her hit song, "Nonsense" . Here you will find the latest news, photos and media, Make sure to check back often for more updates.

Sabrina made many stops throughout North America on the second leg of her Emails I Can’t Send Tour in April 2023. Photos from the shows have been added to the gallery.

Sabrina's newest single which also comes with a music video and merchandise collection.

Sabrina's collaboration (song) with Girl in Red. The song is also featured in Girl in Red's album, I'm Doing It Again

Sabrina joins Taylor Swift's Eras Tour as the opening act on the South America, Australia, and Asia legs.

•   Instagram — @SabrinaCarpenter
•   TikTok — @SabrinaCarpenter
•   Twitter (X) — @SabrinaAnnLynn
•   Facebook - @SabrinaCarpenter
•   YouTube — @SabrinaCarpenter
•   IMDb — Sabrina Carpenter
•   Website — sabrinacarpenter.com
•   Merch — shop.sabrinacarpenter.com

Are you a frequent visitor to the site? Feel free to help keep the up-to-date and active! The site accepts

– Photos – Videos – News Articles – Other Media – Financial support

Donate Media — with form

Running the site is not free , so feel free to send help out by sending a donation(s) using PayPal .

Donate Financially — with Payhip + Paypal

• Site Name: Sabrina Carpenter Online sabrina-carpenter.com
• Admin: Maddie
• Contact: Form | Twitter/X
• Online Since: August 17, 2020
• Theme: Graph Galaxy

PREVIOUS VERSION

• Site Name: Sabrina Carpenter Source sabrina-carpenter.org
• Opened: May 15, 2014 – 2019

This website is mobile friendly, but for the full experience, it is suggested to view it on a computer using Firefox or Chrome.

• Statistics Stats
• You are here:
• Carpenter, Sabrina
• May 28, 2023 Setlist

Sabrina Carpenter Setlist at Jockey Club Brasileiro, Rio de Janeiro, Brazil

• Edit setlist songs
• Edit venue & date

Edit set times

• Add to festival
• Report setlist

Tour: emails i can't send Tour Tour statistics Add setlist

• Read your Mind Play Video
• Feather Play Video
• Vicious Play Video
• Already Over Play Video
• Tornado Warnings Play Video
• bet u wanna Play Video
• The Sweet Escape ( Gwen Stefani  cover) Play Video
• Looking at Me Play Video
• Paris Play Video
• opposite Play Video
• Fast Times Play Video
• Sue Me Play Video
• decode Play Video
• because i liked a boy Play Video
• Nonsense Play Video

Note: Deezer Stage

Edits and Comments

20 activities (last edit by MG87 , 28 May 2023, 18:01 Etc/UTC )

Songs on Albums

• Already Over
• Read your Mind
• Tornado Warnings
• because i liked a boy
• bet u wanna
• Looking at Me
• The Sweet Escape by Gwen Stefani

Complete Album stats

Sabrina Carpenter

More from this artist.

• More Setlists
• Artist Statistics
• Add setlist

Festival Time!

Hey, this setlist was played at a festival:

MITA Festival Rio de Janeiro 2023 setlists

Related News

Lana Del Rey Live Debuts Six Songs at MITA Festival in Brazil

Sabrina carpenter gig timeline.

• May 17 2023 The Eastern Atlanta, GA, USA Start time: 9:10 PM 9:10 PM
• May 20 2023 Hangout Music Fest 2023 Gulf Shores, AL, USA Add time Add time
• May 28 2023 MITA Festival Rio de Janeiro 2023 This Setlist Rio de Janeiro, Brazil Start time: 2:00 PM 2:00 PM
• Jun 04 2023 MITA Festival São Paulo 2023 São Paulo, Brazil Start time: 2:00 PM 2:00 PM
• Jun 11 2023 3Olympia Theatre Dublin, Ireland Add time Add time

26 people were there

• alwayslazyboy
• axis__mundi
• beatrizramos
• caroldamique
• gucampanili
• igordfranca
• lucasvargas
• monteirodriano
• samanthamsouza

Share or embed this setlist

Use this setlist for your event review and get all updates automatically!

<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/sabrina-carpenter/2023/jockey-club-brasileiro-rio-de-janeiro-brazil-2bb978ce.html" title="Sabrina Carpenter Setlist MITA Festival Rio de Janeiro 2023, emails i can&#039;t send Tour" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=2bb978ce" alt="Sabrina Carpenter Setlist MITA Festival Rio de Janeiro 2023, emails i can&#039;t send Tour" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=2bb978ce&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/sabrina-carpenter-4bdd3b6a.html">More Sabrina Carpenter setlists</a></div></div>

Last.fm Event Review

[url=https://www.setlist.fm/setlist/sabrina-carpenter/2023/jockey-club-brasileiro-rio-de-janeiro-brazil-2bb978ce.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=2bb978ce[/img][/url] [url=https://www.setlist.fm/edit?setlist=2bb978ce&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/sabrina-carpenter-4bdd3b6a.html]More Sabrina Carpenter setlists[/url]

Tour Update

Marquee memories: alien ant farm.

