joshua hedley uk tour

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Joshua Hedley announces UK dates for June

Joshua Hedley has announced UK tour dates for June 2022, taking in London, Manchester and Glasgow. He will also appear at Red Rooster Festival on Saturday 4 June, as previously announced. His new album ‘Neon Blue’ was recently released via New West Records and has been widely praised both sides of the pond (our review is coming soon, honest!) The 12-song set was co-produced by Jordan Lehning (Rodney Crowell) & Skylar Wilson (Justin Townes Earle) and mixed by Kyle Lehning (George Strait, Randy Travis). The album is the follow up to Hedley’s critically acclaimed 2018 debut ‘Mr. Jukebox’, which was released by Jack White’s Third Man Records. Hedley’s breakout debut was described as showcasing “his deep knowledge of country music history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.”

‘Neon Blue’, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says Hedley, “was the early 1990s, roughly 1989 through 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ‘97, when country veered off into pop territory. Neon Blue asks, What if that fork never happened? What if country kept on sounding like country?” What indeed. Here are those dates:

Mon 6 June  – LONDON  The Lexington Tue 7 June – MANCHESTER Gullivers Weds 8 June  – GLASGOW Glad Café

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Such an amazing show!! It was absolutely incredible being able to see Josh live and he really puts his all into his music. I loved how personal the sole was and I met Josh after the show which was amazing. I highly recommend attending any of his concerts.

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Incredible show!!!!!! Pure country music! I wish there were more musicians like Josh out there. I felt every tear and heartache. If Josh Hedley isn’t on your Spotify playlist you need to re-evaluate your life. Go right now and listen!!!

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Asleep At The Wheel Feat. Brennen Leigh & Joshua Hedley

We are honoured to host the final ever Asleep At The Wheel UK festival show as part of AATW’s “Happy Trails” Tour. To mark this special occasion and celebrate our tenth year AATW will be joined by Red Rooster favourites Brennen Leigh and Joshua Hedley.  Asleep at The Wheel has been part of the American roots music landscape for more than 50 years. Although the band got its start on a farm in Paw Paw, West Virginia, asleep at the wheel became a cornerstone of the Austin, Texas scene upon its arrival in 1973. Inspired by western swing and honky-tonk country, the band has accrued 10 Grammy awards. Ray Benson carries the band back onto the road, where they’ve remained a staple for five decades

All on stage together, all night long. These 3 artists will take you through ALL forms of Country and Western music playing their hits as well as special songs from the past for a non stop evening of fun.

Asleep at the wheel has been part of the American roots music landscape for more than 50 years. Although the band got its start on a farm in Paw Paw, West Virginia, asleep at the wheel became a cornerstone of the Austin, Texas scene upon its arrival in 1973. Inspired by western swing and honky-tonk country, the band has accrued 10 Grammy awards. Ray Benson carries the band back onto the road, where they’ve remained a staple for five decades.

Joshua Hedley

Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style. Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?” Opener “Broke Again,” with its stuttering hook and bouncy riff, would’ve sounded right at home on a playlist between Garth Brooks’ “Friends in Low Places” and Alan Jackson’s “Chattahoochie, and the majestic “River in the Rain” sounds like a thousand lighters held high during an encore. That era may have been dismissed by traditionalists at the time as slick or overproduced, but Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production. “The sound is modern,” he says, “but it’s still discernibly country.”

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Joshua Hedley – ‘Neon Blue’ review

Joshua Hedley ‘s debut album, 2018’s ‘Mr. Jukebox’, was very strong, and his sophomore effort, ‘Neon Blue’, is even better. Where the former explored the sounds of the ’60s and ’70s, the new album fast forwards to the neotraditionalist country sound of the ’90s. Hedley manages to capture the essence of his influences, while not sounding beholden to them and making himself completely distinctive.

I’m not someone who is overly familiar with neotraditionalist country. My familiarity with country music comes by way of Americana, alt-country, and folk. I definitely wasn’t listening to this music at the time it was coming out, and it’s not something I’ve deliberately sought out much of. Some of the artists I listen to from this period – Dwight Yoakam, Steve Earle, and Rodney Crowell — fall into this category, but it’s not a category of music I look for other artists in to listen to.

After hearing ‘Neon Blue’, that may change. This is an excellent album, and it shows me that there’s definitely something in this music worth exploring and really getting to understand. I certainly understand the problems with streaming, but the beautiful thing about streaming is that it makes it possible to do a lot of exploration, in a way that wasn’t possible before. I think I might just go about exploring neotraditional country music.

Getting to the meat of the album, the songs are great. Hedley worked with cowriters on this album, and the results show the wisdom of that decision. ‘Broke Again’ mines solid, steady country territory, but it does it skillfully, and part of what’s great about what’s going on here is the nodding to other parts of the album. It’s a cherry on top that really makes this an attractive sundae. ‘Country & Western’ is a bit of a thumb in the eye to the all the jargon and terminology that surrounds “what they used to simply call country music,” and I think Hedley is probably right to reject Americana. He’s just plain country.

In ‘Old Heartbroke Blues’ and other songs, we got any number of references and allusions to the rich history of country. This is an album that comments on its genre, on itself, and its place in the genre. When Hedley talks about a being a kind of “professor,” there’s really something to that: he’s giving us, in the form of a set of songs, a commentary on the history and state of the genre. More of these iconic images and references appear in ‘The Last Thing In The World’.

The album pivots from here to a suite of songs that, while they may or not be strictly connected, are telling a related story. ‘Down To My Last Lie’, ‘Free (One Heart)’, ‘Neon Blue’, ‘Bury Me With My Boots On” and “Found In A Bar’ are songs about love, heartbreak, death, and bars, in a way that’s all very related. Hedley’s adult life, as he’s written about, has been dominated by his playing in the honky-tonk Robert’s Western World. This part of the album represents a more concrete, grounded side of country music, one less interested in interrogating concepts and more interested in the genre’s sincere engagement with its classic themes. It’s to the albums credit that it balances these halves, and that they play off of each other exceedingly well.

‘Wonder If You Wonder’ doesn’t feel quite as integrated as the rest of the tracks, but it’s still very strong and not out of place. The cover of Roger Miller’s ‘River In The Rain’ is finely done and well chosen, hitting the perfect to close the record. Hedley demonstrates his strengths as an interpreter as much as a performer of his own material.

This is a terrific album, with a lot of original ideas, strongly written, well played, just solidly done all around. I know that Hedley got sober in the last few years, and like it has for many artists, this choice has really payed off in terms of his art, and I strongly recommend the results.

Track list: 1. Broke Again 2. Country & Western 3. Old Heartbroke Blues 4. The Last Thing in the World 5. Down to My Last Lie 6. Free (One Heart) 7. Neon Blue 8. Bury Me With My Boots On 9. Found in a Bar 10. Let’s Make a Memory 11. Wonder If You Wonder 12. River in the Rain Record label: New West Records Release date: 22nd April 2022 Buy ‘Neon Blue’ now

[rwp-reviewer-rating-stars id=”0″]

• Joshua Hedley

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