• Alien Ant Farm
• Apr 27, 2024
• Apr 26, 2024
• Apr 25, 2024
• Apr 24, 2024
• Apr 23, 2024
• Apr 22, 2024
• FAQ | Help | About
• Terms of Service
• Ad Choices | Privacy Policy
• Feature requests
• Songtexte.com

Sabrina Carpenter Verified

Concerts and tour dates, sabrina carpenter merch.

Live Photos of Sabrina Carpenter

Fan Reviews

Fans Also Follow

About sabrina carpenter.

Nicole Kidman & Keith Urban's Teenage Daughters Make Red Carpet Debut With Mom & Her Niece Sybella!

'The Traitors' Season 3 - 1 Star Rumored to Join Cast!

Rihanna Reveals If She's Attending Met Gala 2024, Explains Why New Music is Taking So Long

Actors Who Almost Said 'No' to Iconic Roles & Why They Changed Their Minds (1 of Them Won an Oscar for the Part!)

Sabrina Carpenter Kicks Off 2023 Tour, Set List Revealed After First Show in Florida

Sabrina Carpenter has kicked off the second leg of her Emails I Can’t Send headlining tour and we have the set list from her first show of 2023!

The 23-year-old singer-songwriter launched the new leg of the tour on Thursday (March 16) at Hard Rock Live Seminole in Hollywood, Fla.

Sabrina will be traveling around North America on a 40-show run this year with shows at iconic venues like Los Angeles’ Greek Theatre and New York City’s Terminal 5.

The tour coincided with the release of Sabrina ‘s deluxe version of the album, emails i can’t send fwd: , which features four previously unreleased songs . Two of the songs had their live debuts at the tour launch!

Head inside to check out the set list from the first show…

Keep scrolling to check out the full set list… **This set list is representative of the first show and might not be completely accurate for every show.

1. Emails I Can’t Send 2. Read Your Mind 3. Feather 4. Vicious 5. Already Over 6. Bad for Business 7. Skinny Dipping 8. Tornado Warnings 9. Opposite 10. Bet U Wanna 11. Dreams (Fleetwood Mac cover) 12. How Many Things 13. Fast Times 14. Paris 15. Honeymoon Fades 16. Sue Me 17. Decode 18. ENCORE: Nonsense 19. ENCORE: Because I Liked a Boy

Check out the set lists for more artists on tour right now!

JJ: Latest Posts

• 15+ Celebrities' Names You're Likely...
• Doja Cat Brings Glass of Wine &...
• Anne Hathaway Wears Leather Suit for...
• Joe Russo Shares Update On Chris...
• Jimmie Allen Talks Welcoming Twins...
• Colin Farrell, Kirby & Amy Ryan...
• 'Survivor' Host Jeff Probst Reveals...
• Millie Gibson Will Be In 'Doctor Who'...
• Jax Taylor & Brittany Cartwright...
• Adele, Leonardo DiCaprio & More...
• 'RHOSLC' Alum Monica Garcia Reveals...
• The Wealthiest Latin Artists of All...
• Nicholas Galitzine Opens Up About His...
• Taylor Swift Reacts to 'The Tortured...

Just Jared Jr.

• China Anne McClain & Kylie...
• Milo Manheim & Meg Donnelly Show...
• 'Pretty Little Liars: Summer School'...
• 'Kickin' It' Cast Reunite In New Photo...
• Paramount+ Renews New 'Dora'...
• Milo Manheim Talks Getting His Start...
• Iain Armitage Reflects On First Day of...
• © 2005-2024 Just Jared, Inc. ||
• Accessibility
• Privacy Policy
• Manage Cookies
• Return to Mobile

Switch to the dark mode that's kinder on your eyes at night time.

Switch to the light mode that's kinder on your eyes at day time.

Sabrina Carpenter Tour 2023 : Dates and Tickets

Share Your Love

The North American leg of singer/actress Sabrina Carpenter’s tour promoting her most recent album, emails I can’t send, will stretch into 2023. This new 36-city tour begins on March 16 in Fort Lauderdale and continues through May with stops in Houston, Seattle, Las Vegas, Kansas City, and Cleveland, among the many other cities around the United States. There will be performances in Calgary, Edmonton, Vancouver, and Toronto in Canada. The trip set sail in late 2022, with Girlhouse as a special guest.

On July 15, 2022, Island Records published Carpenter’s fifth studio album, “emails I can’t send.” The new album follows 2019’s ‘Singular: Act II,’ on which Saweetie appears on the single ‘I Can’t Stop Me,’ and has debuted at a career-high #23 on the Billboard 200. In the same year, she and Maggie Lindemann set out on The Singular Tour, which made stops around Asia and North America. In 2017, Alex Aiono and New Hope Club accompanied her on her De-Tour.

In this article

The length of a typical Sabrina Carpenter concert is around how long?

Sabrina Carpenter often lasts between three and four hours, though this range is subject to change according to factors such as the length of the opening acts, the presence of an encore, etc.

Floor Seats

It’s possible to have a once-in-a-lifetime experience by sitting on the floor seats for a Sabrina Carpenter concert. Tickets for floor seats or the front row are sometimes among the most expensive options for performance. Tickets to see Sabrina Carpenter might cost as much as $1,000 for seats in the first row or the center of the stage.

Please advise on the cost of Sabrina Carpenter’s tickets.

The ticket price to see Sabrina Carpenter on the secondary market might range from one venue to the next. Sabrina Carpenter tickets typically cost $248 on average, with prices starting as low as $181.00.

Where can I find tickets to see Sabrina Carpenter?

On December 14 at 10 am EST, a Spotify presale was launched. On December 16 at 10:00 am EST, the general public sale, VIP packages, and official Platinum packages will all go on sale.

When looking for Sabrina Carpenter tickets, the best places to look are SeatGeek, Stubhub, Ticketmaster, Ticketnetwork, Livenation, Vividseats, and Viagogo.

Track Listing for Sabrina Carpenter Performance

Sabrina Carpenter’s performances typically feature fan favorites, and while the setlists do change significantly from show to show, here are some examples of fan favorites that are usually included:

· because i liked a boy

· On My Way

· emails i can’t send

· Looking at Me

· Read your Mind

· Tornado Warnings

Sabrina Carpenter Tour 2023 Dates:

Mar. 16 – Ft Lauderdale, FL @ Hard Rock Live Seminole Mar. 20 – New Orleans, LA @ Orpheum Theater Mar. 22 – Houston, TX @ Warehouse Live Mar. 24 – Dallas, TX @ The Factory in Deep Ellum Mar. 25 – San Antonio, TX @ The Espee Mar. 26 – Austin, TX @ ACL Live at The Moody Theater Mar. 28 – Tulsa, OK @ Tulsa Theater Mar. 30 – Denver, CO @ The Mission Ballroom Apr. 1 – Salt Lake City, UT @ The Union Apr. 2 – Garden City, ID @ Revolution Concert House Apr. 5 – Calgary, AB @ Grey Eagle Event Centre Apr. 6 – Edmonton, AB @ Union Hall Apr. 8 – Vancouver, BC @ PNE Forum Apr. 10 – Portland, OR @ Crystal Ballroom Apr. 11 – Seattle, WA @ Showbox Sodo Apr. 15 – San Francisco, CA @ The Warfield Apr. 16 – Sacramento, CA @ Hard Rock Live Sacramento Apr. 20 – Los Angeles, CA @ Greek Theater Apr. 22 – Las Vegas, NV @ Virgin Hotels Las Vegas Apr. 23 – Mesa, AZ @ Mesa Amphitheater Apr. 26 – Kansas City, MO @ Midland Theater Apr. 27 – Minneapolis, MN @ The Fillmore Apr. 28 – Madison, WI @ The Sylvee Apr. 30 – Chesterfield, MO @ The Factory May 1 – Indianapolis, IN @ Old National Centre May 2 – Nashville, TN @ Ryman Auditorium May 5 – Toronto, ON @ Queen Elizabeth Theater May 6 – Detroit, MI @ Royal Oak Music Theatre May 7 – Cleveland, OH @ Agora Ballroom May 9 – Boston, MA @ Roadrunner May 11 – New York, NY @ Terminal 5 May 13 – Philadelphia, PA @ Franklin Music Hall May 14 – Washington, DC @ The Anthem May 16 – Raleigh, NC @ The Ritz May 17 – Atlanta, GA @ The Eastern May 20 – Gulf Shores, AL @ Hangout Festival

Final Thoughts

Sabrina Carpenter can sing, write songs, and act when it comes to performing. The talented lady made her name in the acting world with roles in Law & Order: Special Victims Unit and Girl Meets World. She went on to star in a string of movies and TV shows for streaming giant Netflix. Can’t Blame a Girl for Trying was Sabrina Carpenter’s first EP, released in 2014. The four songs from the EP were subsequently included in her studio album Eyes Wide Open, released in 2015. Sabrina Carpenter writes about things many people can relate to, including love, friendship, and being a teenager. Fans and critics alike have praised the album, which fuses elements of pop-rock and folk. Her first headlining tour, which she used to expand her fan base further, began after the 2016 release of her sophomore album, Evolution.

S.Z.A. Tour 2023 : Tickets and Details

Sabrina Carpenter Tour 2023

Written by Emil Hasibul

Emil Hasibul is the writer and founder of Vocal Bop, a website that provides news and concert tour related info, tickets guide & more. He is passionate about entertainment and culture, and loves to share his insights with his audience & now full-time, with a team of talented writers and editors who help him create engaging and informative articles.

Chase Rice Tour Dates 2023 : Tickets and More

© 2023 vocalbop.com . All Rights Reserved

• by Tomás Mier
• Rollingstone.com

Similar News

Rolling stone.

• by Sage Anderson

• by Kory Grow

• by Just Jared

Dolly Parton

• by Emma McKee
• Showbiz Cheat Sheet

• by Lauren Weiler

• by Aubrey Chorpenning
• The Streamable

More to explore

• by Scott Roxborough
• The Hollywood Reporter - Movie News

• by Leo Barraclough
• Variety - Film News

• by K.J. Yossman
• Variety - TV News

• by Naman Ramachandran

• by Ellise Shafer

Celebrity News

• by Lucas Villa
• Popsugar.com

• by Johanna Ferreira

• by Juan Arroyo

• by Brenda Barrientos

• by Saraciea Fennell

• by Rodrigo Perez
• The Playlist

• by Gregory Ellwood

• by Harrison Richlin

• by Caroline Brew and Ellise Shafer

• by Alex Ritman

• by Leslie Felperin
• The Guardian - Film News

• by Witney Seibold

• by Megan Vick

• by John Hopewell

Recently viewed

• Skip to content
• Accessibility
• Buy Tickets

{{decodeURI(data.name)}}

Sabrina Carpenter

With blu detiger.

• Date & Time May 2 , 2023 7:30 PM
• Time 7:30 PM
• On Sale On Sale Now

There is a Clear Bag Policy in place for this show: • Bags must be clear plastic, vinyl or PVC and do not exceed 12” x 6” x 12” • One-gallon clear plastic freezer bag (Ziploc bag or similar) • Small clutch bags, camera and binocular cases, not exceeding 4.5” x 6.5”, with or without a handle or strap, can be taken into the venue with one of the clear plastic bag options.

After achieving ubiquity as a platinum-certified pop force of nature, superstar actress, and accomplished film and television producer, Sabrina Carpenter empowered herself to open up like never before as a songwriter and storyteller. As such, the songstress underwent a series of creative and personal transformations chronicled on her fifth full-length album and 2022 debut for Island Records, Emails I Can’t Send . Musically, she ushered the sound into new territory with an emphasis on live instrumentation. Simultaneously, she pulled lyrics right from her most intimate experiences—as if writing in real-time. Ultimately, she challenged what it means to make pop music by abandoning all of the rules and redefining her sound from a place of unfettered creativity, candor, charisma, and confidence.

“You’re conditioned to follow the rules, especially when it comes to pop,” she states. “I got tired of the routine, what’s expected, what’s supposed to be, and what should be. When I threw those expectations out the window, I was more excited about the music. My heart was pulling me towards live instruments and very real lyrics. I was trying to tell my story as authentically as I could. Sometimes, it was more uplifting. Other times, it was more honest. Ultimately, I’ve never really felt closer to music than I do now.”

In order to get “closer to music,” Sabrina quite literally embraced her roots once again. Listening intently to a myriad of favorites, she dusted off old records by the likes of Carole King, Joni Mitchell, Dolly Parton, and Marvin Gaye. Emphasizing the inclusion of live instrumentation and stripped-back production, her artistry progressed in organic and understated fashion. She gave audiences a glimpse at her direction with the 2021 one-off “Skin,” which generated hundreds of millions of streams and became her first Billboard Hot 100 hit. However, it just scratched the surface of where Emails I Can’t Send would go as she held nothing back during the writing and recording process.

“I stopped sugarcoating things,” she confesses. “As a songwriter, I reached the point where it was more important for me to speak my truth than it is to worry about the perceptions and opinions of others. I didn’t want this to be anybody else’s album, but mine.”

Her story played out vividly on the album’s first official release “Skinny Dipping,” Co-written with Grammy® Award-nominated multiplatinum artists and songwriters Julia Michaels and JP Saxe, it showcased the unfiltered honesty at the heart of the album with its vivid recollections of running into an ex at a coffee shop. She performed it for the first time on The Tonight Show Starring Jimmy Fallon , while People highlighted how, “The single demonstrates a sense of closure from a past relationship.” However, she picked up the pace with the dancefloor-ready follow-up “Fast Times.” Driven by upbeat percussion and a dynamic vocal performance, Rolling Stone hailed it as a “sexy, playful pop song” and one of “The Best Songs of 2022.” However, the single “Vicious” cuts even deeper into the old wound of a failed romance. Her understated vocals peek through handclaps and a head-nodding guitar riff as she muses, “Everyone thinks you’re an angel, but shit I would probably use different wording.”

“Sonically, you’re able to hear me really closely, and it’s almost like I’m narrating the story to you,” she elaborates. “This is the personal side of the album. It’s as if I’m having a conversation. We’ve all had experiences with people we love so deeply who turn out to be different than we thought they were. It’s a really painful realization to come to terms with. A lot of times, we focus on the other side of the healing process and ignore the part where we’re filled with anger and resentment. I don’t touch on that side of myself too often, but it’s a huge part of my story over the past couple of years, so I thought it was important to start there on ‘Vicious’.”

Fittingly, she begins the album with the piano-laden title track “Emails I Can’t Send.” Between soft strings, her voice barely registers above a whisper as she warns, “Don’t make me cuss you out. Why’d you let me down? Don’t say sorry now.”

Whether it be the extreme dynamics of “Tornado Warnings” or the cheeky acoustic ponderances of “Bad For Business,” the album finds Sabrina at her most raw and real. This sentiment shines the brightest on the finale “Decode.” Her voice quakes with unfiltered feeling over delicately strummed guitar as her cadence alternates between hushed verses and a hypnotic hook.

“It reaches a place of acceptance,” she observes. “You’re not necessarily holding anger for the past, but you’re accepting if the situation was perfect, you wouldn’t be where you are now. You wouldn’t have grown or learned from it. You wouldn’t know how to take care of yourself in the future. Finally, you can move on.”

Since making her debut with Eyes Wide Open in 2015, Sabrina has evolved as a singer, songwriter, and performer on her own terms. Amassing over a billion streams, she has earned one platinum single, “Thumbs,” and two gold singles—“Sue Me” and “Why.” Beyond selling out shows on multiple continents, she has collaborated with Zara Larsson, Farruko, and Saweetie. Her dynamic filmography spans everything from her first leading role in the 2019 Tribeca Film Festival favorite The Short History of the Long Road to the #1 Netflix mega-hit Work It , which she produced. In 2022, she co-stars in the comedy thriller film Emergency (Amazon Prime), which premiered at Sundance Film Festival. Other major credits include Clouds and the Broadway production of Mean Girls . It’s no wonder Forbes touted her as a featured honoree on its “30 under 30” list.

Now, Emails I Can’t Send tells Sabrina’s story like never before. The album finds Sabrina refusing to take the easy way out, embracing her vulnerabilities and welcoming growth. The result is a deeply intimate look into the inner workings of her mind; her thoughts, feelings, and everything in between.

“There’s a huge message of self-acceptance, self-forgiveness, and imperfection,” she leaves off. “I’ve learned you can’t just skip to the part where you’re healed and everything’s okay. You have to go through it. I’m someone who likes to listen to music and get in my feels. Making that kind of record for me was really special. This is my own.”

Sign Up to Receive Updates and Special Offers From The Ryman And The Opry Entertainment Group

People also viewed.

Waxahatchee

Ryman Sidewalk Sessions with David Unlayao

Venue information.

Ryman Auditorium

Ryman Auditorium, located at 116 Rep. John Lewis Way North, in Nashville, Tennessee, is one of the most celebrated venues in modern music. Built in 1892, the historic 2,362-seat live performance venue is the most famous former home of the Grand Ole Opry and is revered by artists and music fans for its world-class acoustics. A bucket list moment for both fans and artists alike, her iconic stage has hosted performers from across genres, such as Elvis Presley, Bruce Springsteen, Charley Pride, Loretta Lynn, Johnny Cash, Harry Styles, Wu-Tang Clan, Lizzo, and thousands more. While offering a diverse lineup and thriving concert schedule with over 200 shows per year, the venue is also open for daytime tours year-round. Along with best-in-class production technologies and livestream capabilities, the Ryman has been named  Pollstar ’s Theater of the Year for 13 years through 2021.

Stay in Touch

What’s  almost  as iconic as visiting the Ryman? Always having the inside scoop! 

Sign up for exclusive updates, offers, and events, so you never miss out on what’s happening at the Mother Church.

By opting-in, you agree to receive updates and offers via text at your mobile number.  Message frequency may vary by use.  Message and data rates may apply.  Text STOP to cancel, HELP for help. Privacy Policy | Terms & Conditions

6/28: It's Happening with Snooki & Joey

5/4: Down and Derby Wine Festival

5/5: Spring on Tap Beer Festival

Laughter may be the best medicine

• Health News
• Children's Health
• Entertainment
• Food & Drink
• Restaurants
• Family-Friendly
• Performances
• Fantasy Football
• Staff / Contributors
• Legal / Privacy

© 2024 WWB Holdings, LLC. All rights reserved

• Google Plus

More Culture:

November 10, 2023

Who is Sabrina Carpenter, the Pennsylvania-native pop star opening for Taylor Swift's Eras Tour?

The 'feather' singer, who also starred in disney channel's 'girl meets world' reboot series, will travel with swift to argentina, brazil, australia and singapore.

As the record-breaking Eras Tour continues into its next international leg this week, Taylor Swift will be joined by a fellow Pennsylvania-native pop star.

Starting Thursday, Sabrina Carpenter — a singer and former Disney Channel actress who was born and raised in the Philadelphia suburbs — will perform ahead of Swift's concerts in Argentina, Brazil, Australia and Singapore. Carpenter, 24, previously opened for the Eras Tour in Mexico in August.  

MORE:   Two decades after leaving Philly, director Jennifer Cram reflects on the path to her first film, 'Sick Girl'

Carpenter was born in Quakertown , Bucks County and grew up in East Greenville, Montgomery County, where she was homeschooled. Despite moving to Los Angeles to pursue a career in entertainment at age 13, she has said that her hometown influenced her taste buds  —  she told  the  Burlington County Times that  Wawa was what she missed most about the East Coast while living in California  —  as well as her creative endeavors.

"Every choice you make influences who you are and my upbringing always shows up in my music," Carpenter told Lehigh Valley Live in 2015.

Carpenter signed her first record deal at 14 and released her first EP the same year. She has released five albums since then.

Along with her music career, Carpenter also is an actress whose first major role came over a decade ago in "Law and Order: SVU."  She went on to appear in films like "Adventures in Babysitting," "The Hate U Give" and "Tall Girl," but  her most well-known role was in the Disney Channel series "Girl Meets World" — a reboot of '90s sitcom "Boy Meets World" — which ran from 2014 to 2017.

In 2021, Carpenter found herself  at the center of a pop culture scandal through her rumored love triangle with "High School Musical: The Musical: The Series" stars Joshua Bassett and Olivia Rodrigo. Fans speculated that Bassett began dating Carpenter after his romance with Rodrigo ended. The gossip mill only grew stronger after Rodrigo's hit single "Drivers License" seemed to allude to the situation, and both Bassett and Carpenter also released suggestive songs of their own.

For her part, Carpenter sang about her experiences as a young woman navigating today's tricky dating pool on last year's album "Emails I Can't Send," which has garnered explosive success with tracks like "Nonsense" and " Feather ."  She is releasing a holiday EP, " Fruitcake ," on Friday, Nov. 17. 

While Carpenter's recent success has thrust her onto the Eras Tour stage, her connection with West Reading-native Swift actually runs deep.

View this post on Instagram A post shared by Sabrina Carpenter (@sabrinacarpenter)

Carpenter's Swiftie status can be traced all the way back to 2009 when she covered "Picture to Burn" off Swift's debut album and posted it to YouTube . A clip from the throwback video played ahead of Carpenter's set when she opened for Swift in Mexico.

In 2010, Carpenter posted on X (formerly Twitter) about attending Swift's concert and how it inspired her to dream of having her own tour one day.  She pointed out the foreshadowing by  re-sharing  her post in June when it was announced she'd be opening for the Eras Tour.

Carpenter and Swift have  been friends  through the years, sending each other gifts and sharing kind words about each other publicly . They've also been spotted hanging out at awards shows, parties and a Kansas City Chiefs game to support Swift's rumored boyfriend Travis Kelce. 

In May, Carpenter attended the Eras Tour in Philly as a fan. She was spotted in the VIP tent during one of Swift's shows at Lincoln Financial Field. She also recently covered Swift's "I Knew You Were Trouble."

Carpenter is scheduled to be with the Eras Tour through March 9. From there, Swift's tour continues to Europe and Canada with openers Paramore and Gracie Abrams, respectively.

“Watching (Swift) is a masterclass in itself,” Carpenter told  Rolling Stone  of joining the Eras Tour. “I feel a lot more comfortable that I’m going into a situation with someone that I admire so much.”

Follow Franki & PhillyVoice on Twitter: @wordsbyfranki | @thePhillyVoice Like us on Facebook: PhillyVoice Have a news tip ? Let us know.

Franki Rudnesky PhillyVoice Staff

[email protected]

Celebrate Cinco de Mayo at the Spring on Tap Beer Festival

Attend the 2024 Down and Derby Wine Festival on May 4

Just in.

• Multiple cars caught fire at impound lot in Wynnfield Heights
• Report: Eagles to sign OT Mekhi Becton
• Travis Kelce to host 'Are You Smarter Than a Celebrity?' game show
• Man wanted for hitting woman in face with wooden stick on Kelly Drive, police say
• Penn interim president orders pro-Palestine protesters to end encampment
• Outdoor indie film screening series from cinéSPEAK returning to Clark Park

Must Read

John dougherty's extortion trial ends in mistrial.

A WCLOC can help support your business

• What is Bell's palsy, the facial paralysis affecting Sixers star Joel Embiid?

Food & Drink

Buffalo Wild Wings Go to offer free wings for a year when it opens

Jeremiah Trotter Jr. begins path to writing his own story with the Eagles

At next month's Beerathon 5K, runners can cheers after every mile

• AFib may be far more common in middle-age adults than once thought
• The human brain is getting larger, and that may be good for your dementia risk
• Exceptional nurses can be nominated to receive IBX's Sunshine Award
• It's possible to consume too much caffeine – but it takes a lot of coffee
• Philadelphia's ozone pollution is the worst in the Mid-Atlantic region

Savor bourbon & BBQ in Benson, NC

How a working capital line of credit can provide flexibility for business owners

Healthy Eating

Listen to your head…but listen to your gut, too

Philadelphia Vietnam Veterans Memorial still needs $50K to repair extensive vandalism sustained last August

Ireland's rich blend of history, culture, and natural wonders awaits both returning visitors and first-timers

Visit Gettysburg in the springtime!

Your next weekend getaway awaits you in Northern Pennsylvania

Harford County, Maryland: Your new favorite road trip

• Discount Codes

Sabrina Carpenter to bring ‘Emails I Can’t Send’ Tour to Asia in July

She’ll perform in Japan, Singapore and the Philippines as well as festivals in Thailand, Malaysia and Indonesia

Sabrina Carpenter will bring her ‘Emails I Can’t Send’ tour to Asia this July.

• READ MORE: XONE: Malaysia’s next great pop hope – and a duo who’ve been best friends forever

Besides performing at Indonesia’s We The Fest , Malaysia’s Good Vibes Festival and Bangkok’s Very Summer Festival , the singer will stage headline concerts in Japan, Singapore and the Philippines, according to a poster shared by Live Nation Philippines last week.

She’ll kick off the tour with two dates in Japan, in Tokyo and Osaka, before heading onto back-to-back festival sets at We The Fest and Good Vibes. She’ll then perform in Manila, Singapore and finally Bangkok.

Tickets are on sale for We The Fest , Good Vibes and Very Summer Festival , but ticket details of her headline shows have yet to be announced. See the full list of dates below:

Sabrina Carpenter’s Asia dates on the ‘Emails I Can’t Send’ tour are:

JULY Tuesday 18 – Tokyo, Japan, Toyosu Pit Wednesday 19 – Zepp Osaka Bayside Friday 21 – Kuala Lumpur, Malaysia, Good Vibes Festival Saturday 22 – Jakarta, Indonesia, We The Fest Tuesday 25 – Manila, Philippines, New Frontier Theater Thursday 27 – Singapore, Expo Hall @ Marina Bay Sands Saturday 29 – Bangkok, Thailand, Very Summer Festival

Just in: Sabrina Carpenter is coming to Asia! More details soon ❤️ Posted by Live Nation Philippines on  Thursday, March 30, 2023

Carpenter’s tour takes its name from the title of her fifth album ‘Emails I Can’t Send’, which dropped in July 2022 and expanded with a deluxe edition ‘Emails I Can’t Send Fwd’ in March.

Recommended

The American singer last toured Asia in 2019, performing in Japan, South Korea and Singapore (a Manila show had been planned but was ultimately cancelled). This new Asia tour comes after a slate of dates in Europe and the UK. After performing in Asia, she’ll head to Chicago for Lollapalooza Festival.

• Related Topics
• Sabrina Carpenter

You May Also Like

Good neighbours live in london: tiktok stars spin obvious influences into heartfelt anthems, pet shop boys – ‘nonetheless’ review: still setting pop’s benchmark, steven knight on ‘this town’ and his big-budget ‘peaky blinders’ movie, the party never sleeps: fat dog unleashed in america, ‘sand land’ review: a charming adaptation of akira toriyama’s legendary manga, more stories, watch bring me the horizon’s oli sykes join babymetal on stage for ‘kingslayer’ at sick new world, taylor swift bandcamp page secured by ogbert the nerd frontman to share screamo music, angelina jolie’s lawyers call brad pitt’s nda request “abusive”, watch vampire weekend cover bob dylan and bruce springsteen at new orleans jazz festival, watch post malone play fan request country covers with brad paisley & dwight yoakam at stagecoach, moby says “there was a sadness” to his feud with aphex twin.

• Manage Account

Sabrina Carpenter Swirls ‘Saltburn’ Into ‘Nonsense’ Outro in a Nod to Barry Keoghan at Coachella

Anyone who's seen Saltburn won't be able to unsee what the singer referenced on the Coachella stage.

By Ashley Iasimone

Ashley Iasimone

• Share this article on Facebook
• Share this article on Twitter
• Share this article on Flipboard
• Share this article on Pinit
• + additional share options added
• Share this article on Reddit
• Share this article on Linkedin
• Share this article on Whatsapp
• Share this article on Email
• Print this article
• Share this article on Comment
• Share this article on Tumblr

Sabrina Carpenter

See latest videos, charts and news

Eric Church's Polarizing Stagecoach Set Draws Raves and Boos

Trending on billboard.

Carpenter’s “drinkin’ my bath water” wordplay unmistakably points toward a quite shocking scene in the 2023 film directed by Emerald Fennell, which starred Jacob Elordi opposite Keoghan.

Carpenter is seemingly dating Keoghan, with the couple making their public debut  at the Vanity Fair Oscars afterparty in March. While they did not officially pose side-by-side on the red carpet, they did walk it at the same time. During the party, Carpenter and Keoghan snapped a playful photo together off the carpet, hiding the bottoms of their faces with their hands in a way that obviously did not hide their identity nor the fact that they were at the party together.

Here’s Every ‘Nonsense’ Outro Sabrina Carpenter Has Performed at Taylor Swift’s…

At a Taylor Swift concert in Singapore in March where the Emails I Can’t Send artist was the opening act, fans also spotted  Carpenter running into  the actor’s arms for a big hug after leaving the Eras stage.

Watch what we’ll call Carpenter’s “Nonsense (Saltburn Version)” outro performed at Coachella below.

Sabrina Carpenter references her boyfriend Barry Keoghan’s bathtub scene in #Saltburn in her final “nonsense” outro: “Made his knees so weak he had to spread mine. He’s drinking my bath water like it’s red wine. #Coachella  , see you back here when I headline.” pic.twitter.com/k7RwPD9bd8 — Marcus (@marcusuntrell) April 20, 2024

Get weekly rundowns straight to your inbox

Want to know what everyone in the music business is talking about?

Get in the know on.

Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.

optional screen reader

Charts expand charts menu.

• Billboard Hot 100™
• Billboard 200™
• Hits Of The World™
• TikTok Billboard Top 50
• Song Breaker
• Year-End Charts
• Decade-End Charts

Music Expand music menu

• R&B/Hip-Hop

Culture Expand culture menu

Media expand media menu, business expand business menu.

• Business News
• Record Labels
• View All Pro

Pro Tools Expand pro-tools menu

• Songwriters & Producers
• Artist Index
• Royalty Calculator
• Market Watch
• Industry Events Calendar

Billboard Español Expand billboard-espanol menu

• Cultura y Entretenimiento

Honda Music Expand honda-music menu

Sabrina Carpenter set to challenge Taylor Swift for top spot in singles chart

S abrina Carpenter’s new hit Espresso is threating to knock Taylor Swift’s collaboration with Post Malone off the top spot in the UK singles chart, according to the Official Charts Company’s first look.

There are currently 1,000 chart units between Carpenter’s upbeat pop song and Swift’s new melancholic single Fortnight, which the latter released alongside her 11th studio album The Tortured Poets Department earlier this month.

If Carpenter’s track can hold on to its lead until Friday, it will become her first UK chart-topper.

Carpenter, 24, started off on the Disney Channel playing lead roles in the comedy series Girl Meets World and in the comedy film Adventures In Babysitting.

After featuring in a host of other feature films, she branched into the world of music, releasing her debut album Eyes Wide Open in 2015.

She has released a further four albums and over the last year, she was one of the acts to open for Swift on the singer’s mammoth Eras Tour.

Swift has broken a string of chart records following the release of her highly anticipated record, which is thought to contain references to her ex-boyfriend Joe Alwyn and The 1975’s Matty Healy.

Among the achievements, the 14-time Grammy winner became the first music artist to claim 12 number one albums in the 21st century in the UK charts.

Swift also achieved her third UK chart double for the third consecutive year in a row as Fortnight soared to number one in the singles chart alongside her album.

Two other tracks from her album are also on track for the top 10 – I Can Do It With A Broken Heart, which is set to enter at number seven in the first look update, and Down Bad, which is currently set to drop down four places to eighth.

Elsewhere in the chart, Irish singer Hozier’s Too Sweet is on track to drop down one place to third while Benson Boone’s TikTok hit Beautiful Thing is on course to climb two places to fourth.

US singer Teddy Swims is set to climb three spots to number five with Lose Control and Artemas’s I Like The Way You Kiss Me is set to climb one place to sixth.

Register now for one of the Evening Standard’s newsletters. From a daily news briefing to Homes & Property insights, plus lifestyle, going out, offers and more. For the best stories in your inbox, click here .

Sabrina Carpenter Gives Barry Keoghan a Nod With ‘Saltburn’ Inspired ‘Nonsense’ Outro at Coachella: Watch

The "Feather" singer made a reference to her rumored boyfriend's viral movie scene as she changed up the lyrics to her hit song at Coachella.

Sabrina Carpenter   gave a cheeky shoutout to her rumored boyfriend  Barry Keoghan  as she sang the outro to her song “Nonsense” at Coachella on Friday, April 19. The singer, 24, made a reference to the scene in  Saltburn where Barry, 31, drinks his co-star’s bathwater during her epic performance on the second weekend of the music festival.

As Sabrina sang the outro to “Nonsense,” she changed up the lyrics to seemingly refer to Barry, with the sensual nod to  Saltburn . “Made his knees so weak he had to spread mine/He’s drinking my bathwater like it’s red wine,” she sang. As she closed out the line, she had a sweet message for the audience, telling them that she was eye-ing the top slot on the festival’s line up. “Coachella see you back here when I headline,” she sang.

Sabrina Carpenter’s nonsense outro for #Coachella , THE REFERENCE OF THE BATHWATER pic.twitter.com/cJoR4JH2Vw — 🐤 (@juIiacanario) April 20, 2024

For those who may not know, Sabrina has regularly changed up the outro to her 2022 track “Nonsense” when performing live. The singer has been one of the openers on  Taylor Swift’s  “Eras Tour,” and she always changes up the last lines of the song when performing live.

The original outro to the song has the lyrics “This song catcher than chickenpox is/I bet your house is where my other sock is/Woke up this morning, thought I’d write a pop hit/How quickly can you take your clothes off? Pop quiz.” While performing on live Sabrina shakes up the lyrics to be a little seductive and refers to the city (or festival) she’s performing at.

Sabrina opened up about the lyric changes in an August 2023  Billboard   interview. “I’m not going to lie, I’ve made a lot of provocative jokes and … I talk a big talk,” she said. “The outros are partially inspired by real-life and partially like it’s just the more outrageous, sometimes the more fun it is.”

Sabrina and Barry first sparked romance rumors when they were spotted out together in December. They were also reportedly spotted together at  Vanity Fair’s  Oscar Party in March. Barry was also reportedly seen watching Sabrina’s set at Coachella’s first weekend, per  People . 

Sabrina Carpenter